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W.11-12.7Common CoreELAWritingGrades 11-12

W.11-12.7: Sustained Research That Synthesizes Primary and Conflicting Sources

In plain English: W.11-12.7 is the Common Core ELA standard that asks students in grades 11 and 12 to conduct short and more sustained research projects that answer a question, often one they pose themselves, or solve a problem. Students narrow or broaden the inquiry as evidence demands and synthesize many sources, including primary sources and sources that disagree, into a sound account.

Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation.

Common Core State Standards for English Language Arts & Literacy · Domain: Writing Standards · Cluster: Research to Build and Present Knowledge · Official standard

01

Lesson Plan

70 min

Overview

Students follow a six-week senior research project that starts from a real kind of local problem: a town council must choose between a sea wall and raising houses. Leila, an invented senior, narrows "Do seawalls work?" to a historical case, the 1900 hurricane at Galveston, Texas, and what the city built afterward. Her one-period short project on the death toll turns up four sources and four different figures. She then reads two primary sources from 1900, the Weather Bureau chief's letter against abandoning the city and a book's account of an Army engineer's sea wall plan, alongside later accounts of the seawall, the raising of the city and the 1915 storm that tested both. She broadens her question when the sources show the wall was one part of a system, narrows the half of the project she cannot judge, and ends with a synthesis that gives her council questions to ask instead of an answer it cannot support.

The lesson works at the grade 11-12 level of the same standard: primary and secondary sources read together, discrepancies traced to their causes, and claims kept inside the evidence. Students sort discrepancies, compare 1900 proposals with what was built, workshop their own proposals, and for homework refocus a project on the 1903 Iroquois Theater fire using a 1904 primary source.

Learning Objectives

By the end of this lesson, students will be able to:

  • Turn a self-generated question about a present problem into a researchable question about a comparable case
  • Conduct a short research project and report its findings honestly when sources give different figures
  • Narrow or broaden a sustained inquiry in response to what primary and secondary sources reveal
  • Synthesize primary and secondary sources, tracing each discrepancy to a difference in place, time, measure or certainty
  • Demonstrate understanding of the subject by stating what the evidence supports, what it cannot settle and why

Prior Knowledge Required

Students should already be comfortable with:

  • Conducting short and more sustained research projects and synthesizing sources W.9-10.7
  • Assessing the usefulness of sources and integrating them with citations W.9-10.8
  • Comparing how several primary and secondary sources treat the same topic RH.9-10.9
  • Keeping a research log with dated entries

Lesson Procedure

70-70 minutes of class time across 5 phases.

  1. Warm-Up10 minutes

    Warm-Up Prompt

    "Think of a decision your town, school or family is facing. Where in the past did someone face nearly the same decision? What would you need to know about what they chose, and what happened afterward, before their story could help?"

    Take three or four answers. Point out that each one turns a present problem into a research question about a past case, which is how many sustained research projects begin. W.9-10.7 and W.11-12.7 use the same words; in grades 11 and 12 the difference is in the work: longer projects, primary sources read alongside secondary ones, sources that disagree, and a synthesis that must say what the evidence can and cannot support.

    Introduce the project the lesson follows. Leila, a senior, is writing a six-week research paper for Mr. Okafor's seminar. Leila, Mr. Okafor, the librarian Ms. Varga, the town of Rook Harbor and its council are invented for this lesson. Her subject is real: the hurricane that struck Galveston, Texas, on September 8, 1900, and what the city did afterward. Her notes quote real sources. Read Text 1. Students write one sentence: what exactly was wrong with "Do seawalls work?"

    Week 1, Monday. Research proposal for Mr. Okafor's senior seminar: six weeks, 2,000-2,500 words, at least six sources, at least two of them primary sources.

    Why this topic: My grandmother lives in South Flats, the lowest neighborhood in Rook Harbor. Last spring the town council began debating two ways to protect it from storm surge: building a sea wall along the waterfront, or paying part of the cost for owners to raise their houses on higher foundations. The vote is next year.

    First question: Do seawalls work?

    Mr. Okafor's comment: "Work for whom, against what, and compared with what? Every seawall on every coast is a library, not a project, and 'do they work' invites a yes or a no. Find one place where people faced your town's choice, where you can see what they chose and what happened next."

    Revised question: After the hurricane of September 8, 1900, why did Galveston, Texas, protect itself with a seawall and a raised city, and how well did those protections work? The second half of the project: what should Rook Harbor's council learn from Galveston?

    Before the sustained project starts, Mr. Okafor wants a one-period short project on one fact we will need. Mine: How many people died in the 1900 storm? I thought this would take ten minutes.

    SVHS lesson authors, Text 1: Leila's research proposal, Week 1 (Leila, her teacher, Rook Harbor and its council are invented). Original passage written for this page.
  2. Direct Instruction25 minutes

    Name the parts of the standard in Leila's project. Her short project (Text 2) answers one fact in one class period. Her sustained project runs six weeks, with primary sources from 1900 (Texts 3 and 4) and later secondary sources (Texts 5 and 6). Her question is self-generated and tied to a problem, a vote in her town. She will narrow and broaden the question as the sources push her (Texts 1 and 6). Her final section synthesizes the sources and demonstrates understanding by stating what they support and what they cannot settle (Text 7).

    Read Text 2, then the two primary sources: Willis Moore's letter, written five days after the storm, and a 1900 book's account of Colonel Robert's plan. Both are exact public-domain texts; "[...]" marks the omitted paragraphs in Text 4. Use Diagram 2 to picture the short project, then work through the examples.

    Short project, Week 1, Wednesday. Question: How many people died in the 1900 storm?

    Isaac M. Cline, the Weather Bureau's official in Galveston, in his report printed in the Monthly Weather Review in 1900: "conservative estimates place the loss of life at the appalling figure, 6,000."

    The Handbook of Texas, published by the Texas State Historical Association, entry by John Edward Weems: "Between 6,000 and 8,000 people in the city of Galveston had died." The same entry says the city had 38,000 inhabitants.

    The American Society of Civil Engineers (ASCE), page on the seawall as a historic landmark: the storm killed "at a minimum, 6,000 of the island's 44,000 inhabitants."

    A 2015 blog post from NOAA's Atlantic Oceanographic and Meteorological Laboratory: "Estimates of the number dead vary greatly, from 8000 to 12,000."

    Answer: No one knows the exact number, and none of these sources claims to; Cline himself calls 6,000 a conservative estimate. They agree on at least 6,000. The Handbook counts the city, while the ASCE counts the whole island, which has more people. In my report I will write "at least 6,000 and perhaps as many as 12,000."

    What this changed: I had planned to copy numbers from whichever source I read first. From now on I will record, for every number, what it measures, where and when.

    SVHS lesson authors, Text 2: Leila's short project, Week 1 (her notes; the quotations are from the sources named). Original passage written for this page.

    Chief Willis L. Moore, of the United States Weather Bureau at Washington, being asked his opinion of the idea of rebuilding Galveston on some other site, replied as follows:

    "Weather Bureau, U. S., Washington, D. C., September 13, 1900.

    "I should not advise the abandonment of the city of Galveston. It is true that tropical hurricanes sometimes move westward across the gulf and strike the Texas coast, but such movement is infrequent. Within the last thirty years no storm of like severity has touched any part of the coast of the United States. There are many points on both the Atlantic and gulf coasts, some of them occupied by cities the size of Galveston, that are equally exposed to the force of both wind and water, should a hurricane move in from the ocean or gulf and obtain the proper position relative to them. It would not be advisable to abandon these towns and cities merely because there is a remote probability that at some future time a hurricane may be the cause of great loss of life and property.

    "We have just passed through a summer that for sustained high temperature has no parallel within the last thirty years. Records of low temperature, torrential rains, and other meteorological phenomena that have stood for twenty and thirty years are not infrequently broken. There does not appear to be, so far as we know, any law governing the occurrence or recurrence of storms. The vortex of a hurricane is comparatively narrow, at most not more than twenty or thirty miles in width. It is only within the vortex that such a great calamity as has befallen Galveston can occur.

    "It would seem that, rather than abandon the city, means should be adopted at Galveston and other similarly exposed cities on the Atlantic and gulf coasts to erect buildings only on heavy stone foundations that should have solid interiors of masonry to a height of ten feet above mean sea level. Rigid building regulations should allow no other structures erected for habitations in the future in any city located at sea level and that is exposed to the direct sweep of the sea.

    "But Galveston should take heart, as the chances are that not once in a thousand years would she be so terribly stricken, and high, solid foundations would doubtless make her impregnable to loss of life by all future storms.

    "WILLIS L. MOORE,
    "Chief U. S. Weather Bureau."

    Willis L. Moore, in John Coulter (editor), The Complete Story of the Galveston Horror, Text 3: Willis L. Moore, chief of the U.S. Weather Bureau, letter of September 13, 1900, as printed in The Complete Story of the Galveston Horror (1900). Public domain (published 1900). Source text.

    Can the city of Galveston, almost obliterated by the recent storm, be protected from all future assaults by the Gulf?

    Colonel Henry M. Robert, United States Corps of Engineers, and divisional engineer of the Atlantic and Gulf coasts, who is stationed here at present, says that Galveston can be absolutely protected from every storm by a sea wall built along the Gulf front.

    [...]

    [...] Colonel Robert now proposes an additional plan, simple and inexpensive, for affording the fullest and most complete measure of protection from all storms. This new plan is to construct a sea wall along the Gulf front of the city.

    It is estimated that the height of the waves in the recent storm, which was the severest ever experienced on the Texas coast, was about ten to twelve feet. Colonel Robert suggests that a wall at least twelve feet above the beach, and running the entire length of the water front, or about ten miles, be built immediately to barricade the city from the Gulf. A height of twelve feet above the beach would give fourteen feet above the water, and would, Colonel Robert thinks, afford ample protection.

    COST OF THE SEA WALL.

    As to the expense of such a structure, it is thought by engineers that a liberal estimate would be about $1,500,000 per mile. This wall, as projected by Colonel Robert, would extend from a point on the south jetty, where the latter crosses the Gulf front of the city, and would follow the line of the beach, two or three feet above the water level, until it reached the southwestern limit of the island, in the shallow water of West Bay. At the latter point the danger from storms is not serious.

    Paul Lester, Text 4: "Plan to Protect Galveston," from Paul Lester, The Great Galveston Disaster, on Colonel Henry M. Robert's sea wall proposal (paragraphs on a harbor plan are omitted) (1900). Public domain (published 1900). Source text.
    • Narrowing by choosing a case

      Mr. Okafor's comment on "Do seawalls work?" asks "Work for whom, against what, and compared with what?" and tells Leila to "Find one place where people faced your town's choice" (Text 1, paragraph 4).

      Result: A case study narrows the inquiry without shrinking it to one fact. Galveston gives Leila a decision, the reasons given at the time and a result she can check, and it keeps her town's problem in view.

    • A short project that is not so short

      Leila expected her death-toll question "would take ten minutes" (Text 1, paragraph 6). She found four sources and four different figures (Text 2, paragraphs 2-5).

      Result: Her answer reports what the sources share, "at least 6,000," and the range above it, instead of picking the figure she liked. A short project is complete when it answers honestly, even when the honest answer is a range.

    • Reading a primary source for its assumptions

      Moore writes that there does not "appear to be, so far as we know, any law governing the occurrence or recurrence of storms," then promises that "not once in a thousand years would she be so terribly stricken" (Text 3, paragraphs 4 and 6).

      Result: The first sentence admits no one can predict storms; the second predicts one. A researcher notes the tension and treats the thousand-year figure as reassurance, not evidence, then looks for what actually happened.

    • Whose words? Reported speech in a primary source

      Text 4 is not Robert's own report. Lester writes that Robert "says" the city can be protected, "suggests" a wall and "thinks" it would give ample protection (Text 4, paragraphs 2 and 4).

      Result: The book reports Robert's plan secondhand, a few weeks after the storm. Leila can use it as evidence of what was proposed in 1900, but for the design actually built she needs the engineers' 1902 recommendation, which the ASCE page summarizes (Text 5).

  3. Guided Practice15 minutes

    Pairs read Texts 5 and 6. Diagram 1 places the events on a timeline drawn to scale. Pairs fill in the discrepancy log below for the three disagreements Leila notes in Text 5, then discuss the questions after it.

    American Society of Civil Engineers (ASCE), "Galveston Seawall and Grade Raising." A board of three engineers, Henry M. Robert, Alfred Noble and Henry C. Ripley, reported on January 25, 1902. It recommended a curved concrete seawall rising 17 feet above mean low tide. The first section, over 3 miles long, was built from 1902 to 1904, and the wall was extended later. From 1903 to 1911, about 500 city blocks were raised with sand brought in by dredges, and around 2,000 buildings were lifted on hand-turned jackscrews.

    Handbook of Texas: "Construction began on a six-mile-long seawall standing seventeen feet above mean low tide," and sand pumped from the Gulf floor "raised the grade as much as seventeen feet."

    Rosenberg Library, Galveston and Texas History Center, "Grade Raising." Before the raising, that part of the island "probably averaged around five or six feet above mean low tide." Afterward, the ground sloped from about eight feet on the bay side to about twenty-two feet at the seawall. The project was completed in 1928, and "The expense was borne by the taxpayers and the individual property owners." During the work, people lived in their raised houses and walked on boardwalks fastened to the tops of fences.

    NOAA blog (from my short project): the city decided "to raise the entire city by 17 ft."

    My notes on the disagreements. Length: the ASCE gives the first section, over 3 miles in 1902-1904, and says the wall was extended later, so the Handbook's six miles probably describes a later stage. I need a source that dates each extension before I use either number. Height of the ground: "the entire city by 17 ft" is too simple. The Rosenberg Library describes a slope, highest at the seawall, and the Handbook's "as much as seventeen feet" fits it. I will describe the slope. End date: 1911 ends the first phase in the ASCE page, and 1928 is when the Rosenberg Library says the whole project was done. Both can be true.

    SVHS lesson authors, Text 5: Leila's notes on what Galveston built, Weeks 2-3 (the notes are written for this page; the facts and quotations are from the sources named). Original passage written for this page.

    Week 3. I had been reading only about the seawall. Two sources changed that. Moore's letter (Text 3) never mentions a wall: he wants buildings on stone foundations with masonry "to a height of ten feet above mean sea level." And the Rosenberg Library shows that the city raised the ground itself, behind the wall. The seawall was one part of a system. New question: How did Galveston combine a seawall, a higher grade and stronger buildings after 1900, and how well did the combination protect the city?

    Week 4. The test came in 1915. The Rosenberg Library's page on that storm says: "The 1915 Storm gave the Seawall its first real test." Top sustained winds reached 93 miles per hour, water in the city reached 6 to 9 feet, and the storm caused 12 deaths and an estimated $5-8 million in property damage in the city. I also found Cline's own view, in his 1900 report: "I believe that a sea wall, which would have broken the swells, would have saved much loss of both life and property."

    Week 4, conference with Ms. Varga. I told her I wanted to add a full engineering comparison of the two plans for Rook Harbor. She asked: "Can you judge an engineering study? Do you have six weeks for a second city?" I cannot, and I do not. I narrowed that half of the project. Instead of recommending a plan for Rook Harbor, I will write the questions that Galveston's history says the council should ask.

    Week 5. One caution keeps coming back. 1915 was one storm. Twelve deaths against thousands is a huge difference, but the two storms were not identical, and I have not found a source that compares their strength directly. I can say the protections were followed by far fewer deaths in a severe storm. I cannot say the seawall alone caused that.

    SVHS lesson authors, Text 6: Leila's research log, Weeks 3-5 (Ms. Varga, the school librarian, is invented; the quotations are from the sources named). Original passage written for this page.
    Discrepancy log (pairs fill in the blank cells)
    What the sources disagree aboutSource and figureOther source and figureLikely reason (place, time, measure or uncertainty)What Leila will write
    Length of the seawall
    Height of the new ground
    When the grade raising ended

    Discuss: (1) In Week 3 Leila broadens her question, and in Week 4 she narrows part of it. What caused each change? (2) Which sentence in Week 5 keeps her from claiming more than her sources show?

  4. Independent Practice15 minutes

    Read Text 7, Leila's final section. Students annotate it in three colors: sentences that combine two or more sources, sentences that apply the history to Rook Harbor's problem, and sentences that state a limit. Then they draft the opening of their own research proposal: a present problem, a past case that faced the same choice, a first question, and the short project they will run first.

    The quiz uses Texts 1-7 (Warm-Up, Direct Instruction, Guided Practice and this phase); point students back to them when they take it.

    In September 1900, Galveston's leaders heard different answers to the question of how to save their city. Willis Moore, chief of the Weather Bureau, told them not to abandon it and to rebuild on "heavy stone foundations" under "Rigid building regulations," because a storm like this might not return "once in a thousand years" (Text 3). Colonel Henry M. Robert of the United States Corps of Engineers called for a sea wall along the Gulf front (Text 4), and Isaac Cline, who lived through the storm, believed a wall "would have saved much loss of both life and property" (Cline's report). The city did not choose one answer. It built a seawall, and it raised the ground behind the wall, block by block (ASCE; Rosenberg Library). In a way it met Moore's goal of building higher, though by raising the ground rather than with his stone foundations.

    Moore's estimate of the risk was the weakest part of his advice. Fifteen years later a severe hurricane struck. The seawall had its "first real test," and 12 people died in the city, against at least 6,000 in 1900 (Rosenberg Library; my short project). The sources do not let me credit the wall alone, since the two storms differed and the city had also been raised, but they show that the combined protections were followed by far fewer deaths.

    Galveston's history suggests four questions for Rook Harbor's council. First, does the plan deal with both the force of the waves and the height of the water? Galveston answered with a wall and with higher ground. Second, who pays? In Galveston, taxpayers and property owners shared the cost (Rosenberg Library). Third, how long will it take? Galveston's first seawall section took two years, but raising the ground was not finished until 1928. Fourth, what risk is the plan built for? Moore's "thousand years" turned out to be fifteen.

    My sources disagree on some numbers, including the death toll, the length of the wall and the height of the fill, and I report ranges where they do. None of them can tell Rook Harbor which plan to choose. They can tell the council what to ask.

    SVHS lesson authors, Text 7: Leila's final section, "What Galveston's Choice Can Tell Rook Harbor". Original passage written for this page.
  5. Closure5 minutes

    Exit ticket: (1) Name one place where a primary source and a secondary source in Leila's project point in different directions, and how she handled it. (2) Write one question Leila's research cannot answer. Then hand out the homework texts: Marcus's research log and source notes on the Iroquois Theater fire in Chicago (Text 8) and a set of safety suggestions printed in a 1904 book about the fire (Text 9). Marcus and his school are invented; his sources are real.

    Teacher note: Texts 3 and 4 and Texts 8 and 9 describe mass-casualty disasters, and the 1900 and 1904 books they come from use sensational language elsewhere (the Galveston book's full title promises "Death! Death! Everywhere!"). The excerpts on this page are factual passages; prepare students whose families have lived through a hurricane or fire.

    Week 1. My question for the six-week project: Why did 602 people die in the Iroquois Theater fire in Chicago on December 30, 1903, and which of the safety rules that followed still protect audiences today? I picked it because our school's new auditorium has push bars on every exit door, and I wanted to know where they came from.

    Source 1: University of Illinois Library, "Iroquois Theater Fire" (a research guide). The theater opened on November 23, 1903. On December 30 it held a standing-room-only crowd of over 1,900 people. A floodlight over the stage exploded and set the curtain on fire. The theater had no fire alarm or sprinklers, and the smoke vents above the stage were nailed shut. Many exits were locked or hidden behind heavy curtains, and others only opened inward. 602 people, mainly women and children, were killed. Laws that followed required outward-opening doors that stay unlocked, exit lights, automatic sprinklers, fire alarm systems, and flame-resistant scenery, props and curtains.

    Source 2: Encyclopedia of Indianapolis, "Panic Bar," by Robert Bowling. It says the fire "killed 596 people." Carl Prinzler, a hardware manager in Indianapolis, developed the idea for the panic bar after the fire. With Henry DuPont, an architectural engineer, he designed a bar across an exit door that unlatches it under light pressure. They applied for patents in 1908 and sold the device under the name Von Duprin.

    Source 3: Marshall Everett, "Lest We Forget": Chicago's Awful Theater Horror (1904). The book says that before the fire the building "had been heralded abroad as a 'fireproof structure,' with more than enough exits." The book also prints the safety suggestions in Text 9.

    SVHS lesson authors, Text 8: Homework, Marcus's research log and source notes (Marcus and his school are invented; the facts and quotations are from the sources named). Original passage written for this page.

    Clarence J. Root, of Chicago, an assistant of Prof. Cox in the weather bureau, makes the following suggestions in connection with the safe-theater agitation:

    [...]

    "Exits--No steps or stairs should be used in the aisles or exits or anywhere in the theater. Easy inclines, similar to the ones in the new Pittsburg theater, should be used in the aisles, the inside entrances and exits, and the outside exits, all to be covered with rubber to prevent slipping. Two or three very wide exits ought to be provided on each side of the theater, and in addition, one (say twice as wide as the aisle) at the rear end of each aisle, the hallway leading from these rear exits, if not opening outdoors, to be wide enough to accommodate the entire number of exits. These rules should apply in the balconies, also. The outside fire-escapes to be long, easy inclines, with high sides, to prevent people from jumping. Each exit to have its own independent incline, so that the crowd from the first balcony cannot block those from the upper gallery, as in the Iroquois fire. All doors to swing outward and not to be locked during the performance. They should be inspected before each play and should be so connected, electrically, that every door in the house could be thrown open instantly, merely by the touching of a button, these buttons to be located on the stage and other places convenient to the ushers and employees. Theaters should not be built 'L' shape. That was one fault of the Iroquois. The crowd naturally followed the aisles to the back of the house and then, instead of finding themselves at the outdoor exits, as in most playhouses, they had to go clear to one side of the theater. This mixed them up with the crowds from the other aisles and concentrated too many people in one place.

    "Summary--A theater as described above could not burn, but a sprinkler system would do no harm. Heating and power plant in another building would prevent danger of an explosion. The aisles should be very wide and no standing room or portable chairs allowed. It may seem unnecessary in a fireproof theater to have such elaborate exits, but panics will occur from other causes than fires. A plan of the house should be printed on the cover of the program; this should plainly show the exits. A description of the fireproof qualities of the theater should also be printed. This will secure the confidence of the audience, and perhaps avert a panic. In a house built and equipped, strictly in accordance with the above ideas, a fire would be impossible and a serious panic unlikely."

    Clarence J. Root, in Marshall Everett, "Lest We Forget": Chicago's Awful Theater Horror, Text 9: Homework, Clarence J. Root, suggestions for safe theaters, from Marshall Everett, "Lest We Forget": Chicago's Awful Theater Horror (his paragraphs on location and construction are omitted) (1904). Public domain (published 1904). Source text.

Differentiation Strategies

For Struggling Students

  • Give a number card for every figure students copy: "What does it measure? Where? When? Who says so?"
  • Fill in the first row of the discrepancy log as a model, using the seawall's length
  • Offer frames for handling disagreement: "___ gives ___, while ___ gives ___; the difference comes from ___, so I will write ___"

For Advanced Students

  • Ask students to find Isaac Cline's full 1900 report and one later historian's view of his warnings, and write how the two should be weighed
  • Have students write the one-paragraph research proposal Leila would need for a follow-up project comparing the 1900 and 1915 storms
  • Ask students to rewrite Leila's four council questions as a one-page memo for a real decision in their own community

Assessment Guidance

What to Look For

Look for a question that ties a present problem to a case with evidence on both sides of the decision, and for short projects reported with their limits. In the sustained project, strong work shows each change to the question and the source that caused it, reads primary sources for their assumptions and for whose words they report, and traces every disagreement between sources to a cause before choosing what to write. In the final synthesis, look for sentences that need two or more sources to be true, for applications to the problem that stay within the evidence, and for limits stated plainly rather than hidden.

02

Classroom Activities

3 Activities

1

Why Do the Numbers Differ? Discrepancy Sort

15 minPairs

Pairs sort six pairs of conflicting figures by the likely reason they differ, then write the sentence a careful researcher would use. All places, sources and figures on the cards are invented for practice.

Categories

  • Different place or group counted
  • Different time
  • Different measure or reference point
  • Genuine uncertainty (the true figure is not known)

The Six Cards

  • Card 1: Harbor County's population is 52,000 in the 2010 census and 58,000 in the 2020 census.
  • Card 2: Flood damage is $4 million in the city's estimate (city limits only) and $11 million in the county's estimate (the whole county).
  • Card 3: A storm's rainfall is 9 inches at the airport gauge and 14 inches at the county's wettest gauge.
  • Card 4: Deaths in an 1850s epidemic are "about 900" in a newspaper that week and "1,100 to 1,400" in a historian's count from burial records.
  • Card 5: A dam is 72 feet high above the riverbed and 85 feet high above its foundation rock.
  • Card 6: A canal opened in 1837 according to one history and in 1848 according to another; the first counts its first section, the second its full length.

Sort Key (for the teacher)

Place or group: Card 2. Time: Cards 1 and 6. Measure or reference point: Cards 3 and 5. Genuine uncertainty: Card 4, where the later count used better records but is still a range. Accept Card 6 as a difference of measure if students argue that "opening" means two different things.

Discussion Questions

  • For which cards are both figures correct?
  • Write the sentence you would use in a report for Card 4. What makes it honest?
  • Which of Leila's three disagreements in Text 5 matches which category?
2

Then and Now: 1900 Proposals Against What Was Built

20 minGroups of 3

Groups compare the two 1900 primary sources with the later accounts and write one synthesis claim about how Galveston's choice took shape. Each member reads one source closely and reports to the group.

Roles

  • Reader 1: Moore's letter (Text 3). What does he recommend, and what does he assume about future storms?
  • Reader 2: the account of Robert's plan (Text 4). What does he propose, and whose words does the book report?
  • Reader 3: Leila's notes (Texts 5 and 6). What was built, when, and how did it do in 1915?

Procedure

  • 8 minutes: each reader takes notes on a half sheet, quoting at least once
  • 6 minutes: the group builds a three-column chart: proposed by Moore, proposed by Robert, built by the city
  • 6 minutes: the group writes one claim that needs all three columns to be true, and one limit on that claim

Discussion Questions

  • Which proposal looks closer to what was built? What in the sources makes that hard to measure?
  • What does each primary source tell you that no later source could?
  • What would you need to read to know why the engineers chose a design in 1902?

Modification for Distance Learning

Assign the roles in breakout rooms of three, with a shared document that holds the three-column chart. Each room posts its claim and limit to the class thread, and students reply to one other room's claim with a source that supports or complicates it.

3

Research Proposal Workshop

25 minIndividual, then pairs

Students draft a proposal for a sustained research project of their own, built like Leila's: a present problem, a past case, a short project to run first and a plan for sources of both kinds.

Proposal Parts

  • The problem and who faces it, in two sentences
  • A past case where people faced a similar choice, and why it is comparable
  • The research question, and a note on why it is neither too broad nor too narrow
  • One short project to run in a single class period, and what its answer will be used for
  • Four planned sources: at least one primary and one secondary, with what each should add
  • One finding that would make you broaden the question, and one that would make you narrow it

Procedure

  • 15 minutes: draft the proposal individually
  • 7 minutes: trade with a partner, who marks the question too broad, too narrow or researchable and names one source that might disagree with the others
  • 3 minutes: revise the question and add the partner's suggested source to the plan

Discussion Questions

  • What makes a past case comparable enough to be useful, and where does the comparison break down?
  • Which of your planned sources is primary, and what can it show that the others cannot?
  • What will you do if your short project turns up conflicting figures, as Leila's did?

Modification for Classrooms Without Devices

Supply a short shelf of printed materials, such as local newspaper articles, a town history and a page of census figures. Students plan the proposal from these and list the online sources they will search for later.

03

Diagrams & Visual Aids

2 diagrams

Diagram 1: From the 1900 Storm to the 1915 Test, a Timeline to Scale

Galveston after the 1900 storm, drawn to scale by year 1900 1905 1910 1915 1920 1925 1930 Sept. 1900: storm; Moore letter; Robert plan Jan. 1902: board of engineers report 1915: first storm to test the seawall 1928: grade raising completed (Rosenberg) Seawall, first section (ASCE), 1902-1904 Grade raising, first phase (ASCE), 1903-1911 Bars: construction periods. Dots: single events. Sources give different end dates for the grade raising.
Events from Texts 3-6, placed at x = 50 + 22 × (year - 1900). The seawall's first section took two years; the first phase of the grade raising took eight, and the Rosenberg Library dates the end of the whole project to 1928. The 1915 storm came eleven years after the first section of the wall was finished.

Diagram 2: One Fact, Four Figures, Leila's Short Project

Deaths in the 1900 storm, as four sources estimate them 0 2,000 4,000 6,000 8,000 10,000 12,000 14,000 Cline, Weather Bureau report, 1900 Texas State Historical Assn. (city only) ASCE (island, "at a minimum") NOAA research lab blog, 2015
The estimates of deaths in the 1900 storm from Text 2, drawn to scale. A dot with a dashed arrow means "at least" that many; a bar shows a stated range. The sources count different areas and were written at different times, so the chart shows why Leila reports a range instead of a single number.

04

Homework Assignment

~30 min

W.11-12.7 Homework: Refocus and Synthesize Marcus's Iroquois Theater Project

Directions: Use Texts 8 and 9 in the Closure section of the lesson plan. Marcus is starting the same six-week project as Leila. Cite the paragraph of Text 8 or Text 9 for every fact you use, and use only what those texts say.

Part 1: Refocus the Question (Problems 1-2)

  1. Marcus's Week 1 question (Text 8, paragraph 1) has two weaknesses: one part builds a disputed number into the question, and another part would need sources about more than a century of safety rules. Identify each weakness, citing the paragraph that reveals it, and rewrite the question so that it fits a six-week project. Say whether each change narrows or broadens the inquiry.
  2. Treat the death toll as a short project. Write the sentence Marcus should put in his report, and a note of two or three sentences explaining the discrepancy and naming the kind of source that could settle it.

Part 2: Synthesize the Sources (Problems 3-4)

  1. Compare Root's 1904 suggestions (Text 9) with the laws listed in Source 1 (Text 8, paragraph 2). Make three lists: suggestions Root makes that Source 1 says later became law; suggestions Root makes that are not in Source 1's list; and rules in Source 1's list that are not in these paragraphs of Root. Cite each item.
  2. Root predicts that in a theater built his way "a fire would be impossible" (Text 9, paragraph 3). Use Source 3 (Text 8, paragraph 4) and what Text 9, paragraph 1, tells you about Root to explain the strengths and limitations of Text 9 as a source for Marcus's project.

Part 3: Synthesize and Plan (Problems 5-6)

  1. Write a paragraph of 180-250 words that answers your Problem 1 question as far as Texts 8 and 9 allow. Use at least one primary and one secondary source, handle the death-toll discrepancy honestly, and include at least two sentences that each need two sources to be true.
  2. Plan Marcus's remaining weeks. Name two more sources he should find, one primary and one secondary, and say what each would test in your paragraph. Then describe one finding that would make him broaden or narrow the question again.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Refocusing the inquiryBoth weaknesses identified with citations; revised question fits six weeks; each change labeled as narrowing or broadening; death-toll sentence and note are honestOne weakness addressed, or the note does not explain the discrepancyQuestion unchanged, or a single figure reported as certain
Comparing and weighing sourcesThree accurate, cited lists; strengths and limitations of Root tied to his role and to the "fireproof" claimLists partly accurate, or evaluation names only strengths or only limitationsSources summarized without comparison or evaluation
Synthesis and understandingParagraph combines primary and secondary sources in at least two sentences, explains the causes of the deaths and stays within the evidenceSources used mostly one at a time, or one claim goes beyond the evidenceOne source only, or claims not supported by Texts 8-9
Planning the sustained projectTwo well-chosen sources with clear purposes and a specific narrow-or-broaden triggerSources named without purposes, or trigger vagueNo plan

05

Quiz: 20 Questions

Interactive, with answers

Instructions

The questions use Texts 1-7 in the lesson plan: Leila's proposal (Warm-Up), her short project and the two 1900 primary sources (Direct Instruction), her notes and log (Guided Practice) and her final section (Independent Practice). Paragraph numbers match the numbers beside each text. Question 14 uses a new situation. Your score updates as you answer, and Reset quiz clears everything so you or your students can try again.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    In Text 1, paragraph 4, what is Mr. Okafor's main objection to "Do seawalls work?"

  2. Question 2 of 20 · Multiple Choice

    What makes Leila's research question self-generated and tied to a problem?

  3. Question 3 of 20 · Multiple Choice

    According to Text 2, paragraph 7, how will Leila's research method change because of the short project?

  4. Question 4 of 20 · Multiple Choice

    The Handbook of Texas says the city had 38,000 inhabitants; the ASCE page says the island had 44,000. What is the best explanation, based on Text 2?

  5. Question 5 of 20 · Multiple Choice

    In Text 3, what does Moore recommend instead of abandoning Galveston?

  6. Question 6 of 20 · Multiple Choice

    Moore writes that "not once in a thousand years" would Galveston be "so terribly stricken" (Text 3, paragraph 6). Which evidence in Leila's later sources most directly tests this reassurance?

  7. Question 7 of 20 · Multiple Choice

    Robert proposed a wall "at least twelve feet above the beach" (Text 4); the engineers' board recommended one "rising 17 feet above mean low tide" (Text 5). What can a careful researcher conclude?

  8. Question 8 of 20 · Multiple Choice

    Text 4 says Robert suggested a wall of "about ten miles" and that engineers thought a liberal estimate would be "about $1,500,000 per mile." What total cost does this imply?

  9. Question 9 of 20 · Multiple Choice

    Text 5 gives the seawall's length as "over 3 miles" (ASCE) and "six-mile-long" (Handbook of Texas). How does Leila handle this?

  10. Question 10 of 20 · Multiple Choice

    Why does Leila decide to describe a slope instead of writing that Galveston was raised "17 ft" (Text 5, paragraph 5)?

  11. Question 11 of 20 · Multiple Choice

    In Week 3 (Text 6, paragraph 1), Leila broadens her question. What causes the change?

  12. Question 12 of 20 · Multiple Choice

    In Week 4 (Text 6, paragraph 3), why does Leila narrow the Rook Harbor half of her project?

  13. Question 13 of 20 · Multiple Choice

    Which claim do Leila's sources support about the 1915 storm (Text 6, paragraph 4)?

  14. Question 14 of 20 · Multiple Choice

    A student researching a local bridge finds its opening year given as 1883 on a city website and 1884 on a museum page. What should the student do first?

  15. Question 15 of 20 · Short Answer

    Leila expected her short project to "take ten minutes" (Text 1). Explain what the short project found and how it shaped the sustained project. Cite Text 2.

  16. Question 16 of 20 · Short Answer

    Synthesize Texts 3 and 4 with Text 5: in two or three sentences, compare the two 1900 proposals and explain how each relates to what Galveston built.

  17. Question 17 of 20 · Short Answer

    Leila's short project uses Isaac Cline's 1900 report and a 2015 NOAA blog post (Text 2), and she returns to both later (Texts 5 and 6). Explain one strength and one limitation of each as evidence for her question.

  18. Question 18 of 20 · Short Answer

    Identify one place where Leila broadened her inquiry and one where she narrowed it. For each, name the evidence or advice that prompted it and explain why the change was appropriate.

  19. Question 19 of 20 · Short Answer

    Write one sentence that Leila's sources would let her say to Rook Harbor's council, and one sentence they would not. Explain the difference.

  20. Question 20 of 20 · Short Answer

    How does Text 7 demonstrate that Leila understands her subject, not just that she collected sources? Give two pieces of evidence.

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does W.11-12.7 mean?

W.11-12.7 means that students in grades 11 and 12 carry out research projects, short ones and longer ones, to answer a question or solve a problem, often a question they came up with themselves.

They adjust the question as the evidence comes in, making it narrower or broader, and they pull many sources into a single account that shows they understand the subject, including where the sources disagree.

Is W.11-12.7 the same as W.9-10.7?

The wording is identical; the expectations grow through the work students do with it.

In grades 11 and 12, projects are usually longer, sources are harder and include more primary documents, and companion standards raise the bar: W.11-12.8 asks students to assess each source's strengths and limitations, and RH.11-12.9 asks them to note discrepancies among primary and secondary sources.

What counts as a "more sustained" research project in grades 11-12?

A project that runs for several weeks, draws on many sources of different kinds and ends in a substantial written or presented product.

The standard sets no length. A senior research paper of several thousand words, a multi-week investigation of a local problem, or a capstone project can all qualify, as long as the question needs that much evidence to answer.

How should students handle sources that give different numbers or facts?

Find the cause before choosing what to write: sources often differ because they count a different place, describe a different time, use a different measure, or face real uncertainty.

When both figures are right, say what each describes. When the truth is uncertain, report the range and say so. Averaging, or quietly using the figure a student likes, hides the evidence instead of synthesizing it.

When is it appropriate to broaden a research question?

When the evidence shows that the question leaves out part of the answer, or that it can only produce a yes or a no.

In this lesson, Leila broadens from Galveston's seawall to the whole set of protections because her sources show the city also raised the ground. Broadening is appropriate when it follows the evidence and still fits the time available.

How do primary and secondary sources work together in a W.11-12.7 project?

Primary sources show what people knew, feared and proposed at the time; secondary sources show what happened later and how historians or experts now describe it.

Read primary sources for their assumptions and for whose words they report, and use secondary sources to check what was actually done. Public-domain documents from before 1930, such as letters and period books, are a rich and freely available source of primary evidence.

What does "demonstrating understanding of the subject" look like in a senior research paper?

It looks like explanation and judgment, not a string of summaries: the writer explains causes, weighs options and applies the findings to the problem.

It also includes honest limits. A writer who can say what the evidence supports, what it cannot settle and what source would settle it has shown more understanding than one who claims certainty.

How does W.11-12.7 connect to W.11-12.8 and RH.11-12.9?

W.11-12.7 describes the research project as a whole; W.11-12.8 covers gathering and evaluating the sources, and RH.11-12.9 covers integrating primary and secondary sources while noting discrepancies.

The three are usually taught together. Weighing Moore's letter against later accounts, as Leila does, practices all three at once.

How can teachers assess a six-week research project fairly?

Assess the process at checkpoints as well as the final paper, because the standard describes research, not only a product.

Useful checkpoints include the proposal, the short project, a research log that records each change to the question and its cause, a discrepancy log, and a draft of the synthesis. A rubric can then score the question, the sources, the synthesis and the handling of limits separately.

How can parents help with a W.11-12.7 research project at home?

Ask about the question, not the page count: what are you trying to find out, and how has the question changed?

When your student reports a fact, ask where it comes from and whether another source agrees. Helping a teenager notice when a claim goes beyond the evidence is one of the most useful things a parent can do for this standard.