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W.8.5Common CoreELAWritingGrade 8

W.8.5: Revising for Purpose and Audience and Editing with Grade 8 Conventions

In plain English: W.8.5 is the Common Core grade 8 ELA standard that asks students to develop and strengthen writing by planning, revising, editing, rewriting or trying a new approach, with some guidance and support from peers and adults, while judging how well the draft serves its purpose and audience. Editing draws on the Language standards up to grade 8, such as verb voice and mood.

With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on how well purpose and audience have been addressed.

Common Core State Standards for English Language Arts & Literacy · Domain: Writing Standards · Cluster: Production and Distribution of Writing · Official standard

01

Lesson Plan

65 min

Overview

Students follow one letter through three drafts. After a Saturday fun run that blocked driveways, left trash on lawns and woke a street at 7:00 a.m., Soledad, an invented eighth-grade student council secretary, writes to the thirty households on Larkspur Lane. Her first draft opens with the money the run raised and hides every problem behind the passive voice: "Mistakes were made." In a feedback session, two classmates read the letter as neighbors, and the council's advisor brings in the letter one neighbor sent to the principal. Soledad tries a new approach built on an apology and one fix for each loss, then edits it with a partner for the grade 8 Language standards: shifts in verb voice and mood, the subjunctive mood, an ellipsis in a quotation, spelling, and misplaced and dangling modifiers.

The standard's focus is how well purpose and audience have been addressed, so every change on the page is judged by one test: will these readers trust the council enough to let the run come back? The lesson also teaches the note at the end of the official W.8.5 text, that editing should show command of Language standards 1-3 up to and including grade 8, and shows that the passive voice is sometimes the right choice. The lesson ends with the neighbor's reply. For homework, students strengthen a 3D printer guide for sixth graders with feedback from a peer and the librarian.

Learning Objectives

By the end of this lesson, students will be able to:

  • Name a draft's purpose (what it must get done) and audience (who will read it) and judge how well each part of the draft serves them
  • Give feedback that speaks as the real reader, and use feedback from peers and adults to plan changes
  • Revise, rewrite or try a new approach when a draft does not fit its readers, and say which kind of change each one is
  • Edit for grade 8 conventions: shifts in verb voice and mood, the subjunctive mood, an ellipsis for an omission, and spelling, along with earlier skills such as dangling modifiers
  • Choose the active or the passive voice for its effect on the reader

Prior Knowledge Required

Students should already be comfortable with:

  • Revising for purpose and audience with support from peers and adults W.7.5
  • Writing for a named task, purpose and audience W.7.4
  • Fixing misplaced and dangling modifiers (L.7.1c)
  • Finding the subject and the verb of a sentence

Lesson Procedure

65-65 minutes of class time across 5 phases.

  1. Warm-Up10 minutes

    Warm-Up Prompt

    "Think of an apology that did not feel like an apology. What was missing from it?"

    Take a few answers and list them. Students often name the same things: the person never said what they did, blamed something else, or promised nothing. Keep the list on the board for the whole lesson.

    Introduce the situation. The eighth-grade class at Sandpiper Hill Middle School held a Saturday Spring Fun Run, a 5-kilometer walk-and-run to raise money for its class trip. The route ran along Larkspur Lane, a street of houses next to the school, and the morning went badly for the neighbors. Soledad, the student council secretary, wrote them a letter a week later. Soledad, her school, the street and everyone in this lesson are invented. Read her Draft 1 aloud. Each student writes one sentence: after reading it, what does a neighbor know about who caused the problems?

    Dear Larkspur Lane Residents,

    On behalf of the Sandpiper Hill Middle School Student Council, I am writing about the Spring Fun Run on Saturday, April 18. The run was a big success. More than 300 runners and walkers took part, and the eighth-grade class raised $2,140 for our class trip in May. The SC voted at our last GM to thank everyone who helped.

    We understand that there were some problems. Some cars were parked in front of driveways, and some trash was left on lawns. The sound system was also turned on early. Mistakes were made, but it was the first time the run has been held on this route, and the parking lot at school is small. If the lot had been bigger, this would not have happened.

    We hope you understand, and we hope that this definately won't happen again next year.

    Sincerely,
    Soledad Ferreira, Student Council Secretary

    SVHS lesson authors, Text 1: Soledad's Draft 1 of the letter to the Larkspur Lane neighbors (Soledad, Sandpiper Hill Middle School, Larkspur Lane and everyone in this lesson are invented). Original passage written for this page.
  2. Direct Instruction20 minutes

    Use Diagram 1 to explain the standard. W.8.5 names five kinds of work that make writing stronger: planning (deciding the readers, the purpose and what to include), revising (changing what the writing says or how it is organized), editing (fixing grammar, punctuation and spelling), rewriting (saying a part again in new sentences) and trying a new approach (starting over with a different plan, order or form). Writers do this "as needed," with "some guidance and support from peers and adults"; a peer is a classmate. Every change is judged by "how well purpose and audience have been addressed." The purpose is what the writing has to get done, and the audience is the people who will read it.

    The full Common Core text of W.8.5 ends with a note in parentheses: editing for conventions should demonstrate command of Language standards 1-3 up to and including grade 8. The main wording is the same as in grade 7; the note is what moves up. For grade 8 that means verbals, such as the participle phrase "Having heard from a neighbor" (L.8.1a); verbs in the active voice (the subject does the action: "We blocked your driveways") and the passive voice (the subject receives the action: "Your driveways were blocked") (L.8.1b); verbs in five moods: indicative for statements, imperative for commands, interrogative for questions, conditional for what would happen ("I would be angry") and subjunctive for wishes and things contrary to fact ("If I were one of your neighbors") (L.8.1c); fixing inappropriate shifts in voice and mood (L.8.1d); an ellipsis ("...") to show that words were left out of a quotation, or to show a pause (L.8.2a, L.8.2b); spelling (L.8.2c); and choosing voice and mood for an effect (L.8.3a). Skills from earlier grades still count, such as fixing misplaced and dangling modifiers (L.7.1c).

    Read Text 2, the letter that one neighbor, Mr. Fenn, sent to the principal, Dr. Bassett. Then read Text 3, the feedback session. The group uses a routine called Say Back, Then Ask: each responder reads as a neighbor, says back in one sentence what the letter told them, then asks one question that neighbor would ask. Mr. Halvorsen, the student council advisor, is the adult in the group.

    Dear Dr. Bassett,

    I have lived at 42 Larkspur Lane for thirty-one years, and I have always been glad to live near a school. I am writing because of the Fun Run on Saturday.

    At seven in the morning, a loudspeaker at the corner woke my wife and me. By eight, two cars were parked across the end of my driveway. I could not get out until after ten, and I missed the start of my granddaughter's piano recital. That afternoon I picked eleven paper cups and two race numbers out of my hedge.

    I do not blame the runners. What bothers me most is that nobody asked us. Nobody knocked on a door or left a note. Next time, I would like to hear from the people in charge, whether that is the principal, a teacher or the students themselves, before the day and not a week after.

    If the run comes back, I will support it, as long as those things change.

    Sincerely,
    Walter Fenn

    SVHS lesson authors, Text 2: Mr. Fenn's letter to the principal, written a week after the Fun Run (invented). Original passage written for this page.

    Mr. Halvorsen: Today we use Say Back, Then Ask. Each responder reads as someone who lives on Larkspur Lane, says back in one sentence what the letter tells them, and then asks one question that neighbor would ask. Soledad, remind us who the letter is for and what it needs to do.

    Soledad: It goes to all thirty houses on Larkspur Lane. Dr. Bassett says the run can come back next year only if the neighbors are willing. So I need them to trust us again.

    Jonah: Say back, as a neighbor: "The school made a lot of money, and some things went wrong." My question: who parked across my driveway? The letter says cars "were parked," but it never says by whom.

    Mei: Say back: "The student council is sorry, but it was really the parking lot's fault." My question: what is an SC, and what is a GM?

    Soledad: Student council and general meeting. Okay, the neighbors wouldn't know that.

    Mr. Halvorsen: Here is something the neighbors know that you don't. Dr. Bassett shared a letter from Mr. Fenn at 42 Larkspur, and I called him yesterday. He said you may read it and quote it, as long as the letter to everyone does not use his name. Read his third paragraph out loud.

    Soledad: "What bothers me most is that nobody asked us." Oh. Our letter starts with the money we raised. That is the part he cares about least.

    Jonah: And "Mistakes were made" sounds like the mistakes made themselves.

    Mr. Halvorsen: That is the passive voice, where the subject receives the action instead of doing it. Sometimes it is the right choice. Here it hides the one thing these readers want to know: whether the people in charge accept responsibility.

    Soledad: What if I start over? I could open with "We are sorry," say exactly what we did, and then list what we will do differently, like parking at the church lot and knocking on doors two weeks before.

    Mr. Halvorsen: That is trying a new approach, and it needs a plan. Write down each thing a neighbor lost that morning and the change that answers it.

    Mei: Keep one sentence about the trip. It explains why the run matters to us. Just put it near the end.

    SVHS lesson authors, Text 3: Feedback session transcript, Say Back, Then Ask. Original passage written for this page.
    Soledad's plan for Draft 2, written after the feedback session
    Planning questionSoledad's answer
    Who are the readers?The thirty households on Larkspur Lane, who read at home and were woken, blocked in or left with trash
    What is the purpose?Win back their trust, so they are willing to have the run return next year
    Loss: two cars blocked a driveway until after tenRunners park at the Grace Church lot on Elm Street; cones in front of every driveway
    Loss: cups and race numbers left in a hedgeVolunteers with trash bags pick up along the route
    Loss: a loudspeaker at seven in the morningThe race starts at 8:30 a.m.; no loudspeaker before 8:00 a.m.
    Loss: nobody asked or left a noteCouncil members knock on every door two weeks before the run
    What stays?One sentence about the trip, at the end

    Soledad wrote Draft 2 from this plan. Read it aloud, then work through the five examples. Each one shows one decision and the reader it was made for. Draft 2 still has errors; the class finds them in Guided Practice.

    Dear Neighbors on Larkspur Lane,

    The Sandpiper Hill Student Council is sorry for what happened during our Spring Fun Run on Saturday, April 18. We blocked your driveways, and trash was left on your lawns by our runners. Our loudspeaker woke you at 7:00 a.m. Worst of all, we did not ask you first. If I was one of your neighbors, I would be angry too.

    Having heard from a neighbor, the plans for next year have changed. Here is what we will do differently if the run returns:

    1. All runners will park in the Grace Church lot on Elm Street, three blocks away. Volunteers will set cones in front of every driveway on Larkspur Lane.

    2. Volunteers will pick up cups and race numbers carrying trash bags along the route.

    3. The race will start at 8:30 a.m., and the loudspeaker will not be turned on before 8:00 a.m.

    4. Two weeks before the run, council members will knock on every door and bring you a flyer with the day, the times and a phone number.

    If you have a concern, call Mr. Halvorsen, our advisor, at the school office, and you should leave a message if he is not there. One neighbor wrote to our principal that he would like to hear from the people in charge, whether that is the principal, a teacher or the students themselves, before the day and not a week after. We definately heard that.

    The run raised $2,140 for the eighth-grade trip, and we want to hold it again. We will only do that if it works for you.

    Sincerely,
    Soledad Ferreira, for the Sandpiper Hill Student Council

    SVHS lesson authors, Text 4: Soledad's Draft 2, a new approach. Original passage written for this page.
    • Planning: naming the readers and the purpose

      Mr. Halvorsen opens the session by asking Soledad to "remind us who the letter is for and what it needs to do" (Text 3, paragraph 1). She answers that the letter goes to "all thirty houses on Larkspur Lane" and that the run can come back only "if the neighbors are willing" (paragraph 2).

      Result: The readers are thirty households, some of them angry, reading at home. The purpose is to win back their trust so the run can return. From here on, every change is tested against that plan, not against what Soledad would like to say.

    • Revising for the audience: cutting club words and moving the money

      Draft 1 says, "The SC voted at our last GM to thank everyone who helped," and Mei asks, "what is an SC, and what is a GM?" (Text 3, paragraph 4). Draft 1 also opens with the $2,140 the run raised, and Mei advises, "Just put it near the end" (paragraph 12).

      Result: Draft 2 never uses SC or GM, and the fundraising total moves to the last paragraph: "The run raised $2,140 for the eighth-grade trip, and we want to hold it again." The fact stays because it explains why the run matters, but it no longer comes before what the readers care about.

    • Trying a new approach: an apology first, then one fix for each loss

      Soledad asks, "What if I start over?" (Text 3, paragraph 10). Mr. Halvorsen tells her to "Write down each thing a neighbor lost that morning and the change that answers it" (paragraph 11).

      Result: Draft 2 is built on a new plan. It opens with "The Sandpiper Hill Student Council is sorry" and gives a numbered list of four changes, one for each loss in Mr. Fenn's letter. That is more than a revision, because the order and the form of the whole letter changed.

    • Revising the verbs for the purpose: active voice (L.8.1b, L.8.3a)

      Draft 1 says, "The sound system was also turned on early" (Text 1, paragraph 3). The verb is passive, so the sentence never says whose sound system it was or who turned it on, and "early" does not say how early.

      Result: Draft 2 says, "Our loudspeaker woke you at 7:00 a.m." (Text 4, paragraph 2). The active voice, with "Our," shows whose loudspeaker it was, and the exact time shows the council knows what the neighbors went through. The passive voice is not always wrong, though: the class will see one passive sentence that stays in the final letter.

    • Editing: a shift in mood (L.8.1d)

      Draft 2, paragraph 8: "call Mr. Halvorsen, our advisor, at the school office, and you should leave a message if he is not there." The sentence starts as a command and then turns into a statement about what the reader should do.

      Result: An inappropriate shift is a change in voice or mood inside a sentence that has no reason behind it. Draft 3 keeps the imperative mood all the way through: "call Mr. Halvorsen, our advisor, at the school office, and leave a message if he is not there."

  3. Guided Practice15 minutes

    Soledad and Mei held an editing conference on Draft 2, with Mr. Halvorsen's five-point grade 8 checklist: no shifts in voice or mood, the subjunctive for things contrary to fact, modifiers next to the words they describe, punctuation for quotations, and spelling. Pairs read Text 5 and then Text 6, the letter the council delivered. Then they fill in the draft tracker and check the last row against Diagram 2.

    Mei: Mr. Halvorsen's grade 8 checklist has five points. Number 1: no shifts in voice or mood inside a sentence. Listen to your second sentence: "We blocked your driveways, and trash was left on your lawns by our runners." The first half says who did it, and the second half pushes the runners to the very end.

    Soledad: Because the second half switches to the passive voice. I'll keep both halves active: "We blocked your driveways, and our runners left trash on your lawns."

    Mei: The same thing happens with mood in paragraph 8. "Call Mr. Halvorsen" is a command, and then "you should leave a message" is a statement.

    Soledad: So I'll keep the command going: "call Mr. Halvorsen, our advisor, at the school office, and leave a message if he is not there."

    Mei: Number 2: the subjunctive mood for something that is not true. You wrote "If I was one of your neighbors."

    Soledad: I'm not one of their neighbors, so it's contrary to fact. It should be "If I were one of your neighbors."

    Mei: Number 3: modifiers. "Having heard from a neighbor, the plans for next year have changed." Plans can't hear anything.

    Soledad: And the ones who heard, the student council, aren't even in the sentence. "Having heard from a neighbor, we have changed our plans for next year." In item 2, "carrying trash bags" sits right after "race numbers," but the volunteers carry the bags. I'll move it to the front: "Carrying trash bags, volunteers will walk the route."

    Mei: Number 4: punctuation. The sentence about the neighbor uses his exact words, but there are no quotation marks, and it's long.

    Soledad: I'll put his words in quotation marks and cut the middle with an ellipsis, the three dots that show where words are left out. The part I cut doesn't change what he meant.

    Mei: Number 5 is spelling: "definitely" has no a in it. One more thing. Item 3 says "the loudspeaker will not be turned on." Isn't that passive too?

    Mr. Halvorsen: It is, and it can stay. The neighbors care about when the sound starts, not about who flips the switch, so the passive puts the action first. The problem in your second sentence was different: the passive hid who was responsible. Now one last reader check. Mei, read the whole letter as someone on Larkspur Lane. Does it ask you anything?

    Mei: No. It tells me everything you'll do, but it never asks what I think.

    Soledad: Mr. Fenn's complaint was that nobody asked them. So the letter should ask. I'll invite them to a meeting before anything is final.

    Mr. Halvorsen: That is a revision in the middle of editing, and it comes straight from the purpose. That's fine.

    SVHS lesson authors, Text 5: Editing conference transcript, Soledad and Mei, with Mr. Halvorsen. Original passage written for this page.

    Dear Neighbors on Larkspur Lane,

    The Sandpiper Hill Student Council is sorry for what happened during our Spring Fun Run on Saturday, April 18. We blocked your driveways, and our runners left trash on your lawns. Our loudspeaker woke you at 7:00 a.m. Worst of all, we did not ask you first. If I were one of your neighbors, I would be angry too.

    Having heard from a neighbor, we have changed our plans for next year. Here is what we will do differently if the run returns:

    1. All runners will park in the Grace Church lot on Elm Street, three blocks away. Volunteers will set cones in front of every driveway on Larkspur Lane.

    2. Carrying trash bags, volunteers will walk the route after the last runner and pick up every cup and race number.

    3. The race will start at 8:30 a.m., and the loudspeaker will not be turned on before 8:00 a.m.

    4. Two weeks before the run, council members will knock on every door and bring you a flyer with the day, the times and a phone number.

    If you have a concern, call Mr. Halvorsen, our advisor, at the school office, and leave a message if he is not there. One neighbor wrote to our principal that he would like "to hear from the people in charge ... before the day and not a week after." We definitely heard that.

    Before anything is final, we want to hear from you. Please join us for a planning meeting in the school library on Tuesday, May 5, at 6:30 p.m. If you cannot come, write your ideas on the back of this letter and leave it with the school office.

    The run raised $2,140 for the eighth-grade trip, and we want to hold it again. We will only do that if it works for you.

    Sincerely,
    Soledad Ferreira, for the Sandpiper Hill Student Council

    SVHS lesson authors, Text 6: Soledad's Draft 3, the letter as delivered door to door. Original passage written for this page.
    Draft tracker (pairs fill in the blank cells)
    QuestionDraft 1 to Draft 2Draft 2 to Draft 3
    What kind of work was it (planning, revising, editing, rewriting, new approach)?
    Who helped (a peer, an adult, the writer alone)?
    One change, quoted before and after
    How the change serves the neighbors or the purpose
    Losses owned with "we" and a fix, from Diagram 2 (out of 4)0 to 33 to 4

    Discuss as a class: Mr. Halvorsen lets one passive sentence stay in Draft 3 and asks Soledad to change another. What is the difference between the two sentences, for these readers?

  4. Independent Practice15 minutes

    Read Mr. Fenn's reply (Text 7) together. It is the real test of the letter: did it do what it was written to do, and what does the reader still need?

    Dear Student Council,

    Thank you for your letter, and for saying plainly what went wrong. Two of your members brought it to my door on Sunday, which is more than anyone did before the run. I will come to the meeting on May 5.

    One more idea for your plan: the north side of Larkspur Lane has no sidewalk, so please put a volunteer at the corner of Elm Street to keep walkers off the road.

    Sincerely,
    Walter Fenn, 42 Larkspur Lane

    SVHS lesson authors, Text 7: Mr. Fenn's reply to the student council. Original passage written for this page.

    Students now strengthen a draft of their own. (1) Plan: write the readers, the purpose and the one thing those readers most need to hear. (2) Say Back, Then Ask: a partner reads the draft for three minutes as the real reader, says it back in one sentence and asks one question. (3) Change: make one change for the reader (a revision, a rewrite or a new approach) and one grade 8 edit (voice, mood, an ellipsis or spelling), labeled in the margin. (4) Explain: write two sentences on how the change serves the purpose and who helped you see it.

    Circulate and hold short conferences with Mr. Halvorsen's question: who are your readers, and what do they need to hear from you? A student without a current draft writes a 100-word note to a real adult at school, such as an apology for a club's messy room or a request to use the gym. The quiz uses Texts 1-7 (Warm-Up through Independent Practice).

  5. Closure5 minutes

    Exit ticket: (1) Name one change in the letter that came from a peer and one that came from an adult. (2) Write one sentence from your own draft in the voice (active or passive) that suits its readers best, and say why. Then hand out the homework texts below: Beckett's first draft of a guide to the library's 3D printer for sixth graders in Maker Club (Text 8), and the feedback from his writing partner and the librarian (Text 9). Beckett, Tariq and Ms. Kowalczyk are invented.

    Teacher note: the printer facts in Text 8 are general ones. Nozzle and bed temperatures differ from printer to printer and with the plastic used, so check your own printer's manual before students write safety steps, and keep students away from the hot nozzle and bed.

    How to Use the Library 3D Printer

    3D printing was invented in the 1980s, and today people use it to make everything from car parts to toys. Our library printer melts a thin thread of plastic called filament, and the filament is laid down one layer at a time. If I was a sixth grader again, I would be really excited to use it.

    Save your file on the SD card and put the card into the slot on the front of the printer. Choose your file on the screen and press Print. Having pressed Print, the nozzle heats up for about five minutes. Watch the first layer carefully, and then you should wait while the rest of the print finishes. When it is done, let the bed cool for ten minutes before you lift the part off. Put the extra filament back in the drawer.

    Warning: the nozzle heats to about 200 degrees Celsius, which is hot enough to burn you. Never touch it. The bed temperture can also be hot.

    SVHS lesson authors, Text 8: Homework draft, Beckett's guide to the library 3D printer for sixth-grade Maker Club members (Draft 1; Beckett is invented, and the printer facts are general ones). Original passage written for this page.

    Tariq (Beckett's writing partner): Say back, as a sixth grader: "3D printers are cool, and here is how ours works." My question: what do I do if something goes wrong? You say to watch the first layer, but watch it for what?

    Ms. Kowalczyk (the school librarian): Picture where your readers will be. Sixth graders in Maker Club will print on their own for the first time on Thursdays after school, standing at the printer with this card in one hand. They need one step at a time, in order, with a number on each step. They do not need the history; it is on the poster by the door. The warning about the hot nozzle has to come before the first step, not after the last one. And the problem I see most often is a first layer that does not stick to the bed. If that happens, they should press Stop and come get me at the desk. The card is laminated, and it has room for about 120 words.

    Beckett: So the new approach is a numbered card, not a paragraph. Can I keep the part about what filament is?

    Ms. Kowalczyk: Keep one short line. The drawer is labeled "Filament," so they need to know the word.

    SVHS lesson authors, Text 9: Homework feedback on Beckett's guide, from his writing partner and the school librarian (both invented). Original passage written for this page.

Differentiation Strategies

For Struggling Students

  • Give a Say Back, Then Ask card with two starters: "What this tells me is..." and "The question I still have is..."
  • Before the editing conference, sort six sentences into "who did it is named" and "who did it is hidden," then turn two of the hidden ones into the active voice
  • Provide the draft tracker with the first column filled in

For Advanced Students

  • Write the flyer from item 4 of Draft 3 for the same readers, and explain which sentences use the imperative mood and why
  • Rewrite paragraph 2 of Draft 3 as a 30-second spoken apology for the neighborhood meeting, and explain what changes when readers become listeners
  • Find the one passive sentence in Draft 3 and write a short defense of keeping it, then find a passive sentence in a newspaper and judge whether it hides the actor

Assessment Guidance

What to Look For

Look for changes a reader would notice and reasons that name the readers: "The neighbors need to hear who blocked the driveways, so the verb is active," not "it sounds better." Students should tell apart revising, rewriting, editing and a new approach, and say who helped with each change. In feedback, listen for responses spoken as the real reader. In editing, check that students can tell the active from the passive voice, spot a shift in voice or mood inside a sentence, use "were" for a situation contrary to fact, shorten a quotation with an ellipsis without changing its meaning, and explain when the passive voice is the better choice.

02

Classroom Activities

3 Activities

1

Say Back, Then Ask

20 minGroups of 3

Students run the feedback routine from Text 3 on their own drafts. Each responder reads as the real reader, says back what the draft told them and asks that reader's question, so the group judges the writing by its purpose and audience. Each round ends with a written plan.

Roles

  • Writer: writes the readers and the purpose on a card, reads the draft aloud once, then listens and takes notes without answering
  • Responder 1: says back, as the reader, in one sentence: "What this tells me is..."
  • Responder 2: asks the one question that reader would ask next: "The question I still have is..."

Procedure

  • Each round takes about 6 minutes, and roles rotate so everyone is the writer once
  • Responders use only what the draft says, the way Jonah could not tell who parked across the driveway
  • The writer makes a two-column plan: "What the reader needs" and "The change that answers it"
  • The teacher joins one round in each group as the adult and adds one fact about the real readers that the group did not know, as Mr. Halvorsen did with the neighbor's letter

Discussion Questions

  • Did the say-back match what you meant? If not, where did the draft mislead its reader?
  • Which of your planned changes is a new approach rather than a revision? How can you tell?
  • What did the adult know about the readers that the peers could not?

Modification for Distance Learning

Writers share drafts in a document with comments turned on and write the readers and the purpose at the top. Responder 1 leaves one say-back comment and Responder 2 one question. The writer replies to each comment with the change they plan to make.

2

Change the Form, Keep the Facts

15 minPairs

Each card holds a short draft, written for this activity, whose facts are right but whose form does not fit its readers or purpose. Pairs plan a new approach and write its opening.

The Three Cards

  • Card 1. Readers: families of band students. Purpose: tell them the bus to Saturday's music festival now leaves at 6:15 a.m., not 7:30 a.m. Draft: three paragraphs about how the band earned its place at the festival, with the new time in the last sentence.
  • Card 2. Readers: sixth graders using the cafeteria's new pay screen for the first time. Purpose: pay quickly without holding up the line. Draft: one long paragraph describing everything the screen can do.
  • Card 3. Readers: students and staff listening at the spring assembly. Purpose: thank Mr. Ybarra, the custodian, who is retiring after 22 years. Draft: a bulleted list of his jobs, to be read aloud.

Procedure

  • For each card, pairs write the readers, the purpose and where or how the readers will meet the writing (a phone screen, a line, an assembly)
  • Pairs choose a new form and write one sentence explaining why it fits those readers
  • Pairs write the first two sentences or steps of the new version, choosing the mood on purpose (a command, a statement or a question)
  • Pairs trade with another pair, who say back each opening as its real reader

Possible Answers (for the teacher)

Card 1 needs a short notice with the new time first ("The band bus now leaves at 6:15 a.m. on Saturday") and the story cut. Card 2 needs numbered steps in the imperative mood ("Tap your name. Choose your lunch. Tap Pay.") because the reader acts one step at a time. Card 3 needs a spoken paragraph with one story about Mr. Ybarra and a clear thank-you, because a list read aloud is hard to follow and does not thank anyone. Accept other answers that name the readers' needs.

Same Facts Variation

Pairs take Card 1's facts and write for a new audience: a two-sentence reminder the band director reads aloud to students on Friday. They list what changed and what stayed the same.

3

Grade 8 Editing Stations

25 minPairs, rotating through 4 stations

Four stations each practice one point of Mr. Halvorsen's checklist. Pairs spend about 6 minutes at each station, correct each card or explain why it can stay, and name the rule. At the end, each pair answers one reader question: which of these errors could make a reader distrust the writer, and which would only distract?

Station A: Voice (L.8.1b, L.8.1d, L.8.3a)

  • A1: "The science fair judges handed out ribbons, and the posters were then collected by the custodians."
  • A2: In a note to the principal from the student who kicked the ball: "The window in Room 9 was broken."
  • A3: On a sign by the cafeteria door: "This floor is mopped every night at 9:00 p.m."

Station B: Mood (L.8.1c, L.8.1d)

  • B1: "Preheat the oven to 350 degrees, and then you should grease the pan."
  • B2: "I wish I was at the beach right now."
  • B3: "If it rains on Friday, the game would move to Monday."

Station C: Ellipses (L.8.2a, L.8.2b)

  • C1: Shorten this quotation with an ellipsis, keeping its meaning: The mayor said, "The new library, which took three years to build and cost more than planned, will open on June 1."
  • C2: Show the speaker's pause: "Well I guess we could try again."
  • C3: A student quoted the sign "The trail is not safe after dark" as "The trail is ... safe after dark." What went wrong?

Station D: Modifiers (L.7.1c)

  • D1: "Buzzing loudly, Ana swatted the mosquito."
  • D2: "After finishing the essay, the printer ran out of ink."
  • D3: "Tomas found a wallet walking to school."

Station Key (for the teacher)

A1 shifts from active to passive: "The science fair judges handed out ribbons, and then the custodians collected the posters." A2 hides the writer, who is responsible: "I broke the window in Room 9 with a soccer ball." A3 can stay: readers need to know when the floor is wet, not who mops it. B1 shifts from a command to a statement: "Preheat the oven to 350 degrees, and then grease the pan." B2 is a wish, so it takes the subjunctive: "I wish I were at the beach right now." B3 mixes a real possibility with the conditional: "If it rains on Friday, the game will move to Monday." C1: "The new library ... will open on June 1." C2: "Well ... I guess we could try again," or a comma after "Well." C3: the ellipsis cut the word "not," so the quotation now says the opposite of the sign. D1 is misplaced: Ana is in the sentence, but the phrase sits next to her: "Ana swatted the mosquito buzzing loudly near her ear." D2 dangles: the person who finished the essay is not in the sentence at all: "After I finished the essay, the printer ran out of ink." D3 is misplaced: "Walking to school, Tomas found a wallet."

03

Diagrams & Visual Aids

2 diagrams

Diagram 1: The Larkspur Lane Letter, Step by Step

1. Draft 1 Opens with the money; "Mistakes were made" Writer alone 2. Say Back, Then Ask Neighbors' view: who did it, and what is an SC? Peers and an adult 3. Draft 2 New approach: apology first, one fix per loss Plan from the session 4. Editing conference Voice, mood, modifiers, ellipsis, spelling Peer, adult checklist 5. Draft 3 Edited, plus a revision: a meeting invitation Delivered door to door 6. The reply Trust won; one new need: a volunteer at Elm Street The real reader Every step asks the same question: will these readers trust the council again?
The path of Soledad's letter through the five kinds of work W.8.5 names. Each box shows what changed and who helped: the writer alone, peers and an adult in the feedback session, a peer and the advisor in the editing conference, and finally the real reader. The last step points to more work "as needed," because the reply names one more need.

Diagram 2: What Each Draft Owns Up To

What each draft owns up to Draft 1 Draft 2 Draft 3 1. Driveways blocked hidden we + fix we + fix 2. Trash left on lawns hidden passive + fix we + fix 3. Loudspeaker at 7:00 a.m. hidden we + fix we + fix 4. Nobody asked first missing we + fix we + fix 5. Asks the neighbors to help plan no no yes Losses 1-4 owned with "we" and a fix 0 of 4 3 of 4 4 of 4
The four losses from Mr. Fenn's letter, and how each draft handles them. "Hidden" means the problem is mentioned in the passive voice with no one responsible; "passive + fix" means the actor appears only at the end of a passive clause; "we + fix" means the council says in the active voice that it did it, and gives a change. Only Draft 3 also asks the neighbors to help plan.

04

Homework Assignment

~30 min

W.8.5 Homework: Strengthening Beckett's 3D Printer Guide

Directions: Use Texts 8 and 9 in the Closure section of the lesson plan. Beckett, an eighth grader, is writing a guide to the library's 3D printer for sixth graders in Maker Club. His writing partner, Tariq, and the librarian, Ms. Kowalczyk, have given him feedback. You will plan, judge, try a new approach, revise and edit his guide. Use only the facts in Text 8.

Part 1: Purpose and Audience (Problems 1-2)

  1. Write Beckett's plan in three lines: the readers, the purpose, and where and how the readers will use the guide. Support the third line with a sentence from Text 9, quoted, with its paragraph number.
  2. Judge how well Draft 1 addresses its purpose and audience. Name two places where it lets its readers down, and for each one, quote the comment in Text 9 (from Tariq or from Ms. Kowalczyk) that points it out.

Part 2: A New Approach and a Revision (Problems 3-4)

  1. Try Beckett's new approach from Text 9, paragraph 3: rewrite the guide as a numbered card, with the warning before step 1 and one action in each step. List the sentences from Draft 1 you cut or moved, and explain why these readers are better off.
  2. Add the step Ms. Kowalczyk asks for about a first layer that does not stick. Your whole card, title included, must be 120 words or fewer. Give your word count.

Part 3: Edit and Reflect (Problems 5-6)

  1. Text 8 has five convention errors: a shift in voice, a shift in mood, a verb that should be in the subjunctive mood, a dangling modifier and a misspelled word. Copy each sentence, correct it and name the rule.
  2. Write a note to Beckett (80-120 words) explaining whose feedback, Tariq's or Ms. Kowalczyk's, changed the card more for its readers, and why. End with one sentence from your card that could correctly use the passive voice, and explain why the passive fits there.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Purpose and audiencePlan names the readers, the purpose and how they use the card, with a quoted sentence; two weak places are matched to the right commentsPlan or judgment is general, or quotations are missingThe readers are not considered
New approach and revisionA numbered card with the warning first, one action per step, the first-layer step, and 120 words or fewerThe card works but misses one of theseDraft 1 is copied with small changes
EditingAll five errors corrected and each rule namedThree or four errors corrected, or rules not namedFewer than three errors corrected
ReflectionNames whose feedback mattered more with a reason tied to the readers, and defends one passive sentenceReason is general, or the passive choice is not explainedNo reflection

05

Quiz: 20 Questions

Interactive, with answers

Instructions

Questions 1-8, 15, 16 and 18 use Texts 1-7 in the lesson plan: Soledad's three drafts, Mr. Fenn's two letters and the two transcripts (Warm-Up through Independent Practice). Paragraph numbers match the numbers beside each text. Questions 9-14, 17, 19 and 20 use new practice sentences or situations. Your score updates as you answer, and Reset quiz clears everything so you or your students can try again.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    In Text 2, paragraph 4, Mr. Fenn writes, "I do not blame the runners." What does this tell Soledad about her readers?

  2. Question 2 of 20 · Multiple Choice

    In Text 3, paragraph 3, Jonah asks, "who parked across my driveway?" Which problem in Draft 1 does his question point to?

  3. Question 3 of 20 · Multiple Choice

    In Text 3, paragraph 6, Mr. Halvorsen brings Mr. Fenn's letter to the feedback session. What does this adult support give the writers?

  4. Question 4 of 20 · Multiple Choice

    Mr. Fenn writes that "nobody asked us" (Text 2, paragraph 4). Which item in Draft 2 answers that complaint?

  5. Question 5 of 20 · Multiple Choice

    Jonah says "Mistakes were made" sounds like the mistakes made themselves (Text 3, paragraph 8). Which words in Draft 2 fix that problem for the neighbors?

  6. Question 6 of 20 · Multiple Choice

    In Text 5, why does Mr. Halvorsen let "the loudspeaker will not be turned on before 8:00 a.m." stay in the passive voice?

  7. Question 7 of 20 · Multiple Choice

    Near the end of Text 5, Soledad decides to invite the neighbors to a meeting. Why does Mr. Halvorsen call this a revision and not an edit?

  8. Question 8 of 20 · Multiple Choice

    Which words in Mr. Fenn's reply (Text 7) best show that the apology in Draft 3, paragraph 2, worked for its reader?

  9. Question 9 of 20 · Multiple Choice

    Which sentence has an inappropriate shift in voice?

  10. Question 10 of 20 · Multiple Choice

    Choose the revision that fixes the shift in mood in Rinse the brushes in warm water, and then you should lay them flat to dry.

  11. Question 11 of 20 · Multiple Choice

    Which sentence correctly uses the subjunctive mood to describe something contrary to fact?

  12. Question 12 of 20 · Multiple Choice

    A town notice says: "The pool, which reopened last summer after new pipes were installed, will close for the season on September 7." Which quotation uses an ellipsis correctly to shorten it without changing its meaning?

  13. Question 13 of 20 · Multiple Choice

    In which situation is the passive voice the better choice for the writer's purpose?

  14. Question 14 of 20 · Multiple Choice

    Which sentence has a dangling modifier?

  15. Question 15 of 20 · Short Answer

    Examples 2 and 3 show two planning changes from Draft 1 to Draft 2: the money moves to the end, and the letter lists one fix for each loss. Name two other differences in how the two drafts are planned, and for each one, quote the comment in Text 3 that led to it, with its paragraph number.

  16. Question 16 of 20 · Short Answer

    In Draft 3, paragraph 8, Soledad quotes the neighbor with an ellipsis. Explain what was wrong with the same sentence in Draft 2, what the ellipsis shows, and why the cut does not change the neighbor's meaning. Use Texts 2, 4 and 5.

  17. Question 17 of 20 · Short Answer

    Edit this sentence and name the rule behind each correction: If I was the principal, I would let us eat lunch outside, and the picnic tables would be set up by the custodians.

  18. Question 18 of 20 · Short Answer

    Mr. Fenn's reply (Text 7) names one more need. Explain how the council should strengthen its writing now, which kind of work that is, and what this shows about the words "as needed" in W.8.5.

  19. Question 19 of 20 · Short Answer

    A bakery donated 200 muffins for your school's family reading night, and your class is writing its thank-you letter. Write a plan: the reader, the purpose, three things the reader should learn from the letter, one peer and one adult you would ask for feedback, with the question you would ask each, and one sentence of the letter in the active voice with a reason for choosing it.

  20. Question 20 of 20 · Short Answer

    After the meeting, the council must write a short notice to the runners and their families about next year's rules: park in the Grace Church lot, start at 8:30 a.m., and put cups in the trash bags. The facts are the same as in the letter, but the purpose and audience are new. Name two things to change from the letter and one thing to keep, and explain why. Include one sentence of the notice.

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does W.8.5 mean?

W.8.5 means that eighth graders make their writing stronger by planning, revising, editing, rewriting or trying a new approach, with some help from classmates and adults, and judge every change by how well the writing serves its purpose and its audience.

The official text adds a note: editing should show command of the Language standards 1-3 up to and including grade 8, such as verb voice and mood.

How is W.8.5 different from W.7.5?

The main wording of W.8.5 is the same as W.7.5; what changes is the editing note, which now reaches the grade 8 Language standards.

Grade 8 editing adds verbs in the active and passive voice, verbs in five moods, fixing shifts in voice and mood, and the ellipsis.

Which grammar skills go with editing in W.8.5?

Editing in W.8.5 draws on Language standards 1-3 up to and including grade 8, so it covers the grade 8 skills and everything before them.

For grade 8 that means the function of verbals (L.8.1a), active and passive voice (L.8.1b), the indicative, imperative, interrogative, conditional and subjunctive moods (L.8.1c), shifts in voice and mood (L.8.1d), commas, ellipses and dashes for a pause and the ellipsis for an omission (L.8.2a-b), spelling (L.8.2c), and choosing voice and mood for an effect (L.8.3a). Earlier skills, such as misplaced and dangling modifiers from grade 7, still apply.

Is the passive voice wrong?

No. The passive voice is a choice, and grade 8 students learn when it helps the reader and when it hurts.

It fits when the action matters more than the person doing it, as in "The gym will be closed on Friday." It hurts when it hides who is responsible, as in an apology that says "Mistakes were made." Ask what the reader needs to know: who did it, or what happened?

What is an inappropriate shift in verb mood?

It is a change of mood inside a sentence, for no reason, such as a command that turns into a statement.

"Open the lid, and you should check the level" starts as a command and ends as a statement. A consistent version is "Open the lid and check the level." Shifts like this are common in instructions, so they are worth checking whenever students write steps.

What does "focusing on how well purpose and audience have been addressed" mean in grade 8?

It means the writer judges a draft by whether it does its job for its real readers, not by whether it sounds good to the writer.

An apology works if the readers believe it, and a set of instructions works if the reader can follow it at the machine. Feedback that speaks as the real reader, such as Say Back, Then Ask, helps students see the gap.

What is the difference between revising, editing and trying a new approach?

Revising changes what a piece says or how it is organized, editing fixes grammar, punctuation and spelling, and trying a new approach starts over with a new plan, order or form.

A quick test: would the reader learn something different after the change? If yes, it was more than an edit. Writers move back and forth between these kinds of work as the draft needs them.

How can I keep eighth-grade peer feedback on purpose and audience?

Ask responders to speak as the real reader and to say back what the draft told them before they suggest anything.

The say-back shows the writer what actually came across, and one question from the reader's point of view shows what is missing. The writer ends each round with a two-column plan: what the reader needs, and the change that answers it.

How is W.8.5 usually assessed?

It is usually assessed in class, through drafts, feedback notes and short reflections, since one final copy cannot show the process.

A useful task asks students to hand in two drafts with the changes labeled, name who helped with each change, and explain how each one serves the readers. Editing items on many tests ask students to fix shifts in voice or mood, so short practice sentences help too. Check your state's materials for how writing is scored.

How can parents help with revising at home?

Ask your child who the writing is for and what it needs to do, then say back in one sentence what it told you.

If your summary is not what your child meant, that shows where the draft needs work. Point out a mistake only after talking about the ideas, and let your child make the changes, since the standard asks for guidance and support from adults, not for an adult to do the writing.