W.9-10.5: Planning, Revising and Editing for a Specific Reader
In plain English: W.9-10.5 is the Common Core ELA standard that asks students to develop and strengthen their writing by planning, revising, editing, rewriting or trying a new approach. Each change is guided by what matters most to a specific reader and purpose, and editing shows command of grade 9-10 grammar and punctuation. It applies to all writing in grades 9 and 10.
Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience.
Common Core State Standards for English Language Arts & Literacy · Domain: Writing Standards · Cluster: Production and Distribution of Writing · Official standard
Students follow one short piece of writing through three drafts. Daniel, an invented ninth grader, answers a 250-word question on an application for a summer job as a junior camp counselor. His first draft buries his only real evidence in paragraph 4. A writing group helps him see what the camp director most needs, and he revises and rewrites the answer around that. An editing conference then fixes comma splices and a list that is not parallel, and cuts the draft to the limit. Every draft and both feedback transcripts are printed on the page, so students can trace each change and the reason behind it.
The lesson separates the big work of revising and rewriting (content, order, approach) from the small work of editing (conventions). Students then practice both on a draft of their own. For homework, they take a speaker introduction from Draft 1 to Draft 3 for a listening audience, which forces a new approach because listeners cannot reread.
Learning Objectives
By the end of this lesson, students will be able to:
Plan or re-plan a piece by naming its reader, its purpose and the one thing that reader most needs
Give and use peer feedback that focuses on the reader rather than on wording alone
Revise and rewrite a draft by moving, adding, cutting or replacing content so the most significant material leads
Tell revising apart from editing and use each where a draft needs it
Edit for grade 9-10 conventions, including comma splices, semicolons, colons and parallel structure
Prior Knowledge Required
Students should already be comfortable with:
Revising a draft with guidance from peers and adults, focusing on purpose and audience W.8.5
Producing writing suited to task, purpose and audience W.8.4
Recognizing complete sentences and independent clauses
Taking part in small-group discussion with agreed rules
"Think of a time someone read something you wrote, such as a message, a paper or a caption, and noticed a problem you had missed. What did that reader see that you could not, and why?"
Take two or three answers. Point out that the reader usually saw the problem because they came to the writing without knowing what the writer meant. That outside view is what feedback gives a writer, and it is the starting point of W.9-10.5.
Then introduce the situation the lesson follows. Daniel Reyes, a ninth grader, is applying for a paid junior counselor job at Linden Park Day Camp. Daniel, his family, his classmates, his teacher, the camp and its staff are invented for this lesson. The application's Question 3 reads: "Tell us about a time you helped a younger child learn something. What did you learn about working with children? (250 words or fewer)" The camp director, Ms. Farrah Whitlock, reads every application herself and decides whom to hire.
Read Daniel's first draft aloud. Students write one sentence: after reading only this draft, what would Ms. Whitlock know about Daniel?
1Ever since I was little, I have always loved kids. People say I am patient, responsible, and I work hard. I think these qualities would make me a great junior counselor at Linden Park Day Camp.
2I have a lot of experience with kids. I have two younger cousins, and I sometimes babysit for my neighbor. I also went to Linden Park Day Camp myself when I was eight, it was one of the best summers of my life. My counselor was named Marcus and he was really fun, he taught us a lot of games.
3Working with kids is important because they are the future. Kids need good role models. I would be a good role model because I am patient and responsible and I always try my best.
4One time last summer I taught my cousin Leo how to swim. He was six and he was scared of the water, so it took a long time. At first he would not even put his face in the water. I learned that you have to be patient with kids. By August he could swim across the shallow end by himself.
5In conclusion, I would love to be a junior counselor because I love kids and I want to give back to the camp that gave me so much.
SVHS lesson authors, Text 1: Daniel's Draft 1, application Question 3. Original passage written for this page.
Direct Instruction20 minutes
Use Diagram 1 to explain the standard. W.9-10.5 names five ways to strengthen a piece: planning, revising, editing, rewriting and trying a new approach. They are a menu, not a checklist: the standard says "as needed," so a writer uses the ones a draft calls for. The second half of the standard steers every choice: the writer focuses on what is most significant for a specific purpose and audience.
Draw a clear line between two kinds of work. Revising and rewriting change what the writing says and how it is built: its content, its order, its emphasis or its whole approach. Editing changes how the sentences follow the conventions of standard English. In the full Common Core document, W.9-10.5 ends with a note that editing for conventions should show command of Language standards 1-3 up to grades 9-10. In this lesson, that means comma splices, semicolons (L.9-10.2a), colons (L.9-10.2b) and parallel structure (L.9-10.1a).
Read Text 2, the transcript of Daniel's writing group. The group follows three steps: one thing that works, one thing the reader most needs, and one question. After reading, show the revision plan Daniel wrote from the group's comments.
1Mr. Hale: Daniel has read his draft aloud twice. Use our three steps: one thing that works, one thing the reader most needs, and one question. Keep the reader in mind. Who is she?
2Aisha: The camp director. She's deciding who to hire.
3Mr. Hale: Right. Go ahead.
4Aisha: What works for me is Leo and the swimming. When you said he wouldn't put his face in the water, I could picture it. It's the only place in the draft where I actually see you with a kid.
5Tomás: Same. But it's in the fourth paragraph. The director is reading a whole stack of these. If she stops after the first paragraph, all she knows is that you say you're patient.
6Daniel: So I should move it to the top?
7Tomás: Move it up, and make it longer. You wrote that it took a long time, but you never say what you did. How did you get him to put his face in?
8Daniel: I made it a game. We took turns blowing bubbles, and he tried to beat my count.
9Aisha: That's what you should write! That shows you're patient. Right now you just say the word, and you say it twice.
10Mr. Hale: Here's my question, Daniel. What does a camp director worry about when she hires a fifteen-year-old?
11Daniel: That the counselor won't show up? Or that he won't know what to do when a camper gets scared or upset.
12Mr. Hale: Which part of your draft answers that worry?
13Daniel: The Leo part, I guess. The part about being a camper myself is mostly about me.
14Aisha: I liked Marcus, though. Maybe keep one sentence about him, near the end?
15Daniel: Okay. I'll start with Leo, show what I actually did, and cut the paragraph about kids being the future.
SVHS lesson authors, Text 2: Writing group transcript, first feedback round. Original passage written for this page.
Daniel's revision plan, written after the writing group
Step
Daniel's decision
What Ms. Whitlock most needs
Evidence that I can help a scared or upset camper
Keep
Leo and the swimming lessons
Add
What I actually did with Leo, and what I learned from it
Move
The Leo story from paragraph 4 to the opening
Cut
The paragraph about kids being the future; the repeated list of traits
Shrink
Marcus and my own summer at camp, to a short ending
Leave for later
Commas and the word count, once the content is right
Daniel wrote Draft 2 from this plan. Read it aloud, then work through the five examples. Each one shows a single decision and the reason for it.
1The first time I took my cousin Leo to the city pool, he stood on the top step for forty minutes and would not let go of the rail. He was six, and he was sure the water would go up his nose.
2I did not push him. Instead, I turned the scary part into a game. We took turns blowing bubbles with our faces in the water while the other person counted, and Leo tried to beat my number. On the first day his record was two seconds, by Friday it was fifteen. After that we moved on to floating on his back, then to kicking while he held the edge of the pool. By August, he could swim across the shallow end by himself, and he made me watch him do it eleven times in a row.
3Teaching Leo showed me that a scared child does not need to be told to be brave. He needs a small step he can win and someone who notices when he wins it. I also learned that some days you lose ground, when Leo had a bad day, we went back to bubbles without making a big deal about it.
4I know how much a good counselor can mean to a camper, because I was one at Linden Park when I was eight. My counselor, Marcus, made every kid feel like part of the group, even the shy ones like me. This summer I would like to do the same for my campers, whether they are learning to swim, to share, or trying something new.
SVHS lesson authors, Text 3: Daniel's Draft 2, after revising and rewriting. Original passage written for this page.
Planning: rereading the task
Question 3 asks two things: a time Daniel helped a younger child learn something, and what he learned about working with children. Draft 1 reaches the first part only in paragraph 4, and it answers the second part in one sentence: "I learned that you have to be patient with kids."
Result: Daniel's plan gives each part of the question real space: the story first (Draft 2, paragraphs 1-2), then what he learned (paragraph 3). Rereading the task is planning, even when a draft already exists.
Revising: putting the most significant material first
In Draft 1 the reader meets Daniel through a claim, "Ever since I was little, I have always loved kids," and meets Leo only in paragraph 4.
Result: Draft 2 opens at the pool: "he stood on the top step for forty minutes and would not let go of the rail." The answer now begins with the evidence the director is hiring for: Daniel with a frightened child.
Rewriting: replacing a claim with actions
Draft 1: "People say I am patient, responsible, and I work hard."
Result: Draft 2 never uses the word "patient." It shows patience instead: "I did not push him. Instead, I turned the scary part into a game." The reader can judge an action, while a claim only asks to be believed.
Revising: developing the second half of the question
Draft 1: "I learned that you have to be patient with kids." Draft 2, paragraph 3: "Teaching Leo showed me that a scared child does not need to be told to be brave. He needs a small step he can win and someone who notices when he wins it."
Result: The new lesson is specific enough that a director can picture Daniel using it with a camper. It is also Daniel's own; almost any applicant could have written the Draft 1 sentence.
Editing: a comma splice (Language standards 1-2)
Draft 2, paragraph 3: "I also learned that some days you lose ground, when Leo had a bad day, we went back to bubbles without making a big deal about it."
Result: Two complete sentences are joined by a comma alone. Daniel's fix: "I also learned that some days you lose ground. When Leo had a bad day, we went back to bubbles without making a big deal of it." A period, a semicolon, or a comma with "and," "but" or "so" can join two independent clauses; a comma alone cannot.
Guided Practice15 minutes
Daniel and his classmate Aisha held an editing conference on Draft 2, with a checklist of Language rules. Pairs read Text 4, then Text 5, the version Daniel submitted. Then they complete the draft tracker below. Use Diagram 2 to check the first column: it maps every paragraph of Draft 2 back to where it came from in Draft 1.
1Aisha: Before commas, the limit. The application says 250 words or fewer, and I counted 264.
2Daniel: So about fifteen words have to go. Not the eleven times, though. That's the part where you can tell he's proud of himself.
3Aisha: Agreed. What about "with our faces in the water"? You could just say "blowing bubbles underwater."
4Daniel: Good, that saves five. And "on his back" after floating. The director doesn't need to know which way he floated.
5Aisha: "Of the pool" can go too. She already knows you're at a pool.
6Daniel: I'll find a few more small ones on my own. Now the checklist?
7Aisha: Paragraph 2: "On the first day his record was two seconds, by Friday it was fifteen." Those are two complete sentences with only a comma between them.
8Daniel: A comma splice. I could put a period after "seconds."
9Aisha: Or a semicolon, because the two halves are so closely connected. Either one is correct.
10Daniel: Semicolon. It makes the jump from two to fifteen feel fast.
11Aisha: Your last sentence: "to swim, to share, or trying something new." Two of those start with "to," and one doesn't.
12Daniel: So "to swim, to share, or to try something new." Now all three match.
13Mr. Hale: Nice work, both of you. Before you submit, read the whole draft once more from the top, the way Ms. Whitlock will, and check that every sentence still answers her question.
SVHS lesson authors, Text 4: Editing conference transcript, Daniel and Aisha. Original passage written for this page.
1The first time I took my cousin Leo to the pool, he stood on the top step for forty minutes and would not let go of the rail. He was six and sure the water would go up his nose.
2I did not push him. Instead, I turned the scary part into a game. We took turns blowing bubbles underwater while the other person counted, and Leo tried to beat my number. On the first day his record was two seconds; by Friday it was fifteen. After that we moved on to floating, then to kicking while he held the edge. By August, he could swim across the shallow end by himself, and he made me watch him do it eleven times.
3Teaching Leo showed me that a scared child does not need to be told to be brave. He needs a small step he can win and someone who notices when he wins it. I also learned that some days you lose ground. When Leo had a bad day, we went back to bubbles without making a big deal of it.
4I know how much a good counselor can mean to a camper, because I was one at Linden Park when I was eight. My counselor, Marcus, made every kid feel like part of the group, even the shy ones like me. This summer I would like to do the same for my campers, whether they are learning to swim, to share, or to try something new.
SVHS lesson authors, Text 5: Daniel's Draft 3, as submitted. Original passage written for this page.
Draft tracker (pairs fill in the blank cells)
Question
Draft 1 to Draft 2
Draft 2 to Draft 3
What kind of work was it (planning, revising, rewriting, editing)?
Who prompted it (a reader, the teacher, the writer)?
One change, quoted before and after
Why the change matters to Ms. Whitlock
Word count
219 to 264
264 to 248
Discuss as a class: Aisha and Daniel talk about content cuts and about commas in the same conference. Which of their cuts were really about the reader, and which were only about the limit?
Independent Practice15 minutes
Students apply the process to a draft of their own from a current assignment in any class. (1) Plan: write three lines naming the reader, the purpose and the one thing that reader most needs. (2) Feedback: trade with a partner for four minutes and use the three steps from Text 2. (3) Change: make one revision (move, add, cut or replace content) and one edit, and label them R and E in the margin. (4) Explain: write two sentences on why the revision serves the reader.
A student without a current draft writes a 100-word paragraph first, on a topic of their choice, for a named reader. The quiz uses Texts 1-5 (Warm-Up, Direct Instruction and Guided Practice); point students back to those phases when they take it.
Closure5 minutes
Exit ticket: (1) Name one change Daniel made that was revising and one that was editing, and say which one did more for Ms. Whitlock. (2) Write the one thing the reader of your own draft most needs. Then hand out the homework texts below: Jada's first draft of an introduction for a guest speaker at a school assembly (Text 6), and her planning group's comments (Text 7). Jada, her planning group, the speaker and the school are invented for this lesson.
1Good morning, everyone. Today we have a guest speaker. His name is Luis Ferreira. He was born in 1961 in Fresno, California, and his family moved to Westbrook when he was ten. He went to Westbrook High School, just like us, he graduated in 1979.
2After high school he worked at his uncle's hardware store for three years. Then he joined the Westbrook Fire Department in 1982. He worked there for 26 years and retired as a captain in 2008. He has received many awards. Since he retired, he has trained more than 300 new firefighters, and he teaches free CPR classes at the community center.
3He is married and has three children and four grandchildren. He likes fishing, gardening, and to cook for his family. Today he is going to talk about what to do in the first two minutes of a house fire. I think you will find it very interesting and informative. Please give him a warm welcome.
SVHS lesson authors, Text 6: Homework draft, Jada's introduction of an assembly speaker (Draft 1). Original passage written for this page.
1Ms. Duarte: Remember the job of an introduction: tell the audience why this person is worth hearing, and then get out of the way. You'll have about one minute at the microphone, so aim for 130 words or fewer.
2Kenji: The dates were hard to follow when you read them out loud. By the third year, I stopped keeping track. Nobody in the gym can go back and reread a sentence.
3Rosa: I didn't hear that he trained 300 firefighters until almost the end. That's the most impressive thing about him, and it's buried in the middle.
4Kenji: I'd cut the fishing and gardening. It's nice, but it has nothing to do with his talk.
5Rosa: I disagree a little. One personal detail makes him sound like a real person and not a résumé. Maybe keep the grandchildren?
6Jada: What if I start by asking what you would do if your smoke alarm went off at three in the morning? That's what his whole talk is about.
SVHS lesson authors, Text 7: Homework feedback, the assembly planning group's comments on Jada's draft. Original passage written for this page.
Differentiation Strategies
For Struggling Students
Give a feedback card with the three steps and a sentence starter for each ("What works for me is...", "The reader most needs...", "My question is...")
Provide the draft tracker with the first row filled in
Let students make one revision and one edit only, and label them before attempting more
For Advanced Students
Ask students to write a fourth draft of Daniel's answer for a different reader, such as the parent of a nervous first-time camper, and explain what changed
Have students write a 100-word answer to the same question in a completely different approach, such as a short dialogue, and argue whether it serves Ms. Whitlock better
Ask students to cut Draft 3 to 175 words and list what the director loses with each cut
Assessment Guidance
What to Look For
Look for revisions that a reader would notice: material moved, added, cut or replaced, not only words swapped. Students should explain each change by naming the reader and what that reader needs, not by saying it "sounds better." In feedback, listen for comments about what the reader needs, not only about commas. In editing, check that students can name the rule behind a correction (a comma alone cannot join two independent clauses; items in a series take the same grammatical form). Students should also know which of their changes were revising and which were editing.
02
Classroom Activities
3 Activities
1
Three-Step Writing Group
20 minGroups of 3
Students run the feedback protocol from Text 2 on their own drafts. The writer listens and takes notes; the responders speak for the reader. Each round ends with a written revision plan, so feedback turns into action.
Roles
Writer: names the reader and purpose in one sentence, reads the draft aloud twice, then listens and takes notes without defending the draft
Responder 1: says one thing that works, and why it works for this reader
Responder 2: says one thing this reader most needs that the draft does not give yet
Both responders: ask one question about the reader or the purpose
Procedure
Each round takes about 6 minutes; roles rotate so everyone is the writer once
After responding, the writer may ask one follow-up question, as Daniel does in Text 2, paragraph 6
The writer fills in a revision plan with the headings Keep, Add, Move, Cut and Leave for later
Discussion Questions
Which comment in your group was about the reader, and which was only about wording?
Was it harder to stay quiet as the writer or to be specific as a responder?
Did anyone get two comments that disagreed? How did you decide what to do?
Modification for Distance Learning
Writers share their drafts in a document with comments turned on. Responders leave one comment for each step, starting with "Works:", "Needs:" or "Question:", and the writer replies to each comment with a plan.
2
Revise, Rewrite or Edit? Card Sort
15 minPairs
Pairs sort ten descriptions of changes into four kinds of work named in the standard. The sort makes the difference between big changes and small ones concrete before students work on their own drafts.
Category Headings
Planning
Revising
Rewriting or trying a new approach
Editing
The Ten Cards
Card 1: Moving the strongest example from the last paragraph to the first
Card 2: Changing "their" to "there"
Card 3: Starting over as a letter instead of an essay
Card 4: Cutting a paragraph that does not answer the prompt
Card 5: Joining two closely related sentences with a semicolon
Card 6: Listing what the reader already knows before writing
Card 7: Adding a specific example where a general claim was
Card 8: Making every item in a list start with the same kind of word
Card 9: Rewriting the opening as a short scene instead of a statement
Card 10: Deciding the one point the reader must remember, before drafting
Sort Key (for the teacher)
Planning: Cards 6 and 10. Revising: Cards 1, 4 and 7. Rewriting or trying a new approach: Cards 3 and 9. Editing: Cards 2, 5 and 8. Accept a well-argued different placement of Card 7, which some pairs will call rewriting.
Discussion Questions
Which card did your pair argue about, and what settled it?
Which kind of change would a reader notice first?
Which cards could a grammar checker help with, and which need the writer's judgment?
3
New Approach Challenge
20 minPairs
Pairs use only the material in Draft 1 and the writing group transcript to write three openings for Daniel's answer, each with a different approach. Then they decide which one serves Ms. Whitlock best. The activity shows that trying a new approach means starting from a different place, not just polishing sentences.
Three Approaches
Opening A: begins with a line of dialogue (something Leo or Daniel said)
Opening B: begins with a question to the reader
Opening C: begins with one sentence stating what Daniel learned, then the story
Procedure
Pairs write all three openings, two or three sentences each, without looking at Draft 2
Pairs rank the openings for Ms. Whitlock and write one sentence defending the top choice
Pairs compare their top choice with the opening of Draft 2 and name one strength of each
Discussion Questions
Which approach got to the evidence fastest?
Did any approach fit a different reader better than it fits a camp director?
When is trying a new approach worth the time, and when is revising the old draft enough?
Different Reader Variation
Pairs rewrite their best opening for a new purpose: a feature in the school newsletter about students with summer jobs. They list which details stay and which go now that the reader is a classmate, not an employer.
03
Diagrams & Visual Aids
2 diagrams
Diagram 1: The Revision Process in W.9-10.5
The five boxes are the kinds of work the standard names; a writer uses them as needed, and the loop shows that rewriting or trying a new approach sends the writer back to a new draft. The banner is the standard's focus: what is most significant for this purpose and audience.
Diagram 2: Where Draft 2 Came From
A reverse outline of Daniel's first two drafts. Paragraph 4 of Draft 1, the Leo story, grows into three paragraphs of Draft 2, and one idea from paragraph 2 becomes the ending. Paragraphs 1, 3 and 5 are cut. Word counts are for the drafts as printed (219 and 264 words).
04
Homework Assignment
~30 min
W.9-10.5 Homework: A Speaker Introduction from Draft 1 to Draft 3
Directions: Use Texts 6 and 7 in the Closure section of the lesson plan. Jada will introduce Mr. Luis Ferreira at an assembly for about 400 students in the school gym. She has about one minute at the microphone, and her purpose is to make the audience want to listen to him. You will plan, revise, rewrite and edit her introduction. Use only facts given in Texts 6 and 7.
Part 1: Plan (Problems 1-2)
Write Jada's plan in three lines: the audience, the purpose, and the one thing listeners most need to learn about Mr. Ferreira before he speaks. Support the third line with a comment from Text 7, quoted, with its paragraph number.
Kenji and Rosa disagree about the personal details (Text 7, paragraphs 4-5). Decide which advice Jada should follow, or how she could satisfy both, and explain your choice in 2-3 sentences that name the audience.
Part 2: Revise and Rewrite (Problems 3-4)
Write Draft 2 of the introduction (110-130 words). Try a new approach for the opening, such as Jada's idea in Text 7, paragraph 6, or a new idea of your own, and move the most impressive fact to where listeners will hear it.
Read your Draft 2 aloud and time it. If it runs longer than one minute, cut until it fits. Then list three changes you made from Draft 1 and label each one revising, rewriting or editing.
Part 3: Edit and Reflect (Problems 5-6)
Draft 1 has a comma splice in paragraph 1 and a list that is not parallel in paragraph 3. Copy each one, correct it, and name the rule. Then check your Draft 2 for the same two kinds of error, fix any you find, and write out Draft 3.
Write a note to Jada (100-150 words) explaining which single change between her Draft 1 and your Draft 3 matters most for 400 listeners in a gym, and why.
Rubric
Criterion
Full Credit (2 pts)
Partial Credit (1 pt)
No Credit (0 pts)
Planning for the audience
Plan names listeners and purpose; the key fact is supported by a quoted comment
Plan is general or the comment is not quoted
No plan, or the plan ignores the audience
Revising and rewriting
Draft 2 uses a new opening, leads with what listeners most need and fits one minute
Some reordering, but the key fact stays buried or the draft runs long
Draft 2 repeats Draft 1 with small word changes
Editing
Both errors corrected with the rules named; Draft 3 has no comma splices or broken lists
Errors corrected but rules not named, or one error remains
Errors not found or not corrected
Reflection
Note picks one change and explains it in terms of listeners
Note lists changes without explaining their effect
Note is missing or off topic
05
Quiz: 20 Questions
Interactive, with answers
Instructions
The questions use Texts 1-5 in the lesson plan: Daniel's three drafts (Warm-Up, Direct Instruction and Guided Practice) and the two transcripts. Paragraph numbers match the numbers beside each text. Questions 7-10 and 18 use new practice sentences. Your score updates as you answer, and Reset quiz clears everything so you or your students can try again.
Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.
0 of 20 answered · 0 correct
Question 1 of 20 · Multiple Choice
In Text 2, why does Tomás want the Leo story moved to the top of the draft?
Answer: B
Tomás gives the reason in paragraph 5: "The director is reading a whole stack of these. If she stops after the first paragraph, all she knows is that you say you're patient." His advice depends on this reader. A turns it into a rule for all writing. C is wrong because nobody in Text 2 mentions the word limit; it comes up only in Text 4. D mixes two comments: Tomás does ask for more detail (paragraph 7), but not so that the story will be noticed.
Question 2 of 20 · Multiple Choice
What does Mr. Hale's question in Text 2, paragraph 10, lead Daniel to do?
Answer: C
Mr. Hale asks what a camp director worries about and then, "Which part of your draft answers that worry?" (paragraph 12). Daniel measures his paragraphs against that worry and decides the Leo part answers it, while the camper part "is mostly about me" (paragraph 13). A is wrong because formality never comes up. B is the opposite of what happens. D is editing, which comes up only in Text 4.
Question 3 of 20 · Multiple Choice
Draft 2 keeps nothing from paragraph 3 of Draft 1, which begins "Working with kids is important because they are the future." Which reason for the cut best fits Daniel's purpose and audience?
Answer: D
Paragraph 3 makes claims any applicant could write, such as "Kids need good role models," and it does not answer Question 3, which asks about a time Daniel helped a child learn. Keeping it would spend words without showing the director anything. A is wrong because length is not the problem; content is. B misreads the draft: paragraph 3 has no comma splice (the two in Draft 1 are in paragraph 2). C invents a disagreement; the claim fails because it is not evidence.
Question 4 of 20 · Multiple Choice
Draft 2, paragraph 2, says: "On the first day his record was two seconds, by Friday it was fifteen." What does this detail add for Ms. Whitlock?
Answer: A
The numbers show that the bubble game worked and that Daniel paid attention to Leo's progress, which is what a director hiring someone to teach children wants to see. B contradicts paragraph 1, where Leo will not let go of the rail for forty minutes. C is not in the draft. D is wrong because the sentence is a comma splice, which Aisha points out in Text 4, paragraph 7.
Question 5 of 20 · Multiple Choice
In Text 2, paragraph 8, Daniel answers Tomás's question with "I made it a game." Why does this answer matter for the next draft?
Answer: B
Tomás has just said, "you never say what you did. How did you get him to put his face in?" (paragraph 7). Daniel's answer is that missing action, and it becomes paragraph 2 of Draft 2: "Instead, I turned the scary part into a game." A is wrong because the game worked and the story leads Draft 2. C misreads the point: the game matters as evidence of how Daniel teaches, not as a topic. D reverses Aisha, who wants to keep one sentence about Marcus (paragraph 14).
Question 6 of 20 · Multiple Choice
Which change across Daniel's three drafts is editing rather than revising or rewriting?
Answer: D
Draft 3 ends "to swim, to share, or to try something new," which makes the three items parallel (L.9-10.1a). The meaning stays the same; only the grammar changes, so it is editing. A changes the organization, which is revising. B replaces a claim with a scene, which is rewriting. C removes content, which is revising.
Question 7 of 20 · Multiple Choice
Which revision correctly fixes this practice sentence? Leo held the rail for forty minutes, he finally let go when I started counting.
Answer: A
The sentence joins two independent clauses with a comma alone, a comma splice. A semicolon can join two closely related independent clauses (L.9-10.2a). B removes the comma and leaves a run-on (fused) sentence. C adds a comma but still joins the clauses with a comma alone. D adds "and" but puts a stray comma after it.
Question 8 of 20 · Multiple Choice
Which sentence uses parallel structure?
Answer: C
In C all three verbs have the same form: lead, supervise, help (L.9-10.1a). A shifts to "are helping" for the third item. B shifts to "supervising" for the second. D mixes "leading" and "helping" with "supervise" and leaves the sentence without a proper main verb for the first item.
Question 9 of 20 · Multiple Choice
Choose the punctuation that correctly joins these clauses: Leo wanted to quit on Tuesday ___ he was back at the pool on Wednesday.
Answer: D
"However" is a conjunctive adverb, not a conjunction, so the two independent clauses need a semicolon before it and a comma after it (L.9-10.2a). A uses commas only and creates a comma splice. B puts the semicolon after "however" instead of before it. C uses a colon, which introduces a list or an explanation, not a contrast.
Question 10 of 20 · Multiple Choice
Which sentence uses a colon correctly?
Answer: B
A colon introduces a list after a complete independent clause, and "The camp asks counselors for three things" is complete (L.9-10.2b). A puts the colon after the preposition "for," in the middle of the clause. C splits the clause after its verb. D uses a semicolon, which joins independent clauses and cannot introduce a list.
Question 11 of 20 · Multiple Choice
In Text 4, why does Daniel refuse to cut "he made me watch him do it eleven times" even though about fifteen words have to go?
Answer: C
Daniel says, "That's the part where you can tell he's proud of himself" (paragraph 2). Leo's pride shows the director the result of Daniel's teaching, so the phrase earns its words. A is wrong because Daniel never weighs how many words the phrase would save. B invents a comment Aisha does not make. D confuses two separate edits: the comma splice is "two seconds, by Friday" (paragraph 7).
Question 12 of 20 · Multiple Choice
A classmate suggests that Daniel add a paragraph about his grades and his soccer team to Draft 3. What is the best response, given the purpose and audience?
Answer: A
Question 3 asks about a time Daniel helped a younger child learn and what he learned, and Draft 3 is already 248 words of a 250-word limit. A paragraph about grades would answer a question the director did not ask and would push the answer over the limit. B ignores both the question and the limit. C would bury the evidence again, undoing the main revision. D overstates: such details can belong in other parts of an application, just not in this answer.
Question 13 of 20 · Multiple Choice
Draft 1's comma splice "when I was eight, it was one of the best summers of my life" was never corrected. Why was that the right choice?
Answer: D
In Draft 2 the fact survives, but the sentence does not: it becomes "because I was one at Linden Park when I was eight" (paragraph 4). Correcting the old sentence first would have spent time on words that were about to be cut. A is wrong: a comma splice is an error in any formal writing. B guesses about the reader instead of fixing the problem. C is false: Text 4 is an editing conference in which Daniel fixes the commas in Draft 2.
Question 14 of 20 · Multiple Choice
Suppose Daniel had never taught anyone to swim, and his only experience was babysitting his neighbor's child. Which new approach would best answer Question 3 for Ms. Whitlock?
Answer: B
Whatever his experience, the director needs the same thing: evidence of Daniel helping a child learn, and what he took from it. A single specific babysitting moment can supply that, so the approach changes while the focus stays. A repeats Draft 1's mistake of claiming traits. C is about Daniel as a camper, which the writing group called "mostly about me." D makes general claims, like the paragraph Daniel cut.
Question 15 of 20 · Short Answer
Compare the last paragraph of Draft 1 with the last paragraph of Draft 2. Explain which ending better serves Ms. Whitlock and why, quoting both.
Model answer: Draft 1 ends, "In conclusion, I would love to be a junior counselor because I love kids and I want to give back to the camp that gave me so much" (paragraph 5). It repeats the claim from the opening and tells the director nothing new. Draft 2 ends by connecting Daniel's own summer at camp to what he will do: "My counselor, Marcus, made every kid feel like part of the group, even the shy ones like me" and "This summer I would like to do the same for my campers" (paragraph 4). The Draft 2 ending is better because it gives a reason and a goal that fit the job, so the director finishes the answer picturing Daniel with campers. Rubric line: 2 points for a clear choice supported by quotations from both endings and a reason tied to the director; 1 point for a choice with only one quotation or a reason that does not mention the reader.
Question 16 of 20 · Short Answer
Draft 1, paragraph 3, says: "I would be a good role model because I am patient and responsible and I always try my best." Rewrite the sentence with parallel structure and name the rule. Then explain in one sentence why even the corrected sentence would not help Ms. Whitlock much.
Model answer: "I would be a good role model because I am patient, responsible and hardworking." Rule: items in a series take the same grammatical form (L.9-10.1a); the original mixes two adjectives with a clause, "I always try my best." ("I am patient, I am responsible, and I always try my best" is also parallel.) The corrected sentence is still a claim about Daniel's traits, with no action the director can judge, so it adds nothing a story would not show better. Rubric line: 2 points for a correct parallel rewrite, the rule and a reason tied to evidence; 1 point for a correct rewrite without the rule or without the reason.
Question 17 of 20 · Short Answer
Name one comment from Text 2 that Daniel followed closely and one that he changed as he used it. Quote each comment and the part of Draft 3 that shows what he did.
Model answer: Daniel followed Tomás's "Move it up, and make it longer" (Text 2, paragraph 7) closely: Draft 3 opens with Leo, and paragraph 2 explains what Daniel did: "Instead, I turned the scary part into a game." He changed Aisha's suggestion, "Maybe keep one sentence about him, near the end?" (paragraph 14). Marcus gets one sentence, but Daniel builds a whole closing paragraph around camp: "My counselor, Marcus, made every kid feel like part of the group, even the shy ones like me." He did this so that the ending connects to the job. Rubric line: 2 points for two correctly quoted comments, each matched to quoted evidence from Draft 3; 1 point for one correct pair.
Question 18 of 20 · Short Answer
Edit this practice paragraph, written in the style of Daniel's drafts, and name the rule behind each correction: Leo's mom asked me to keep teaching him in the fall, I said yes right away. We practiced on Saturdays, on Sundays, and sometimes we went after school. His teacher says he is now the most confidant swimmer in his class.
Model answer: "Leo's mom asked me to keep teaching him in the fall, and I said yes right away. We practiced on Saturdays, on Sundays and sometimes after school. His teacher says he is now the most confident swimmer in his class." (1) The first sentence was a comma splice; a comma plus "and," a semicolon or a period can join the two independent clauses (L.9-10.2a). (2) The list mixed two phrases with a clause, "sometimes we went after school"; the corrected list uses three phrases (L.9-10.1a). (3) "Confidant" is a person you trust with secrets; the adjective is "confident" (L.9-10.2c, spell correctly). Rubric line: 2 points for all three errors fixed and each rule named; 1 point for two errors fixed or three fixed without rules.
Question 19 of 20 · Short Answer
Ms. Whitlock adds a second question: "What would you do if a camper refused to join an activity? (100 words or fewer)" Plan Daniel's answer: name its purpose, the one thing the director most needs to see, and one idea from Draft 3 he could reuse, quoted with its paragraph number.
Model answer: Purpose: to show that Daniel has a calm, practical way to handle a camper who will not join in. What the director most needs: specific steps he would take, not a trait. Idea to reuse: "I did not push him. Instead, I turned the scary part into a game" (Draft 3, paragraph 2), which he could turn into a plan: stay calm, offer a smaller first step or a game, and notice the camper's first success. He could also reuse "we went back to bubbles without making a big deal of it" (paragraph 3) for a camper who has a bad day. Rubric line: 2 points for a purpose, a reader need and a quoted, relevant idea; 1 point if one of the three is missing or the idea is not quoted.
Question 20 of 20 · Short Answer
Give Daniel feedback on Draft 3 using his writing group's three steps from Text 2: one thing that works, one thing Ms. Whitlock still needs, and one question. Tie each step to the director.
Model answer: Works: "even the shy ones like me" (Draft 3, paragraph 4) tells the director that Daniel notices quiet campers, because he was one, and a counselor who notices them is what she wants. Still needs: Daniel himself named a director's other worry in Text 2, "That the counselor won't show up?" (paragraph 11), and Draft 3 says nothing about reliability. If it is true, one clause about going to the pool with Leo every day that week would answer it. Question: How would you use the bubble game idea with ten campers at once instead of one cousin? Rubric line: 2 points for all three steps, each tied to the director and at least one quoting the draft; 1 point for two steps or comments not tied to the reader.
0 of 20 answered · 0 correct
06
Frequently Asked Questions
10 Questions
What does W.9-10.5 mean?
W.9-10.5 means that students in grades 9 and 10 improve their writing through planning, revising, editing, rewriting or trying a new approach, and that they choose those changes by asking what matters most to a specific reader and purpose.
The standard is about process. A final draft alone cannot show it, which is why this lesson prints every draft and both feedback conversations.
What is the difference between revising and editing?
Revising changes what a piece says and how it is built; editing changes how its sentences follow the conventions of standard English.
Moving a paragraph, cutting an off-topic section and adding an example are revising. Fixing a comma splice, a spelling error or a list that is not parallel is editing. Both matter, but a reader notices the revising first.
What does "trying a new approach" mean?
It means starting from a different place instead of repairing the old draft, for example opening with a scene instead of a claim, or turning an essay into a letter.
A new approach is worth trying when the draft's basic plan cannot give the reader what they need, however well its sentences are polished.
How does W.9-10.5 connect to the Language standards?
The full Common Core text of W.9-10.5 ends with a note that editing for conventions should show command of Language standards 1-3 up to grades 9-10.
For grades 9-10 that includes parallel structure (L.9-10.1a), semicolons with or without a conjunctive adverb (L.9-10.2a), colons that introduce a list or quotation (L.9-10.2b) and correct spelling (L.9-10.2c). The editing questions on this page practice those rules inside a real draft.
How is W.9-10.5 different from W.8.5 and W.11-12.5?
W.8.5 includes "with some guidance and support from peers and adults" and asks students to focus on how well purpose and audience have been addressed; W.9-10.5 drops the support phrase and asks students to focus on what is most significant.
W.11-12.5 has the same main wording as W.9-10.5. Its editing note points to the grade 11-12 Language standards, and in practice older students handle harder situations, such as conflicting feedback and readers with different needs.
How do I make peer feedback useful?
Give the group a short, fixed protocol and make the reader part of it.
The three steps in this lesson (one thing that works, one thing the reader most needs, one question) keep comments specific. The writer names the reader first, listens without defending the draft and ends with a written plan, so the feedback turns into changes.
How many drafts should students write?
As many as the piece needs; the standard says "as needed," not a fixed number.
A short email may need one careful edit, while an application or an essay may need a full rewrite. Three drafts, as in this lesson, is a useful classroom pattern because it separates the big changes from the small ones.
How is W.9-10.5 assessed?
It is usually assessed in class, through drafts, revision plans and reflections, because a single timed essay does not show the process.
A strong assessment asks students to submit two drafts with the changes labeled and a short explanation of why each change serves the reader. Check your state's writing assessment materials for how revision is scored on state tests.
Can a grammar checker do the editing?
It can catch some editing errors, but it cannot revise.
A checker may flag a comma splice or a misspelling, but it may also miss a word used wrongly, such as "affect" for "effect." It cannot tell a writer that the best evidence is buried in paragraph 4. Students should still be able to name the rule behind every correction they accept.
How can parents help with this standard at home?
Ask to read a draft, and respond as the real reader would before mentioning any mistakes.
Try the three steps from this lesson: say one thing that works, one thing the reader still needs and one question. Then ask your student what they plan to change, and let them make the changes themselves.
07
Related Standards
6 standards
These standards connect to W.9-10.5: prerequisites to review first, parallel standards at the same level, and next steps that build on it.
Before this lesson
W.8.5Prerequisite
With peer and adult support, plan, revise, edit and rewrite for purpose and audience
Lesson coming soon
Alongside
W.9-10.4Parallel
Produce clear, coherent writing suited to task, purpose and audience