SVHS Website Header

SVHS Website Header Component

Scroll down or resize the browser to test responsive behavior. Hover over the nav items to open mega menus.

My Cart

W.7.9Common CoreELAWritingGrade 7

W.7.9: Writing with Evidence from Evangeline, a History of Grand-Pré and an Argument for City Playgrounds

In plain English: W.7.9 is the Common Core grade 7 ELA standard that asks students to draw evidence from literary or informational texts to support analysis, reflection and research. In writing, they apply the grade 7 Reading standards, for example comparing a fictional portrayal of a time with a historical account, or tracing and evaluating an argument's claims and evidence.

Draw evidence from literary or informational texts to support analysis, reflection, and research.

  1. a.Apply grade 7 Reading standards to literature (e.g., "Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors of fiction use or alter history").
  2. b.Apply grade 7 Reading standards to literary nonfiction (e.g. "Trace and evaluate the argument and specific claims in a text, assessing whether the reasoning is sound and the evidence is relevant and sufficient to support the claims").
Common Core State Standards for English Language Arts & Literacy · Domain: Writing Standards · Cluster: Research to Build and Present Knowledge · Official standard

01

Lesson Plan

65 min

Overview

W.7.9 asks seventh graders to draw evidence from what they read and use it in their own writing: to support analysis, to reflect and to research. Part (a) applies the grade 7 literature standards, and its official example is RL.7.9: compare a fictional portrayal of a time, place or character with a historical account of the same period, to understand how authors of fiction use or alter history. Part (b) applies the grade 7 standards for literary nonfiction, and its official example is RI.7.8: trace and evaluate an argument, judging whether the reasoning is sound and the evidence relevant and sufficient.

For part (a), students compare the scene in Longfellow's Evangeline (1847) where the order to remove the Acadians is read in the church at Grand-Pré with Francis Parkman's history of the same day, which prints the commander's real address. For part (b), they trace and judge Jacob Riis's account of how a New York committee used a police map to argue for playgrounds. They write analytical paragraphs with quotations and line or paragraph numbers, a research note card and a short reflection. The model paragraph, the weak draft and the invented editorial in Diagram 2 were written for this page; all other passages are quoted exactly from pre-1930 editions.

Learning Objectives

By the end of this lesson, students will be able to:

  • Quote and cite lines of a poem and paragraphs of a history to support an analytical paragraph
  • Compare a fictional portrayal of an event with a historical account of it, and explain what the author of fiction kept, changed or left out
  • Trace the claim, reasons and evidence of an argument and judge whether the reasoning is sound and the evidence relevant and sufficient
  • Choose a trustworthy source for a research question, and write a note card with a quotation, a paraphrase and the source
  • Write a short reflection that supports a personal response with evidence from the texts

Prior Knowledge Required

Students should already be comfortable with:

  • Drawing evidence from texts in grade 6 writing W.6.9
  • Citing several pieces of textual evidence to support analysis (RL.7.1, RI.7.1)
  • Telling a claim from the reasons and evidence that support it RI.6.8
  • Using quotation marks and paraphrasing without copying

Lesson Procedure

65-65 minutes of class time across 5 phases.

  1. Warm-Up10 minutes

    Warm-Up Prompt

    "Think of a movie or book set in the past. How would you find out which parts really happened and which parts the author made up?"

    Take four answers and list the ways students suggest (checking a history book, an encyclopedia, a letter from the time). Read W.7.9 aloud. Explain that drawing evidence means taking exact words or facts from a text and using them to support your own writing: an analysis (explaining how a text works), a reflection (what the text makes you think or feel, and why) or research (answering a question from sources). Part (a) applies to literature, and its official example asks students to compare a fictional portrayal (how a story or poem shows a time, place or person) with a historical account of the same period. Part (b) applies to literary nonfiction, true writing with a point of view, and asks students to trace and judge an argument.

    Give the background. In 1755, during the war between Britain and France for North America, British officials in Nova Scotia ordered the removal of the Acadians, French-speaking farmers who had refused to swear an oath of full loyalty to the British king. At the village of Grand-Pré, Lieutenant-Colonel John Winslow of Massachusetts called the men to the church and read them the order. Thousands of Acadians were sent away on ships. In 1847, Henry Wadsworth Longfellow told the story in a long poem, Evangeline, about two invented young people, Evangeline and Gabriel, whose engagement feast is interrupted by the order. Show Diagram 1.

  2. Direct Instruction20 minutes

    Read Text 1 aloud while students follow. Pause to define hard words: sonorous (deep and loud), portal (a large doorway), dissonant clangor (a harsh, clashing noise), casement (a window), ponderous (very heavy), convened (called together), clement (merciful), make (nature, character), grievous (causing great sorrow) and forfeited (taken away as a penalty). Then read Text 2, Parkman's history, written in 1884 from Winslow's own journal and letters. Define subalterns (junior officers), homespun (rough cloth woven at home), orthography (spelling), syntax (the order of words in a sentence), indulgence (freedom and gentle treatment), animadvert (to criticize), tenements (buildings and land) and the Crown (the king's government). Work through the examples, then read the model paragraph, Text 3, and label its claim, its evidence from each text and its explanation.

    So passed the morning away. And lo! with a summons sonorous
    Sounded the bell from its tower, and over the meadows a drum beat.
    Thronged erelong was the church with men. Without, in the churchyard,
    Waited the women. They stood by the graves, and hung on the headstones
    Garlands of autumn-leaves and evergreens fresh from the forest.
    Then came the guard from the ships, and marching proudly among them
    Entered the sacred portal. With loud and dissonant clangor
    Echoed the sound of their brazen drums from ceiling and casement,--
    Echoed a moment only, and slowly the ponderous portal
    Closed, and in silence the crowd awaited the will of the soldiers.
    Then uprose their commander, and spoke from the steps of the altar,
    Holding aloft in his hands, with its seals, the royal commission.
    "You are convened this day," he said, "by his Majesty's orders.
    Clement and kind has he been; but how you have answered his kindness,
    Let your own hearts reply! To my natural make and my temper
    Painful the task is I do, which to you I know must be grievous.
    Yet must I bow and obey, and deliver the will of our monarch;
    Namely, that all your lands, and dwellings, and cattle of all kinds
    Forfeited be to the crown; and that you yourselves from this province
    Be transported to other lands. God grant you may dwell there
    Ever as faithful subjects, a happy and peaceable people!
    Prisoners now I declare you; for such is his Majesty's pleasure!"
    As, when the air is serene in the sultry solstice of summer,
    Suddenly gathers a storm, and the deadly sling of the hailstones
    Beats down the farmer's corn in the field and shatters his windows,
    Hiding the sun, and strewing the ground with thatch from the house-roofs,
    Bellowing fly the herds, and seek to break their enclosures;
    So on the hearts of the people descended the words of the speaker.
    Silent a moment they stood in speechless wonder, and then rose
    Louder and ever louder a wail of sorrow and anger,
    And, by one impulse moved, they madly rushed to the door-way.

    Henry Wadsworth Longfellow, Evangeline, A Tale of Acadie, Part the First, section IV (the order read in the church at Grand-Pré) (Text 1: 31 lines, complete and without cuts) (1847; this edition 1902). Public domain (published 1902). Source text.

    On the next day the inhabitants appeared at the hour appointed, to the number of four hundred and eighteen men. Winslow ordered a table to be set in the middle of the church, and placed on it his instructions and the address he had prepared. Here he took his stand in his laced uniform, with one or two subalterns from the regulars at Fort Edward, and such of the Massachusetts officers as were not on guard duty; [...] The congregation of peasants, clad in rough homespun, turned their sunburned faces upon him, anxious and intent; and Winslow "delivered them by interpreters the King's orders in the following words," which, retouched in orthography and syntax, ran thus:--

    Gentlemen,--I have received from His Excellency, Governor Lawrence, the King's instructions, which I have in my hand. By his orders you are called together to hear His Majesty's final resolution concerning the French inhabitants of this his province of Nova Scotia, who for almost half a century have had more indulgence granted them than any of his subjects in any part of his dominions. What use you have made of it you yourselves best know.

    The duty I am now upon, though necessary, is very disagreeable to my natural make and temper, as I know it must be grievous to you, who are of the same species. But it is not my business to animadvert on the orders I have received, but to obey them; and therefore without hesitation I shall deliver to you His Majesty's instructions and commands, which are that your lands and tenements and cattle and live-stock of all kinds are forfeited to the Crown, with all your other effects, except money and household goods, and that you yourselves are to be removed from this his province.

    Francis Parkman, Montcalm and Wolfe, chapter VIII, Removal of the Acadians (Winslow reads the order in the church at Grand-Pré, September 5, 1755) (Text 2: three consecutive paragraphs; one cut marked [...]) (1884; this edition 1885). Public domain (published 1885). Source text.
    • Summary or analysis?

      Two sentences about Text 1, lines 3-5: (1) "The women waited outside in the churchyard." (2) "The women hang 'Garlands of autumn-leaves' on the headstones (line 5) while the men are inside, so the poem surrounds the meeting with signs of death before the order is even read."

      Result: Sentence 1 only retells. Sentence 2 is analysis: it quotes, cites the line and explains what the detail does, which is how evidence supports analysis.

    • Choosing a source for research

      Research question: On what date were the men of Grand-Pré told of the order? Text 1 never gives a date. Parkman's chapter prints Winslow's summons, which calls the men to the church on "Friday, the fifth instant," and Winslow's diary calls it "the memorable fifth of September."

      Result: Use the history, and cite it: Friday, September 5, 1755 (Parkman, Montcalm and Wolfe, chapter VIII). A poem can show how an event felt, but a fact for research should come from a historical account and, if possible, the records it quotes.

    • Citing lines and paragraphs

      Quoting two lines of the poem and one sentence of the history in the same paragraph.

      Result: Poem: mark the line break with a slash and give the line numbers: "Then came the guard from the ships, and marching proudly among them / Entered the sacred portal" (lines 6-7). History: give the paragraph: Winslow "placed on it his instructions and the address he had prepared" (Text 2, paragraph 1).

    • Tracing an argument

      Diagram 2, an invented editorial: "The school gym should open on Saturday mornings."

      Result: Trace it in three steps: find the claim (what the writer wants readers to believe or do), list each reason, then list the evidence under each reason. Reason 3, "Grades will go up for everyone," has no evidence at all, so that part of the argument is unsupported.

    • Relevant and sufficient evidence

      Diagram 2, Reasons 1 and 2.

      Result: Evidence is relevant when it is about the reason it supports, and sufficient when there is enough of it to be convincing. One student's promise to come is relevant but not sufficient. The office calendar is relevant and sufficient for its small reason: it is a record, not a guess. Sound reasoning means each reason really leads to the claim.

    Longfellow's Commander and Parkman's Winslow

    In Evangeline, Longfellow keeps the words of the real order but changes the scene around them to make it more frightening. His commander tells the Acadians, "To my natural make and my temper / Painful the task is I do, which to you I know must be grievous" (lines 15-16). These words come almost straight from Winslow's address as Parkman prints it: the duty is "very disagreeable to my natural make and temper, as I know it must be grievous to you" (Text 2, paragraph 3). Because the poem borrows the real words, readers can trust that the order itself is history. The setting, however, is changed. In Parkman's account, Winslow "ordered a table to be set in the middle of the church, and placed on it his instructions" (paragraph 1). In the poem, the commander speaks "from the steps of the altar, / Holding aloft in his hands, with its seals, the royal commission" (lines 11-12). A paper lying on a table becomes a paper raised high above the crowd. Longfellow uses history for the words and alters it for the picture, so that readers see the order as one crushing blow from above.

    SVHS lesson authors, Longfellow's Commander and Parkman's Winslow (Text 3: a model analytical paragraph written for this page; the quotations are from Texts 1 and 2). Original passage written for this page.
  3. Guided Practice15 minutes

    Introduce Jacob Riis, a New York newspaper reporter who wrote about crowded city neighborhoods. In Text 4, from his 1902 book, he tells how a city committee decided where children needed places to play. Define precinct (a police district), slum (a crowded, run-down neighborhood) and daub (a smear of paint). Read Text 4 together, then trace it on a blank copy of the Diagram 2 organizer: the class finds the claim, and pairs sort the evidence under it and rate each piece as relevant or not, and sufficient or not.

    Next, pairs read the weak draft, Text 5. Ask them to rewrite sentences [1], [5] and [6] so that each says only what Text 4 supports. For [1], "proves" and "crime" go further than the text; for [5], a writer's fame is not evidence; for [6], Text 4 is about one city. Share two rewrites and ask which quotation from Text 4 each one could use.

    "Everything takes ten years," said Abram S. Hewitt, when, exactly ten years after he had as mayor championed the Small Parks Act, he took his seat as chairman of the Advisory Committee on Small Parks. The ten years had wrought a great change. It was no longer the slum of to-day, but that of to-morrow, that challenged attention. The committee took the point of view of the children from the first. It had a large map prepared, showing where in the city there was room to play and where there was none. Then it called in the police and asked them to point out where there was trouble with the boys; and in every instance the policeman put his finger upon a treeless slum.

    "They have no other playground than the street," was the explanation given in each case. "They smash lamps and break windows. The storekeepers kick and there is trouble. That is how it begins." "Many complaints are received daily of boys annoying pedestrians, storekeepers, and tenants by their continually playing base-ball in some parts of almost every street. The damage is not slight. Arrests are frequent, much more frequent than when they had open lots to play in." This last was the report of an up-town captain. He remembered the days when there were open lots there. "But those lots are now built upon," he said, "and for every new house there are more boys and less chance for them to play."

    The committee put a red daub on the map to indicate trouble. Then it asked those police captains who had not spoken to show them where their precincts were, and why they had no trouble. Every one of them put his finger on a green spot that marked a park.

    "My people are quiet and orderly," said the captain of the Tompkins Square precinct.

    The police took the square from a mob by storm twice in my recollection, and the commander of the precinct was hit on the head with a hammer by "his people" and laid out for dead.

    "The Hook Gang is gone," said he of Corlear's Hook. The professional pursuit of that gang was to rob and murder inoffensive citizens by night and throw them into the river, and it achieved a bad eminence at its calling.

    "The whole neighborhood has taken a change, and decidedly for the better," said the captain of Mulberry Street; and the committee rose and said that it had heard enough.

    Jacob A. Riis, The Battle with the Slum, chapter XI, Letting in the Light (the Small Parks committee and the police map) (Text 4: seven consecutive paragraphs, complete) (1902). Public domain (published 1902). Source text.

    What Riis Proves About Parks

    [1] Jacob Riis proves that parks stop crime. [2] In Text 4 he says that "in every instance the policeman put his finger upon a treeless slum." [3] He also gives numbers showing that arrests fell by half after the parks opened. [4] The captain of the Tompkins Square precinct said, "My people are quiet and orderly," which proves that the park there worked. [5] Riis is a famous writer, so his argument must be right. [6] In conclusion, every city in the world should build more parks.

    SVHS lesson authors, What Riis Proves About Parks (Text 5: a weak first draft written for this page; the student is invented; sentences are numbered in brackets for discussion). Original passage written for this page.
  4. Independent Practice15 minutes

    Students read Text 6, the end of Winslow's address and what happened next, in Parkman's words. Define peremptory (allowing no argument), molested (bothered or harmed) and answerable (responsible). Each student writes one analytical paragraph that answers this question: What does Longfellow keep from Winslow's whole address (Texts 2 and 6), and what does he leave out? The paragraph needs a claim, one quotation from the poem with its line number, one from the history with its paragraph number, and an explanation. The quiz also uses Text 6.

    The peremptory orders of His Majesty are that all the French inhabitants of these districts be removed; and through His Majesty's goodness I am directed to allow you the liberty of carrying with you your money and as many of your household goods as you can take without overloading the vessels you go in. I shall do everything in my power that all these goods be secured to you, and that you be not molested in carrying them away, and also that whole families shall go in the same vessel; so that this removal, which I am sensible must give you a great deal of trouble, may be made as easy as His Majesty's service will admit; and I hope that in whatever part of the world your lot may fall, you may be faithful subjects, and a peaceable and happy people.

    I must also inform you that it is His Majesty's pleasure that you remain in security under the inspection and direction of the troops that I have the honor to command.

    [...]

    He then declared them prisoners of the King. "They were greatly struck," he says, "at this determination, though I believe they did not imagine that they were actually to be removed." After delivering the address, he returned to his quarters at the priest's house, whither he was followed by some of the elder prisoners, who begged leave to tell their families what had happened, "since they were fearful that the surprise of their detention would quite overcome them." Winslow consulted with his officers, and it was arranged that the Acadians should choose twenty of their number each day to revisit their homes, the rest being held answerable for their return.

    Francis Parkman, Montcalm and Wolfe, chapter VIII, the end of Winslow's address and what followed (Text 6: the last two paragraphs of the address and the paragraph after it; a footnote is left out and marked [...]) (1884; this edition 1885). Public domain (published 1885). Source text.
  5. Closure5 minutes

    Exit ticket: (1) Write one sentence that uses a quotation from Text 1 or Text 2 to support analysis, with its line or paragraph number. (2) Name one question you would ask before trusting a piece of evidence in an argument. Hand out Text 7 for the homework; it continues Text 4.

    Teacher note: Parkman wrote in the 1880s from the British and New England records, and his words, such as "peasants," and some of his judgments reflect that time. Remind students that the removal brought great suffering to Acadian families, which Parkman also describes later in the chapter, and that Acadian descendants tell the story from their own side as well. Riis's book also reflects its era; this excerpt was chosen because it describes the committee's method and contains no slurs.

    The map was hung on the wall, and in it were stuck pins to mark the site of present and projected schools as showing where the census had found the children crowding. The moment that was done the committee sent the map and a copy of chapter 338 of the laws of 1895 to the mayor, and reported that its task was finished. This is the law and all there is of it:--

    "The people of the State of New York, represented in Senate and Assembly, do enact as follows:--

    "Section 1. Hereafter no schoolhouse shall be constructed in the city of New York without an open-air playground attached to or used in connection with the same.

    "Section 2. This act shall take effect immediately."

    Where the map was daubed with red the school pins crowded one another. On the lower East Side, where child crime was growing fast, and no less than three storm centres were marked down by the police, nine new schools were going up or planned, and in the up-town precinct whence came the wail about the ball players there were seven. It was common sense, then, to hitch the school playground and the children together. [...]

    Jacob A. Riis, The Battle with the Slum, chapter XI, the map, the law and the new schools (Text 7, homework: the paragraphs that follow Text 4; the rest of the last paragraph is left out and marked [...]) (1902). Public domain (published 1902). Source text.

Differentiation Strategies

For Struggling Students

  • Give a copy of Text 1 with lines 11-22 highlighted and a side-by-side copy of the matching sentences from Texts 2 and 6, so students can find echoes before they write
  • Provide a paragraph frame: "Longfellow keeps ___ (line __). Parkman shows ___ (paragraph __). This change makes readers ___."
  • For Text 4, give a filled-in claim box on the organizer so students only sort the evidence

For Advanced Students

  • Ask students to read the lines that follow Text 1 in the poem and compare Basil the blacksmith's outburst with anything in Parkman's account
  • Have students write a paragraph on how Parkman, too, shapes history, using his note in Text 2, paragraph 1, on how he printed Winslow's words
  • Ask students to find one more piece of evidence Riis would need to make his argument sufficient, and write the sentence he could add

Assessment Guidance

What to Look For

In analytical paragraphs, look for a claim about the texts, at least one exact quotation from each text with a correct line or paragraph number, and an explanation of what the evidence shows. In comparisons, look for a clear account of what the poem keeps, changes and leaves out, and a reason a poet might make that choice. In argument evaluations, look for a correctly stated claim, evidence traced to it, and a judgment of relevance and sufficiency backed by what the text does or does not say. In research notes, look for exact quotations, paraphrases that do not copy, and complete sources.

02

Classroom Activities

3 Activities

1

Poem or History? Evidence Sort

15 minPairs

Pairs sort ten details from the scene into three columns, only in the poem, only in the history and in both, and write the line or paragraph number that proves each placement. They then choose one change Longfellow made and explain why a poet might make it.

Detail Cards

  • 1. A bell and a drum call the men to the church
  • 2. The women wait outside by the graves
  • 3. A table stands in the middle of the church
  • 4. The commander wears a laced uniform
  • 5. The task is painful to the commander's "natural make"
  • 6. The royal commission is held up high
  • 7. Lands and cattle are forfeited to the crown
  • 8. The Acadians are wished well as "faithful subjects"
  • 9. The men are "anxious and intent"
  • 10. A storm simile follows the order

Procedure

  • Partners read each card, find it in Texts 1, 2 and 6, and place it in a column
  • On each card they write the line or paragraph number where they found it
  • Each pair chooses one card from the "only in the poem" column and writes two sentences: what Longfellow added, and what it makes a reader feel
  • Two pairs compare their columns and settle any card they placed differently by rereading the texts

Discussion Questions

  • Which column has the most cards, and what does that tell you about how Longfellow used history?
  • Card 5 is in both texts. Why might a poet keep the commander's own words?
  • Which card would you use as evidence in a research report, and which only in an analysis of the poem?
2

Argument Audit

15 minGroups of 3-4

Groups test four pieces of evidence from Text 4 against the questions an evaluator asks, then write a one-paragraph verdict on the argument.

Evidence Strips

  • A. "in every instance the policeman put his finger upon a treeless slum" (paragraph 1)
  • B. "Arrests are frequent, much more frequent than when they had open lots to play in." (paragraph 2)
  • C. "Every one of them put his finger on a green spot that marked a park." (paragraph 3)
  • D. "The whole neighborhood has taken a change, and decidedly for the better" (paragraph 7)

Procedure

  • For each strip, the group answers three questions: Who is speaking? Is it about the claim (relevant)? Would it convince a doubtful reader on its own (sufficient)?
  • The group ranks the strips from strongest to weakest and records one reason for the top and bottom choices
  • Together they write a verdict paragraph: "Riis's argument is ___ because ___," with at least two quotations
  • Each group reads its verdict aloud; the class notes where the groups agree

Discussion Questions

  • What kind of evidence would a city council want before paying for a new park?
  • Can an argument be convincing even if its evidence is not sufficient? Why?
  • Strip B compares two times. Why can a comparison be stronger than a single statement?

Modification for Distance Learning

Post the four strips on a shared slide. Groups work in breakout rooms, drag the strips into a ranked order and type their verdict paragraph under them.

3

Research Note Cards

15 minIndividual, then pairs

Students answer a research question from the history, not the poem, on three note cards, then write a two-sentence reflection on what the poem adds that the history does not.

Research Question

"How did Winslow gather the men of Grand-Pré and tell them the order?"

Procedure

  • On each card, write one short quotation from Text 2 or Text 6, a paraphrase in your own words and the source (author, title, year and paragraph)
  • Trade cards with a partner, who checks that each quotation is exact and that each paraphrase does not copy the wording
  • On a fourth card, write two sentences of reflection: one thing the poem helped you feel or picture that the history did not, with a line number

Discussion Questions

  • Why should a research note keep the source with every quotation?
  • Which of your three quotations would a doubtful reader find most convincing, and why?
  • When is it fair to quote a poem in a research report?

03

Diagrams & Visual Aids

2 diagrams

Diagram 1: A Timeline of the Events and the Texts

When the events happened and when the texts were written (4 pixels = 1 year) 1790 1830 1870 Sept. 5, 1755: order read at Grand-Pré 1847: Longfellow publishes Evangeline 1884: Parkman's Montcalm and Wolfe 1895: New York law on school playgrounds 1902: Riis's Battle with the Slum Longfellow published his poem 92 years after the events; Parkman used Winslow's journal and letters.
The timeline is drawn to scale at 4 pixels per year from 1750 to 1910. Winslow read the order at Grand-Pré on September 5, 1755. Longfellow published Evangeline in 1847, and Parkman's history of the war appeared in 1884, built on Winslow's journal and letters. The New York law requiring a playground at every new schoolhouse dates from 1895, and Riis's book from 1902.

Diagram 2: An Argument-Tracing Organizer

Tracing an argument: an invented school newspaper editorial CLAIM The school gym should open on Saturday mornings. REASON 1 Students need a safe place to exercise. EVIDENCE "My friends and I would come," says one student. Relevant: yes Sufficient: no, one voice REASON 2 The gym sits empty on weekends now. EVIDENCE The office calendar shows no weekend events. Relevant: yes Sufficient: yes, a record REASON 3 Grades will go up for everyone. EVIDENCE None given. Relevant: nothing to judge Sufficient: no evidence Sound reasoning: each reason must really lead to the claim, and each needs enough evidence.
The organizer traces an invented school newspaper editorial from its claim to three reasons and the evidence under each. Each piece of evidence is judged twice: is it about the reason (relevant), and is there enough of it (sufficient)? Green marks evidence that is sufficient and red marks evidence that is not. Students use a blank copy to trace Text 4.

04

Homework Assignment

~30 min

W.7.9 Homework: A Poem, a History and an Argument

Directions: Use Texts 1, 2 and 6 for Part 1 and Texts 4 and 7 for Part 2. Put every quotation in quotation marks and give its line number (Text 1) or paragraph number (the other texts).

Part 1: Fiction and History (Problems 1-3)

  1. Make a three-column chart headed only in the poem, only in the history and in both. Add at least two details to each column that are not on the Activity 1 cards, each with its line or paragraph number.
  2. Write a paragraph of five to seven sentences that answers this question: Is Evangeline a good source for learning what happened at Grand-Pré on September 5, 1755? Use at least two quotations from Text 1 and two from Texts 2 or 6.
  3. Write a reflection of four to six sentences: what do you think Longfellow wanted readers to feel about the Acadians, and did the poem make you feel it? Support your answer with at least two lines from Text 1.

Part 2: Tracing and Judging an Argument (Problems 4-6)

  1. Text 7 continues Riis's account. Trace its argument: what does Riis conclude in the last sentence, and which two facts in the text lead him there? Quote each one.
  2. Riis writes that where the map was daubed with red, "the school pins crowded one another" (Text 7, paragraph 5). Does this fact show that school playgrounds will reduce trouble, or only that new schools were being built where trouble was? Explain whether the reasoning is sound in three or four sentences.
  3. Write an evaluation of Riis's whole argument (Texts 4 and 7) in six to eight sentences. State his claim, trace two pieces of evidence, judge whether each is relevant and sufficient, and name one piece of evidence that would make the argument stronger.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Evidence and CitationEvery quotation is exact and correctly cited with a line or paragraph numberSome quotations inexact or uncitedNo quotations
Fiction and HistoryExplains what the poem keeps, changes or leaves out, with evidence from both textsLists differences without explaining themSummarizes one text only
Argument EvaluationStates the claim, traces evidence to it and judges relevance, sufficiency and soundness with reasonsJudges the argument without tracing it, or traces it without judgingNo evaluation
ReflectionA clear personal response supported by at least two cited linesA response with one citation or a vague reasonNo reflection

05

Quiz: 20 Questions

Interactive, with answers

Instructions

The questions use Texts 1-5 from the lesson plan and Text 6 in Independent Practice. Line numbers refer to Text 1; paragraph numbers refer to the numbered paragraphs of the other texts. Your score updates as you answer, and Reset quiz clears everything so you or your students can try again.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    A student is writing about Evangeline (Text 1). Which sentence uses evidence to support analysis?

  2. Question 2 of 20 · Multiple Choice

    What do lines 9-10 of Text 1 suggest about the meeting in the church?

  3. Question 3 of 20 · Multiple Choice

    Which detail in Parkman's account (Text 2) has no match in Longfellow's scene (Text 1)?

  4. Question 4 of 20 · Multiple Choice

    Parkman says Winslow's words, "retouched in orthography and syntax, ran thus" (Text 2, paragraph 1). What should a student who wants to quote Winslow understand from this?

  5. Question 5 of 20 · Multiple Choice

    Longfellow's commander says, "Clement and kind has he been; but how you have answered his kindness, / Let your own hearts reply!" (lines 14-15). Which part of Winslow's address (Text 2) does this line rework?

  6. Question 6 of 20 · Multiple Choice

    Compare Text 1 with Text 6. How does the moment the men become prisoners differ?

  7. Question 7 of 20 · Multiple Choice

    Winslow wrote that the men "were greatly struck," though he believed "they did not imagine that they were actually to be removed" (Text 6, paragraph 3). How does Longfellow change their reaction?

  8. Question 8 of 20 · Multiple Choice

    Which of these points from Winslow's address (Texts 2 and 6) does Longfellow's commander never make?

  9. Question 9 of 20 · Multiple Choice

    Why does Longfellow compare the commander's words to a hailstorm in lines 23-28 of Text 1?

  10. Question 10 of 20 · Multiple Choice

    Which claim does the evidence in Text 4 support?

  11. Question 11 of 20 · Multiple Choice

    Almost all of Riis's evidence in Text 4 comes from one kind of source. What is it?

  12. Question 12 of 20 · Multiple Choice

    Sentence [4] of the weak draft (Text 5) uses the Tompkins Square captain's words, "My people are quiet and orderly," as proof. Why is that a weak use of evidence?

  13. Question 13 of 20 · Multiple Choice

    Which statement best evaluates whether the evidence in Text 4 is relevant and sufficient?

  14. Question 14 of 20 · Multiple Choice

    Sentence [3] of the weak draft (Text 5) says Riis "gives numbers showing that arrests fell by half after the parks opened." What is wrong with this sentence?

  15. Question 15 of 20 · Short Answer

    Compare how Longfellow (Text 1, lines 3-10) and Parkman (Text 2, paragraph 1) show the Acadian men waiting in the church. Write three or four sentences with one quotation from each text.

  16. Question 16 of 20 · Short Answer

    Parkman reports that the Acadians were allowed to "choose twenty of their number each day to revisit their homes" (Text 6, paragraph 3). Longfellow's scene has nothing like this. Explain how leaving out details like this shapes the reader's view of the commander. Cite both texts.

  17. Question 17 of 20 · Short Answer

    Trace how the committee in Text 4 tested its idea. Describe its two tests with the map, say what each one showed, and explain why using both tests makes the reasoning stronger than using only the first.

  18. Question 18 of 20 · Short Answer

    The captain of Corlear's Hook says, "The Hook Gang is gone" (Text 4, paragraph 6). Is this evidence relevant and sufficient to show that a park made the difference? Explain in three or four sentences.

  19. Question 19 of 20 · Short Answer

    You are researching this question: What were the Acadians allowed to take with them? Write a note card from Text 6 with a short quotation, a paraphrase in your own words and the source. Then explain in one sentence why you would not use Text 1 as the source for this fact.

  20. Question 20 of 20 · Short Answer

    Reflection: Which text helped you understand the men in the church better, the poem (Text 1) or the history (Texts 2 and 6)? Explain why in three or four sentences, citing one line or paragraph.

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does W.7.9 mean?

W.7.9 means that seventh graders use evidence from what they read, such as quotations and facts, to support their own writing: analysis, reflection and research.

Part (a) applies the grade 7 literature standards, and part (b) the grade 7 standards for literary nonfiction. In practice, students write about stories, poems, histories and arguments, and back up every point with cited words from the text.

What are W.7.9a and W.7.9b?

W.7.9a applies the grade 7 Reading Literature standards to writing, and W.7.9b applies the grade 7 Reading Informational Text standards to literary nonfiction.

The official examples are RL.7.9, comparing a fictional portrayal of a time, place or character with a historical account of the same period, and RI.7.8, tracing and evaluating an argument and its claims.

How is W.7.9 different from RL.7.9 and RI.7.8?

RL.7.9 and RI.7.8 are reading standards, and W.7.9 asks students to show that reading in writing.

A student can meet RL.7.9 in a class discussion. Under W.7.9, the same comparison becomes a paragraph or essay with quotations, line or paragraph numbers and an explanation of what the evidence shows.

Can historical fiction be used as evidence in a research report?

Historical fiction can be evidence about how an author portrays the past, but not about what happened.

For facts, such as dates, numbers and what people said, students should use a historical account and, where possible, the records it quotes. A poem or novel belongs in a report only when the question is about the work itself or how people remember an event.

How should seventh graders cite a poem and a history?

Give the line numbers for a poem and the page or paragraph for prose, right after the quotation.

Use a slash to show a line break when quoting two lines of a poem. When a historian quotes someone else, say so, for example "Winslow's address, as Parkman prints it."

What does "relevant and sufficient evidence" mean in grade 7?

Evidence is relevant when it is about the point it supports, and sufficient when there is enough of it to convince a careful reader.

One person's opinion may be relevant but not sufficient. A record, a count or several independent sources usually carry more weight. Students should say which one is missing when they judge an argument.

What does "sound reasoning" mean when students evaluate an argument?

Reasoning is sound when each reason truly leads to the claim and the writer does not jump to a conclusion the evidence cannot carry.

A common problem is treating two things that happen together as cause and effect. Students can test reasoning by asking, "What else could explain this?"

How is W.7.9 assessed?

W.7.9 is usually assessed through written responses to texts: analytical paragraphs, comparison essays and research writing.

Many state tests include writing tasks that ask students to read two or more texts and write with evidence from them. Scorers look for accurate, cited evidence and an explanation of how it supports the writer's point.

Why pair Evangeline with a history for W.7.9a?

The pairing matches the official example: a fictional portrayal and a historical account of the same event.

Longfellow's scene and Parkman's history describe the same meeting in the church at Grand-Pré in 1755, and Parkman prints the commander's real address. That lets students see, line by line, what a poet keeps and what he changes.

How can parents help with W.7.9 at home?

Ask your child to show you one quotation they used in a recent paragraph and explain how it supports their point.

When you watch a movie based on real events together, ask which parts might be true and how you could check. That is the same thinking W.7.9a asks for in writing.