RI.11-12.5: Evaluating the Structure of an Exposition or Argument
In plain English: RI.11-12.5 is the Common Core ELA standard that asks students in grades 11-12 to analyze and evaluate how well an author structures an exposition or argument, including whether the structure makes the points clear, convincing and engaging. It is usually taught in English 11 or 12 with essays, speeches and long-form nonfiction.
Analyze and evaluate the effectiveness of the structure an author uses in his or her exposition or argument, including whether the structure makes points clear, convincing, and engaging.
Common Core State Standards for English Language Arts & Literacy · Domain: Reading Standards for Informational Text · Cluster: Craft and Structure · Official standard
Students analyze the structure an author uses in an exposition or argument and then evaluate it: does the order of the parts make the points clear, convincing and engaging, and what does it cost? Analysis names the structure (a numbered division, a complaint and its answer, a movement from theory to the present, a call saved for the end). Evaluation is a judgment tied to one of the three criteria and to a specific audience, supported with quotation, and it considers at least one weakness or alternative order.
The text is Ralph Waldo Emerson's oration The American Scholar, delivered to the Phi Beta Kappa Society at Cambridge, Massachusetts, on August 31, 1837. It is a useful test case because its structure is announced openly ("I.", "II.", "III.") yet it is often found hard to follow. Students evaluate the architecture of the whole oration from its signposts and a word-count map, evaluate the opening and the section on books in guided practice and activities, and apply the method on their own to the turn to the present age (quiz) and the paragraph on the scholar's duties (homework).
Learning Objectives
By the end of this lesson, students will be able to:
Analyze the structure of an exposition or argument at the level of the whole text, a section and a paragraph, naming the pattern and quoting the words that signal it
Evaluate whether a structure makes an author's points clear to a specific audience, citing signposts, transitions and proportions
Evaluate whether a structure makes the points convincing, including where objections are placed and how they are answered
Evaluate whether a structure makes the points engaging, and weigh a structure's strengths against at least one weakness or alternative order
Prior Knowledge Required
Students should already be comfortable with:
Analyzing how an author's ideas or claims are developed and refined by particular sentences, paragraphs or sections RI.9-10.5
Analyzing how an author unfolds a complex set of ideas over the course of a text RI.11-12.3
Citing strong and thorough textual evidence, including where the text leaves matters uncertain RI.11-12.1
Common organizing patterns: chronological, problem and solution, claim and counterclaim, general to specific
Show two versions of the same short announcement, written for this page, and ask which structure works better and for whom.
Warm-Up Prompt
"Version A: The library will close at 6 p.m. instead of 9 p.m. starting in March. The change saves the budget for new books. Evening study rooms will move to the cafeteria. Version B: Next month you will have more new books, and the cafeteria will stay open until 9 for evening study. To pay for the books, the library will close at 6 p.m. instead of 9 p.m. starting in March." Both contain the same facts. Which is clearer? Which is more convincing to students? Which would you rather read?
Take a quick vote on each of the three questions. Students often split: Version A is clearer (the news comes first), and Version B is more persuasive (the benefit comes first). Draw out the point of the lesson: a structure can succeed on one criterion and fail on another, so an evaluation must say which criterion, for which audience, and why. That is what RI.11-12.5 asks.
Direct Instruction20 minutes
Part 1: From analysis to evaluation. Analysis names the structure and shows where it is signaled. Evaluation judges it against the standard's three criteria and a real audience. Give students the table and the evaluation frame: structural choice + quoted signal + criterion (clear, convincing or engaging) + effect on this audience + one cost or alternative.
Questions for evaluating a structure
Criterion
Questions to ask
Evidence to cite
Clear
Can a reader tell what the parts are and where one ends? Is the main point stated where the reader needs it?
Announced divisions, numbering, summaries, transitions, paragraph breaks
Clear
Do the proportions match the importance the author claims for each part?
Word counts, how long each section runs, what gets the most space
Convincing
Does support come before the point that needs it? Are objections raised and answered at the right moment?
Concessions, rebuttals, the order of reasons, where the strongest point sits
Engaging
Does the order create interest and momentum? Is there variety, surprise or a strong ending?
Questions, stories, quotations, a turn, a climax, direct address
Any
What would be lost or gained if the parts were in another order?
A specific rearrangement and its effect
Part 2: The whole oration. Explain the occasion: Emerson spoke to a college society of scholars and graduates, and the printed oration runs about 7,700 words, which at a typical speaking pace of 130-150 words a minute would take an estimated 50-60 minutes to deliver. Listeners heard the text once; they could not flip back. Read Passage 3 aloud: it gathers the sentences where Emerson signals his structure, from the announcement of his topic to the final call. Then show Diagram 1 and work through the examples.
1In this hope, I accept the topic which not only usage, but the nature of our association, seem to prescribe to this day,—the AMERICAN SCHOLAR. Year by year, we come up hither to read one more chapter of his biography. Let us inquire what light new days and events have thrown on his character, and his hopes.
[...]
2I. The first in time and the first in importance of the influences upon the mind is that of nature. [...]
[...]
3II. The next great influence into the spirit of the scholar, is, the mind of the Past,—in whatever form, whether of literature, of art, of institutions, that mind is inscribed. Books are the best type of the influence of the past, and perhaps we shall get at the truth,—learn the amount of this influence more conveniently,—by considering their value alone.
[...]
4III. There goes in the world a notion, that the scholar should be a recluse, a valetudinarian,—as unfit for any handiwork or public labor, as a penknife for an axe. [...]
[...]
5I have now spoken of the education of the scholar by nature, by books, and by action. It remains to say somewhat of his duties.
[...]
6But I have dwelt perhaps tediously upon this abstraction of the Scholar. I ought not to delay longer to add what I have to say, of nearer reference to the time and to this country.
[...]
7[...] Mr. President and Gentlemen, this confidence in the unsearched might of man belongs, by all motives, by all prophecy, by all preparation, to the American Scholar. We have listened too long to the courtly muses of Europe. [...] Not so, brothers and friends,—please God, ours shall not be so. We will walk on our own feet; we will work with our own hands; we will speak our own minds. The study of letters shall be no longer a name for pity, for doubt, and for sensual indulgence. The dread of man and the love of man shall be a wall of defence and a wreath of joy around all. A nation of men will for the first time exist, because each believes himself inspired by the Divine Soul which also inspires all men.
Ralph Waldo Emerson, Passage 3: The American Scholar, the signposts of the whole oration (excerpts from beginning to end; [...] marks each omission) (1837; this edition 1855). Public domain (published 1855). Source text.
Analyze: an announced, numbered division
Emerson names his subject ("the AMERICAN SCHOLAR") and then opens three sections with "I. The first in time and the first in importance of the influences upon the mind is that of nature," "II. The next great influence," and "III. There goes in the world a notion."
Result: The first half is organized as a list of influences, and each part is numbered in the text itself. Evaluation (clear): for listeners who could not reread, the numbers and the repeated word "influence" work as a map. The cost: sections I and II announce their subject in the first sentence, but section III opens with a popular notion before naming action as its subject, so a listener may not know at once where the numbered list has gone.
Evaluate proportions: what gets the most space
Emerson calls nature "the first in time and the first in importance." Diagram 1 shows the nature section is the shortest of the six (551 words), while books get 1,504 and action 1,371.
Result: This is an interpretation, not a fact about the text: word count is only one measure of importance, but on that measure the proportions seem not to match the ranking he announces. A reader can defend the choice: the section on books is where Emerson argues against the habit his college audience knew best, so the length goes where the resistance is. A reader can also fault it: the part called most important gets the least development, which weakens the claim that nature comes first. Either judgment is valid if it cites the numbers and the audience.
Analyze and evaluate a transition: summary plus preview
"I have now spoken of the education of the scholar by nature, by books, and by action. It remains to say somewhat of his duties."
Result: In two sentences Emerson closes the first half (a summary that repeats the three influences in order) and opens the second (a preview of one new subject). Evaluation (clear): it tells listeners the structure has two halves, education and duties, and that the list is finished. It is a strong choice for a spoken text, where the audience needs the map restated.
Evaluate an ending: a call to action saved for last
Near the end, Emerson answers his own question with "Not so, brothers and friends" and then promises: "We will walk on our own feet; we will work with our own hands; we will speak our own minds."
Result: The general theory comes first and the direct call comes last, so the ending gathers the argument into a promise. Evaluation (engaging and convincing): the shift to "we" and "brothers and friends" turns listeners from an audience into participants, and the three matched clauses give the close a rhythm people can remember. The risk of this order is that listeners must wait through a long abstract middle before they hear what is asked of them.
Part 3: Check the map. Ask: from Passage 3 and Diagram 1 alone, what is the plan of the oration? Students should name the opening, the three influences, the duties, and the turn to the present age and to America. Point out the paragraph that begins "But I have dwelt perhaps tediously": it is a signpost too, and students will evaluate it in the quiz.
Guided Practice15 minutes
Pairs read Passage 1, the five paragraphs that come right after Emerson announces his subject, and complete Activity 1. Their question: does this opening structure make Emerson's central idea clear and engaging before the numbered sections begin? Use Diagram 2 to show the five steps and their lengths.
1It is one of those fables, which, out of an unknown antiquity, convey an unlooked-for wisdom, that the gods, in the beginning, divided Man into men, that he might be more helpful to himself; just as the hand was divided into fingers, the better to answer its end.
2The old fable covers a doctrine ever new and sublime; that there is One Man,—present to all particular men only partially, or through one faculty; and that you must take the whole society to find the whole man. Man is not a farmer, or a professor, or an engineer, but he is all. Man is priest, and scholar, and statesman, and producer, and soldier. In the divided or social state, these functions are parcelled out to individuals, each of whom aims to do his stint of the joint work, whilst each other performs his. The fable implies, that the individual, to possess himself, must sometimes return from his own labor to embrace all the other laborers. But, unfortunately, this original unit, this fountain of power, has been so distributed to multitudes, has been so minutely subdivided and peddled out, that it is spilled into drops, and cannot be gathered. The state of society is one in which the members have suffered amputation from the trunk, and strut about so many walking monsters,—a good finger, a neck, a stomach, an elbow, but never a man.
3Man is thus metamorphosed into a thing, into many things. The planter, who is Man sent out into the field to gather food, is seldom cheered by any idea of the true dignity of his ministry. He sees his bushel and his cart, and nothing beyond, and sinks into the farmer, instead of Man on the farm. The tradesman scarcely ever gives an ideal worth to his work, but is ridden by the routine of his craft, and the soul is subject to dollars. The priest becomes a form; the attorney, a statute-book; the mechanic, a machine; the sailor, a rope of the ship.
4In this distribution of functions, the scholar is the delegated intellect. In the right state, he is, Man Thinking. In the degenerate state, when the victim of society, he tends to become a mere thinker, or, still worse, the parrot of other men’s thinking.
5In this view of him, as Man Thinking, the theory of his office is contained. Him nature solicits with all her placid, all her monitory pictures; him the past instructs; him the future invites. Is not, indeed, every man a student, and do not all things exist for the student’s behoof? And, finally, is not the true scholar the only true master? But the old oracle said, ‘All things have two handles: beware of the wrong one.’ In life, too often, the scholar errs with mankind and forfeits his privilege. Let us see him in his school, and consider him in reference to the main influences he receives.
Ralph Waldo Emerson, Passage 1: The American Scholar, the opening frame (paragraphs 3-7, consecutive) (1837; this edition 1855). Public domain (published 1855). Source text.
Debrief with two questions. (1) Emerson starts with a fable and does not define the scholar until passage paragraph 4 ("In the right state, he is, Man Thinking"). What does the reader gain from waiting, and what does the reader lose? (Gain: the definition arrives with a picture of what goes wrong, "a good finger, a neck, a stomach, an elbow, but never a man." Loss: a listener must hold three paragraphs of abstraction before learning why they matter.) (2) The last paragraph ends with "Let us see him in his school, and consider him in reference to the main influences he receives." How does this sentence change the reader's experience of what follows? (It is a preview: the influences become the plan of the next three sections.)
For Activity 2. Passage 2 is the core of Section II, on books. Groups use it to test an alternative order.
1The theory of books is noble. The scholar of the first age received into him the world around; brooded thereon; gave it the new arrangement of his own mind, and uttered it again. It came into him, life; it went out from him, truth. It came to him, short-lived actions; it went out from him, immortal thoughts. It came to him, business; it went from him, poetry. It was dead fact; now, it is quick thought. It can stand, and it can go. It now endures, it now flies, it now inspires. Precisely in proportion to the depth of mind from which it issued, so high does it soar, so long does it sing.
2Or, I might say, it depends on how far the process had gone, of transmuting life into truth. In proportion to the completeness of the distillation, so will the purity and imperishableness of the product be. But none is quite perfect. As no air-pump can by any means make a perfect vacuum, so neither can any artist entirely exclude the conventional, the local, the perishable from his book, or write a book of pure thought, that shall be as efficient, in all respects, to a remote posterity, as to cotemporaries, or rather to the second age. Each age, it is found, must write its own books; or rather, each generation for the next succeeding. The books of an older period will not fit this.
3Yet hence arises a grave mischief. The sacredness which attaches to the act of creation,—the act of thought,—is transferred to the record. The poet chanting, was felt to be a divine man: henceforth the chant is divine also. The writer was a just and wise spirit: henceforward it is settled, the book is perfect; as love of the hero corrupts into worship of his statue. Instantly, the book becomes noxious: the guide is a tyrant. The sluggish and perverted mind of the multitude, slow to open to the incursions of Reason, having once so opened, having once received this book, stands upon it, and makes an outcry, if it is disparaged. Colleges are built on it. Books are written on it by thinkers, not by Man Thinking; by men of talent, that is, who start wrong, who set out from accepted dogmas, not from their own sight of principles. Meek young men grow up in libraries, believing it their duty to accept the views, which Cicero, which Locke, which Bacon, have given; forgetful that Cicero, Locke, and Bacon were only young men in libraries, when they wrote these books.
4Hence, instead of Man Thinking, we have the bookworm. Hence, the book-learned class, who value books, as such; not as related to nature and the human constitution, but as making a sort of Third Estate with the world and the soul. Hence, the restorers of readings, the emendators, the bibliomaniacs of all degrees.
Ralph Waldo Emerson, Passage 2: The American Scholar, from Section II on books (paragraphs 11-14, consecutive) (1837; this edition 1855). Public domain (published 1855). Source text.
Independent Practice15-20 minutes
Students read Passage 4, where Emerson turns from the scholar in general to his own time, and answer quiz questions 1-14 with the passages and Diagram 1 open, then questions 15-20 in writing. Remind them that every evaluation needs a criterion and an audience.
1Historically, there is thought to be a difference in the ideas which predominate over successive epochs, and there are data for marking the genius of the Classic, of the Romantic, and now of the Reflective or Philosophical age. With the views I have intimated of the oneness or the identity of the mind through all individuals, I do not much dwell on these differences. In fact, I believe each individual passes through all three. The boy is a Greek; the youth, romantic; the adult, reflective. I deny not, however, that a revolution in the leading idea may be distinctly enough traced.
2Our age is bewailed as the age of Introversion. Must that needs be evil? We, it seems, are critical; we are embarrassed with second thoughts; we cannot enjoy any thing for hankering to know whereof the pleasure consists; we are lined with eyes; we see with our feet; the time is infected with Hamlet’s unhappiness,—
3“Sicklied o’er with the pale cast of thought.”
4It is so bad then? Sight is the last thing to be pitied. Would we be blind? Do we fear lest we should outsee nature and God, and drink truth dry? I look upon the discontent of the literary class, as a mere announcement of the fact, that they find themselves not in the state of mind of their fathers, and regret the coming state as untried; as a boy dreads the water before he has learned that he can swim. If there is any period one would desire to be born in,—is it not the age of Revolution; when the old and the new stand side by side, and admit of being compared; when the energies of all men are searched by fear and by hope; when the historic glories of the old, can be compensated by the rich possibilities of the new era? This time, like all times, is a very good one, if we but know what to do with it.
5I read with some joy of the auspicious signs of the coming days, as they glimmer already through poetry and art, through philosophy and science, through church and state.
Ralph Waldo Emerson, Passage 4: The American Scholar, the turn to the present age (paragraphs 38-42, consecutive) (1837; this edition 1855). Public domain (published 1855). Source text.
Closure5-10 minutes
Exit ticket: "Name one structural choice in The American Scholar that you think works and one that you think does not. For each, name the criterion (clear, convincing or engaging) and quote the words that show it." Sort the tickets by criterion and use them to open the next lesson.
Teacher note on language and audience. The oration is quoted exactly as printed in 1855. Emerson uses "man" and "men" for people in general and addresses "Mr. President and Gentlemen," because the Phi Beta Kappa audience at Cambridge in 1837 was all male. Point this out and invite students to consider how the structure would work for a wider audience.
Homework passage. Passage 5 is the first full paragraph of the second half, on the scholar's duties. It is one long paragraph, which is part of what the homework asks students to evaluate.
1They are such as become Man Thinking. They may all be comprised in self-trust. The office of the scholar is to cheer, to raise, and to guide men by showing them facts amidst appearances. He plies the slow, unhonored, and unpaid task of observation. Flamsteed and Herschel, in their glazed observatories, may catalogue the stars with the praise of all men, and, the results being splendid and useful, honor is sure. But he, in his private observatory, cataloguing obscure and nebulous stars of the human mind, which as yet no man has thought of as such,—watching days and months, sometimes, for a few facts; correcting still his old records;—must relinquish display and immediate fame. In the long period of his preparation, he must betray often an ignorance and shiftlessness in popular arts, incurring the disdain of the able who shoulder him aside. Long he must stammer in his speech; often forego the living for the dead. Worse yet, he must accept,—how often! poverty and solitude. For the ease and pleasure of treading the old road, accepting the fashions, the education, the religion of society, he takes the cross of making his own, and, of course, the self-accusation, the faint heart, the frequent uncertainty and loss of time, which are the nettles and tangling vines in the way of the self-relying and self-directed; and the state of virtual hostility in which he seems to stand to society, and especially to educated society. For all this loss and scorn, what offset? He is to find consolation in exercising the highest functions of human nature. He is one, who raises himself from private considerations, and breathes and lives on public and illustrious thoughts. He is the world’s eye. He is the world’s heart. He is to resist the vulgar prosperity that retrogrades ever to barbarism, by preserving and communicating heroic sentiments, noble biographies, melodious verse, and the conclusions of history. Whatsoever oracles the human heart, in all emergencies, in all solemn hours, has uttered as its commentary on the world of actions,—these he shall receive and impart. And whatsoever new verdict Reason from her inviolable seat pronounces on the passing men and events of to-day,—this he shall hear and promulgate.
Ralph Waldo Emerson, Passage 5: The American Scholar, the scholar's duties (paragraph 31, complete) (1837; this edition 1855). Public domain (published 1855). Source text.
Differentiation Strategies
For Struggling Students
Give students the evaluation frame as a sentence starter: "Emerson's choice to ___ (quote) makes the point ___ (clear / convincing / engaging) for ___ (audience) because ___, but ___."
Gloss older words before reading: recommencement, sere, parcelled, metamorphosed, solicits, behoof, emendators, bibliomaniacs, introversion, auspicious
Start with Diagram 1 and Passage 3 only: students evaluate the map before reading any long paragraph
For Advanced Students
Read the full oration and outline it as a speechwriter would today, with section titles and times; argue whether Emerson's order or yours is more effective for a modern graduation audience
Compare the structure of The American Scholar with Emerson's essay Self-Reliance (1841) and evaluate which is easier to follow and why
Rewrite Passage 5 as three paragraphs and defend each break against the original single paragraph
Assessment Guidance
What to Look For
Strong evaluations name a structural choice, quote the signal, apply one of the three criteria to a specific audience, and weigh a cost or an alternative order. Watch for analysis that stops at naming ("it is organized in three parts"), for judgments with no criterion ("it is effective"), and for praise that ignores possible weaknesses, such as the short nature section (if students read length as a sign of importance) or the long single paragraphs. Students may disagree with each other and with Emerson; reward any judgment that is supported.
02
Classroom Activities
3 Activities
1
Reverse Outline of the Opening
15 minPairs
Pairs write a one-line job for each of the five paragraphs of Passage 1, then evaluate whether that order makes Emerson's idea clear and engaging.
Procedure
In the margin of each paragraph, write its job in six words or fewer (for example, "tells an old story")
Circle the sentence in each paragraph that best carries that job
Rate the opening from 1 to 4 on clear and on engaging, with one quotation for each rating
Propose one change of order and predict its effect
Discussion Questions
Passage paragraph 1 is a single sentence. Why might Emerson give the fable its own paragraph instead of joining it to the next one?
Passage paragraph 3 lists "The priest becomes a form; the attorney, a statute-book; the mechanic, a machine." Does the list help the argument or slow it down?
Would the opening be clearer if it began with "In this distribution of functions, the scholar is the delegated intellect"? What would it lose?
Variation for a Shorter Class
Assign each pair one paragraph and pool the one-line jobs on the board in order.
2
Restructure Test
20 minGroups of 3-4
Groups cut Passage 2 into its sentences, rebuild the section in a different order, and argue which order is more convincing: Emerson's or theirs.
Materials
One envelope per group holding Passage 2 cut into its four paragraphs, and a second copy with paragraph 3 ("Yet hence arises a grave mischief") cut into sentences.
Procedure
Name the pattern of Emerson's order across the four paragraphs: what comes first, where the turn happens, how it ends
Build a second version that opens with the danger instead of the praise, and read both versions aloud
Decide as a group which version is more convincing for an audience of scholars who love books, and write two sentences defending the choice with one quotation
Report to the class; tally the votes
Discussion Questions
Emerson opens with "The theory of books is noble." Why might praise come before criticism when the audience are people who love books?
The word "Hence" opens two sentences in the last paragraph. What does the repeated word do to the argument's structure?
Is there a sentence in paragraph 3 that could be cut without harm to the structure? Which one, and why?
3
Structure Scorecard
15 minIndividual, then groups of 3
Each student scores the architecture of the whole oration on the three criteria, then groups compare scores and settle on one shared evaluation.
The Scorecard
Three rows (clear, convincing, engaging) and three columns (score from 1 to 4, one quoted signal from Passage 3 or a number from Diagram 1, one sentence of reasoning). A fourth row asks for the single change that would most improve the structure.
Procedure
Complete the scorecard alone in 7 minutes
In groups, compare scores; where they differ by 2 or more, each student reads the evidence aloud
Write one group evaluation of 3-4 sentences that names a strength and a weakness
Discussion Questions
Did anyone give a high score for engaging and a low score for clear? What explains the difference?
The duties section is the longest (Diagram 1). Does the length help or hurt the second half?
Modification for English Learners
Provide the scorecard with the criteria defined in plain words: clear (easy to follow), convincing (makes you believe it), engaging (makes you want to keep reading).
03
Diagrams & Visual Aids
2 diagrams
Diagram 1: The American Scholar by Section
The six parts of the oration, drawn to scale by word count from the 1855 printing: the opening (787 words), I. Nature (551), II. Books (1,504), III. Action (1,371), the duties of the scholar (1,882) and the turn to the age and to America (1,600). The section Emerson calls "first in importance" is the shortest; whether that is a weakness is a judgment for students to argue.
Diagram 2: The Five Steps of the Opening (Passage 1)
What each paragraph of Passage 1 does, with its length in words (48, 184, 104, 44 and 108). The longest paragraph states the doctrine of One Man; the shortest gives the definition of the scholar.
04
Homework Assignment
~30 min
RI.11-12.5 Homework: Evaluating the Structure of the Duties Paragraph
Directions: Use Passage 5 (paragraph 31 of the oration) in the Closure phase of the lesson plan. Quote exact words for every point, and name the criterion (clear, convincing or engaging) in every evaluation. Answer Problems 1-5 in 3-6 sentences each; Problem 6 is a paragraph.
Part 1: Analyze the Structure (Problems 1-2)
Make a reverse outline of Passage 5: list its parts in order (five or six), and quote the first words of each part. Name the pattern that connects them.
The paragraph opens with "They are such as become Man Thinking. They may all be comprised in self-trust." Then the word "self-trust" does not appear again in the paragraph. Evaluate whether this opening makes the rest of the paragraph clear. What would a listener expect from these two sentences, and does the paragraph deliver it?
Part 2: Evaluate Order and Comparison (Problems 3-4)
Emerson lists the scholar's costs ("poverty and solitude," "the disdain of the able") before he asks "For all this loss and scorn, what offset?" Evaluate whether putting the costs before the rewards makes the paragraph more or less convincing to an audience of young graduates in 1837.
Emerson compares the scholar with the astronomers "Flamsteed and Herschel, in their glazed observatories." Evaluate where the comparison is placed. Does it make the paragraph more engaging, clearer, or neither? Quote the sentence that turns the comparison back to the scholar.
Part 3: Weigh the Whole (Problems 5-6)
Passage 5 is a single paragraph of 367 words, meant to be heard. Argue for or against breaking it into two paragraphs at "For all this loss and scorn, what offset?" Name what would be gained and what would be lost.
Write a paragraph (150-200 words) that evaluates the effectiveness of the structure of Passage 5. Judge it on at least two of the three criteria (clear, convincing, engaging), quote at least three places, and name one weakness as well as one strength.
Rubric
Criterion
Full Credit (2 pts)
Partial Credit (1 pt)
No Credit (0 pts)
Analysis of Structure
Names the parts and the pattern accurately, with quoted signals
Names some parts but misses the pattern or the signals
Summary of content only
Criteria
Every judgment names clear, convincing or engaging and applies it to the 1837 audience
Criteria named but not tied to an audience
Judgments with no criterion
Evidence
Exact quotations support each judgment
Some quotations, loosely connected
No quotations
Balance
Weighs a strength and a weakness or an alternative order
Only praise or only criticism, but supported
No real evaluation
05
Quiz: 20 Questions
Interactive, with answers
Instructions
Questions 1-12 and 15-17 are about Passage 4 in the Independent Practice phase of the lesson plan. Questions 13, 14 and 18-20 also use Passage 3 in Direct Instruction and Diagram 1. Your score updates as you answer, and Reset quiz clears everything so you or your students can try again.
Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.
0 of 20 answered · 0 correct
Question 1 of 20 · Multiple Choice
Which description best fits the structure of passage paragraphs 2-4, from "Our age is bewailed" to "if we but know what to do with it"?
Answer: B
Paragraph 2 states the charge ("Our age is bewailed as the age of Introversion") and lists its symptoms; paragraph 3 quotes Hamlet; paragraph 4 answers ("It is so bad then? Sight is the last thing to be pitied") and renames the time "the age of Revolution." Choice A invents a personal story. Choice C misreads the list of symptoms as causes and finds no effects list. Choice D confuses stating a complaint with defining a term.
Question 2 of 20 · Multiple Choice
Passage paragraph 1 introduces the Classic, Romantic and Reflective ages and then says "I do not much dwell on these differences." How does this choice affect the clarity of the section?
Answer: A
The paragraph places the present "Reflective or Philosophical age" in a scheme his audience knew, then qualifies it with "the oneness or the identity of the mind through all individuals." The structure orients the reader without abandoning the oration's central idea. Choice B is wrong because the next paragraph picks up the reflective age as "the age of Introversion." Choice C reverses his view. Choice D invents a plan the oration does not follow.
Question 3 of 20 · Multiple Choice
"The boy is a Greek; the youth, romantic; the adult, reflective." What does this sentence do for the clarity of passage paragraph 1?
Answer: C
The sentence repeats the three-part scheme in the same order, but in terms of one person growing up, supporting "I believe each individual passes through all three." Choice A miscounts: it is the same three ages. Choice B reads a ranking into a description of stages. Choice D goes too far: he says "I deny not, however, that a revolution in the leading idea may be distinctly enough traced."
Question 4 of 20 · Multiple Choice
Emerson states the complaint ("Our age is bewailed as the age of Introversion") and at once asks "Must that needs be evil?" What is the effect of placing the question immediately after the complaint?
Answer: A
Because the doubt comes first, the long list that follows ("we are critical; we are embarrassed with second thoughts") reads as the opposing case, not as Emerson's own view. That makes the structure clearer and sets up suspense for the answer. Choice B ignores the challenge in "Must that needs be evil?" Choice C is wrong: the answer comes two paragraphs later. Choice D confuses this passage with Passage 5.
Question 5 of 20 · Multiple Choice
In passage paragraph 2, the complaint is built from a series of clauses ("we are critical; we are embarrassed with second thoughts; ... we are lined with eyes; we see with our feet"). Why is stating the complaint this fully a strength of the structure?
Answer: B
The words "it seems" mark the clauses as the common view, and the list gives that view its full weight. An answer to a fairly stated objection is more convincing than an answer to a weak one. Choice A takes the "we" as a confession instead of a report of what is said. Choice C is wrong: the clauses are images, not facts. Choice D reverses the effect: the list makes the complaint prominent.
Question 6 of 20 · Multiple Choice
Why might the line from Hamlet ("Sicklied o'er with the pale cast of thought") be set as its own paragraph?
Answer: D
Set apart, the quotation works as the climax of the charge: the age is "infected with Hamlet's unhappiness," and the next paragraph begins the reply. Choice A invents a section; Shakespeare is not the topic. Choice B is wrong: the line is part of Emerson's sentence, which runs into it with a dash. Choice C reverses its role: the line belongs to the complaint.
Question 7 of 20 · Multiple Choice
Which words mark the turn from the complaint to Emerson's reply?
Answer: A
"It is so bad then?" answers the complaint with doubt, and "Sight is the last thing to be pitied" redefines introversion as a kind of sight, which is the start of the reply. Choice B states the complaint. Choice C comes after the reply and previews the next section. Choice D belongs to the earlier discussion of the three ages.
Question 8 of 20 · Multiple Choice
"I look upon the discontent of the literary class ... as a boy dreads the water before he has learned that he can swim." Which is the best evaluation of how this comparison works in the reply?
Answer: B
The boy who has not yet learned that he can swim turns the literary class's discontent into ordinary fear of the unfamiliar, which is clear and engaging. But the comparison only works if the new state is like swimming, something that can be learned, and that is the point in question. Choice A treats an analogy as proof. Choice C judges the subject of the image, not its function. Choice D overstates the role of one comparison.
Question 9 of 20 · Multiple Choice
The long question that begins "If there is any period one would desire to be born in" goes on: "is it not the age of Revolution; when the old and the new stand side by side ...; when the energies of all men are searched by fear and by hope; when ...?" How does the structure of this sentence serve the argument?
Answer: C
The three "when" clauses redescribe the same condition the complaint called unhappy (the old and the new side by side) as an advantage, and the question form invites listeners to agree. Choice A misreads general clauses as a list of historical events. Choice B reverses the implied answer, which is yes. Choice D contradicts the next sentence: "This time, like all times, is a very good one."
Question 10 of 20 · Multiple Choice
What is the role of the sentence "This time, like all times, is a very good one, if we but know what to do with it" at the end of passage paragraph 4?
Answer: A
"This time ... is a very good one" concludes the answer to the complaint, and "if we but know what to do with it" leaves a question that the signs and the call to the American scholar take up. Choice B reverses the sentence's judgment. Choice C confuses it with the line set apart in paragraph 3. Choice D is wrong because a paragraph previewing "signs" comes next.
Question 11 of 20 · Multiple Choice
What does passage paragraph 5 ("I read with some joy of the auspicious signs of the coming days") do in the structure of the oration?
Answer: D
The one-sentence paragraph names what comes next ("the auspicious signs of the coming days") and where it will look ("through poetry and art, through philosophy and science, through church and state"). Choice A describes an earlier transition. Choice B is wrong: the call comes at the end of the final paragraph. Choice C reads a ranking into a list of three pairs.
Question 12 of 20 · Multiple Choice
Which statement best evaluates how convincing the structure of Passage 4 is for a skeptical listener?
Answer: C
The order is strong: charge, famous quotation, turn, analogy, redefinition, conclusion. But the reply is carried by rhetorical questions ("Would we be blind?") and the swimming comparison rather than evidence, so a skeptic may admire it without being persuaded. Choice A invents statistics. Choice B is false; the complaint is stated in paragraph 2. Choice D ignores the reasons that are given.
Question 13 of 20 · Multiple Choice
Paragraph 1 of Passage 3 ends: "Let us inquire what light new days and events have thrown on his character, and his hopes." Which evaluation of this announcement is best supported by Passage 3?
Answer: A
The announcement is general: "his character, and his hopes." The rest of Passage 3 shows how it is filled: the influences and the duties describe the scholar's character, and the turn "to the time and to this country" takes up his hopes. It orients listeners loosely rather than giving a detailed plan. Choice B is wrong: the influences are not named until later ("Let us see him in his school," at the end of Passage 1). Choice C invents a preview of the ending. Choice D misreads "one more chapter of his biography," which refers to the scholar, not the society.
Question 14 of 20 · Multiple Choice
"But I have dwelt perhaps tediously upon this abstraction of the Scholar. I ought not to delay longer to add what I have to say, of nearer reference to the time and to this country." Which is the best evaluation of this signpost?
Answer: D
The sentence names both what is ending ("this abstraction of the Scholar") and what is coming ("the time and ... this country"), and "perhaps tediously" shows awareness of listeners who have heard a long, abstract middle. Choice A states a rule the standard does not require and ignores the effect. Choice B is wrong: the next topic is named. Choice C is wrong: a whole section follows.
Question 15 of 20 · Short Answer
Evaluate the structure of passage paragraph 1 ("Historically, there is thought to be a difference ..."). Does it make Emerson's point clear? Quote at least two sentences and name one strength and one weakness.
Model answer: The paragraph first gives a familiar scheme ("the Classic, of the Romantic, and now of the Reflective or Philosophical age"), then qualifies it ("I do not much dwell on these differences"), then makes it personal ("The boy is a Greek; the youth, romantic; the adult, reflective"), and finally concedes that "a revolution in the leading idea may be distinctly enough traced." The strength is that the concrete sentence about the boy, the youth and the adult makes an abstract scheme easy to picture. The weakness is that the paragraph turns twice (it dismisses the ages, then partly restores them), so a listener may not know how seriously to take the scheme when the next paragraph calls the age "the age of Introversion." Rubric: full credit for an accurate account of the order, two quotations, a named strength and a named weakness tied to clarity; partial credit for one side only.
Question 16 of 20 · Short Answer
Is the complaint-and-reply structure of passage paragraphs 2-4 convincing for Emerson's audience, a society of college graduates in 1837? Explain with quotations.
Model answer: For this audience, the structure is well chosen. Many of them belonged to "the literary class" whose discontent Emerson describes, so he first states their feeling in their own terms ("we are embarrassed with second thoughts") and even gives it a line from Hamlet they would know. Only then does he reply, and the reply flatters them: their self-consciousness is "sight," and "Sight is the last thing to be pitied." Ending with "This time, like all times, is a very good one" leaves them hopeful. The weakness is that the reply offers no evidence that the age is good, only questions and a comparison, so the structure persuades those who already want to believe it. Rubric: full credit for describing the order, linking it to the 1837 audience with at least two quotations, and noting a limit; partial credit without the audience or without a limit.
Question 17 of 20 · Short Answer
Evaluate how engaging the structure of Passage 4 is. Consider sentence length, questions and the one-line quotation, and quote at least three places.
Model answer: The structure changes pace often. A calm, historical paragraph gives way to a list of charges in short clauses ("we are lined with eyes; we see with our feet"), then to a single line of poetry set apart ("Sicklied o'er with the pale cast of thought"), then to a burst of questions ("It is so bad then? ... Would we be blind?"), then to one long, building question about "the age of Revolution." The last paragraph is one sentence that points forward. This variety keeps a listener alert, and the questions draw the audience into answering. The quieter first paragraph is the least engaging part, but it makes the energy of the next three stand out. Rubric: full credit for three quoted features with their effect on a listener; partial credit for listing features without their effect.
Question 18 of 20 · Short Answer
Passage 4 opens the part Emerson promised would be "of nearer reference to the time and to this country," yet its first paragraph surveys the Classic, Romantic and Reflective ages. Evaluate whether this is the most effective way to open that part. Propose one alternative opening and weigh it.
Model answer: Emerson has just told listeners that he has "dwelt perhaps tediously upon this abstraction," and then he begins with more history of ideas, which he admits he does "not much dwell on." The strength of this opening is that it places "our age" in a sequence before judging it, so the charge of "Introversion" has a context. The cost is that listeners promised something nearer get another abstraction first. An alternative is to open with "Our age is bewailed as the age of Introversion. Must that needs be evil?" That would be more engaging, because the complaint and the question come at once, but the word "Reflective" would lose its place in a history, and the reply about "the age of Revolution" would have less to push against. On balance the historical paragraph is defensible, but it is the least effective point of the section. Rubric: full credit for a judgment tied to a criterion, quotations from Passage 3 and Passage 4, and an alternative weighed for gains and losses; partial credit for an alternative without weighing it.
Question 19 of 20 · Short Answer
The oration opens with the fable of the gods dividing "Man into men" and ends: "A nation of men will for the first time exist, because each believes himself inspired by the Divine Soul which also inspires all men." Evaluate this ending as a structural choice. Quote Passage 1 and Passage 3.
Model answer: The ending returns to the opening. Passage 1 says "there is One Man" who is "present to all particular men only partially," and complains that society has left each person "a good finger, a neck, a stomach, an elbow, but never a man." The last sentence answers that complaint: when each person trusts the soul that "also inspires all men," the divided men become "a nation of men." This frame makes the long oration feel complete and makes the final call convincing, because the solution matches the problem set at the start. A weakness is that an estimated 50-60 minutes of speaking separates the two ends, so the echo may be clearer to a reader than to a listener. Rubric: full credit for identifying the frame with quotations from both passages, a judgment on at least one criterion and a limit; partial credit for noticing the echo without evaluating it.
Question 20 of 20 · Short Answer
Write an evaluation (5-7 sentences) of the overall structure of The American Scholar, using Passage 3 and Diagram 1. Judge it on all three criteria and propose one change that would improve it.
Model answer: The structure is clearest in the first half: Emerson announces "the AMERICAN SCHOLAR," numbers the influences ("I.", "II.", "III.") and closes them with a summary and preview ("It remains to say somewhat of his duties"). The second half is less clear, because the duties section is the longest (1,882 words) and has no numbered parts. The order is convincing: theory first, then the present age, then the demand on "the American Scholar," so the call rests on everything before it. It is engaging mainly at its turns and its ending, where "We will walk on our own feet; we will work with our own hands; we will speak our own minds" gives listeners something to repeat. One change: divide the duties section into numbered parts as the influences are, so listeners keep their map in the second half. Rubric: full credit for a judgment on each criterion with a quotation or number for each and a specific, justified change; partial credit for two criteria or a change without a reason.
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Frequently Asked Questions
10 Questions
What does RI.11-12.5 mean?
RI.11-12.5 asks students to analyze and evaluate the structure an author uses in an exposition or argument, including whether that structure makes the points clear, convincing and engaging. "RI" means Reading Informational Text and "11-12" is the grade band. Students first describe how a text is put together, then judge how well the arrangement works and for whom.
How is RI.11-12.5 different from RI.9-10.5?
RI.9-10.5 asks how particular sentences, paragraphs and sections develop and refine an author's claims. RI.11-12.5 adds evaluation: students judge the effectiveness of the structure against three criteria (clear, convincing, engaging). A grade 10 answer explains what a section does; a grade 12 answer also says whether it does it well and what another order would change.
What does "evaluate the effectiveness" of a structure look like in a student answer?
An evaluation names a structural choice, quotes the words that signal it, applies a criterion to a specific audience and weighs a cost or an alternative. For example, a student might write: "Numbering the three influences makes the first half clear for listeners who cannot reread, but the nature section is so short that, in my reading, the ranking 'first in importance' is not supported." Praise without a criterion is not yet evaluation.
Is RI.11-12.5 about exposition or argument?
Both. The standard says "exposition or argument," so it covers texts that explain as well as texts that persuade. For an exposition, "convincing" usually means that the order makes the explanation believable and complete; for an argument, it also means that objections and reasons are placed where they do the most good.
Can a structure be clear but not convincing?
Yes, and that is why the standard names three criteria. A text that states its conclusion first and lists reasons in order is easy to follow, but it may lose a hostile reader before the reasons arrive. A text that saves its claim for the end may be more persuasive and less clear. Students should judge each criterion separately.
Why teach RI.11-12.5 with Emerson's The American Scholar?
The oration announces its own structure, with numbered sections and explicit transitions, and it is also famous for being hard to follow, so students have something real to evaluate on both sides. It is in the public domain, so the page can quote it exactly. It also pairs well with other American essays and speeches studied in grade 11.
How do word counts help students evaluate structure?
Word counts show proportion, which is part of structure. When an author ranks one point first but gives it the least space, students can ask whether the proportions help or undercut the argument. Diagram 1 on this page counts each section of the oration so students can make that judgment with numbers instead of impressions.
How is RI.11-12.5 usually assessed?
It is usually assessed with questions about the role or effect of a part of a text ("How does the placement of paragraph 3 affect the argument?") and with written responses that ask whether a structure is effective. Strong written responses name the structure, apply a criterion and support the judgment with quotation. The quiz on this page includes both kinds.
Should students always find weaknesses in a famous text?
No, but they should always consider one. An evaluation that only praises is often description in disguise. Students may conclude that a structure works very well; the judgment is stronger when they have tested it against an alternative order or a possible objection and can say why it still holds.
How does RI.11-12.5 connect to student writing?
Evaluating another writer's structure is practice for planning one's own. W.11-12.1 asks students to create an organization that logically sequences claims, counterclaims, reasons and evidence. After this lesson, students can make a reverse outline of their own drafts and score them on clear, convincing and engaging before revising.
07
Related Standards
5 standards
These standards connect to RI.11-12.5: prerequisites to review first, parallel standards at the same level, and next steps that build on it.
Before this lesson
RI.9-10.5Prerequisite
Analyze how sentences, paragraphs or sections develop and refine an author's claims