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RL.11-12.6Common CoreELAReading LiteratureGrades 11-12

RL.11-12.6: Point of View in Satire, Sarcasm, Irony and Understatement

In plain English: RL.11-12.6 is the Common Core ELA standard that asks students in grades 11-12 to analyze a case in which grasping point of view requires distinguishing what a text directly states from what it really means, as in satire, sarcasm, irony or understatement. Students separate a speaker's stated view from the author's and name the clues that reveal the gap.

Analyze a case in which grasping point of view requires distinguishing what is directly stated in a text from what is really meant (e.g., satire, sarcasm, irony, or understatement).

Common Core State Standards for English Language Arts & Literacy · Domain: Reading Standards for Literature · Cluster: Craft and Structure · Official standard

01

Lesson Plan

60-65 min

Overview

Students learn to hear two points of view in one text: the view a speaker states and the view the author really holds. The anchor text is Jonathan Swift's "A Modest Proposal" (Dublin, 1729), in which a calm, well-meaning "projector" (a promoter of public schemes) proposes that the children of Ireland's poor be sold as food for the rich. Nothing in the essay says it is a joke. Readers must work out from the clues (a monstrous plan in a reasonable voice, figures without feeling, a list of other remedies the speaker refuses to hear) that Swift's own view is the reverse of his speaker's.

The standard names four ways a text can say one thing and mean another, and the lesson works through all four: satire in Swift's essay, sarcasm in fifteen entries from Ambrose Bierce's The Devil's Dictionary, understatement in Swift's mild phrases for horrors, and irony in both Swift and, for homework, Mark Twain's "The War Prayer." Students keep a stated-versus-meant ledger all period and write the clue that shows each gap.

Learning Objectives

By the end of this lesson, students will be able to:

  • Distinguish what a passage directly states from what it really means, and name the clue in the text that shows the difference
  • Separate a speaker's or persona's stated point of view from the author's point of view in a sustained satire
  • Identify and explain satire, sarcasm, irony and understatement in literary texts, and tell them apart
  • Explain how grasping the gap between stated and meant changes a reader's understanding of a text's point of view and target

Prior Knowledge Required

Students should already be comfortable with:

  • Analyzing how differences in what characters and readers know create effects such as dramatic irony RL.8.6
  • Analyzing a point of view or cultural experience in literature from outside the United States RL.9-10.6
  • Citing strong and thorough textual evidence, including inferences drawn from the text RL.11-12.1
  • Telling the speaker or narrator of a text apart from its author

Lesson Procedure

60-65 minutes of class time across 5 phases.

  1. Warm-Up5-10 minutes

    Warm-Up Prompt

    "Your family comes home to a basement under ten centimeters of water. One person says, 'Well, that went well.' Another says, 'It's a bit damp down here.' What did each person say, and what did each mean? How did you know?"

    Take answers and write two columns on the board: Stated and Meant. Students usually hear the first remark as sarcasm (saying the opposite) and the second as understatement (saying far less). Ask what told them: the situation, the tone, the mismatch between words and facts. Tell students that today's texts never announce that they are joking, and that finding those clues is the whole skill.

  2. Direct Instruction20 minutes

    Four terms, one question. For each, the question is the same: what is stated, and what is meant?

    • Satire: a work that exposes folly or wrongdoing through ridicule, often by seeming to support it.
    • Sarcasm: a remark that says one thing, often praise or a neutral fact, in order to mock or wound.
    • Irony: a gap between words and meaning (verbal irony) or between what is expected and what happens (situational irony).
    • Understatement: describing something as much smaller or milder than it is.
    • Persona: a speaker the author invents. In satire, the persona's stated views may be the target.

    Background, briefly. Swift (1667-1745) was Dean of St Patrick's Cathedral in Dublin and the author of Gulliver's Travels. In the late 1720s Ireland suffered poor harvests and widespread hunger, many of its landlords lived in England and collected rents from a distance, and English laws limited Irish trade. "The Pretender" is James Stuart, the Catholic claimant to the British throne; "the Barbadoes" refers to poor people who sold themselves into labor in the West Indies. Read the excerpt aloud in a flat, reasonable voice.

    It is a melancholy object to those, who walk through this great town, or travel in the country, when they see the streets, the roads, and cabin-doors, crowded with beggars of the female sex, followed by three, four, or six children, all in rags, and importuning every passenger for an alms. These mothers instead of being able to work for their honest livelihood, are forced to employ all their time in strolling, to beg sustenance for their helpless infants, who, as they grow up, either turn thieves for want of work, or leave their dear Native Country to fight for the Pretender in Spain, or sell themselves to the Barbadoes.

    I think it is agreed by all parties, that this prodigious number of children, in the arms, or on the backs, or at the heels of their mothers, and frequently of their fathers, is in the present deplorable state of the kingdom, a very great additional grievance; and therefore whoever could find out a fair, cheap and easy method of making these children sound useful members of the commonwealth would deserve so well of the public, as to have his statue set up for a preserver of the nation.

    But my intention is very far from being confined to provide only for the children of professed beggars, it is of a much greater extent, and shall take in the whole number of infants at a certain age, who are born of parents in effect as little able to support them, as those who demand our charity in the streets.

    [...]

    I shall now therefore humbly propose my own thoughts, which I hope will not be liable to the least objection.

    I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled, and I make no doubt that it will equally serve in a fricassee, or a ragout.

    [...]

    I have reckoned upon a medium, that a child just born will weigh 12 pounds, and in a solar year if tolerably nursed increaseth to 28 pounds.

    I grant this food will be somewhat dear, and therefore very proper for landlords, who, as they have already devoured most of the parents, seem to have the best title to the children.

    Jonathan Swift, A Modest Proposal (excerpt 1: the opening and the proposal, with the breeding scheme omitted) (1729; this edition 1905). Public domain (published 1905). Source text.
    • Satire: stated vs. meant

      Paragraph 5: "a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food." What is stated, and what is meant?

      Result: Stated: the children of the poor should be sold and eaten. Meant: Ireland's rulers already treat the poor as goods to be used up, and Swift states that logic openly so readers feel how monstrous it is. The target is the reasoning, not the poor.

    • Verbal irony

      Paragraph 4: "I shall now therefore humbly propose my own thoughts, which I hope will not be liable to the least objection." Where is the irony?

      Result: The speaker expects no objection to a plan that every reader will object to. The gap between his calm confidence and the reader's horror is verbal irony, and it signals that Swift's view is the opposite of his speaker's.

    • Persona vs. author

      Paragraph 2: whoever finds "a fair, cheap and easy method" of making these children useful "would deserve so well of the public, as to have his statue set up for a preserver of the nation." What does this show about the speaker?

      Result: The projector wants public honor before he has said what his plan is. Swift gives him vanity so readers distrust his reasoning early, which creates two points of view: the projector's, stated, and Swift's, implied.

    • Tone as a clue

      Paragraph 6: "a child just born will weigh 12 pounds, and in a solar year if tolerably nursed increaseth to 28 pounds." What does the tone reveal?

      Result: The exact weights, written like a report on livestock, are applied to babies. The flat tone is the clue: Swift mocks policy writing that counts the poor without seeing them as people.

    Model the ledger. Students divide a page into three columns: Stated, Meant, Clue. Fill one row together from paragraph 4 and name the clue type (a mismatch between tone and content). Leave paragraph 7 of this excerpt for the quiz.

  3. Guided Practice15 minutes

    Ambrose Bierce (1842-c.1914), an American journalist, began his mock dictionary in a weekly paper in 1881. Every entry looks like a neutral definition and means something sharper. Read the entries aloud, then decode three together before pairs take the rest.

    ACADEME, n. An ancient school where morality and philosophy were taught.

    ACADEMY, n. [from ACADEME] A modern school where football is taught.

    [...]

    ADMIRATION, n. Our polite recognition of another's resemblance to ourselves.

    [...]

    APOLOGIZE, v.i. To lay the foundation for a future offence.

    [...]

    BORE, n. A person who talks when you wish him to listen.

    [...]

    CONGRATULATION, n. The civility of envy.

    [...]

    DIPLOMACY, n. The patriotic art of lying for one's country.

    [...]

    DISTANCE, n. The only thing that the rich are willing for the poor to call theirs, and keep.

    DISTRESS, n. A disease incurred by exposure to the prosperity of a friend.

    [...]

    EGOTIST, n. A person of low taste, more interested in himself than in me.

    [...]

    FRIENDLESS, adj. Having no favors to bestow. Destitute of fortune. Addicted to utterance of truth and common sense.

    [...]

    HAPPINESS, n. An agreeable sensation arising from contemplating the misery of another.

    [...]

    PATIENCE, n. A minor form of despair, disguised as a virtue.

    [...]

    POLITENESS, n. The most acceptable hypocrisy.

    POLITICS, n. A strife of interests masquerading as a contest of principles. The conduct of public affairs for private advantage.

    Ambrose Bierce, The Devil's Dictionary (fifteen entries, A to P) (1906; this edition 1911). Public domain (published 1911). Source text.
    1. ADMIRATION (entry 3): "Our polite recognition of another's resemblance to ourselves." Teacher note: stated, admiration is recognition of worth; meant, we admire only people who remind us of ourselves, so admiration is disguised vanity. The word "polite" is the sting.
    2. APOLOGIZE (entry 4): "To lay the foundation for a future offence." Teacher note: stated, a definition of a verb; meant, people apologize to clear the way to offend again. The building image ("lay the foundation") makes a moral act sound like planning.
    3. BORE (entry 5): "A person who talks when you wish him to listen." Teacher note: the definition turns on the reader. A bore is not someone dull but someone who keeps you from talking, so the entry mocks the listener as much as the talker.

    Pairs add these three to their ledgers, then choose two more entries not covered in class and fill the Stated, Meant and Clue columns. Ask two pairs to read a row aloud and let the class test whether the Meant column follows from the words.

  4. Independent Practice15 minutes

    Students read the end of "A Modest Proposal" on their own. Glosses: "expedients" are remedies; "absentees" are landlords who live in England on Irish rents; "disobliging" means offending. On the ledger, students fill at least four rows from this excerpt and circle the one row where the speaker's stated view and Swift's real view are furthest apart. The quiz questions on this passage work as a check once they finish.

    I can think of no one objection, that will possibly be raised against this proposal, unless it should be urged that the number of people will be thereby much lessened in the kingdom. This I freely own, and was indeed one principal design in offering it to the world. I desire the reader will observe, that I calculate my remedy for this one individual Kingdom of Ireland, and for no other that ever was, is, or, I think, ever can be upon earth. Therefore let no man talk to me of other expedients: Of taxing our absentees at five shillings a pound: Of using neither clothes, nor household furniture, except what is of our own growth and manufacture: Of utterly rejecting the materials and instruments that promote foreign luxury: Of curing the expensiveness of pride, vanity, idleness, and gaming in our women: Of introducing a vein of parsimony, prudence and temperance: [...] Of being a little cautious not to sell our country and consciences for nothing: Of teaching landlords to have at least one degree of mercy toward their tenants. Lastly of putting a spirit of honesty, industry and skill into our shopkeepers, who, if a resolution could now be taken to buy only our native goods, would immediately unite to cheat and exact upon us in the price, the measure, and the goodness, nor could ever yet be brought to make one fair proposal of just dealing, though often and earnestly invited to it.

    Therefore I repeat, let no man talk to me of these and the like expedients, till he hath at least some glimpse of hope, that there will ever be some hearty and sincere attempt to put them in practice.

    But as to myself, having been wearied out for many years with offering vain, idle, visionary thoughts, and at length utterly despairing of success, I fortunately fell upon this proposal, which as it is wholly new, so it hath something solid and real, of no expense and little trouble, full in our own power, and whereby we can incur no danger in disobliging ENGLAND. For this kind of commodity will not bear exportation, the flesh being of too tender a consistence, to admit a long continuance in salt, although perhaps I could name a country, which would be glad to eat up our whole nation without it.

    [...]

    I profess in the sincerity of my heart that I have not the least personal interest in endeavouring to promote this necessary work, having no other motive than the public good of my country, by advancing our trade, providing for infants, relieving the poor, and giving some pleasure to the rich. I have no children, by which I can propose to get a single penny; the youngest being nine years old, and my wife past child-bearing.

    Jonathan Swift, A Modest Proposal (excerpt 2: the "other expedients" and the ending, with two cuts) (1729; this edition 1905). Public domain (published 1905). Source text.
  5. Closure5 minutes

    Exit ticket: (1) In one sentence, say what Swift's speaker wants and what Swift wants. (2) Copy one line from today's texts that is sarcasm and one that is understatement, and explain in a phrase how they differ.

    Teacher note on content and language: "A Modest Proposal" describes cooking and eating children in deliberately shocking detail; tell students in advance that the shock is the point of the satire. The excerpts leave out, and mark with [...], a paragraph that calls the Irish poor "our savages" and a comparison to the Jews of besieged Jerusalem; other paragraphs of the full essay, not printed here, attack Catholics in the sectarian terms of Swift's time. Swift's "very knowing American" plays on European tales of cannibalism in the Americas; treat it as part of the speaker's corrupt reasoning. The list of "expedients" includes a jab at women's "gaming" and "vanity" that reflects the period. Twain's prayer uses violent images of war on purpose, and its last line reports the congregation's judgment that the stranger was "a lunatic", a dated and dismissive word that Twain turns against the listeners.

    For homework: students read the opening and ending of Mark Twain's "The War Prayer" below. Twain dictated it in 1904-05, and it was published in 1923, after his death. In the omitted middle, a stranger interrupts a church service before soldiers leave for war and says that every prayer for victory holds a second, unspoken prayer, which he then speaks aloud.

    It was a time of great and exalting excitement. The country was up in arms, the war was on, in every breast burned the holy fire of patriotism; the drums were beating, the bands playing, the toy pistols popping, the bunched firecrackers hissing and spluttering; on every hand and far down the receding and fading spread of roofs and balconies a fluttering wilderness of flags flashed in the sun; daily the young volunteers marched down the wide avenue gay and fine in their new uniforms, the proud fathers and mothers and sisters and sweethearts cheering them with voices choked with happy emotion as they swung by; nightly the packed mass meetings listened, panting, to patriot oratory which stirred the deepest deeps of their hearts, and which they interrupted at briefest intervals with cyclones of applause, the tears running down their cheeks the while; in the churches the pastors preached devotion to flag and country, and invoked the God of Battles, beseeching His aid in our good cause in outpouring of fervid eloquence which moved every listener. It was indeed a glad and gracious time, and the half dozen rash spirits that ventured to disapprove of the war and cast a doubt upon its righteousness straightway got such a stern and angry warning that for their personal safety’s sake they quickly shrank out of sight and offended no more in that way.

    [...]

    “O Lord our Father, our young patriots, idols of our hearts, go forth to battle--be Thou near them! With them--in spirit--we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us to tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with their little children to wander unfriended the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames of summer and the icy winds of winter, broken in spirit, worn with travail, imploring Thee for the refuge of the grave and denied it--for our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet! We ask it, in the spirit of love, of Him Who is the Source of Love, and Who is the ever-faithful refuge and friend of all that are sore beset and seek His aid with humble and contrite hearts. Amen.”

    (After a pause.) “Ye have prayed it; if ye still desire it, speak! The messenger of the Most High waits.”

    It was believed afterward that the man was a lunatic, because there was no sense in what he said.

    Mark Twain, The War Prayer (opening paragraph and ending) (1923). Public domain (published 1923). Source text.

Differentiation Strategies

For Struggling Students

  • Give the ledger with the Stated column pre-filled for five rows so students work only on Meant and Clue
  • Offer a clue bank: tone does not fit content; exaggeration; a detail that contradicts the claim; a list that mixes the serious with the trivial; context the reader knows
  • Read the Swift excerpts aloud twice, once flat and once with a pause before each shocking phrase

For Advanced Students

  • Ask students to write a one-paragraph "modest proposal" on a school problem that keeps a straight face all the way through, then annotate their own clues
  • Have students argue whether Bierce's definer is a persona, like Swift's projector, or close to Bierce himself, using two entries as evidence
  • Ask students to find a place in either Swift excerpt where the speaker's words briefly sound like Swift's own view, and explain the effect

Assessment Guidance

What to Look For

Strong answers give both halves, what the text states and what it means, and point to a clue in the words (tone, exaggeration, contradiction, a telling list). Watch for two opposite errors: literal readings that take the speaker at his word, and loose readings that call every line "sarcasm" without saying what is really meant. In Swift, check that students keep the projector and Swift apart; "Swift thinks children should be eaten" is the literal error, and "Swift is joking" is too vague. In terminology, look for students who can tell understatement (saying less) from sarcasm (saying the opposite to mock).

02

Classroom Activities

3 Activities

1

Stated-versus-Meant Ledger

20 minPairs

Pairs build a running ledger across both Swift excerpts, one row per sentence they choose, so that the essay's two points of view are visible side by side. The goal is to show that the satire works line by line, not only as one big joke.

Setup

  • Hand out a three-column ledger: What the speaker states; What Swift means; The clue (tone, exaggeration, contradiction, telling list, context)
  • Each pair also gets two highlighters: one color for lines that sound reasonable, one for lines that give the game away

Procedure

  • Pairs highlight both excerpts in the two colors, then choose six lines, at least two from each excerpt, for the ledger
  • For each row, pairs name the device (satire, sarcasm, irony, understatement) or write "stated and meant are the same" if the line is sincere
  • Pairs mark the row where the speaker's view and Swift's view are closest, and explain why Swift might let them meet there

Discussion Questions

  • Which color did you use more often? What does that say about how the satire works?
  • Did you find any line where the speaker seems to say what Swift really thinks? What gives it away?
  • What would a reader who took every line at face value believe about Swift?

Modification

For students who need support, provide the six lines and ask only for the Meant and Clue columns.

2

A Devil's Dictionary for School

20 minGroups of 3-4

Groups write their own sarcastic definitions in Bierce's style, then trade them with another group to decode. Writing sarcasm and then reading it back makes students state exactly where the gap between stated and meant sits.

Setup

  • Model with Bierce's DISTRESS (entry 9): "A disease incurred by exposure to the prosperity of a friend." Stated: an illness. Meant: envy, which people feel when friends do well and dress up as concern
  • Each group gets six index cards and a word list: homework, group project, deadline, study hall, cafeteria, school spirit

Procedure

  • Groups write one definition per card in the form "WORD, n. ..." that looks neutral and means something sharper; nobody's name, no insults aimed at real people
  • Groups trade cards; the receiving group writes the Stated and Meant meanings on the back and names the clue
  • Cards return to their writers, who check whether the decoding matches what they meant

Discussion Questions

  • Which of your definitions were decoded exactly as you meant them? What made them clear?
  • When does a sarcastic definition stop being witty and start being only unkind?

Variation

Groups rewrite one card as an understatement instead ("DEADLINE, n. A date of some slight interest") and compare the effect.

3

Stated or Meant? Card Sort

15 minIndividual, then pairs

Students sort eight short original statements into satire, sarcasm, situational irony, understatement, or sincere (no gap), then compare with a partner. The sincere card keeps students from treating every line as a trick.

The Eight Cards

  • After the team loses 42-0, the coach says, "We have a few things to work on." (Understatement)
  • A student who waited ninety minutes at a clinic says, "I love how fast this place is." (Sarcasm)
  • A fire station burns down. (Situational irony)
  • A newspaper column proposes that the city save money on schools by closing all of them. (Satire)
  • A tourist caught in a hurricane writes home, "The weather has been a little unsettled." (Understatement)
  • "Oh, great, another pop quiz," a student mutters. (Sarcasm)
  • A poster warning about slippery floors is taped to the floor, and people slip on it. (Situational irony)
  • A teacher says, "Thanks for being on time," to a class that arrived on time. (Sincere)

Procedure

  • Shuffle the cards and remove the labels; students sort them alone in five minutes
  • Pairs compare and, for every card, write what is stated and what is meant in one line each
  • For any card the pair sorted differently, each partner names the clue that decided it

Discussion Questions

  • What separates the two sarcasm cards from the two understatement cards?
  • How would the teacher's line become sarcasm? What would have to change in the situation?

03

Diagrams & Visual Aids

2 diagrams

Diagram 1: Two Points of View in "A Modest Proposal"

Two points of view in "A Modest Proposal" The projector states Swift means "would deserve ... to have his statue set up" (para. 2) A vain schemer is angling for honor "not be liable to the least objection" (para. 4) Every reader objects: the plan is monstrous "a most delicious, nourishing, and wholesome food" (para. 5) The poor are already treated as goods Clue in every row: a calm, reasonable voice attached to a monstrous idea.
Three lines from the first Swift excerpt, each read twice: as the projector states it and as Swift means it. The same pattern continues through the whole essay; students extend it in the Activity 1 ledger.

Diagram 2: Satire, Sarcasm, Irony and Understatement

Four ways a text states one thing and means another Satire Ridicules a target, often by seeming to support it Clue: a plan no sane person would adopt, argued calmly Sarcasm Says one thing (praise, a neutral fact) to mock Clue: a neutral form with a wounding content Irony A gap between words and meaning, or expected and actual Clue: words that do not fit the situation Understatement Describes something as far smaller or milder than it is Clue: mild words for an extreme event
The four devices the standard names, with a clue that often signals each. A single line can use more than one: satire usually works through irony, and sarcasm is a sharp kind of verbal irony.

04

Homework Assignment

~30 min

RL.11-12.6 Homework: What Is Stated and What Is Meant in "The War Prayer"

Directions: Read the opening and ending of "The War Prayer" at the end of the lesson plan (in Closure). Answer in complete sentences, and put every quotation in quotation marks with its paragraph number (the excerpt has four numbered paragraphs). Problem 4 also uses "A Modest Proposal," and Problem 6 uses a text of your choice.

Part 1: Irony in "The War Prayer" (Problems 1-3)

  1. Paragraph 1 calls the time "indeed a glad and gracious time" and says that the "half dozen rash spirits" who doubted the war got "such a stern and angry warning that for their personal safety's sake they quickly shrank out of sight." Explain what the narrator states, what Twain really means, and which words are the clue.
  2. The stranger's prayer (paragraph 2) ends: "We ask it, in the spirit of love, of Him Who is the Source of Love." Explain the irony of this ending, using at least one image from earlier in the same paragraph.
  3. The last sentence says the stranger was believed to be "a lunatic, because there was no sense in what he said." Explain the irony and what it reveals about the congregation's point of view compared with Twain's.

Part 2: Grasping Point of View Across Texts (Problems 4-6)

  1. Compare Swift's projector with Twain's stranger. In which text does the speaker's stated view differ from the author's, and in which does the speaker say aloud what the listeners really mean but will not state? Quote each text once and explain how this difference changes the reader's task.
  2. Rewrite the central idea of the stranger's prayer as an understatement of one or two sentences. Then explain how your understatement and Twain's graphic detail each make readers feel the gap between what the congregation says and what it means.
  3. Choose a passage from a satire, a sarcastic character or an ironic story you have read that is not on this page. Quote a line, state what it says and what it really means, name the device, and explain how grasping the difference changes your understanding of the work's point of view.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Stated vs. MeantGives both what the text states and what it means, accuratelyGives what is meant without what is stated, or the reverseTakes the text literally or misreads it
Clues and DevicesNames the device and the words that reveal the gapNames a device without the clue, or a clue without the deviceNo device or clue
Point of ViewSeparates the speaker's or listeners' view from the author'sMentions the author's view without separating itTreats speaker and author as the same
Evidence and CitationExact quotations with paragraph numbersQuotations without locations, or one misquotationNo textual evidence

05

Quiz: 20 Questions

Interactive, with answers

Instructions

Questions 1-4 use the first excerpt of "A Modest Proposal," questions 5-9, 18 and 19 use the second excerpt, questions 10-13 and 15-17 use the entries from The Devil's Dictionary, and question 20 uses both works; all the texts are in the lesson plan above. Your score updates as you answer, and Reset quiz clears everything.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    "A Modest Proposal" opens with mothers "followed by three, four, or six children, all in rags" (paragraph 1 of the first excerpt). Why does the essay begin with this sincere-sounding picture?

  2. Question 2 of 20 · Multiple Choice

    Paragraph 7 of the first excerpt begins, "I grant this food will be somewhat dear." Which device does "somewhat dear" mainly use, and why?

  3. Question 3 of 20 · Multiple Choice

    The same sentence calls the food "very proper for landlords, who, as they have already devoured most of the parents, seem to have the best title to the children." What does Swift really mean?

  4. Question 4 of 20 · Multiple Choice

    In paragraph 3 of the first excerpt, the speaker says his plan "shall take in the whole number of infants at a certain age, who are born of parents in effect as little able to support them" as beggars. What does this widening reveal?

  5. Question 5 of 20 · Multiple Choice

    Paragraph 1 of the second excerpt lists "other expedients" the speaker refuses to hear about, such as "taxing our absentees at five shillings a pound" and "teaching landlords to have at least one degree of mercy toward their tenants." How do these lines work in the satire?

  6. Question 6 of 20 · Multiple Choice

    The speaker says, "I calculate my remedy for this one individual Kingdom of Ireland, and for no other that ever was, is, or, I think, ever can be upon earth." What does this claim really suggest?

  7. Question 7 of 20 · Multiple Choice

    Paragraph 3 of the second excerpt ends, "although perhaps I could name a country, which would be glad to eat up our whole nation without it." Which country is meant, and what is the charge?

  8. Question 8 of 20 · Multiple Choice

    The essay ends: "I have no children, by which I can propose to get a single penny; the youngest being nine years old, and my wife past child-bearing." What does the last clause reveal?

  9. Question 9 of 20 · Multiple Choice

    In the last paragraph, the speaker lists the plan's aims: "advancing our trade, providing for infants, relieving the poor, and giving some pleasure to the rich." What does ending the list this way expose?

  10. Question 10 of 20 · Multiple Choice

    "DIPLOMACY, n. The patriotic art of lying for one's country" (entry 7). What does the entry really claim?

  11. Question 11 of 20 · Multiple Choice

    "DISTANCE, n. The only thing that the rich are willing for the poor to call theirs, and keep" (entry 8). Which reading best captures the sarcasm?

  12. Question 12 of 20 · Multiple Choice

    "PATIENCE, n. A minor form of despair, disguised as a virtue" (entry 13). What makes this sarcasm rather than a sincere definition?

  13. Question 13 of 20 · Multiple Choice

    "POLITICS, n. A strife of interests masquerading as a contest of principles" (entry 15). What point of view does the definer take?

  14. Question 14 of 20 · Multiple Choice

    Which reading of "A Modest Proposal" misses the point of view that RL.11-12.6 asks students to grasp?

  15. Question 15 of 20 · Short Answer

    "HAPPINESS, n. An agreeable sensation arising from contemplating the misery of another" (entry 12). Explain what the entry states, what it really means, and whether it is aimed at the reader, at people in general, or both.

  16. Question 16 of 20 · Short Answer

    "EGOTIST, n. A person of low taste, more interested in himself than in me" (entry 10). Explain the irony in the last two words and what it shows about the definer's point of view.

  17. Question 17 of 20 · Short Answer

    Entries 1 and 2 define ACADEME ("An ancient school where morality and philosophy were taught") and ACADEMY ("A modern school where football is taught"). Explain how placing them side by side creates satire, and what Bierce really means about modern schools.

  18. Question 18 of 20 · Short Answer

    In paragraph 3 of the second excerpt, the speaker says he was "wearied out for many years with offering vain, idle, visionary thoughts" before he "fortunately fell upon this proposal." What is stated here, and what does it really mean, given paragraphs 1-2?

  19. Question 19 of 20 · Short Answer

    Among the expedients in paragraph 1 of the second excerpt are "being a little cautious not to sell our country and consciences for nothing" and "teaching landlords to have at least one degree of mercy." Explain how understatement works in these phrases.

  20. Question 20 of 20 · Short Answer

    Compare how a reader grasps point of view in "A Modest Proposal" and in The Devil's Dictionary. Is the speaker's stated view the author's in each? Quote each text once.

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does RL.11-12.6 mean?

It means students in grades 11-12 can analyze a text whose point of view only makes sense once they tell what it directly states from what it really means. The standard names four common cases: satire, sarcasm, irony and understatement. Students must say both what the words state and what the author means, and point to the clues that show the gap.

What is the difference between satire, sarcasm, irony and understatement?

Satire is a whole work or passage that ridicules a target, often by pretending to support it. Sarcasm is a remark meant to mock or wound, usually by saying something that sounds like praise or plain fact. Irony is the wider idea of a gap: between words and meaning, or between what is expected and what happens. Understatement makes something sound much smaller or milder than it is. One passage can use several at once.

Why use "A Modest Proposal" to teach RL.11-12.6?

It is short, widely taught and in the public domain, and it never tells readers that it is satire. A student who reads it literally gets it completely wrong, so it shows exactly why the standard matters. It also contains all four devices the standard names.

How is RL.11-12.6 different from RL.9-10.6?

RL.9-10.6 asks students to analyze a point of view or cultural experience in literature from outside the United States, drawing on wide reading of world literature. RL.11-12.6 is about a different kind of point of view: one that can be grasped only by separating what a text says from what it means. The grade 11-12 standard is about reading beneath the surface of the words.

How can students tell when a text does not mean what it says?

They look for clues: a tone that does not fit the content (a calm voice describing horror), exaggeration, a detail that contradicts the speaker's claim, a list that places the trivial beside the serious, or facts the reader knows that the speaker ignores. Asking "Would a sensible person really say this and mean it?" is a good first test.

Is the speaker of a satire the same as the author?

Often not. Swift invents a speaker, a "projector" with a scheme, whose views are the target of the essay. RL.11-12.6 asks students to keep the two apart: the speaker's stated view and the author's real one. In other works the speaker may stand closer to the author, so students decide from the evidence in each text.

How is RL.11-12.6 usually assessed?

Tests often give a passage and ask what a line really means, which device it uses, or which statement best describes the author's view as opposed to the speaker's. Constructed responses ask students to explain the gap between stated and meant with evidence. The quiz on this page includes both kinds.

Is "A Modest Proposal" appropriate for high school students?

It is widely taught in grades 11-12, but it describes cannibalism in shocking terms on purpose, so prepare students before reading. Say that the shock is Swift's weapon against cruelty to the poor, and give brief historical context. This page leaves out, and marks, lines that disparage groups in the sectarian and racial terms of Swift's time, and a teacher note explains the cuts.

What should I do if students take a satire literally?

Treat it as useful evidence: ask what in the text made them read it that way, then ask what a real reformer would say about the same problem. Point them to the moments where the mask seems to slip, and ask which words give it away. Many students need one literal reading before the second, ironic reading clicks.

What other texts work well for RL.11-12.6?

Voltaire's Candide, Oscar Wilde's comedies, Mark Twain's "The War Prayer" and "The Man That Corrupted Hadleyburg," George Orwell's Animal Farm and the opening sentence of Jane Austen's Pride and Prejudice all require readers to hear more than the words say. Short pieces work best for close reading; longer works suit a unit.