SVHS Website Header

SVHS Website Header Component

Scroll down or resize the browser to test responsive behavior. Hover over the nav items to open mega menus.

My Cart

RI.8.4Common CoreELAReading Informational TextGrade 8

RI.8.4: Word Meanings, Word Choice, Analogies and Allusions

In plain English: RI.8.4 is the Common Core grade 8 ELA standard that asks students to determine what words and phrases mean in an informational text, including figurative, connotative and technical meanings. Students also analyze how specific word choices shape meaning and tone, including analogies and allusions to other texts. It builds on RI.7.4.

Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts.

Common Core State Standards for English Language Arts & Literacy · Domain: Reading Standards for Informational Text · Cluster: Craft and Structure · Official standard

01

Lesson Plan

55-65 min

Overview

Students work out what words and phrases mean in an informational text and analyze how the writer's word choices shape meaning and tone. The standard names three kinds of meaning, figurative, connotative and technical, and grade 8 adds two special kinds of word choice: analogies and allusions to other texts. For each phrase, students first settle what it means in its sentence, then ask what the choice does: what it makes the reader picture or feel, and what it shows about the writer's attitude.

The text is "The Pastoral Bees," the first chapter of Locusts and Wild Honey (1879) by the American nature writer John Burroughs, who kept bees on his farm beside the Hudson River in New York. Burroughs mixes the exact words of a beekeeper with farm talk, jokes and references to the Bible and Shakespeare, so almost every sentence rewards a close look. The teacher models the four kinds of word work with Passage 1, the bees' first trips of spring. Pairs chart the word choices in Passage 2, on how bees make wax, and students work alone on Passages 3 and 4, about who rules a hive and why swarms run away. The homework uses Passage 5, where Burroughs compares a swarm's life to an army's campaign. All five passages are printed in the lesson plan.

Learning Objectives

By the end of this lesson, students will be able to:

  • Determine the meaning of words and phrases as they are used in an informational text, using context and word parts
  • Tell figurative, connotative and technical meanings apart and explain each one in its sentence
  • Explain what an analogy or an allusion to another text adds to a passage's meaning and tone
  • Analyze how a writer's specific word choices build a tone, citing the words

Prior Knowledge Required

Students should already be comfortable with:

  • Determining figurative, connotative and technical meanings and the impact of a single word choice on meaning and tone RI.7.4
  • Using context, such as the meaning of the sentence or a word's position, as a clue to a word's meaning (L.8.4a)
  • Recognizing similes and metaphors
  • Describing tone with precise words such as admiring, playful, serious or sarcastic

Lesson Procedure

55-65 minutes of class time across 5 phases.

  1. Warm-Up5-10 minutes

    Warm-Up Prompt

    "Read two sentences: 'The students left the cafeteria.' and 'The students stampeded out of the cafeteria.' Both could describe the same moment. What does the second sentence make you picture, and how does the writer seem to feel about it?"

    Take answers. Students will picture running, noise and maybe a mess, and they will hear that the writer is amused or annoyed. Point out that "stampeded" is borrowed from a herd of cattle: a figurative use that brings along feelings the plain word "left" does not have. Tell students that grade 8 asks them to explain exactly this: what a word means where it stands, what extra meaning it carries, and how the choice changes the tone. Today's writer also borrows from famous older texts, and students will learn to spot those borrowings.

  2. Direct Instruction15 minutes

    Teach seven terms and leave them on the board:

    • Literal meaning: what the words say in their plain, dictionary sense.
    • Figurative meaning: a meaning beyond the literal one, as in a simile, a metaphor or personification (giving an animal or thing human traits).
    • Connotation: the feelings and ideas a word carries on top of its dictionary meaning (its denotation). "Aroma" and "stench" both mean a smell, but one is pleasant.
    • Technical meaning: the exact meaning a word has in one field of work or study. Beekeepers use everyday words such as "cell," "queen" and "worker" in special senses.
    • Tone: the writer's attitude toward the subject, shown through word choice: admiring, playful, serious, mocking, tender.
    • Analogy: an extended comparison that explains one thing through another, such as bees and a family of farm workers.
    • Allusion: a brief reference to a well-known text, story or person that the writer expects readers to recognize. The reader brings the older story's meaning into the new sentence.

    Introduce the text. John Burroughs (1837-1921) grew up on a dairy farm in New York and became one of the best-known American nature writers of his time. He kept bees at his home on the Hudson River. His book title, Locusts and Wild Honey, is itself an allusion: in the Bible, John the Baptist lived in the wilderness on locusts and wild honey. Words to know for Passage 1: hive (a bee colony's home), pollen (the fine yellow powder made by flowers; bees carry it home and eat it), hip (here, the top of the bee's back leg), alder and swamp willow (trees that flower very early in spring), maple sugar (sugar made by boiling down the sap of maple trees), spiles (small spouts tapped into a maple tree so the sap drips out), condensed (thickened), catkins (the soft, fuzzy flower clusters of willows), fruitage (harvest), deposited (put down and left) and firkin (a small wooden tub for butter). Read the passage aloud once for meaning.

    The honey-bee goes forth from the hive in spring like the dove from Noah's ark, and it is not till after many days that she brings back the olive leaf, which in this case is a pellet of golden pollen upon each hip, usually obtained from the alder or the swamp willow. In a country where maple sugar is made the bees get their first taste of sweet from the sap as it flows from the spiles, or as it dries and is condensed upon the sides of the buckets. They will sometimes, in their eagerness, come about the boiling-place and be overwhelmed by the steam and the smoke. But bees appear to be more eager for bread in the spring than for honey: their supply of this article, perhaps, does not keep as well as their stores of the latter; hence fresh bread, in the shape of new pollen, is diligently sought for. My bees get their first supplies from the catkins of the willows. How quickly they find them out! If but one catkin opens anywhere within range, a bee is on hand that very hour to rifle it, and it is a most pleasing experience to stand near the hive some mild April day and see them come pouring in with their little baskets packed with this first fruitage of the spring. They will have new bread now; they have been to mill in good earnest; see their dusty coats, and the golden grist they bring home with them.

    When a bee brings pollen into the hive he advances to the cell in which it is to be deposited and kicks it off, as one might his overalls or rubber boots, making one foot help the other; then he walks off without ever looking behind him; another bee, one of the indoor hands, comes along and rams it down with his head and packs it into the cell, as the dairymaid packs butter into a firkin with a ladle.

    John Burroughs, Locusts and Wild Honey, chapter I, "The Pastoral Bees" (Passage 1: the first trips of spring) (1879). Public domain (published 1879). Source text.
    • Allusion: the dove from Noah's ark

      "The honey-bee goes forth from the hive in spring like the dove from Noah's ark, and it is not till after many days that she brings back the olive leaf, which in this case is a pellet of golden pollen upon each hip" (Passage 1, paragraph 1). What does the allusion mean, and what does it do to the tone?

      Result: In the Bible story, Noah sends a dove out of the ark after the great flood, and it returns with an olive leaf, a sign that the land is coming back to life. The "olive leaf" here is the bee's first pollen of spring, so the allusion makes the pollen a sign that winter is over. Comparing a small insect's errand to a famous story gives the moment weight and a warm, slightly grand tone.

    • Figurative meaning: bread, a mill and grist

      "They will have new bread now; they have been to mill in good earnest; see their dusty coats, and the golden grist they bring home with them" (Passage 1, paragraph 1). What do "bread," "mill," "dusty coats" and "grist" mean here?

      Result: None is literal. Pollen is the bees' "bread," their everyday food. Farmers took grain ("grist") to a mill and came home dusty with flour, so the bees coming home covered in yellow pollen look like farmers back from the mill. The metaphor turns the bees into hard-working farm people and makes the description homey and admiring.

    • Technical meaning from context: "cell"

      "When a bee brings pollen into the hive he advances to the cell in which it is to be deposited" (Passage 1, paragraph 2). "Cell" can mean a room in a prison, the smallest unit of a living thing, or a battery. What does it mean here, and how can you tell?

      Result: Here "cell" has its beekeeping meaning: one of the small six-sided wax compartments of the honeycomb where bees store food. The context tells you: the cell is inside the hive, and pollen is "deposited" in it and later packed "into the cell." Neither a prison nor a body part fits a place where a bee stores pollen.

    • Connotation: "rifle" instead of "visit"

      "If but one catkin opens anywhere within range, a bee is on hand that very hour to rifle it" (Passage 1, paragraph 1). Burroughs could have written "to visit it." What does "rifle" add?

      Result: As a verb, "rifle" means to search through something quickly and take what is valuable, the way a thief goes through a drawer. The denotation (the bee collects pollen) is the same as "visit," but the connotation adds speed, greed and a hint of mischief. The tone is playful: Burroughs admires how fast the bees are and teases them for it.

    Meaning first, then effect. Show Diagram 1 and model the moves with the first example: (1) say what the words mean in their sentence; (2) name the kind of meaning (figurative, connotative, technical) or the device (analogy, allusion); (3) say what the choice adds to the meaning; (4) name the tone it creates, with a precise word. Give students a sentence frame: "In the phrase ___, the word ___ means ___. The writer could have written ___, but ___ suggests ___, which makes the tone ___."

  3. Guided Practice15 minutes

    Read Passage 2 aloud. Burroughs explains how bees make beeswax, the material of the honeycomb, and he cannot resist comparing them to people. Words to know: receptacle (a container), evolve (here, to produce slowly), inner consciousness (the mind), chamber (a room), festoons (hanging loops, like paper chains), transpire (here, to happen), minute (tiny), abdomen (the back section of an insect's body), in an economical point of view (in terms of cost), intact (whole, undamaged), delectableness (delight, deliciousness) and nectar (the sweet liquid in flowers; here, fresh honey).

    It is the making of wax that costs with the bee. As with the poet, the form, the receptacle, gives him more trouble than the sweet that fills it, though, to be sure, there is always more or less empty comb in both cases. The honey he can have for the gathering, but the wax he must make himself,--must evolve from his own inner consciousness. When wax is to be made, the wax-makers fill themselves with honey and retire into their chamber for private meditation; it is like some solemn religious rite: they take hold of hands, or hook themselves together in long lines that hang in festoons from the top of the hive, and wait for the miracle to transpire. After about twenty-four hours their patience is rewarded, the honey is turned into wax, minute scales of which are secreted from between the rings of the abdomen of each bee; this is taken off and from it the comb is built up. It is calculated that about twenty-five pounds of honey are used in elaborating one pound of comb, to say nothing of the time that is lost. Hence the importance, in an economical point of view, of a recent device by which the honey is extracted and the comb returned intact to the bees. But honey without the comb is the perfume without the rose,--it is sweet merely, and soon degenerates into candy. Half the delectableness is in breaking down these frail and exquisite walls yourself, and tasting the nectar before it has lost its freshness by contact with the air. Then the comb is a sort of shield or foil that prevents the tongue from being overwhelmed by the first shock of the sweet.

    John Burroughs, Locusts and Wild Honey, chapter I, "The Pastoral Bees" (Passage 2: the making of wax) (1879). Public domain (published 1879). Source text.

    Pairs copy the word choice chart (Diagram 2). The first row is the second worked example. They fill in the three rows of phrases from Passage 2 and add one phrase of their own choice. Take answers, then share the teacher notes:

    1. "As with the poet, the form, the receptacle, gives him more trouble than the sweet that fills it." Teacher note: this is an analogy. The wax comb is like the form of a poem (its lines, rhyme and shape) and the honey is like the feelings and ideas it holds. The poet, like the bee, finds the container harder to make than the sweetness. Burroughs, a writer himself, is joking about his own work, and the joke that "there is always more or less empty comb in both cases" (some poems say nothing) makes the tone playful.
    2. "retire into their chamber for private meditation; it is like some solemn religious rite." Teacher note: literally, the wax-making bees gather in one part of the hive and wait. "Meditation" and "solemn religious rite" are figurative and carry connotations of prayer, silence and ceremony. The tone is mock-serious: Burroughs treats an insect's chore with the respect of a church service, and he is both amused and impressed.
    3. "minute scales of which are secreted from between the rings of the abdomen." Teacher note: this is the technical language of a naturalist. "Secreted" means produced and given off by the body, as a gland produces sweat. The sentence shifts from jokes to exact science, and the plain words tell the reader that this part is fact.
  4. Independent Practice15 minutes

    Students read Passages 3 and 4 on their own. In Passage 3, Burroughs argues about who really rules a hive; in Passage 4, he describes swarms that leave their keepers for the woods. Words to know for Passage 3: prevailed (been widely believed), Napoleon the First (emperor of France, 1804-1815, who used golden bees as a symbol on his robes), imperial mantle (an emperor's cloak), dynasty (a ruling family), the country of the Pharaohs (ancient Egypt), emblem (a symbol), submissive (obeying without resistance), despots (rulers with total power who use it cruelly), vested (placed, held), foresight (planning ahead), office (here, a special role or duty) and abundance (a large supply). Words to know for Passage 4: hemlock and hickory (kinds of trees), quarters (a place to live), out-house (here, a small shed or outbuilding), mansion (a very large house), per cent (percent) and pailfuls (as much as a pail holds).

    The notion has always very generally prevailed that the queen of the bees is an absolute ruler, and issues her royal orders to willing subjects. Hence Napoleon the First sprinkled the symbolic bees over the imperial mantle that bore the arms of his dynasty; and in the country of the Pharaohs the bee was used as the emblem of a people sweetly submissive to the orders of its king. But the fact is, a swarm of bees is an absolute democracy, and kings and despots can find no warrant in their example. The power and authority are entirely vested in the great mass, the workers. They furnish all the brains and foresight of the colony, and administer its affairs. Their word is law, and both king and queen must obey. They regulate the swarming, and give the signal for the swarm to issue from the hive; they select and make ready the tree in the woods and conduct the queen to it.

    The peculiar office and sacredness of the queen consists in the fact that she is the mother of the swarm, and the bees love and cherish her as a mother and not as a sovereign. She is the sole female bee in the hive, and the swarm clings to her because she is their life. Deprived of their queen, and of all brood from which to rear one, the swarm loses all heart and soon dies, though there be an abundance of honey in the hive.

    John Burroughs, Locusts and Wild Honey, chapter I, "The Pastoral Bees" (Passage 3: who rules the hive) (1879). Public domain (published 1879). Source text.

    They are not partial as to the kind of tree,--pine, hemlock, elm, birch, maple, hickory,--any tree with a good cavity high up or low down. A swarm of mine ran away from the new patent hive I gave them, and took up their quarters in the hollow trunk of an old apple-tree across an adjoining field. The entrance was a mouse-hole near the ground. Another swarm in the neighborhood deserted their keeper, and went into the cornice of an out-house that stood amid evergreens in the rear of a large mansion. But there is no accounting for the taste of bees, as Samson found when he discovered the swarm in the carcass, or more probably the skeleton, of the lion he had slain.

    In any given locality, especially in the more wooded and mountainous districts, the number of swarms that thus assert their independence forms quite a large per cent. In the Northern States these swarms very often perish before spring; but in such a country as Florida they seem to multiply, till bee-trees are very common. In the West, also, wild honey is often gathered in large quantities. I noticed, not long since, that some wood-choppers on the west slope of the Coast Range felled a tree that had several pailfuls in it.

    John Burroughs, Locusts and Wild Honey, chapter I, "The Pastoral Bees" (Passage 4: runaway swarms) (1879). Public domain (published 1879). Source text.

    On the handout, students (1) choose two words in Passage 3 that come from the language of government and explain the meaning and connotation of each; (2) find one word in Passage 4 with a technical or specialized meaning and explain how the context shows its meaning; (3) write two sentences on the tone of Passage 4, quoting the words that create it. The quiz uses Passages 1-4.

  5. Closure5-10 minutes

    Exit ticket: (1) Explain the difference between a word's denotation and its connotation, using one word from today's passages. (2) In one sentence, explain why an allusion only works when the reader knows the older text.

    Teacher note on science and language: Burroughs wrote in 1879, and some of his bee science is out of date. He calls the worker bees "he," but workers are female; when Passage 3 calls the queen "the sole female bee in the hive," the accurate statement is that she is the only female that normally lays eggs. He also mentions a "king," but a hive has no king. His picture of the hive as a democracy is a comparison, not a finding: scientists today describe a colony as a group of insects that decide things together through signals such as dances, which is close to his point but without the politics. The "recent device" in Passage 2 is the honey extractor, a spinning machine invented in the 1860s that pulls honey out of the comb. The Bible and Shakespeare references are taught as literature: students need the story behind each allusion, not any religious view.

    For homework: students read Passage 5, printed below. Burroughs compares the life of a swarm to an army at war, then describes how he rescues cold bees in spring. Words to know: hazardous (dangerous), benumbed (made numb), mortality (deaths), spent (here, completely tired out), weather it (get through a storm safely), myriad (countless), acute (sharp), ruling traits (strongest qualities), unerringly (without a mistake) and bee-hunter's box (a box of honey that bee hunters set out to attract wild bees, so they can follow them back to their tree). One phrase is an allusion to Shakespeare: in the play Othello, the soldier Othello tells how he won his wife by telling her of his adventures, "Of moving accidents by flood and field," and "Of hair-breadth scapes" (narrow escapes).

    The life of a swarm of bees is like an active and hazardous campaign of an army; the ranks are being continually depleted, and continually recruited. What adventures they have by flood and field, and what hairbreadth escapes! A strong swarm during the honey season loses, on an average, about four or five thousand a month, or one hundred and fifty a day. They are overwhelmed by wind and rain, caught by spiders, benumbed by cold, crushed by cattle, drowned in rivers and ponds, and in many nameless ways cut off or disabled. In the spring the principal mortality is from the cold. As the sun declines they get chilled before they can reach home. Many fall down outside the hive, unable to get in with their burden. One may see them come utterly spent and drop hopelessly into the grass in front of their very doors. Before they can rest the cold has stiffened them. I go out in April and May and pick them up by the handfuls, their baskets loaded with pollen, and warm them in the sun or in the house, or by the simple warmth of my hand, until they can crawl into the hive. Heat is their life, and an apparently lifeless bee may be revived by warming him. I have also picked them up while rowing on the river and seen them safely to shore. It is amusing to see them come hurrying home when there is a thunder-storm approaching. They come piling in till the rain is upon them. Those that are overtaken by the storm doubtless weather it as best they can in the sheltering trees or grass. It is not probable that a bee ever gets lost by wandering into strange and unknown parts. With their myriad eyes they see everything; and then their sense of locality is very acute, is, indeed, one of their ruling traits. When a bee marks the place of his hive, or of a bit of good pasturage in the fields or swamps, or of the bee-hunter's box of honey on the hills or in the woods, he returns to it as unerringly as fate.

    John Burroughs, Locusts and Wild Honey, chapter I, "The Pastoral Bees" (Passage 5: a hazardous campaign) (1879). Public domain (published 1879). Source text.

Differentiation Strategies

For Struggling Students

  • Give a two-step card for every phrase: "What does it mean here?" and "What does it make me picture or feel?" Students answer the first question before they try the second
  • Before Passage 1, tell the story of Noah's ark and the dove in three sentences, so the allusion has something to connect to
  • Offer a tone word bank (admiring, playful, tender, mock-serious, amused, respectful, critical) so students can choose a precise word

For Advanced Students

  • Ask them to find every farm word in Passages 1 and 5 (bread, mill, grist, pasturage and others) and explain how the farm language works as one extended analogy
  • Have them rewrite the second sentence of Passage 2 in plain scientific language, then compare the two versions: what is gained and what is lost?
  • Ask them to find the historical references in Passage 3 (Napoleon and the Pharaohs) and explain how they differ from an allusion to a text

Assessment Guidance

What to Look For

Check that each answer does two things in order: it states what the word or phrase means in its sentence, and then it explains the effect of the choice with a precise tone word. Answers about analogies and allusions should name the two things being linked or the source being referred to. A common weak answer names the device ("it is a metaphor") and stops; ask "What does it mean here?" and "Why this word and not a plainer one?"

02

Classroom Activities

3 Activities

1

Connotation Line-Up

15 minPairs

Pairs get five sets of word cards, written for this activity. The words in each set have nearly the same denotation, so pairs arrange them on a line from the most negative to the most positive connotation, then use them to rewrite one sentence three ways.

The Five Sets

  1. mob, crowd, gathering, audience
  2. nosy, curious, inquisitive, interested
  3. worn-out, old, antique, vintage
  4. pigheaded, stubborn, determined, persistent
  5. stench, odor, smell, aroma

Procedure

  • Pairs place each set on the line and write one sentence explaining the most negative word in it
  • Then they rewrite the sentence "The bees came out of the hive" three times, once admiring, once neutral and once disgusted, changing only the verb and one describing word
  • Answer key for the teacher, most negative first: mob, crowd, gathering, audience; nosy, curious, inquisitive, interested; worn-out, old, antique, vintage; pigheaded, stubborn, determined, persistent; stench, odor, smell, aroma. Pairs may reasonably swap the middle two words of a set if they can explain why; the ends should not move

Discussion Questions

  • Which set was hardest to order, and why?
  • "Old" is in the middle of set 3. Can you write a sentence in which "old" sounds positive?
  • Which of your three bee sentences sounds most like Burroughs?

Modification

For students who need support, start with three words per set (drop the second word) and give the first set already ordered as a model.

2

Allusion Detectives

15 minGroups of 3-4

Groups match six sentences, written for this activity, to the well-known stories they allude to, using a reference card of one-line summaries. Then they explain what each allusion means in its sentence and what it adds to the tone.

The Six Sentences

  1. "Math word problems are Maya's Achilles' heel."
  2. "Opening the group chat about the party was like opening Pandora's box."
  3. "The free game turned out to be a Trojan horse full of ads."
  4. "After three false fire alarms, the students started to ignore the bell, like the villagers in the story of the boy who cried wolf."
  5. "The tiny school team beat the champions, a real David and Goliath game."
  6. "Everything the new coach tries works; she has the Midas touch."

Reference Card

  • Achilles (Greek myth): a hero who could be wounded only in his heel
  • Pandora (Greek myth): opened a forbidden box and let all troubles out into the world
  • The Trojan horse (Greek myth): a wooden horse given as a gift, with soldiers hidden inside
  • The boy who cried wolf (Aesop's fable): a boy who raised false alarms so often that no one believed him when a wolf really came
  • David and Goliath (the Bible): a young shepherd defeats a giant warrior with a sling
  • King Midas (Greek myth): a king who turned everything he touched into gold

Procedure

  • Groups match each sentence to its source, write its meaning in plain words, and name the tone it adds
  • Answer key for the teacher: (1) Achilles, her one weak spot; (2) Pandora, it let loose a lot of trouble, a dramatic tone; (3) the Trojan horse, a gift that hid something harmful, a warning tone; (4) the boy who cried wolf, repeated false alarms made people stop listening; (5) David and Goliath, a small underdog beat a giant, a proud and excited tone; (6) Midas, everything she touches succeeds, an admiring tone

Discussion Questions

  • Rewrite sentence 3 without the allusion. How many words does the plain version need?
  • Burroughs expected his readers to know Bible stories and Shakespeare. What stories could a writer today expect every student in your class to know?
3

Everyday or Technical?

10 minPairs

Beekeepers use everyday words in special, technical senses. Pairs get five word cards and ten sentence strips, written for this activity, and match each word to one everyday sentence and one beekeeping sentence.

Words and Sentences

Words: drone, comb, colony, worker, smoker.

  1. "The drone flew over the field and took photos of the crops."
  2. "In late summer, the workers push every drone out of the hive."
  3. "She pulled a comb through her wet hair."
  4. "The bees filled every cell of the new comb with honey."
  5. "The Jamestown colony struggled through its first winter."
  6. "A strong colony may hold tens of thousands of bees."
  7. "The factory worker clocked in at seven."
  8. "A worker bee gathers nectar for only a few weeks."
  9. "The doctor asked whether the patient was a smoker."
  10. "The beekeeper puffed the smoker at the hive entrance to calm the bees."

Procedure

  • For each beekeeping sentence, pairs write the technical meaning and underline the context clue that proves it
  • Answer key for the teacher: drone, a flying machine (1) or a male bee (2); comb, a hair tool (3) or the wax structure of six-sided cells (4); colony, a settlement of people (5) or one family of bees living together (6); worker, an employee (7) or a female bee that gathers food and cares for the hive (8); smoker, a person who smokes (9) or a can with a bellows that puffs cool smoke (10)

Variation

For a harder version, pairs find a word from a sport or hobby they know (a "pitch," a "save," a "combo") and write one everyday and one technical sentence for it, for another pair to explain.

03

Diagrams & Visual Aids

2 diagrams

Diagram 1: How an Allusion Works

How an allusion works: the dove from Noah's ark Passage 1, paragraph 1 1. The source Genesis, in the Bible: after the great flood, Noah sends out a dove. It comes back with an olive leaf: the waters are going down. 2. The sentence The honey-bee "goes forth from the hive in spring like the dove from Noah's ark" and brings back pollen as its "olive leaf." 3. What carries over A long, shut-in time is over. The first traveler returns with proof that the world outside is alive and growing again. 4. Effect on tone A small insect's trip gets the weight of an old, famous story. The tone is warm and a little grand, with a smile behind it. An allusion only works if the reader knows the source, so teach the story first.
The first worked example in four steps. An allusion carries the meaning of an older, well-known text into a new sentence; the reader supplies the story, and the writer gets its feelings in a few words.

Diagram 2: Word Choice Chart

Word choice chart (Guided Practice, Passage 2) Words from the text Literal or technical meaning Figurative or connotative meaning Effect on meaning and tone "golden grist" (Passage 1, the worked example) grist: grain taken to a mill to be ground into flour the pollen is the bees' grain, and the hive is a farm bees seem like busy farm workers; warm, homey, admiring "As with the poet" "private meditation" "secreted" Pairs fill in the three empty rows from Passage 2 and add one row of their own.
Pairs copy this chart in Guided Practice. The first row is filled in from the second worked example. For each phrase from Passage 2, pairs write what it means, the figurative or connotative meaning it adds, and its effect on tone.

04

Homework Assignment

~30 min

RI.8.4 Homework: The Swarm at War

Directions: Read Passage 5 at the end of the lesson plan (in Closure), and the note on Othello just above it. Passage 5 is one paragraph, so cite it as (Passage 5). For every answer, first say what the words mean where they stand, then explain what the choice adds to the meaning and the tone.

Part 1: Meaning in Context (Problems 1-2)

  1. In the first sentence, the ranks of the swarm are "continually depleted, and continually recruited." What do "depleted" and "recruited" mean as they are used here? Explain how the army comparison helps you work out both words.
  2. Burroughs picks up tired bees with "their baskets loaded with pollen." A bee has no woven basket: "baskets" is a technical beekeeping word for the hollow on each back leg where a bee packs pollen. Explain how the context shows that the word has a special meaning, and why Burroughs might use a word that sounds so homely.

Part 2: Analogy and Allusion (Problems 3-4)

  1. Explain the analogy in the first sentence: "The life of a swarm of bees is like an active and hazardous campaign of an army." Find two more words or details in the passage that continue the army comparison, and explain what the analogy makes the reader feel about the bees.
  2. Read the note on Othello in Closure. Then explain the allusion in "What adventures they have by flood and field, and what hairbreadth escapes!" What does the reader bring from the older text, and how does the allusion affect the tone of the sentence?

Part 3: Word Choice and Tone (Problems 5-6)

  1. Burroughs writes that a bee returns to its hive "as unerringly as fate." What does the phrase mean, and what does the word "fate" add that "without mistakes" would not?
  2. Write a paragraph of 6-8 sentences: How does the tone of Passage 5 change between the first half (the army and the dangers) and the part that begins "I go out in April and May"? Quote at least four specific words or phrases, explain the meaning of each in context, and name the tone of each half with a precise word.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Meaning in ContextStates what the word or phrase means in its sentence, supported by a context clueGives a dictionary meaning that does not fit the sentence, or no clueMeaning missing or wrong
Kind of Meaning or DeviceCorrectly names figurative, connotative or technical meaning, analogy or allusion, and explains the link or sourceNames the kind without explaining itKind missing or wrong
Effect on Meaning and ToneExplains what the choice adds and names the tone with a precise wordNames a tone with a vague word ("good," "interesting")No effect discussed
Quotation and AccuracyExact words quoted, with passage and paragraph numberOne misquotation or missing citationNo quotations

05

Quiz: 20 Questions

Interactive, with answers

Instructions

Questions 1-3 use short sentences written for the quiz. Questions 4-6 use Passage 1 (Direct Instruction), questions 7-9 and 16 use Passage 2 (Guided Practice), questions 10-12 and 17 use Passage 3, and questions 13-15, 18 and 19 use Passage 4 (both in Independent Practice). Question 20 lets you choose from Passages 1-4. Passage 2 is one paragraph; cite it as (Passage 2). Your score updates as you answer, and Reset quiz clears everything.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    The four words below all describe a person who spends little money. Which one has the most negative connotation?

  2. Question 2 of 20 · Multiple Choice

    "When it comes to finding the snacks I hide, my little brother is a real Sherlock Holmes." What does the allusion suggest?

  3. Question 3 of 20 · Multiple Choice

    "The beekeeper added a new super to the hive so the bees would have more room to store honey." What does the technical word "super" most likely mean?

  4. Question 4 of 20 · Multiple Choice

    In Passage 1, paragraph 2, another bee, "one of the indoor hands," packs the pollen into the cell. What does "hands" mean here?

  5. Question 5 of 20 · Multiple Choice

    In Passage 1, paragraph 2, the bee "kicks it off, as one might his overalls or rubber boots, making one foot help the other." What is the main effect of this comparison?

  6. Question 6 of 20 · Multiple Choice

    The indoor bee "packs it into the cell, as the dairymaid packs butter into a firkin with a ladle" (Passage 1, paragraph 2). What does the simile help the reader picture?

  7. Question 7 of 20 · Multiple Choice

    The wax-makers "wait for the miracle to transpire" (Passage 2). What does the word "miracle" suggest?

  8. Question 8 of 20 · Multiple Choice

    What does Burroughs mean by "honey without the comb is the perfume without the rose" (Passage 2)?

  9. Question 9 of 20 · Multiple Choice

    "It is calculated that about twenty-five pounds of honey are used in elaborating one pound of comb" (Passage 2). What does "elaborating" mean here?

  10. Question 10 of 20 · Multiple Choice

    The common notion is that the queen is "an absolute ruler," but Burroughs says "a swarm of bees is an absolute democracy" (Passage 3, paragraph 1). What is the effect of repeating "absolute"?

  11. Question 11 of 20 · Multiple Choice

    "Deprived of their queen, and of all brood from which to rear one, the swarm loses all heart" (Passage 3, paragraph 2). What does the technical word "brood" mean?

  12. Question 12 of 20 · Multiple Choice

    The bees "love and cherish her as a mother and not as a sovereign" (Passage 3, paragraph 2). How do the connotations of "mother" and "sovereign" differ?

  13. Question 13 of 20 · Multiple Choice

    "But there is no accounting for the taste of bees, as Samson found when he discovered the swarm in the carcass, or more probably the skeleton, of the lion he had slain" (Passage 4, paragraph 1). In the Bible, Samson kills a lion and later finds a swarm of bees and honey inside its body. What does the allusion add?

  14. Question 14 of 20 · Multiple Choice

    "They are not partial as to the kind of tree" (Passage 4, paragraph 1). What does "partial" mean here?

  15. Question 15 of 20 · Short Answer

    "A swarm of mine ran away from the new patent hive I gave them, and took up their quarters in the hollow trunk of an old apple-tree" (Passage 4, paragraph 1). What does "patent" mean here, and how does the contrast between the two homes shape the tone?

  16. Question 16 of 20 · Short Answer

    In Passage 2, Burroughs says extracted honey "soon degenerates into candy," and he describes the comb as "these frail and exquisite walls." What do the connotations of "degenerates" and "exquisite" show about his opinion?

  17. Question 17 of 20 · Short Answer

    In Passage 3, Burroughs writes that in ancient Egypt "the bee was used as the emblem of a people sweetly submissive to the orders of its king." What does "sweetly" mean here, and why is it a clever word choice in a chapter about bees?

  18. Question 18 of 20 · Short Answer

    Burroughs says that runaway swarms "deserted their keeper" and "assert their independence" (Passage 4). What do these words have in common, and what do they suggest about the bees?

  19. Question 19 of 20 · Short Answer

    The title of Burroughs's book, Locusts and Wild Honey, alludes to John the Baptist, who in the Bible lived in the wilderness on locusts and wild honey. Using Passage 4, explain how the allusion fits what Burroughs writes about bees.

  20. Question 20 of 20 · Short Answer

    Choose the one word or phrase in Passages 1-4 that does the most to shape Burroughs's tone. Explain its meaning in context, name the kind of meaning or device, and explain its effect. Do not use a phrase from the worked examples or Diagram 2.

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does RI.8.4 mean?

It means eighth graders work out what words mean in a nonfiction text and explain why the writer chose them. The standard asks students to "determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings," and to "analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts."

How is RI.8.4 different from RI.7.4?

The first half is the same. Grade 7 asks about the impact of "a specific word choice"; grade 8 asks about "specific word choices," so students look at several choices working together, and it adds "analogies or allusions to other texts." Grade 8 students should be able to explain what an older text, such as a Bible story or a Shakespeare play, brings to a sentence that refers to it.

What is the difference between denotation and connotation?

Denotation is a word's dictionary meaning; connotation is the feeling or idea it carries along with it. "Mob" and "audience" both denote a group of people, but "mob" suggests disorder and danger, and "audience" suggests calm attention. Connotation is where tone comes from.

What is an allusion, and how do students recognize one?

An allusion is a short reference to a well-known text, story or person that the writer does not explain. Clues are a name or phrase that seems borrowed (Noah's ark, Achilles' heel, a Trojan horse) or that sounds older than the rest of the sentence. Students cannot analyze an allusion they do not know, so teachers usually supply the source story first, as this lesson does.

What counts as a technical meaning?

A technical meaning is the exact sense a word has in one field. Many are everyday words with a special job: in beekeeping, "cell," "worker," "colony" and "comb" all mean something precise. Students should use the context, and any definition the text gives, to decide which meaning fits.

What mistakes do students make with RI.8.4?

A common one is naming the device ("it is a simile") without saying what the words mean or what they do. Another is describing tone with vague words such as "good" or "descriptive." A third is using the most familiar meaning of a word that has an older or special meaning in the text, such as "office" in Passage 3, which means a special role there, not a room with desks.

How is RI.8.4 assessed on tests?

State reading tests often ask what a word or phrase means as it is used in a paragraph, which word best shows the writer's tone, or what a comparison or reference adds. Many questions give four meanings of the same word, so students must test each one in the sentence. Written responses usually expect the meaning, the effect and a quotation.

Why use John Burroughs's "The Pastoral Bees" to teach RI.8.4?

It is a short, lively piece of nature writing in the public domain that uses every kind of meaning the standard names: exact beekeeping terms, farm metaphors, words with strong connotations, extended analogies, and allusions to the Bible and Shakespeare. The subject is concrete and the humor is easy to hear, so students can focus on how the words work.

Is RI.8.4 the same as RL.8.4?

The skill is almost the same, but RL.8.4 is for stories, poems and plays, and RI.8.4 is for informational texts such as essays, speeches and articles. RI.8.4 also names technical meanings, since nonfiction often uses the vocabulary of a field such as science or history.

How can parents help a child practice RI.8.4 at home?

When you read or watch something together, pick one strong word and ask two questions: what does it mean here, and why did the writer choose it instead of a plainer word? Swapping in a synonym and hearing how the sentence changes is quick practice. Sports broadcasts and ads are full of words with strong connotations.