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RI.6.6Common CoreELAReading Informational TextGrade 6

RI.6.6: Determining an Author's Point of View or Purpose and How It Is Conveyed

In plain English: RI.6.6 is the Common Core grade 6 ELA standard that asks students to determine an author's point of view or purpose in a nonfiction text and explain how the text conveys it. Students look at direct statements, strong words, the examples chosen, comparisons and the way the text begins and ends. It builds on RI.5.6 and leads to RI.7.6.

Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.

Common Core State Standards for English Language Arts & Literacy · Domain: Reading Standards for Informational Text · Cluster: Craft and Structure · Official standard

01

Lesson Plan

55-65 min

Overview

Students determine an author's point of view (what the author thinks or feels about the subject) or purpose (why the author wrote: to inform, explain, persuade, entertain or share an experience) in a nonfiction text. Then they explain how it is conveyed, that is, which parts of the text show it: direct statements, strong words, rules and commands, the examples chosen, comparisons, and the way the text begins and ends. Every answer names the point of view or purpose and quotes the clues that prove it.

The main text is "The American Boy" by Theodore Roosevelt, first printed in May 1900 in St. Nicholas, a magazine for young readers, while Roosevelt was governor of New York. He tells boys what kind of people they should become, and he says so with "must," with strong praise and blame, and with a football motto. The teacher models the essay's opening and ending (Passage 1). Pairs work on a paragraph about study (Passage 2), and students work alone on a paragraph about courage (Passage 3). The quiz uses a paragraph about books (Passage 4) and the opening of A Wheel Within a Wheel (1895), Frances E. Willard's memoir about learning to ride a bicycle at 53 (Passage 5). The homework uses the end of Willard's book (Passage 6). All six passages are printed in the lesson plan.

Learning Objectives

By the end of this lesson, students will be able to:

  • Determine an author's point of view about the subject of a nonfiction text and state it in one sentence
  • Determine an author's purpose, using the audience and what the author wants readers to know, think or do
  • Explain how a point of view or purpose is conveyed through direct statements, word choice, examples, comparisons and the beginning and ending
  • Support each answer with quotations, and describe an author's view accurately even when disagreeing with it

Prior Knowledge Required

Students should already be comfortable with:

  • Analyzing how accounts of the same event show different points of view RI.5.6
  • Citing textual evidence for what a text says and implies RI.6.1
  • Determining a central idea and how details convey it RI.6.2
  • Telling a fact apart from an opinion

Lesson Procedure

55-65 minutes of class time across 5 phases.

  1. Warm-Up5-10 minutes

    Warm-Up Prompt

    "Two students write one sentence each about the new later start time at school. Student A: 'Finally, we get to sleep in!' Student B: 'Now practice ends after dark.' What does each student think about the change? Which words tell you?"

    Take answers. Students will see that A is glad ("Finally," the exclamation point) and B is not ("after dark" sounds like a problem), even though neither says "I like it" or "I don't." Tell students that authors of nonfiction also show what they think and why they are writing, sometimes directly and sometimes only through the words and details they choose. Today they will read a future president's advice to boys, written for a children's magazine in 1900.

  2. Direct Instruction15 minutes

    Teach six terms and leave them on the board with Diagrams 1 and 2:

    • Point of view: in nonfiction, what the author thinks or feels about the subject, the author's opinion or attitude.
    • Purpose: the reason the author wrote the text, such as to inform, explain, persuade, entertain or share an experience. A text can have more than one.
    • Convey: to show or communicate. Authors convey a point of view through the words and details they choose.
    • Audience: the readers the author is writing for.
    • Word choice: the exact words an author picks. Many words carry a feeling beyond their meaning, called connotation: "stubborn" and "determined" mean almost the same thing, but one sounds like blame and the other like praise.
    • Direct statement: a sentence in which the author tells readers what he or she thinks, often with "I believe," "I think," "must" or "should."

    Introduce the writer. Theodore Roosevelt (1858-1919) was governor of New York when he wrote "The American Boy" for St. Nicholas, a monthly magazine for children and teenagers; the next year he became president of the United States. Like many writers of 1900, he writes only about boys. Passage 1 is the first paragraph of the essay and its last three paragraphs. Words to know: have a right to expect (can fairly hope for), weakling (a weak person), shirk (a person who avoids work or duty), prig (a person who acts better and more proper than everyone else), clean-minded and clean-lived (with good thoughts and good habits), hold his own (stand up for himself), against all comers (against anyone at all), straight and upright (honest), incalculable (too great to measure), objectionable (unpleasant, bad), count in any contest (make a difference in any competition), command over himself (self-control), evil passions (bad feelings such as anger or greed), decency (good, respectful behavior), hit the line (in football, run hard into the other team's players), foul (break the rules) and shirk (here, a verb: avoid your job). Read the passage aloud once for meaning.

    Of course what we have a right to expect of the American boy is that he shall turn out to be a good American man. Now, the chances are strong that he won’t be much of a man unless he is a good deal of a boy. He must not be a coward or a weakling, a bully, a shirk, or a prig. He must work hard and play hard. He must be clean-minded and clean-lived, and able to hold his own under all circumstances and against all comers. It is only on these conditions that he will grow into the kind of American man of whom America can be really proud.

    [...]

    Of course the effect that a thoroughly manly, thoroughly straight and upright boy can have upon the companions of his own age, and upon those who are younger, is incalculable. If he is not thoroughly manly, then they will not respect him, and his good qualities will count for but little; while, of course, if he is mean, cruel, or wicked, then his physical strength and force of mind merely make him so much the more objectionable a member of society. He can not do good work if he is not strong and does not try with his whole heart and soul to count in any contest; and his strength will be a curse to himself and to every one else if he does not have thorough command over himself and over his own evil passions, and if he does not use his strength on the side of decency, justice, and fair dealing.

    In short, in life, as in a foot-ball game, the principle to follow is:

    Hit the line hard; don’t foul and don’t shirk, but hit the line hard!

    Theodore Roosevelt, The Strenuous Life, "The American Boy" (Passage 1: the opening and the ending; the middle of the essay is cut, marked [...]) (1900). Public domain (published 1900). Source text.
    • Point of view: a direct statement with "must"

      In paragraph 1, what is Roosevelt's point of view about how a boy should grow up, and how does he convey it?

      Result: His point of view is that a boy becomes a good man by being an active, brave, hard-working and honest boy. He conveys it with direct statements built on "must": "He must not be a coward or a weakling, a bully, a shirk, or a prig. He must work hard and play hard. He must be clean-minded and clean-lived." Repeating "must" three times in a row turns his opinion into a list of rules, so readers feel it as something required, not suggested.

    • Purpose: who is reading, and what the author wants

      What is Roosevelt's purpose in Passage 1? Which sentence shows it most clearly?

      Result: His purpose is to persuade young readers, the boys who read St. Nicholas, to live by his rules. The sentence "It is only on these conditions that he will grow into the kind of American man of whom America can be really proud" shows it: "only" makes the rules the one way to succeed, and "really proud" gives readers a reward to want. He is not reporting facts about boys; he is telling them what to become.

    • Word choice: praise words and blame words

      In the paragraph beginning "Of course the effect," which words show what Roosevelt admires and what he condemns?

      Result: Blame words describe a strong boy who uses his strength badly: "mean, cruel, or wicked," "objectionable," and "a curse to himself and to every one else." Praise words describe what strength is for: "decency, justice, and fair dealing." The contrast conveys a second part of his point of view: strength is good only when a boy has "thorough command over himself" and uses it for others.

    • The ending: a comparison and a motto

      The essay ends: "In short, in life, as in a foot-ball game, the principle to follow is: Hit the line hard; don't foul and don't shirk, but hit the line hard!" How does the ending convey his point of view and purpose?

      Result: "In short" signals that he is summing up the whole essay. He compares life to a football game, a comparison his young readers know well, and turns his advice into a motto of commands: play hard ("hit the line hard"), play fair ("don't foul") and do your part ("don't shirk"). The exclamation point and the repeated "hit the line hard" make it easy to remember, which fits a purpose of persuading readers to act.

    Name the clues. Show Diagram 1 and connect each worked example to a clue: direct statements and "must" (example 1), word choice (example 3), a comparison and the ending (example 4). Show Diagram 2 and ask which purpose fits Passage 1 best, and which clues in the "Clues in the text" column appear in it. Give students the frame: "The author's point of view is that ___. The author's purpose is to ___. I can tell because ___ (quotation), which shows ___."

  3. Guided Practice15 minutes

    Read Passage 2 aloud. Words to know: neglect (fail to take care of), as a rule (usually), brilliant successes (people who did great things), worthless as a student (a very poor student), exceptions (cases that do not follow the rule), advocate (as a verb, argue for; as a noun, a person who argues for something), undying honor (fame that lasts), physical infirmity (an older phrase for a disability), cramming (studying too much in a rush), resolutely (firmly), shiftlessness (laziness), indifference (not caring), walks of life (kinds of work), natural bent (what a person is naturally drawn to), animal spirits (wild energy), scholars (students), horse-play (rough, silly play), match game (a real game against another team), homely (here, plain and simple) and adage (an old saying). Pairs copy the six clue boxes from Diagram 1 and write each clue they find in the right box.

    No boy can afford to neglect his work, and with a boy work, as a rule, means study. Of course there are occasionally brilliant successes in life where the man has been worthless as a student when a boy. To take these exceptions as examples would be as unsafe as it would be to advocate blindness because some blind men have won undying honor by triumphing over their physical infirmity and accomplishing great results in the world. I am no advocate of senseless and excessive cramming in studies, but a boy should work, and should work hard, at his lessons—in the first place, for the sake of what he will learn, and in the next place, for the sake of the effect upon his own character of resolutely settling down to learn it. Shiftlessness, slackness, indifference in studying, are almost certain to mean inability to get on in other walks of life. Of course, as a boy grows older it is a good thing if he can shape his studies in the direction toward which he has a natural bent; but whether he can do this or not, he must put his whole heart into them. I do not believe in mischief-doing in school hours, or in the kind of animal spirits that results in making bad scholars; and I believe that those boys who take part in rough, hard play outside of school will not find any need for horse-play in school. While they study they should study just as hard as they play foot-ball in a match game. It is wise to obey the homely old adage, “Work while you work; play while you play.”

    Theodore Roosevelt, The Strenuous Life, "The American Boy" (Passage 2: work and study) (1900). Public domain (published 1900). Source text.
    1. Name the point of view. Ask: which sentence states it most directly? Teacher note: the first, "No boy can afford to neglect his work, and with a boy work, as a rule, means study." "Can afford" makes neglect sound like a cost a boy cannot pay. Point of view: a boy should work hard at school.
    2. The other side, and his answer. Ask: what does Roosevelt admit, and why? Teacher note: he admits "there are occasionally brilliant successes in life where the man has been worthless as a student." He then calls these "exceptions" and compares following them to arguing for blindness because some blind people did great things. The comparison is meant to sound foolish (and it uses older language about disability). Admitting the exceptions makes his rule look fair; calling them exceptions keeps the rule.
    3. A limit on his view. Ask: what does "I am no advocate of senseless and excessive cramming in studies, but a boy should work" add? Teacher note: the "no... but" pattern shows balance. He is not asking for endless studying; he wants steady, hard work, "for the sake of what he will learn" and "for the sake of the effect upon his own character." The two reasons show that his real subject is character, not grades.
    4. The ending and the purpose. Ask: how does the last sentence convey his purpose? Teacher note: "It is wise to obey the homely old adage, 'Work while you work; play while you play.'" "Wise to obey" is close to a command, and an old saying is easy to remember and hard to argue with. The purpose is to persuade readers to change how they study.
  4. Independent Practice15 minutes

    Students read Passage 3 on their own. Words to know: physical courage (bravery in the face of danger to the body), moral courage (bravery to do what is right when others disagree or laugh), in the field (in battle), timid (shy and fearful), assume responsibilities (take on duties), civil affairs (government, not war), the fighting edge (the boldness to fight), virtue (a good quality), statesman (a wise leader in government), shrinking (pulling back in fear), contemptible (deserving to be looked down on), deems (thinks), sneers and jeers (mean, mocking looks, remarks and shouts), ridicule (mocking someone to make others laugh at them), wickedness (evil), incomprehensible (impossible to understand), associates (companions), affect to laugh (pretend to laugh) and peculiarly (especially).

    A boy needs both physical and moral courage. Neither can take the place of the other. When boys become men they will find out that there are some soldiers very brave in the field who have proved timid and worthless as politicians, and some politicians who show an entire readiness to take chances and assume responsibilities in civil affairs, but who lack the fighting edge when opposed to physical danger. In each case, with the soldiers and politicians alike, there is but half a virtue. The possession of the courage of the soldier does not excuse the lack of courage in the statesman and even less does the possession of the courage of the statesman excuse shrinking on the field of battle. Now, this is all just as true of boys. A coward who will take a blow without returning it is a contemptible creature; but, after all, he is hardly as contemptible as the boy who dares not stand up for what he deems right against the sneers of his companions who are themselves wrong. Ridicule is one of the favorite weapons of wickedness, and it is sometimes incomprehensible how good and brave boys will be influenced for evil by the jeers of associates who have no one quality that calls for respect, but who affect to laugh at the very traits which ought to be peculiarly the cause for pride.

    Theodore Roosevelt, The Strenuous Life, "The American Boy" (Passage 3: two kinds of courage) (1900). Public domain (published 1900). Source text.

    On the handout, students answer four questions about Passage 3: (1) State Roosevelt's point of view about courage in one sentence, and quote the sentence that states it most directly. (2) How does the example of soldiers and politicians help convey his point of view? (3) Quote two words or phrases that show how he feels about boys who give in to mockery. (4) Roosevelt writes that a boy "who will take a blow without returning it is a contemptible creature." Do you agree? Explain how you can describe an author's point of view accurately even when you disagree with it.

    Teacher answer notes: (1) A boy needs both kinds of courage, and one cannot replace the other: "A boy needs both physical and moral courage. Neither can take the place of the other." (2) The example shows grown men with only one kind: brave soldiers who are "timid and worthless as politicians," and bold politicians who "lack the fighting edge." He calls each "but half a virtue," so the example proves that one kind alone is not enough. (3) "contemptible," "Ridicule is one of the favorite weapons of wickedness," "incomprehensible," "influenced for evil." (4) Answers will vary. Many students will disagree, and schools today teach students to get help from an adult instead of hitting back. The skill is to report the author's view in his own words and explain the clues, then give one's own view separately.

  5. Closure5-10 minutes

    Exit ticket: (1) In one sentence each, explain the difference between an author's point of view and an author's purpose. (2) Name one clue from Diagram 1 you used today, and quote an example of it from Passage 2 or 3.

    Teacher note on the texts: Both authors wrote more than 120 years ago, and their points of view reflect their time. Roosevelt writes only about boys, praises being "manly," and in Passage 3 calls "a coward who will take a blow without returning it" "a contemptible creature"; in Passage 2 he uses older language about blindness and disability ("physical infirmity") and treats blindness as something no one would choose. Treat these as parts of his point of view that students can name, quote and disagree with, and remind students that the school rule is to get help from an adult. Willard wrote at a time when women and girls were expected to wear long skirts and corsets and to keep away from vigorous outdoor activity. Her religious language ("an act of grace, if not of actual religion") reflects her Christian faith. She led the Woman's Christian Temperance Union (the "white-ribbon army" in Passage 6), a large women's group that campaigned against alcohol and, under her leadership, for women's right to vote; present these facts without asking students to take a side.

    For the quiz: students read Passage 4, printed below, in which Roosevelt recommends books for boys. Words to know: Thomas Hughes and Thomas Bailey Aldrich (an English and an American author), Rugby (a famous English boarding school), in sympathy with (in agreement with, liking), fagging (an old custom at English boarding schools in which younger boys had to serve older boys), admirer (fan), Kipling (Rudyard Kipling, an English author), over-indulged (given too much of everything), objectionable (unpleasant), thrown on his own resources (made to take care of himself), wholesome (healthy and good), invaluable (priceless), utter (complete), extol (praise highly), applaud (approve of), mismanagement (poor running of something) and foul life (a very bad way of living).

    There are two delightful books, Thomas Hughes’s “Tom Brown at Rugby,” and Aldrich’s “Story of a Bad Boy,” which I hope every boy still reads; and I think American boys will always feel more in sympathy with Aldrich’s story, because there is in it none of the fagging, and the bullying which goes with fagging, the account of which, and the acceptance of which, always puzzle an American admirer of Tom Brown.

    There is the same contrast between two stories of Kipling’s. One, called “Captains Courageous,” describes in the liveliest way just what a boy should be and do. The hero is painted in the beginning as the spoiled, over-indulged child of wealthy parents, of a type which we do sometimes unfortunately see, and than which there exist few things more objectionable on the face of the broad earth. This boy is afterward thrown on his own resources, amid wholesome surroundings, and is forced to work hard among boys and men who are real boys and real men doing real work. The effect is invaluable.

    On the other hand, if one wishes to find types of boys to be avoided with utter dislike, one will find them in another story by Kipling, called “Stalky & Co.,” a story which ought never to have been written, for there is hardly a single form of meanness which it does not seem to extol, or of school mismanagement which it does not seem to applaud. Bullies do not make brave men; and boys or men of foul life can not become good citizens, good Americans, until they change; and even after the change scars will be left on their souls.

    Theodore Roosevelt, The Strenuous Life, "The American Boy" (Passage 4: books for boys) (1900). Public domain (published 1900). Source text.

    Also for the quiz: Passage 5, printed below, is the opening of A Wheel Within a Wheel (1895) by Frances E. Willard (1839-1898), an American teacher, speaker and leader of the Woman's Christian Temperance Union, a large women's group. Words to know: recollections (memories), the ripe age of (the old age of; she is joking a little), diligent (hard-working), absurd (silly, impossible), manufacture (make), inveterate (lifelong, deep-rooted), mimic (copying, make-believe), poulterer (a person who raises chickens and other birds to sell), felling saplings (cutting down young trees), artificial restraints and conventions (made-up limits and customs), hedged (fenced in), physique (body), my own sweet will (whatever I wanted), hampering (getting in the way), corset (a stiff, tight undergarment that squeezed the waist), clubbed up (gathered into a knot), colt (a young horse), occupation (work), limitations thus imposed (the limits put on her), injustice (unfairness), accentuated (made stronger), nerve-wear and nervous prostration (older names for exhaustion from stress), ruthlessly (without mercy) and new worlds to conquer (new challenges).

    From my earliest recollections, and up to the ripe age of fifty-three, I had been an active and diligent worker in the world. This sounds absurd; but having almost no toys except such as I could manufacture, my first plays were but the outdoor work of active men and women on a small scale. Born with an inveterate opposition to staying in the house, I very early learned to use a carpenter’s kit and a gardener’s tools, and followed in my mimic way the occupations of the poulterer and the farmer, working my little field with a wooden plow of my own making, and felling saplings with an ax rigged up from the old iron of the wagon-shop. Living in the country, far from the artificial restraints and conventions by which most girls are hedged from the activities that would develop a good physique, and endowed with the companionship of a mother who let me have my own sweet will, I “ran wild” until my sixteenth birthday, when the hampering long skirts were brought, with their accompanying corset and high heels; my hair was clubbed up with pins, and I remember writing in my journal, in the first heartbreak of a young human colt taken from its pleasant pasture, “Altogether, I recognize that my occupation is gone.”

    From that time on I always realized and was obedient to the limitations thus imposed, though in my heart of hearts I felt their unwisdom even more than their injustice. My work then changed from my beloved and breezy outdoor world to the indoor realm of study, teaching, writing, speaking, and went on almost without a break or pain until my fifty-third year, when the loss of my mother accentuated the strain of this long period in which mental and physical life were out of balance, and I fell into a mild form of what is called nerve-wear by the patient and nervous prostration by the lookers-on. Thus ruthlessly thrown out of the usual lines of reaction on my environment, and sighing for new worlds to conquer, I determined that I would learn the bicycle.

    Frances E. Willard, A Wheel Within a Wheel: How I Learned to Ride the Bicycle, section "Preliminary" (Passage 5: the opening of the book) (1895). Public domain (published 1895). Source text.

    For homework: students read Passage 6, printed below, from the last section of Willard's book, after she has learned to ride. Words to know: an act of grace (a good deed done out of goodness), cardinal doctrine (main rule), congenial (pleasant), enwrapped (wrapped up), impeded (got in the way of), detested (hated), disdain (scorn), conventions (customs everyone is expected to follow), prairie (flat grassland; she grew up in Wisconsin), driving (here, riding in a horse-drawn carriage), renovate (renew), sluggishly (slowly), brain to brawn (mind to body), ere long (soon), deed (action), conquest (winning control of something), the white-ribbon army (the members of the Woman's Christian Temperance Union, who wore white ribbons), influential (having an effect on others), minor (smaller), pristine (fresh, like new), implement (tool) and putting it underfoot (a play on words: getting control of it, and having its pedals under her feet).

    If I am asked to explain why I learned the bicycle I should say I did it as an act of grace, if not of actual religion. The cardinal doctrine laid down by my physician was, “Live out of doors and take congenial exercise;” but from the day when, at sixteen years of age, I was enwrapped in the long skirts that impeded every footstep, I have detested walking and felt with a certain noble disdain that the conventions of life had cut me off from what in the freedom of my prairie home had been one of life’s sweetest joys. Driving is not real exercise; it does not renovate the river of blood that flows so sluggishly in the veins of those who from any cause have lost the natural adjustment of brain to brawn. Horseback-riding, which does promise vigorous exercise, is expensive. The bicycle meets all the conditions and will ere long come within the reach of all. Therefore, in obedience to the laws of health, I learned to ride. I also wanted to help women to a wider world, for I hold that the more interests women and men can have in common, in thought, word, and deed, the happier will it be for the home. Besides, there was a special value to women in the conquest of the bicycle by a woman in her fifty-third year, and one who had so many comrades in the white-ribbon army that her action would be widely influential. Then there were three minor reasons:

    [...]

    I did it from pure natural love of adventure—a love long hampered and impeded, like a brook that runs underground, but in this enterprise bubbling up again with somewhat of its pristine freshness and taking its merry course as of old.

    Second, from a love of acquiring this new implement of power and literally putting it underfoot.

    Last, but not least, because a good many people thought I could not do it at my age.

    Frances E. Willard, A Wheel Within a Wheel: How I Learned to Ride the Bicycle, section "In Conclusion" (Passage 6: why she learned; an illustration is cut, marked [...]) (1895). Public domain (published 1895). Source text.

Differentiation Strategies

For Struggling Students

  • Start with the Activity 1 accounts, which are short and modern, before reading Roosevelt
  • Give a list of praise and blame words from Passages 1-3 to highlight in two colors, then ask what the colors show together
  • Let students answer only two questions for each passage: "What does the author think?" and "Which words tell me?"

For Advanced Students

  • Ask them to rewrite paragraph 1 of Passage 1 as a neutral news report and explain which clues they had to remove
  • Ask them to compare the purposes of Roosevelt and Willard: who is each one's audience, and what does each want readers to do?
  • Ask them to write a short reply to Roosevelt from a reader in 2025, agreeing with one point and disagreeing with another, with quotations

Assessment Guidance

What to Look For

Check that each answer does three things: it states the point of view or purpose clearly in the student's own words, it quotes at least one clue from the text, and it explains how that clue shows the view (for example, "'must' turns his opinion into a rule"). A common weak answer names the topic ("it is about boys") instead of the author's view of it, or gives the student's own opinion instead of the author's. Ask: "What does the author think about this, and which exact words prove it?"

02

Classroom Activities

3 Activities

1

Two Writers, One Saturday

15 minPairs

Pairs read two short accounts of the same event, written for this page by two invented writers. They highlight the clues and fill in a chart: each writer's point of view, purpose and three clues.

The Two Accounts

Account A (a student's column in the school paper): "Last Saturday, Main Street closed to cars for the town's first Car-Free Day, and it was the best morning our town has had in years. Kids rode bikes down the middle of the street, a jazz band played outside the bakery, and nobody had to shout over traffic. If you missed it, you missed something special. Tell the town council you want another one."

Account B (a letter from a shop owner): "Last Saturday, Main Street closed to cars for the town's first Car-Free Day. Many of my regular customers could not find a place to park, and my shop was nearly empty until noon. A street fair is pleasant, but a town should not choose music over the businesses that pay its bills. Before the council plans another one, it should ask the people who work on Main Street."

Procedure

  • Pairs highlight praise words in one color and blame words in another, and underline any command or "should"
  • They fill in the chart: point of view, purpose, audience and three clues for each account
  • Answer key for the teacher: A thinks the day was wonderful ("the best morning our town has had in years," "something special") and wants to persuade students to ask for another one ("Tell the town council you want another one"). B thinks the day hurt businesses ("nearly empty until noon," "should not choose music over the businesses") and wants to persuade the council to ask shop owners first ("it should ask the people who work on Main Street"). Both open with the same fact, so the difference comes from the details and words each writer chose

Discussion Questions

  • Both accounts begin with the same sentence. What does that show about facts and points of view?
  • Which details did each writer leave out? How does leaving them out help each point of view?
  • Which account convinced you more, and was it because of the evidence or the words?

Modification

For students who need support, give the chart with the purpose row already filled in, so pairs look only for point of view and clues.

2

Purpose Sort

15 minPairs

Pairs sort eight short cards, written for this page, into the five purposes in Diagram 2 and write the clue that decided each one.

The Eight Cards

  1. "A honeybee visits about 50 to 100 flowers on one trip away from its hive."
  2. "Every student should bring a reusable water bottle to school. Plastic bottles pile up in our trash cans every single day."
  3. "The day my grandmother taught me to make tortillas, my first one came out shaped like the state of Texas."
  4. "To fix a flat bike tire, first take the wheel off, then find the hole by listening for hissing air."
  5. "Our town's new library opens on Monday at 9 a.m. at 400 Oak Street."
  6. "Why did the math book look sad? It had too many problems."
  7. "I will never forget the silence in the gym just before my name was called at the spelling bee."
  8. "Leaves change color in the fall because the green chlorophyll breaks down, and yellow and orange colors that were there all along show through."

Procedure

  • Pairs place each card under a purpose and write the clue on a sticky note
  • Answer key for the teacher: to inform, cards 1 and 5; to explain, cards 4 and 8; to persuade, card 2; to entertain, card 6; to share an experience, cards 3 and 7. Card 3 also entertains; accept either if the pair names its clue

Discussion Questions

  • Which cards could fit more than one purpose? How did you decide?
  • Which clue words from Diagram 2 did you actually find on the cards?
3

Change the Words, Change the View

10 minGroups of 3-4

Groups test how much of a point of view lives in single words. They replace strong words in Roosevelt's sentences with plain ones and discuss what disappears.

The Three Sentences

  1. "He must not be a coward or a weakling, a bully, a shirk, or a prig." (Passage 1)
  2. "Shiftlessness, slackness, indifference in studying, are almost certain to mean inability to get on in other walks of life." (Passage 2)
  3. "Ridicule is one of the favorite weapons of wickedness" (Passage 3)

Procedure

  • Groups rewrite each sentence in neutral words, for example "A boy may find it useful to avoid some habits," then read both versions aloud
  • For each pair of versions, they write one sentence: "Without the word ___, the reader no longer feels ___"
  • Answer notes for the teacher: "must" turns advice into a rule; the list of insults ("coward," "weakling," "shirk") makes each fault sound shameful; "almost certain" makes a guess sound like a fact; "weapons of wickedness" makes mocking sound like an attack by evil, not just teasing

Variation

Groups do the reverse with a neutral sentence of their own, such as "The school changed the lunch schedule," writing it once with a positive point of view and once with a negative one.

03

Diagrams & Visual Aids

2 diagrams

Diagram 1: Six Clues to Point of View and Purpose

Six clues to an author's point of view and purpose States it directly "I am no advocate of..." "I believe that..." Gives rules and commands "He must work hard" "Hit the line hard!" Chooses strong words "decency, justice" (praise) "mean, cruel" (blame) Picks examples and stories soldiers and politicians (Passage 3) Makes comparisons "in life, as in a foot-ball game" Beginning and ending first: what we expect last: a motto to remember POINT OF VIEW OR PURPOSE What does the author think? Why did the author write? Examples from Roosevelt's "The American Boy" (Passages 1-3). Name the clue, quote it, explain it.
Six ways an author conveys a point of view or purpose, each with an example from Roosevelt's essay. Used with the worked examples in Direct Instruction; pairs copy the six boxes as a chart for Passage 2 in Guided Practice.

Diagram 2: Five Common Purposes

Five common purposes, and the question that finds each one Purpose Ask yourself Clues in the text To inform What facts does it give me? dates, numbers, definitions To explain How or why does something happen? because, so, first, then To persuade What does the author want me must, should, I believe, to think or do? strong praise or blame To entertain How does it try to amuse me? jokes, surprises, lively scenes To share an What happened to the author, I, me, my, memories, experience and how did it feel? feelings Many texts have more than one purpose. Ask which purpose the whole text serves most.
The purposes students name most often in grade 6, the question that finds each one and the clue words that often signal it. Used in Direct Instruction and for the Activity 2 card sort.

04

Homework Assignment

~30 min

RI.6.6 Homework: Why Frances Willard Learned to Ride

Directions: Read Passage 6 at the end of the lesson plan (in Closure) and its words to know. Willard wrote it at the end of her book, after she had learned to ride. Answer each problem in complete sentences, and quote the passage with a paragraph number whenever you use it.

Part 1: Point of View (Problems 1-2)

  1. In paragraph 1, Willard compares three kinds of exercise: driving, horseback-riding and the bicycle. What is her point of view about the bicycle? Explain how the comparison conveys it.
  2. Willard writes, "Therefore, in obedience to the laws of health, I learned to ride." What does the word "Therefore" show about how she wants readers to see her decision?

Part 2: Purpose (Problems 3-4)

  1. Willard writes, "I also wanted to help women to a wider world." What does this reason show about her purpose, both for learning to ride and for writing this book? Use the sentence about the "white-ribbon army" in your answer.
  2. Who is Willard's audience in Passage 6? Find two clues in the passage and explain how each one helps you decide.

Part 3: How It Is Conveyed (Problems 5-6)

  1. In paragraph 2, Willard compares her "love of adventure" to "a brook that runs underground." Explain how this comparison conveys her point of view about her life before she learned to ride.
  2. Write a paragraph of 5-7 sentences that analyzes Willard's point of view and purpose in Passage 6. Name both, and explain how three different clues convey them (for example, a direct statement, word choice, a comparison, the list of reasons, or the last reason in paragraph 4). Quote each clue with its paragraph number.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Point of ViewStates the author's view of the subject clearly, in the student's own wordsNames the topic only, or states the view unclearlyGives the student's own opinion instead
PurposeNames the purpose and the audience, with a reasonNames a purpose without a reasonNo purpose named
How It Is ConveyedExplains how each clue shows the view or purposeLists clues without explaining themNo clues
EvidenceExact quotations with paragraph numbers in every answerSome quotations, or no paragraph numbersNo quotations

05

Quiz: 20 Questions

Interactive, with answers

Instructions

Questions 1-3, 18 and 20 give their own short examples, written for the quiz. Questions 4-9 and 15 use Passage 4, and questions 10-14 and 16 use Passage 5, both printed in Closure. Question 17 uses Passages 1 and 2, and question 19 uses Passages 1 and 5. Choose the best answer for each multiple-choice question and write two to four sentences for each short answer. Your score updates as you answer, and Reset quiz clears everything.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    A student reads an article about school uniforms. Which statement names the author's point of view, not just the topic?

  2. Question 2 of 20 · Multiple Choice

    Read this paragraph, written for the quiz: "Our school needs a crosswalk guard on Elm Street. Cars speed past the corner every morning, and last week a fifth grader had to jump back onto the curb. Please sign the petition in the front office before Friday." What is the author's main purpose?

  3. Question 3 of 20 · Multiple Choice

    Which sentence about a new town pool shows the author's point of view most strongly?

  4. Question 4 of 20 · Multiple Choice

    In Passage 4, paragraph 3, what is Roosevelt's point of view about "Stalky & Co."?

  5. Question 5 of 20 · Multiple Choice

    In Passage 4, paragraph 1, what do the words "which I hope every boy still reads" show about Roosevelt's purpose?

  6. Question 6 of 20 · Multiple Choice

    Why does Roosevelt think American boys "will always feel more in sympathy with Aldrich's story"?

  7. Question 7 of 20 · Multiple Choice

    In Passage 4, paragraph 2, Roosevelt writes that the hero works "among boys and men who are real boys and real men doing real work." What does repeating "real" convey?

  8. Question 8 of 20 · Multiple Choice

    Why does Roosevelt describe the hero of "Captains Courageous" at the beginning as "the spoiled, over-indulged child of wealthy parents"?

  9. Question 9 of 20 · Multiple Choice

    What is the job of the sentence "Bullies do not make brave men" near the end of Passage 4?

  10. Question 10 of 20 · Multiple Choice

    In Passage 5, paragraph 1, why does Willard describe her childhood work in such detail: the carpenter's kit, the wooden plow "of my own making" and the ax "rigged up from the old iron"?

  11. Question 11 of 20 · Multiple Choice

    Willard writes that at sixteen she wrote in her journal "in the first heartbreak of a young human colt taken from its pleasant pasture." What does this comparison convey?

  12. Question 12 of 20 · Multiple Choice

    What is the main purpose of Passage 5, the opening of Willard's book?

  13. Question 13 of 20 · Multiple Choice

    Why does Willard put quotation marks around "ran wild" in Passage 5?

  14. Question 14 of 20 · Multiple Choice

    Passage 5 begins, "I had been an active and diligent worker in the world. This sounds absurd." Why does Willard write "This sounds absurd"?

  15. Question 15 of 20 · Short Answer

    In Passage 4, Roosevelt discusses two pairs of books. Explain how setting a book he likes next to a book he dislikes helps convey his point of view.

  16. Question 16 of 20 · Short Answer

    In Passage 5, paragraph 2, Willard writes, "I always realized and was obedient to the limitations thus imposed, though in my heart of hearts I felt their unwisdom even more than their injustice." What is her point of view about those limits, and how does this sentence convey it?

  17. Question 17 of 20 · Short Answer

    In Passage 2, Roosevelt says boys "should study just as hard as they play foot-ball in a match game." How does this comparison connect to the ending of Passage 1, and what does it show about his point of view?

  18. Question 18 of 20 · Short Answer

    Read this paragraph, written for the quiz, from a school newsletter: "This year, the science fair moves from the cafeteria to the gym. Tables will be set up on Thursday afternoon, and judging starts at 9 a.m. on Friday. Families may visit from 2 to 4 p.m." What is the author's purpose, and what two clues tell you?

  19. Question 19 of 20 · Short Answer

    Roosevelt (Passage 1) and Willard (Passage 5) both write about active lives. Explain one way their points of view are alike and one way they convey their views differently, with a quotation from each.

  20. Question 20 of 20 · Short Answer

    Here is a neutral sentence: "The town built a new skate park next to the library." Rewrite it twice: once to show a positive point of view and once to show a negative one. Then explain which words carry each point of view.

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does RI.6.6 mean?

It means sixth graders figure out what an author thinks or why the author wrote a nonfiction text, and then show how the text reveals it. The standard asks students to "determine an author's point of view or purpose in a text and explain how it is conveyed in the text." Naming the view is half the job; the other half is quoting the clues and explaining them.

What is the difference between point of view and purpose?

Point of view is what the author thinks about the subject; purpose is why the author wrote. An author who writes that the town's new bike lanes are too narrow has a point of view (the lanes are unsafe), and her purpose might be to persuade the town council to widen them. The two are linked, but a student should be able to state each one separately.

What purposes can an author have?

The five that grade 6 students usually name are to inform, to explain, to persuade, to entertain and to share an experience. Many texts have more than one: a travel memoir can share an experience, entertain with funny moments and inform readers about a place. Students should decide which purpose the whole text serves most and support that choice.

How do you find the point of view if the author never says "I think"?

Look at the choices the author made. Words with strong feelings (connotation), what the author praises or blames, which examples and stories are included, comparisons, commands and "should," and how the text begins and ends all show a point of view. Diagram 1 in this lesson lists six such clues.

How is RI.6.6 different from RL.6.6?

RL.6.6 is about literature: how an author develops the point of view of a narrator or speaker, such as a first-person narrator in a story. RI.6.6 is about nonfiction: the real author's own opinion or reason for writing. In nonfiction, "point of view" means the author's view of the subject, not first or third person.

How does RI.6.6 lead to RI.7.6?

In grade 7, students also analyze how an author sets his or her position apart from the positions of others. RI.6.6 builds the base: name the author's view and prove it with clues. In this lesson, the moment in Passage 2 when Roosevelt admits the "exceptions" and then rejects them is an early look at that grade 7 skill.

Do students have to agree with the author's point of view?

No. RI.6.6 asks students to determine and explain the author's view, not to share it. Roosevelt's view that "a coward who will take a blow without returning it is a contemptible creature" is a good example: students can state it accurately, quote the words that convey it, and then say why they disagree; the school rule is still to get help from an adult instead of hitting back. Keeping the author's view and one's own view separate is part of the skill.

Why use Theodore Roosevelt and Frances Willard for RI.6.6?

Both state strong points of view in lively, first-person writing, and both wrote for broad audiences. Roosevelt's essay "The American Boy" first appeared in 1900 in St. Nicholas, a magazine for young readers, so it was written for students close to sixth graders' age. Willard's memoir about learning to ride a bicycle at 53 states its reasons openly, so students can trace them clue by clue. The two also show different purposes side by side.

How is RI.6.6 usually assessed?

Reading tests often ask which statement best describes the author's point of view or purpose, and then which words from the passage best support that answer. Short written answers ask students to state the view and explain how one or two details convey it. Paired passages sometimes ask how two authors' purposes differ.

What mistakes do students make with RI.6.6?

A common one is naming the topic ("it is about trains") instead of the author's view of it ("trains are the most pleasant way to travel"). Another is giving their own opinion instead of the author's. A third is quoting a clue without explaining how it shows the view. The frame "The author thinks ___; I can tell because ___, which shows ___" addresses all three.