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RH.11-12.10Common CoreELALiteracy in History/Social StudiesGrades 11-12

RH.11-12.10: Reading the Most Complex History Texts Alone: Burke, Wollstonecraft, Acton and Carlyle on the French Revolution

In plain English: RH.11-12.10 is the Common Core literacy standard for history/social studies in grades 11-12 that sets the strand's final reading goal: by the end of grade 12, students read and comprehend history and social studies texts in the grades 11-CCR (college and career readiness) band independently and proficiently, including political arguments, historians' lectures and narrative histories.

By the end of grade 12, read and comprehend history/social studies texts in the grades 11—CCR text complexity band independently and proficiently.

Common Core State Standards for English Language Arts & Literacy · Domain: Reading Standards for Literacy in History/Social Studies 6-12 · Cluster: Range of Reading and Level of Text Complexity · Official standard

01

Lesson Plan

70-75 min

Overview

RH.11-12.10 is the last reading standard in the history strand, and it sets the level for all of them: by the end of grade 12, students read and comprehend history and social studies texts in the grades 11-CCR text complexity band independently and proficiently. At this level the difficulty lies less in single sentences than in sustained arguments, abstract and figurative language, and texts that answer other texts. This lesson teaches a four-step routine, Situate, Trace, Unpack and Weigh (Diagram 1), and then removes the support: modeled, with a partner, alone, and finally as a cold read.

All four sources concern the French Revolution. The teacher models the routine on Edmund Burke's lament for the queen of France and the "age of chivalry" (1790). Pairs run it on Mary Wollstonecraft's reply to Burke, published the same year, and map the exchange (Diagram 2). Each student then reads the opening of Lord Acton's Cambridge lectures on the Revolution alone. The homework is a cold read of Thomas Carlyle's 1837 narrative of the morning the Bastille fell.

Learning Objectives

By the end of this lesson, students will be able to:

  • Situate a complex history text in the debate or event it responds to before reading it closely
  • Trace an argument across sentences and paragraphs, marking its claims, reasons and turns
  • Unpack figurative, allusive and abstract language into literal claims
  • Weigh a text's reasoning, stance and omissions, and support the judgment with quotations
  • Read an unfamiliar grades 11-CCR history text with no support and explain which step it demanded most

Prior Knowledge Required

Students should already be comfortable with:

  • Reading history texts in the grades 9-10 band independently RH.9-10.10
  • Comparing authors' points of view on the same topic RH.9-10.6
  • Basic background: the French Revolution began in 1789 with the meeting of the Estates-General and the fall of the Bastille, and France was an absolute monarchy with a privileged nobility and clergy

Lesson Procedure

70-75 minutes of class time across 5 phases.

  1. Warm-Up10 minutes

    Warm-Up Prompt

    "In 1790 the British politician Edmund Burke predicted what the French Revolution would lead to: 'Kings will be tyrants from policy, when subjects are rebels from principle.' In two sentences, explain what he means. Then name the word or structure that made the sentence hardest to unpack."

    Take several explanations and push for the literal claim: once people rebel because they believe in a principle, rulers will be harsh as a deliberate policy, to protect themselves. Then collect the difficulties. Students usually name the balanced structure (tyrants/rebels, policy/principle), the abstract nouns, and the missing background: what had happened in France to make Burke say this. Tell students that texts in the grades 11-CCR band, the range that runs from grade 11 to the level of college and career readiness, pack all of these difficulties into long arguments. RH.11-12.10 asks that by the end of grade 12 they read such texts independently and proficiently. Today they learn one routine for doing it, watch it used on Burke, run it with a partner on Mary Wollstonecraft's reply, and then run it alone on a historian writing a century later.

  2. Direct Instruction20 minutes

    Part 1: The routine. Show Diagram 1. Situate: what debate is the text part of, who is it answering, and what event lies behind it? Trace: how does the argument move from sentence to sentence, and where does it turn? Unpack: what literal claim sits under a figure of speech, an allusion or an abstract word? Weigh: how strong is the argument, where does the writer stand, and what is left out? Stress the loop at the bottom of the diagram: at this level, a reader who cannot state a claim that fits the whole passage goes back and traces it again.

    Part 2: The modeled passage. Read the context note aloud: On October 5-6, 1789, a crowd of Parisians, many of them women, marched to the palace of Versailles and brought King Louis XVI, Queen Marie Antoinette and their children back to Paris under guard. In November 1790 Edmund Burke, an Irish-born member of the British Parliament, published Reflections on the Revolution in France, written as a letter to a young Frenchman. It answered a London sermon by the minister Richard Price that had welcomed the Revolution. Burke had seen Marie Antoinette at Versailles in 1773, when she was married to the heir to the throne. Glossary: "orb" (the earth), "cavaliers" (gentlemen soldiers, knights), "sophisters" (people who argue cleverly but falsely), "bland assimilation" (gentle blending), "superadded" (added on top), "ratifies" (approves). Then think aloud, one step at a time.

    It is now sixteen or seventeen years since I saw the queen of France, then the Dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in,--glittering like the morning-star, full of life and splendor and joy. Oh! what a revolution! and what an heart must I have, to contemplate without emotion that elevation and that fall! Little did I dream, when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom! little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honor, and of cavaliers! I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult. But the age of chivalry is gone. That of sophisters, economists, and calculators has succeeded; and the glory of Europe is extinguished forever. Never, never more, shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart, which kept alive, even in servitude itself, the spirit of an exalted freedom! The unbought grace of life, the cheap defence of nations, the nurse of manly sentiment and heroic enterprise, is gone! It is gone, that sensibility of principle, that chastity of honor, which felt a stain like a wound, which inspired courage whilst it mitigated ferocity, which ennobled whatever it touched, and under which vice itself lost half its evil by losing all its grossness!

    [...]

    But now all is to be changed. All the pleasing illusions which made power gentle and obedience liberal, which harmonized the different shades of life, and which by a bland assimilation incorporated into politics the sentiments which beautify and soften private society, are to be dissolved by this new conquering empire of light and reason. All the decent drapery of life is to be rudely torn off. All the superadded ideas, furnished from the wardrobe of a moral imagination, which the heart owns and the understanding ratifies, as necessary to cover the defects of our naked, shivering nature, and to raise it to dignity in our own estimation, are to be exploded, as a ridiculous, absurd, and antiquated fashion.

    Edmund Burke, Reflections on the Revolution in France, on the queen of France and the age of chivalry (Source 1; one cut marked [...]) (1790; this edition 1887). Public domain (published 1887). Source text.
    • Situate: the debate behind the passage

      What does a reader need in place before the first sentence?

      Result: This is a primary source in a live argument: a British politician, writing in 1790 in the form of a letter, answering people in Britain who praised the Revolution. His "sixteen or seventeen years" goes back to his visit of 1773 (1790 - 17 = 1773). The event behind paragraph 1 is the October Days of 1789, which the context note supplies. Expect a partisan writer who is trying to move British readers, not a neutral report.

    • Trace: where the argument turns

      Mark the turns in the passage. What job does each part do?

      Result: Paragraph 1 moves from a memory ("I saw her just above the horizon") to her fall ("that elevation and that fall"), to the response Burke expected ("ten thousand swords must have leaped from their scabbards"), and then turns on "But the age of chivalry is gone": the missing swords are his evidence that an age has ended. Paragraph 2 turns again on "But now all is to be changed" and names the agent of the change, "this new conquering empire of light and reason." The two "But" sentences are the spine of the argument.

    • Unpack: a figure that runs through a paragraph

      "All the decent drapery of life is to be rudely torn off." What is the literal claim?

      Result: The drapery is the set of customs, manners and shared beliefs (the "pleasing illusions") that make power gentle and obedience willing. Burke keeps the clothing figure going: "the wardrobe of a moral imagination," "our naked, shivering nature," "antiquated fashion." Literal claim: the revolutionaries will throw out every custom that cannot be defended by reason alone, and people will be left with raw power and nothing to soften it.

    • Unpack: a phrase that hides a fact

      What is "the sharp antidote against disgrace concealed in that bosom"?

      Result: An antidote cures, and "sharp" suggests a blade: Burke is hinting that the queen had to carry a hidden weapon, or poison, so that she could kill herself rather than be dishonored. He will not say it outright, which is part of his manner: shocking facts are wrapped in formal, indirect language.

    • Weigh: strength, stance and silence

      How strong is the argument, and what does it leave out?

      Result: Burke argues through feeling and image more than evidence; exclamations such as "Oh! what a revolution!" ask readers to share his grief. His stance is plain: he admires rank and "that generous loyalty to rank and sex," and scorns the "sophisters, economists, and calculators." He says nothing about why a crowd marched to Versailles in the first place. Yet his core idea, that inherited customs make power bearable, is a serious claim that the next source has to answer.

    Teacher tip. Let students see you misread once. Read "the glory of Europe is extinguished forever" as a claim about Europe's power, then stop at "That of sophisters, economists, and calculators has succeeded" and correct yourself aloud: Burke means a kind of civilization, the "glory" of honor and loyalty, not armies or wealth. Naming the misreading and its fix models the loop in Diagram 1.

  3. Guided Practice15-20 minutes

    Give pairs this context note and the routine card with prompts, but no glossary: Mary Wollstonecraft, a London writer and teacher, published her answer to Burke within weeks, at the end of 1790; the first edition carried no name, the second carried hers. The letter speaks to Burke directly as "Sir." Two years later she published A Vindication of the Rights of Woman. Pairs also get Diagram 2 with the right-hand column blank, and fill it in as they read.

    Whether the glory of Europe is set, I shall not now enquire; but probably the spirit of romance and chivalry is in the wane; and reason will gain by its extinction.

    From observing several cold romantic characters I have been led to confine the term romantic to one definition—false, or rather artificial, feelings. Works of genius are read with a prepossession in their favour, and sentiments imitated, because they were fashionable and pretty, and not because they were forcibly felt.

    In modern poetry the understanding and memory often fabricate the pretended effusions of the heart, and romance destroys all simplicity; which, in works of taste, is but a synonymous word for truth. This romantic spirit has extended to our prose, and scattered artificial flowers over the most barren heath; or a mixture of verse and prose producing the strangest incongruities. The turgid bombast of some of your periods fully proves these assertions; for when the heart speaks we are seldom shocked by hyperbole, or dry raptures.

    I speak in this decided tone, because from turning over the pages of your late publication, with more attention than I did when I first read it cursorily over; and comparing the sentiments it contains with your conduct on many important occasions, I am led very often to doubt your sincerity, and to suppose that you have said many things merely for the sake of saying them well; or to throw some pointed obloquy on characters and opinions that jostled with your vanity.

    It is an arduous task to follow the doublings of cunning, or the subterfuges of inconsistency; for in controversy, as in battle, the brave man wishes to face his enemy, and fight on the same ground. Knowing, however, the influence of a ruling passion, and how often it assumes the form of reason when there is much sensibility in the heart, I respect an opponent, though he tenaciously maintains opinions in which I cannot coincide; but, if I once discover that many of those opinions are empty rhetorical flourishes, my respect is soon changed into that pity which borders on contempt; and the mock dignity and haughty stalk, only reminds me of the ass in the lion’s skin.

    Mary Wollstonecraft, A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke, on romance, chivalry and Burke's style (Source 2) (1790). Public domain (published 1790). Source text.
    1. Situate. Prompt: which sentence answers Burke most directly, and which phrase names his book? Teacher note: paragraph 1 picks up his words, "Whether the glory of Europe is set"; paragraph 4 calls the Reflections "your late publication," which she has now read "with more attention than I did when I first read it cursorily over."
    2. Trace. Prompt: give each paragraph a one-line job. Teacher note: paragraph 1 states a counterclaim (reason will gain as chivalry fades); paragraph 2 defines "romantic" as "false, or rather artificial, feelings"; paragraph 3 applies the definition to poetry, then prose, then Burke's own style; paragraph 4 explains her harsh tone by doubting his sincerity; paragraph 5 compares controversy to battle and ends with her contempt.
    3. Unpack. Prompt: explain "scattered artificial flowers over the most barren heath" and "the ass in the lion's skin." Teacher note: the first means decorative language spread over an empty argument; the second is from Aesop's fable of the donkey that wears a lion's skin and gives itself away when it brays, so Burke's grand manner hides a weak case.
    4. Weigh. Prompt: does this passage answer Burke's argument, or his style and motives? Teacher note: mostly style and motives. Paragraph 1 offers a counterclaim but does not argue for it here; paragraphs 3-5 attack "the turgid bombast of some of your periods" and his sincerity. Students should see both the force of the attack and its limit.

    Close by comparing pairs' versions of Diagram 2. Ask which row was hardest to fill; many pairs choose row 3, because Wollstonecraft never uses Burke's word "illusions" and the link runs through her definition of "romantic." Tell students that for Source 3 they will get a one-sentence context note and the card with step names only.

  4. Independent Practice15 minutes

    Each student reads alone, with the names-only card and no prompts, glossary or partner. Context note: Lord Acton (1834-1902) taught modern history at Cambridge, and this is the opening of the first lecture in his course on the French Revolution. Students annotate one example of each step in the margin, then write a three-sentence account of the passage: its claim, how the argument moves, and one thing they would question. Collect the accounts before the quiz, which uses this passage.

    The revenue of France was near twenty millions when Lewis XVI., finding it inadequate, called upon the nation for supply. In a single lifetime it rose to far more than one hundred millions, while the national income grew still more rapidly; and this increase was wrought by a class to whom the ancient monarchy denied its best rewards, and whom it deprived of power in the country they enriched. As their industry effected change in the distribution of property, and wealth ceased to be the prerogative of a few, the excluded majority perceived that their disabilities rested on no foundation of right and justice, and were unsupported by reasons of State. They proposed that the prizes in the Government, the Army, and the Church should be given to merit among the active and necessary portion of the people, and that no privilege injurious to them should be reserved for the unprofitable minority. Being nearly an hundred to one, they deemed that they were virtually the substance of the nation, and they claimed to govern themselves with a power proportioned to their numbers. They demanded that the State should be reformed, that the ruler should be their agent, not their master.

    That is the French Revolution. To see that it is not a meteor from the unknown, but the product of historic influences which, by their union were efficient to destroy, and by their division powerless to construct, we must follow for a moment the procession of ideas that went before, and bind it to the law of continuity and the operation of constant forces.

    If France failed where other nations have succeeded, and if the passage from the feudal and aristocratic forms of society to the industrial and democratic was attended by convulsions, the cause was not in the men of that day, but in the ground on which they stood. As long as the despotic kings were victorious abroad, they were accepted at home. The first signals of revolutionary thinking lurk dimly among the oppressed minorities during intervals of disaster. The Jansenists were loyal and patient; but their famous jurist Domat was a philosopher, and is remembered as the writer who restored the supremacy of reason in the chaotic jurisprudence of the time. He had learnt from St. Thomas, a great name in the school he belonged to, that legislation ought to be for the people and by the people, that the cashiering of bad kings may be not only a right but a duty. He insisted that law shall proceed from common sense, not from custom, and shall draw its precepts from an eternal code. The principle of the higher law signifies Revolution. No government founded on positive enactments only can stand before it, and it points the way to that system of primitive, universal, and indefeasible rights which the lawyers of the Assembly, descending from Domat, prefixed to their constitution.

    Lord Acton (John Emerich Edward Dalberg-Acton), edited by John Neville Figgis and Reginald Vere Laurence, Lectures on the French Revolution, Lecture I, "The Heralds of the Revolution" (Source 3: the opening of the course) (1910). Public domain (published 1910). Source text.
  5. Closure10 minutes

    Exit ticket (index card): (1) Name the step you needed most on Source 3 and copy the words where you used it. (2) Compare Source 3 with Source 1: which was harder for you, and on which step?

    Teacher note on the sources: The passages are quoted exactly as they appear in the Project Gutenberg texts of the 1790, 1887 and 1910 editions and of Carlyle's history (first published 1837), with the writers' spellings and punctuation. None of the printed passages contains a slur. Some phrasing reflects its time: Burke's "manly sentiment" and "loyalty to rank and sex" assume that honor and deference belong to men and to birth, and Wollstonecraft's reply, written by a woman, is partly aimed at that assumption. Other parts of the Reflections, not printed here, describe the Paris crowd in contemptuous terms. In Source 4, Carlyle addresses the people in his story directly ("think what thou wilt do!") and writes in the present tense; his French phrases are "Que voulez vous?" (What do you want?) and "the générale" (the drum call to arms).

    For homework: students read the passage below as a cold read: no card, no context note beyond its source line, and no glossary.

    Old de Launay, as we hinted, withdrew “into his interior” soon after midnight of Sunday. He remains there ever since, hampered, as all military gentlemen now are, in the saddest conflict of uncertainties. The Hôtel-de-Ville “invites” him to admit National Soldiers, which is a soft name for surrendering. On the other hand, His Majesty’s orders were precise. His garrison is but eighty-two old Invalides, reinforced by thirty-two young Swiss; his walls indeed are nine feet thick, he has cannon and powder; but, alas, only one day’s provision of victuals. The city too is French, the poor garrison mostly French. Rigorous old de Launay, think what thou wilt do!

    All morning, since nine, there has been a cry everywhere: To the Bastille! Repeated “deputations of citizens” have been here, passionate for arms; whom de Launay has got dismissed by soft speeches through portholes. Towards noon, Elector Thuriot de la Rosiere gains admittance; finds de Launay indisposed for surrender; nay disposed for blowing up the place rather. Thuriot mounts with him to the battlements: heaps of paving-stones, old iron and missiles lie piled; cannon all duly levelled; in every embrasure a cannon,—only drawn back a little! But outwards behold, O Thuriot, how the multitude flows on, welling through every street; tocsin furiously pealing, all drums beating the générale: the Suburb Saint-Antoine rolling hitherward wholly, as one man! Such vision (spectral yet real) thou, O Thuriot, as from thy Mount of Vision, beholdest in this moment: prophetic of what other Phantasmagories, and loud-gibbering Spectral Realities, which, thou yet beholdest not, but shalt! ‘Que voulez vous?’ said de Launay, turning pale at the sight, with an air of reproach, almost of menace. ‘Monsieur,’ said Thuriot, rising into the moral-sublime, ‘What mean you? Consider if I could not precipitate both of us from this height,’—say only a hundred feet, exclusive of the walled ditch! Whereupon de Launay fell silent. Thuriot shews himself from some pinnacle, to comfort the multitude becoming suspicious, fremescent: then descends; departs with protest; with warning addressed also to the Invalides,—on whom, however, it produces but a mixed indistinct impression. The old heads are none of the clearest; besides, it is said, de Launay has been profuse of beverages (prodigua des buissons). They think, they will not fire,—if not fired on, if they can help it; but must, on the whole, be ruled considerably by circumstances.

    Wo to thee, de Launay, in such an hour, if thou canst not, taking some one firm decision, rule circumstances! Soft speeches will not serve; hard grape-shot is questionable; but hovering between the two is unquestionable. Ever wilder swells the tide of men; their infinite hum waxing ever louder, into imprecations, perhaps into crackle of stray musketry,—which latter, on walls nine feet thick, cannot do execution. The Outer Drawbridge has been lowered for Thuriot; new deputation of citizens (it is the third, and noisiest of all) penetrates that way into the Outer Court: soft speeches producing no clearance of these, de Launay gives fire; pulls up his Drawbridge. A slight sputter;—which has kindled the too combustible chaos; made it a roaring fire-chaos! Bursts forth insurrection, at sight of its own blood (for there were deaths by that sputter of fire), into endless rolling explosion of musketry, distraction, execration;—and overhead, from the Fortress, let one great gun, with its grape-shot, go booming, to shew what we could do. The Bastille is besieged!

    Thomas Carlyle, The French Revolution: A History, volume I, book V, chapter VI, "Storm and Victory" (Source 4: the morning of July 14, 1789, at the Bastille) (1837). Public domain (published 1837). Source text.

Differentiation Strategies

For Struggling Students

  • Give Source 3 with the two "hinge" sentences ("That is the French Revolution" and "The principle of the higher law signifies Revolution") underlined, and have students trace outward from them
  • Allow a two-column note sheet for Unpack: the phrase on the left, the literal claim on the right, completed before the three-sentence account
  • Read Source 3 aloud once before the silent reading, so the difficulty lies in the argument and not in names such as Domat

For Advanced Students

  • Read Lecture II of Acton's course, "The Influence of America," and explain how Acton accounts for Burke's change of mind between the American and the French revolutions
  • Read the paragraph Wollstonecraft writes just after Source 2, on Burke's description of the women who marched to Versailles, and weigh whether it answers Burke better than Source 2 does
  • Write a paragraph in which Acton responds to Burke's claim that "the age of chivalry is gone," using only ideas found in Source 3

Assessment Guidance

What to Look For

Strong work situates each text in its debate before reading, traces arguments through their turns rather than summarizing sentence by sentence, turns figures and abstractions into literal claims without losing the writer's tone, and weighs reasoning with specific quotations. The Source 3 accounts and the homework cold read together show whether a student reads grades 11-CCR texts alone. Watch for four problems: reading a reply without knowing what it replies to; mistaking an illustration for the argument's claim; paraphrasing a figure word by word instead of stating its claim; and judging a text by agreement with it rather than by the strength of its reasoning.

02

Classroom Activities

3 Activities

1

Unpack the Figure

15 minPairs

Pairs get 6 figure cards from parts of Burke's Reflections and Wollstonecraft's reply that the lesson does not print. For each, they name the figure (metaphor, extended image, wordplay or rhetorical question), write the literal claim in one sentence, and say whether the literal version loses anything the writer needed.

The 6 Figure Cards

  1. Burke: "In the groves of their academy, at the end of every visto, you see nothing but the gallows."
  2. Burke: "To make us love our country, our country ought to be lovely."
  3. Burke: "From that moment we have no compass to govern us, nor can we know distinctly to what port we steer."
  4. Wollstonecraft: "[...] you seem to consider the poor as only the live stock of an estate, the feather of hereditary nobility."
  5. Wollstonecraft: "[...] for as this light becomes more luminous reason clips the wing of fancy [...]."
  6. Wollstonecraft: "Is hereditary weakness necessary to render religion lovely? and will her form have lost the smooth delicacy that inspires love, when stripped of its Gothic drapery?"

Answer Key for the Teacher

  • Card 1 (metaphor): the revolutionaries' philosophy, followed to its end, leads only to executions; "their academy" mocks the philosophers' school.
  • Card 2 (a play on "lovely"): people will love their country only if its customs and manners are worth loving; laws alone do not win loyalty.
  • Card 3 (extended metaphor of a ship): once old customs are gone, a nation has no guide and no clear goal.
  • Card 4 (metaphor): Burke values the poor only as property of the great, like farm animals, or as decoration for the nobility.
  • Card 5 (metaphor): as a civilization grows more rational, reason restrains imagination, the way a bird's wings are clipped.
  • Card 6 (rhetorical questions, with "her" standing for religion): religion does not need inherited privilege or medieval trappings to be worth loving.

Procedure

  • Read the card aloud and underline the figure
  • Ask what is being compared to what, or what the question expects as its answer
  • Write the literal claim in one sentence with no figure in it
  • Compare: what did the figure add that the literal claim lacks?

Discussion Questions

  • Cards 3 and 6 are both about losing something old. Which writer uses the figure to defend the old, and which to attack it?
  • Is an argument weaker when it depends on a figure? Use one card as your example.

Variation for a Shorter Class

Use cards 1, 3 and 4 only: two from Burke and one from Wollstonecraft.

2

Background Briefing Sort

10 minGroups of 3

Groups get 8 reference cards from Sources 1 and 2. They sort each into historical person or event, allusion or term of the period, write a one-line briefing a classmate would need, and decide whether the passage can be understood without it.

The 8 Reference Cards

  1. "the queen of France, then the Dauphiness, at Versailles" (Source 1)
  2. "glittering like the morning-star" (Source 1)
  3. "this new conquering empire of light and reason" (Source 1)
  4. "your late publication" (Source 2)
  5. "the ass in the lion's skin" (Source 2)
  6. "some of your periods" (Source 2)
  7. "some pointed obloquy on characters and opinions" (Source 2)
  8. "read with a prepossession in their favour" (Source 2)

Answer Key for the Teacher

  • Historical person or event (3): the Dauphiness (Marie Antoinette as wife of the heir to the throne, before 1774), "empire of light and reason" (the Enlightenment, whose thinkers the revolutionaries claimed as guides), "your late publication" (the Reflections, 1790).
  • Allusion (2): the morning-star (the planet Venus, and in the Bible the figure of Lucifer, "son of the morning," who falls from heaven, so the image already hints at a fall), the ass in the lion's skin (Aesop's fable).
  • Term of the period (3): "periods" (long, carefully built sentences, a term from rhetoric), "obloquy" (abuse, verbal attack), "prepossession" (a favorable prejudice formed in advance).

Discussion Questions

  • Which card changes your reading of its passage the most once you know the reference?
  • Wollstonecraft expects her readers to know Aesop, and Burke expects his to know the Bible. What does that tell you about each writer's audience?

Modification for English Learners

Give each group a short picture sheet (the Versailles palace, the fable of the ass in the lion's skin, the planet Venus at dawn) and let students match pictures to cards before writing briefings.

3

Complexity Ranking

15 minGroups of 3, then whole class

Groups rank 4 short excerpts, one from each writer and none printed in the lesson, from least to most complex, and justify each placement with one feature: sentence structure, vocabulary, knowledge demands or figurative and abstract meaning. The point is the reasoning, not a single right order.

The 4 Excerpt Strips

  1. Burke, Reflections (1790): "We are but too apt to consider things in the state in which we find them, without sufficiently adverting to the causes by which they have been produced, and possibly may be upheld."
  2. Wollstonecraft, A Vindication of the Rights of Men (1790): "It is a proverbial observation, that a very thin partition divides wit and madness."
  3. Acton, Lectures on the French Revolution (1910): "Rousseau is the author of the strongest political theory that had appeared amongst men. We cannot say that he reasons well, but he knew how to make his argument seem convincing, satisfying, inevitable, and he wrote with an eloquence and a fervour that had never been seen in prose, even in Bolingbroke or Milton."
  4. Carlyle, The French Revolution (1837): "How the great Bastille Clock ticks (inaudible) in its Inner Court there, at its ease, hour after hour; as if nothing special, for it or the world, were passing!"

Answer Key for the Teacher

  • Wollstonecraft is often ranked easiest: one short sentence with a familiar proverb inside it, though "partition" and the idea that wit and madness are close still need unpacking.
  • Carlyle has plain words but hard meaning: the clock that ticks "as if nothing special [...] were passing" is an image of indifference, and a reader must see why it matters on July 14.
  • Burke is abstract: "adverting to the causes" and "possibly may be upheld" state a general claim about how people misjudge institutions, with no example.
  • Acton is often ranked hardest for knowledge demands: Rousseau, Bolingbroke and Milton are named, not explained, and the claim ("We cannot say that he reasons well") separates the strength of an argument from its force.

Discussion Questions

  • Did any group rank the shortest excerpt as the hardest? Why might a short text be complex?
  • Which step of the routine does each excerpt demand most?

Modification for Advanced Students

After the independent reading, add a strip from Source 3 and place it on the ranking, then explain what the Common Core means by a text "at the high end" of a band.

03

Diagrams & Visual Aids

2 diagrams

Diagram 1: Situate, Trace, Unpack, Weigh

One routine for the hardest history texts 1. SITUATE What debate is this text part of? Who is it answering, and what just happened? Burke, 1790: a reply 2. TRACE How does the argument move? Mark each claim, reason and turn (but, now). "But ... But now" 3. UNPACK What literal claim sits under a figure, an allusion or an abstract word? drapery = customs 4. WEIGH How strong is the argument? Where does the writer stand? What is left out? feeling, not proof If the claim you weigh does not fit the whole passage, trace it again. Below the line in each box: how the teacher uses the step on Source 1.
The routine used on every source in the lesson. Each box gives the step's question and, below the line, how the teacher uses it on Burke. The dashed arrow is the loop that matters most at this level: when the claim a reader weighs does not fit the whole passage, the reader goes back and traces the argument again.

Diagram 2: Mapping the Exchange Between Burke and Wollstonecraft

The exchange of 1790: Burke claims, Wollstonecraft replies Burke, Source 1 Wollstonecraft, Source 2 "But the age of chivalry is gone." "the spirit of romance and chivalry is in the wane; and reason will gain by its extinction." "the glory of Europe is extinguished forever." "Whether the glory of Europe is set, I shall not now enquire" "All the pleasing illusions [...] are to be dissolved by this new conquering empire" "romantic": "false, or rather artificial, feelings" "Oh! what a revolution! and what an heart must I have" "The turgid bombast of some of your periods fully proves these assertions" Rows 1-3 answer what Burke says; row 4 answers how he says it.
Four of Burke's statements from Source 1, each paired with the words in Source 2 that answer it. Pairs complete the right-hand column during Guided Practice. The first three rows answer what Burke claims; the fourth answers his style.

04

Homework Assignment

~30 min

RH.11-12.10 Homework: A Cold Read of Carlyle on the Fall of the Bastille

Directions: Read Source 4, from Thomas Carlyle's The French Revolution (1837), printed at the end of the Closure phase of the lesson plan. This is a cold read: no card, no glossary and no help. Its three paragraphs are numbered; give a paragraph number for every quotation. Answer in complete sentences.

Part 1: Situate and Trace (Problems 1-3)

  1. Using the source line and the passage, explain what kind of history Source 4 is, about how many years after the events it was published, and how its way of telling differs from Acton's in Source 3. Point to two features of Carlyle's style, such as his tense or the way he speaks to the people in his story.
  2. List, in order, five things that happen in paragraphs 2-3, and identify the moment at which the standoff becomes a siege. Quote the words that mark it.
  3. Paragraph 1 gives several numbers and facts about the fortress. Add up the garrison, and explain what these details, taken together, tell a reader about the choice de Launay faces.

Part 2: Unpack and Weigh (Problems 4-6)

  1. Unpack this sentence from paragraph 3: "Soft speeches will not serve; hard grape-shot is questionable; but hovering between the two is unquestionable." Explain the play on "questionable" and "unquestionable," and state the literal claim.
  2. Where does Carlyle stand: with the crowd, with de Launay, or with neither? Support your answer with two quotations, and explain what his way of writing lets him do that Acton's cannot.
  3. Cold-read log: rank the four sources from easiest to hardest for you, and name the step of the routine that Source 4 demanded most. In 3-4 sentences, describe one place in Source 4 where you got stuck and what you did.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Accurate ReadingSequence, numbers and literal claims match the passageOne answer misreads the passageTwo or more answers misread it
Situating and WeighingUses date, genre and style to judge the text's stanceNames genre or stance without supportNo attention to origin or stance
EvidenceExact quotations with paragraph numbersLoose quotations or missing numbersNo quotations
ReflectionCold-read log names a specific difficulty and a specific fixGeneral comments on difficultyNo log

05

Quiz: 20 Questions

Interactive, with answers

Instructions

Questions 1-13 and 15-17 use Source 3 (Acton), printed in the Independent Practice phase of the lesson plan. Question 18 also uses Source 1 (Burke) in Direct Instruction, and Question 19 uses Sources 1, 2 (Wollstonecraft, in Guided Practice) and 3. Question 14 asks about the standard itself, and Question 20 asks about your own reading. Your score updates as you answer, and Reset quiz clears everything.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    What kind of source is Source 3, and what should a reader expect from it?

  2. Question 2 of 20 · Multiple Choice

    Paragraph 2 begins, "That is the French Revolution." What does "That" refer to?

  3. Question 3 of 20 · Multiple Choice

    Acton says the Revolution "is not a meteor from the unknown." What does he mean?

  4. Question 4 of 20 · Multiple Choice

    Acton writes of influences "which, by their union were efficient to destroy, and by their division powerless to construct." Which paraphrase is most accurate?

  5. Question 5 of 20 · Multiple Choice

    "The cause was not in the men of that day, but in the ground on which they stood." What does "the ground on which they stood" mean here?

  6. Question 6 of 20 · Multiple Choice

    According to paragraph 1, about how much did the revenue of France grow "in a single lifetime"?

  7. Question 7 of 20 · Multiple Choice

    The majority were "nearly an hundred to one." Roughly what share of the population, then, was the privileged minority?

  8. Question 8 of 20 · Multiple Choice

    What does Acton mean by the demand "that the ruler should be their agent, not their master"?

  9. Question 9 of 20 · Multiple Choice

    "The excluded majority perceived that their disabilities rested on no foundation of right and justice." What does "disabilities" mean in this sentence?

  10. Question 10 of 20 · Multiple Choice

    Why does Acton say that "The principle of the higher law signifies Revolution"?

  11. Question 11 of 20 · Multiple Choice

    Acton ends with "that system of primitive, universal, and indefeasible rights which the lawyers of the Assembly [...] prefixed to their constitution." Which document is he referring to?

  12. Question 12 of 20 · Multiple Choice

    How are the three paragraphs of Source 3 organized?

  13. Question 13 of 20 · Multiple Choice

    Which statement would Acton, in Source 3, most likely reject?

  14. Question 14 of 20 · Multiple Choice

    Near the end of grade 12, which task would best show that a student meets RH.11-12.10?

  15. Question 15 of 20 · Short Answer

    Trace the argument of paragraph 1 as a chain of at least four links, from the growth of revenue to the demand that ends the paragraph. Quote one word or phrase for each link.

  16. Question 16 of 20 · Short Answer

    Unpack two phrases from paragraph 1: "wealth ceased to be the prerogative of a few" and "unsupported by reasons of State." Give the literal meaning of each and name the clue you used.

  17. Question 17 of 20 · Short Answer

    Weigh paragraph 1. What evidence does Acton give for his account of the causes, and what would a historian want to know before accepting it?

  18. Question 18 of 20 · Short Answer

    Compare Source 1 (Burke) with Source 3 (Acton). How does each explain what the Revolution destroyed or replaced, and how do their stances differ? Quote each source once.

  19. Question 19 of 20 · Short Answer

    Source 1 fears "this new conquering empire of light and reason." Explain how Source 2 and Source 3 each give reason a different role from the one Burke gives it, with a quotation from each.

  20. Question 20 of 20 · Short Answer

    Reading log: which step of the routine did you need most on Source 3? Copy the words where you used it, explain what you did, and say what you understood afterward.

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does RH.11-12.10 mean?

RH.11-12.10 means that by the end of grade 12 students can read and understand, on their own, history and social studies texts as complex as those in the grades 11-CCR band. It closes the history reading strand: the other nine standards name skills, and this one sets how hard the texts are on which students use them.

What does "11-CCR" mean in RH.11-12.10?

CCR stands for college and career readiness. The grades 11-CCR band runs from the texts expected in grade 11 up to the level of reading the Common Core expects of students ready for first-year college courses and workplace training. The Common Core's supplement to Appendix A gives about 1185L to 1385L on the Lexile scale for this band, alongside qualitative features such as structure, language, knowledge demands and purpose.

How is RH.11-12.10 different from RH.9-10.10?

The wording is the same except for the grade and the band: RH.9-10.10 sets the grades 9-10 band by the end of grade 10, and RH.11-12.10 the grades 11-CCR band by the end of grade 12. In practice the texts at the higher band make longer arguments, use more abstract and figurative language, assume more background, and often answer other texts.

How is RH.11-12.10 different from RI.11-12.10?

RI.11-12.10 is the English standard for literary nonfiction. It expects proficient reading by the end of grade 11, with scaffolding as needed at the high end of the band, and independent reading at the high end by the end of grade 12. RH.11-12.10 names only the end of grade 12, and its texts are historical: arguments, documents, speeches, letters and histories.

Can teachers still scaffold texts for RH.11-12.10?

Yes, on the way to the goal. The standard describes where students should be by the end of grade 12, not how every lesson must run. Context notes, glossaries and partner work are useful early, as long as they are taken away in steps, so that by the end students read new texts in the band without them.

Why pair Burke and Wollstonecraft in an RH.11-12.10 lesson?

Because texts at this level often answer other texts, and a reader has to hold both sides at once. Wollstonecraft's reply is hard to follow without Burke, and it changes how Burke reads. The pairing also shows two very different styles on the same question in the same year.

Why read a lecture from 1910 and a history from 1837 alongside the primary sources?

Historians' writing is part of what students must read, and older histories are primary sources for how later generations understood the Revolution. Acton's lecture and Carlyle's dramatic narrative are hard in different ways, which helps students see that complexity is not one thing.

Are texts from the 1790s too hard for high school students?

They are hard, which is the point of the standard, but short passages, a clear routine and supports removed in steps put them within reach of grade 11 and 12 readers. Students who never practice with such texts in high school meet them for the first time in college.

How can parents help with RH.11-12.10?

Read an editorial, a historical speech or a long magazine argument with your teenager and ask: What is this answering? Where does the argument turn? What does this image or phrase mean in plain words? Is the case convincing, and what is missing? Disagreeing about the answers is useful practice.

What comes after RH.11-12.10?

RH.11-12.10 is the last reading standard in the history strand. The same reading supports the writing standards for history, such as WHST.11-12.9, which asks students to draw evidence from informational texts to support analysis, reflection and research, and it prepares students for the reading in college history, government and economics courses.