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RL.9-10.2Common CoreELAReading LiteratureGrades 9-10

RL.9-10.2: Theme, Its Development and Objective Summary

In plain English: RL.9-10.2 is the Common Core ELA standard that asks students in grades 9-10 to determine a theme or central idea of a literary text, trace how it emerges and is shaped and refined by specific details from beginning to end, and write an objective summary that reports the text without personal opinion.

Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.

Common Core State Standards for English Language Arts & Literacy · Domain: Reading Standards for Literature · Cluster: Key Ideas and Details · Official standard

01

Lesson Plan

60-65 min

Overview

Students learn to state a theme as a complete sentence, then follow it through a text: where it first emerges, which details shape it, and how the ending refines it. The anchor text is Robert Frost's "Mending Wall" (1914), a short poem in which two neighbours rebuild a stone wall each spring while one of them questions why it is there. The poem suits this standard because its idea changes as it goes: it starts as a puzzle about walls and ends as a picture of a belief handed down and never examined.

Students then apply the same method to an original short story, "Tuesday Practice," and practice the separate skill the standard names last: an objective summary that reports what happens in order, in neutral words, without the reader's opinions or interpretations.

Learning Objectives

By the end of this lesson, students will be able to:

  • Distinguish a topic from a theme and state a theme as a complete sentence that is not a command
  • Identify where a theme first emerges in a text and quote the details that introduce it
  • Explain how specific later details shape and refine a theme, including details that complicate it
  • Write an objective summary that gives the main events in order without judgment, opinion or interpretation

Prior Knowledge Required

Students should already be comfortable with:

  • Determining a theme and its relationship to characters, setting and plot RL.8.2
  • Citing textual evidence to support an analysis RL.9-10.1
  • Telling the speaker of a poem apart from the poet
  • Paraphrasing a sentence in their own words

Lesson Procedure

60-65 minutes of class time across 5 phases.

  1. Warm-Up5-10 minutes

    Warm-Up Prompt

    "Write down a saying that adults in your life repeat, such as 'Better safe than sorry.' When is it true? When might someone repeat it without thinking about whether it fits?"

    Take three or four answers. Point out that a saying is a claim about life, and that people sometimes inherit claims without testing them. Tell students that the poem they will read turns on one such saying, and that today they will track how a text builds an idea like that from beginning to end.

  2. Direct Instruction20 minutes

    Read the poem aloud once, straight through. Then define the three terms students will use all period:

    • Topic: a subject in a word or phrase (walls, neighbours, tradition).
    • Theme: a complete sentence that states what the text suggests about the topic. It is not a command ("Tear down walls") and not a plot summary.
    • Development: how the idea emerges (first appears), is shaped (added to by details) and is refined (made more exact, or complicated) by the end.

    Something there is that doesn't love a wall,
    That sends the frozen-ground-swell under it,
    And spills the upper boulders in the sun;
    And makes gaps even two can pass abreast.
    The work of hunters is another thing:
    I have come after them and made repair
    Where they have left not one stone on a stone,
    But they would have the rabbit out of hiding,
    To please the yelping dogs. The gaps I mean,
    No one has seen them made or heard them made,
    But at spring mending-time we find them there.
    I let my neighbour know beyond the hill;
    And on a day we meet to walk the line
    And set the wall between us once again.
    We keep the wall between us as we go.
    To each the boulders that have fallen to each.
    And some are loaves and some so nearly balls
    We have to use a spell to make them balance:
    "Stay where you are until our backs are turned!"
    We wear our fingers rough with handling them.
    Oh, just another kind of out-door game,
    One on a side. It comes to little more:
    There where it is we do not need the wall:
    He is all pine and I am apple orchard.
    My apple trees will never get across
    And eat the cones under his pines, I tell him.
    He only says, "Good fences make good neighbours."
    Spring is the mischief in me, and I wonder
    If I could put a notion in his head:
    "Why do they make good neighbours? Isn't it
    Where there are cows? But here there are no cows.
    Before I built a wall I'd ask to know
    What I was walling in or walling out,
    And to whom I was like to give offence.
    Something there is that doesn't love a wall,
    That wants it down." I could say "Elves" to him,
    But it's not elves exactly, and I'd rather
    He said it for himself. I see him there
    Bringing a stone grasped firmly by the top
    In each hand, like an old-stone savage armed.
    He moves in darkness as it seems to me,
    Not of woods only and the shade of trees.
    He will not go behind his father's saying,
    And he likes having thought of it so well
    He says again, "Good fences make good neighbours."

    Robert Frost, Mending Wall (1914). Public domain (published 1914). Source text.
    • Topic vs. theme

      A student writes: "The theme of Mending Wall is walls." What is wrong, and how can it be fixed?

      Result: "Walls" is the topic. Ask what the poem suggests about walls, and answer in a full sentence: "People may keep up barriers out of habit, without asking what the barriers are for."

    • How a theme emerges

      Line 1: "Something there is that doesn't love a wall." What idea begins here?

      Result: The speaker names an unseen force that works against walls. Before any wall is mended, the poem raises a question: should this wall stand at all?

    • How a theme is refined

      Lines 43-45: "He will not go behind his father's saying, / And he likes having thought of it so well / He says again, 'Good fences make good neighbours.'" How does the ending refine the idea?

      Result: The saying turns out to be inherited ("his father's saying"), and the neighbour will not look past it. The theme narrows from walls in general to beliefs people repeat without examining them.

    • Objective summary

      Revise this summary sentence about lines 28-31: "The speaker makes fun of his slow neighbour with a silly question about cows."

      Result: "The speaker wonders whether a wall is needed where there are no cows to keep in." The judgment words ("makes fun of," "slow," "silly") are removed, and the sentence reports only what the lines say.

    Objective summary. Show students that a summary answers "What happens?" and an analysis answers "What does it mean?" The standard asks for both, kept apart. An objective summary gives the main events in order, uses neutral verbs (says, walks, repeats), leaves out opinions ("I think"), praise ("brilliantly") and judgment words ("stubborn"), and stays much shorter than the text. It can end with a neutral statement of the central idea.

  3. Guided Practice15 minutes

    Pairs use two highlighter colors: one for details that shape the idea about the wall, one for details that complicate it. Work through these three details together, asking pairs to explain each before you confirm:

    1. "We keep the wall between us as we go" (line 15). Teacher note: the wall is literally between them as they walk on opposite sides, and the line quietly shows that the task that brings them together also keeps them apart.
    2. "He is all pine and I am apple orchard" (lines 24-26). Teacher note: apple trees cannot cross over and eat pine cones, so there is nothing for the wall to keep in or out. This shapes the idea with a concrete reason from the speaker: the two properties cannot harm each other.
    3. "Before I built a wall I'd ask to know / What I was walling in or walling out" (lines 32-33). Teacher note: the speaker states the question behind the whole poem. A wall should have a reason, and here no one can name one.

    Ask each pair to write a first theme statement for the whole poem, test it against the last three lines, and revise it once. Collect two or three on the board and compare how precise they are.

  4. Independent Practice15 minutes

    Students read the original story below on their own and complete three tasks on the handout: (1) state one theme of the story in a complete sentence; (2) fill in a three-row chart (emerges, shaped, refined) with a quotation in each row; (3) write a first-draft objective summary of no more than four sentences. The quiz questions on this story work as a check once students finish.

    Dani had been the fastest runner at her old school, so in her first week at Eastbrook she ran alone. When Coach Ruiz put her with a group for the long Tuesday loop, she nodded, then pulled ahead at the first hill and kept going.

    "You can wait for us at the bridge," called a tall senior named Priya. Dani pretended not to hear.

    By the third Tuesday she knew the route by heart, or thought she did. At the fork past the reservoir she turned left without slowing. The path narrowed, then ended at a parking lot she had never seen. She jogged in a circle and checked her phone: one bar of battery. Her legs, loose a minute ago, felt heavy.

    She could run back the way she came and pretend nothing had happened. She had done that kind of thing before. Instead she stood at the edge of the lot until she heard feet on gravel and saw the group come over the rise, running together, talking in short breaths.

    Priya slowed down. "Wrong fork," she said. "Everybody takes it once."

    "I know," Dani said, which was not true.

    They did not wait for her to say anything else. The group simply opened a space in the middle, and Dani stepped into it. For the next two miles she heard who was worried about the chemistry test, whose little brother had broken a window, and which hill Coach secretly hated. Nobody asked her how fast she used to be.

    At the bridge, Priya pointed at the water. "This is where we wait," she said. "Every time."

    The next Tuesday Dani reached the bridge first, as usual. She stopped, leaned on the rail, and watched the path until the others came around the bend.

    Lesson author, Tuesday Practice. Original passage written for this page.
  5. Closure5 minutes

    Exit ticket: (1) In one sentence, explain the difference between where a theme emerges and how it is refined. (2) Copy one sentence from your summary draft, circle any word in it that judges a character, and replace that word with a neutral one.

    Teacher note on language: line 40 compares the neighbour to "an old-stone savage armed." The word "savage" reflects an early twentieth-century way of picturing prehistoric people and is now considered dismissive. Treat it as the speaker's unflattering image of his neighbour, not as a fair description of anyone, and invite students to say what the image suggests without repeating the word casually. The spellings "neighbour" and "offence" are Frost's, kept as published.

    For homework: students read the original story below, which the homework uses.

    My grandmother's recipe for lentil soup was written on an index card so stained that the measurements had turned into brown clouds. When she moved in with us, she handed me the card and said, "You make it now." I thought she meant it as an honor. Later I understood she meant it as a test.

    The first pot was a failure. I followed the card exactly, or what I could read of it, and the soup tasted like warm water with a memory of onions. Grandma ate two spoonfuls, set her spoon down, and said nothing, which was worse than criticism.

    The second time, I called my mother at work to ask about a smudge that might be "cumin" or might be "cinnamon." She laughed. "Your grandmother never measured anything in her life," she said. "That card is for guests."

    So I stopped reading the card and started watching. On Sundays I stood beside Grandma while she cooked for herself, and I noticed things no card could hold: she fried the onions until the edges turned dark, she squeezed in lemon at the very end, and she tasted the soup four times, changing something each time.

    By winter my soup was good, but it was not hers. I added more garlic than she liked and a handful of spinach she called "decoration." The first time she finished a whole bowl, she pushed it toward me and said, "Too much garlic." Then she ate a second bowl.

    In the spring I copied a new card for my cousin. I wrote the measurements as clearly as I could. At the bottom, in smaller letters, I added: Watch someone make it first. Then make it yours.

    Lesson author, The Recipe Card. Original passage written for this page.

Differentiation Strategies

For Struggling Students

  • Give a sentence frame for theme statements: "In [title], the author suggests that people who ___ often ___."
  • Pre-mark the poem with brackets around lines 1-4, 23-27 and 43-45 so students look for the idea in three places before reading every line closely
  • Offer a word bank of neutral summary verbs (walks, repeats, answers, waits, returns) and judgment words to avoid

For Advanced Students

  • Ask students to write two competing theme statements for "Mending Wall," one sympathetic to each neighbour, and decide which the ending supports more strongly
  • Have students compare how the proverb means something different the second time it appears (line 27 and line 45)
  • Ask students to write a one-sentence objective summary and a one-paragraph analysis of the same story, then explain what moved from one to the other

Assessment Guidance

What to Look For

Check that theme statements are full sentences about people or life, not topics ("pride") or commands ("Don't lie"). In development work, look for students who quote a detail and then say what it adds to the idea; a quotation followed only by a paraphrase is summary, not analysis. In summaries, circle every judgment word and every "I": an objective summary has none. Many students let one strong word ("arrogant," "foolish") slip in; ask them to find it themselves before you mark it.

02

Classroom Activities

3 Activities

1

Theme Tracker Chart

20 minPairs

Pairs trace the development of one theme statement through "Mending Wall" on a three-row chart, choosing their own evidence for each stage. The goal is to show that a theme is built across the whole text, not found in one line.

Setup

  • Hand out the chart with three rows: Emerges (lines 1-11), Shaped (lines 12-34), Refined (lines 35-45). Each row has columns for a quotation, the line number, and "What this adds to the idea"
  • Each pair starts from the theme statement they wrote in Guided Practice

Procedure

  • For each row, pairs choose one quotation that was not discussed in class and explain in one sentence what it adds
  • Pairs revise their theme statement at the bottom of the chart if the Refined row changed their thinking
  • Two pairs join, compare charts, and choose the strongest quotation for each row to share

Discussion Questions

  • Did any quotation you chose work against your theme statement? What did you do with it?
  • How is the speaker's view of the wall different at the end from the beginning, if at all?
  • Would the poem mean something different if it ended at line 34?

Modification

For students who need support, fill in the Emerges row as a model and have them complete the other two.

2

Topic, Command or Theme?

15 minGroups of 3-4

Groups sort eight statement cards into three piles: Topic, Command, Theme. Then they turn every Topic and Command card into a theme statement. This builds the habit of writing themes as claims.

The Eight Cards

  • Ambition (Topic)
  • Never give up on your dreams. (Command)
  • Fear can make people cling to rules that no longer help them. (Theme)
  • The loss of a home (Topic)
  • Respect your elders. (Command)
  • A person who changes a tradition may keep it alive. (Theme)
  • Loyalty between siblings (Topic)
  • Small kindnesses can matter more than grand gestures. (Theme)

Procedure

  • Shuffle the cards; groups sort them in five minutes without the labels above
  • For each Topic card, groups write a theme statement about that topic; for each Command card, they rewrite it as a statement ("Never give up" becomes a claim about what persistence does)
  • Each group reads its best rewrite aloud

Discussion Questions

  • What made a card hard to sort?
  • Why is a command weaker than a theme statement when you analyze a story?
3

Summary Surgery

15 minIndividual, then pairs

Students repair a flawed summary of a familiar fairy tale, "Cinderella," so that it is objective, accurate, ordered and short. Using a story everyone knows keeps the focus on the rules of summary rather than on comprehension.

The Flawed Summary

"I think Cinderella is the best fairy tale ever. Her horrible stepmother and her two jealous stepsisters make her do all the work. At midnight she runs away from the ball and loses a glass slipper. A fairy godmother appears and helps her go to the ball in a beautiful gown. The prince, who is honestly kind of shallow, searches the kingdom and finds that the slipper fits her, and they marry."

Procedure

  • On their own, students mark five kinds of problems: opinion, judgment words, events out of order, unnecessary detail, missing main event
  • Pairs compare marks, then write a repaired summary of three sentences
  • Answer key for the teacher: opinion ("I think... best fairy tale ever"; "honestly kind of shallow"); judgment words ("horrible," "jealous," "beautiful"); out of order (the fairy godmother must come before the ball and midnight); detail that can go (the gown); nothing about the ball itself or meeting the prince, which is a missing main event

Discussion Questions

  • Which fix changed the summary the most?
  • Is "jealous" always a judgment, or could the text state it? How would you check?

03

Diagrams & Visual Aids

2 diagrams

Diagram 1: How a Theme Emerges, Is Shaped and Is Refined

Tracing a theme through "Mending Wall" 1. Emerges line 1 "Something there is that doesn't love a wall" A force works against walls 2. Shaped lines 27 and 33 "Good fences make good neighbours" vs. "walling in or walling out" A wall needs a reason 3. Refined lines 43-45 "He will not go behind his father's saying" The belief is inherited Theme after all three stages People may keep up barriers out of inherited habit, without asking what they are for.
Three stages in "Mending Wall," using the details modeled in Direct Instruction. The theme at the bottom is one defensible statement; students may word theirs differently if the quotations support it.

Diagram 2: Objective Summary vs. Analysis

Two different jobs the standard asks for Objective summary: "What happens?" Main events, in order Neutral verbs: walks, repeats, waits Much shorter than the text May end with a neutral central idea No "I think," no praise, no blame Analysis: "What does it mean?" A claim about the theme Quotations with line numbers How each detail shapes the idea Interpretation of images and words Kept separate from the summary Write the summary first; the analysis then argues about what the summary reports.
The standard asks for both skills. A summary reports; an analysis interprets. Mixing them is how judgment words slip into summaries.

04

Homework Assignment

~30 min

RL.9-10.2 Homework: Theme and Summary in "The Recipe Card"

Directions: Read the original story "The Recipe Card" at the end of the lesson plan (in Closure). Answer in complete sentences, and put every quotation in quotation marks with its paragraph number (the story has six paragraphs). Problem 6 uses a text of your choice.

Part 1: Determine a Theme (Problems 1-2)

  1. Name the topic of "The Recipe Card" in a word or phrase. Then write a theme statement about that topic as a complete sentence that is not a command.
  2. Quote two details from different paragraphs that point toward your theme, and explain in one sentence each how the detail supports it.

Part 2: Trace the Development (Problems 3-4)

  1. Complete a three-row chart for your theme: where it emerges (paragraph 1 or 2), one detail from the middle that shapes it, and how the last paragraph refines it. Give a quotation in each row.
  2. In paragraph 5, the grandmother says, "Too much garlic," and then eats a second bowl. Explain how this mix of words and action refines the theme.

Part 3: Objective Summary (Problems 5-6)

  1. Write an objective summary of "The Recipe Card" in 4-5 sentences. Then list two words or phrases you removed from your first draft because they judged a character or gave your opinion.
  2. Choose a short story or poem you have read this year that is not on this page. Write an objective summary of it in 4-5 sentences. Then, as a separate sentence, state one theme of the text and explain why that sentence belongs in an analysis rather than in the summary.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Theme StatementComplete sentence, not a command, supported by the whole storyA topic or a narrow plot detail stated as a themeMissing or unrelated to the text
DevelopmentEmerges, shaped and refined each shown with a quotation and an explanationQuotations given but explanations only paraphraseNo quotations or no sense of change
Objective SummaryMain events in order, neutral wording, no opinion, appropriate lengthOne judgment word or one missing main eventRetelling of minor details or a personal response
Evidence and CitationExact quotations with paragraph or line numbersQuotations without locations, or one misquotationNo textual evidence

05

Quiz: 20 Questions

Interactive, with answers

Instructions

Questions 2-7, 17 and 19-20 use "Mending Wall" and questions 8-14 and 16 use "Tuesday Practice"; both texts are in the lesson plan above. Your score updates as you answer, and Reset quiz clears everything.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    Which of these is a theme statement rather than a topic or a command?

  2. Question 2 of 20 · Multiple Choice

    In "Mending Wall," the speaker separates the damage done by hunters (line 5) from "The gaps I mean." Why does this distinction matter to the idea the poem is developing?

  3. Question 3 of 20 · Multiple Choice

    The speaker calls the repair "just another kind of out-door game, / One on a side" (lines 21-22). How does this detail shape the poem's developing idea about the wall?

  4. Question 4 of 20 · Multiple Choice

    Near the end, the speaker sees the neighbour "Bringing a stone grasped firmly by the top / In each hand, like an old-stone savage armed" (lines 39-40). What does this simile add to the development of the theme?

  5. Question 5 of 20 · Short Answer

    "He moves in darkness as it seems to me, / Not of woods only and the shade of trees" (lines 41-42). Explain the two meanings of "darkness" here and how they refine the poem's theme.

  6. Question 6 of 20 · Multiple Choice

    Which sentence belongs in an objective summary of "Mending Wall"?

  7. Question 7 of 20 · Multiple Choice

    Why does the speaker say he could say "Elves" to his neighbour, "But it's not elves exactly, and I'd rather / He said it for himself" (lines 37-38)?

  8. Question 8 of 20 · Multiple Choice

    Which statement best expresses a theme of "Tuesday Practice"?

  9. Question 9 of 20 · Multiple Choice

    Where does the theme of "Tuesday Practice" first emerge?

  10. Question 10 of 20 · Multiple Choice

    "Instead she stood at the edge of the lot until she heard feet on gravel." Why is this sentence a turning point in the development of the theme?

  11. Question 11 of 20 · Multiple Choice

    Dani answers Priya, "I know," "which was not true." What does this detail add to the theme's development?

  12. Question 12 of 20 · Short Answer

    During the last two miles, Dani hears "who was worried about the chemistry test, whose little brother had broken a window, and which hill Coach secretly hated." How do these ordinary details shape the theme?

  13. Question 13 of 20 · Multiple Choice

    How does the final paragraph of "Tuesday Practice" refine the theme?

  14. Question 14 of 20 · Multiple Choice

    Which is the best objective summary of "Tuesday Practice"?

  15. Question 15 of 20 · Multiple Choice

    A student's summary of a story ends, "I would have been embarrassed too." Which rule of an objective summary does this sentence break?

  16. Question 16 of 20 · Short Answer

    A student wrote this summary of "Tuesday Practice": "Dani, who thinks she is better than everyone, runs off alone. She gets lost, which serves her right, and Priya has to rescue her. In the end she finally learns to be a team player." Name three problems with this summary and explain how to fix each one.

  17. Question 17 of 20 · Short Answer

    The speaker questions the wall, yet he is the one who says, "I let my neighbour know beyond the hill" (line 12), and the two men "meet to walk the line." How does this detail complicate the theme of "Mending Wall"?

  18. Question 18 of 20 · Multiple Choice

    A student has the topic "second chances." Which sentence turns that topic into a theme statement?

  19. Question 19 of 20 · Short Answer

    This summary sentence about "Mending Wall" includes interpretation and judgment: "The neighbour, trapped in his own darkness, blindly repeats his father's saying because he is afraid to think." Rewrite it objectively, and name what you removed.

  20. Question 20 of 20 · Short Answer

    The stones are "loaves" and "so nearly balls / We have to use a spell to make them balance" (lines 17-18), and the men "wear our fingers rough with handling them." What do these details suggest about the wall, and how do they connect to the opening line?

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does RL.9-10.2 mean?

It means students in grades 9-10 must be able to state a theme or central idea of a literary text, show how that idea develops from beginning to end through specific details, and write an objective summary. The standard has three demands: determine the theme, analyze its development "in detail," and summarize without opinion. A lesson that only asks "What is the theme?" covers the first demand and misses the other two.

What is the difference between a theme and a central idea?

In practice they overlap: both are the main point a text develops. "Theme" is the usual word for literature, especially a message about life that the reader infers; "central idea" is often used for a single controlling idea, including in informational texts. RL.9-10.2 accepts either, as long as students state it as a complete claim and trace how it develops.

How is RL.9-10.2 different from RL.8.2?

The grade 8 standard asks students to analyze how a theme relates to characters, setting and plot. RL.9-10.2 asks for analysis "in detail" of how the theme emerges and is "shaped and refined by specific details," so students must follow the idea through particular lines and explain what each adds, including details that complicate it.

Can a text have more than one theme?

Yes. The standard says "a theme," so students need to state and support one, but most rich texts support several. Two students can defend different theme statements for "Mending Wall" if the quotations back them up. In grades 11-12, RL.11-12.2 asks students to analyze two or more themes and how they interact.

Why shouldn't a theme statement be a command like "Don't judge others"?

A command tells the reader what to do; a theme states what the text shows about people or life. "Don't lie" is advice. "A lie told to protect someone can still damage trust" is a claim a student can support with evidence and test against the ending. Commands also tend to flatten a text into a simple moral, which makes development hard to analyze.

What makes a summary "objective"?

It reports what the text says or what happens, in order and in neutral words, and leaves out the reader's opinions, feelings and judgments. Words like "foolish," "brilliant" or "I think" signal that a summary has stopped being objective. It should also be much shorter than the original and accurate about who does what.

Should an objective summary include the theme?

It may include a neutral statement of the central idea at the end, but it should not argue for an interpretation. "The poem centers on a disagreement about whether the wall is needed" is neutral; "The poem proves that traditions are foolish" is an argument that belongs in an analysis.

How do students show a theme is "shaped and refined"?

They pick details from different parts of the text and explain what each one adds: a detail may introduce the idea, add a reason, complicate it or narrow it. A three-row chart (emerges, shaped, refined) with a quotation and an explanation in each row makes this visible. A quotation followed only by a paraphrase is not yet analysis.

How is RL.9-10.2 usually assessed?

Tests often ask students to choose the best theme statement, identify which detail develops it, or pick the most objective summary from several options, and constructed responses ask them to trace a theme through a passage with evidence. Practice with both short answers and multiple-choice items, like the quiz on this page, prepares students for either form.

What texts work well for teaching RL.9-10.2?

Short, complete texts whose idea changes as they go: poems like Frost's "Mending Wall," short stories, and fables with a turn at the end. A complete text matters because the standard is about development "over the course of the text"; an excerpt can hide how the idea is refined at the end.