RL.6.3: How a Plot Unfolds in Episodes and How Characters Respond or Change
In plain English: RL.6.3 is the Common Core grade 6 ELA standard that asks students to describe how a story's or drama's plot unfolds in a series of episodes, one step at a time. Students also describe how the characters respond to events, and how they change, as the plot moves toward a resolution.
Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.
Common Core State Standards for English Language Arts & Literacy · Domain: Reading Standards for Literature · Cluster: Key Ideas and Details · Official standard
Students learn to describe a plot as a chain of episodes (connected groups of events, each one a step in the story) and to track how characters respond to each episode and how they change by the end. The text is Oscar Wilde's fairy tale "The Selfish Giant" (1888), printed here complete in five parts. A Giant walls children out of his garden, winter refuses to leave it, and a small boy's tears change him.
The tale suits RL.6.3 well: each part holds one or two clear episodes, each episode causes the next, and the main character changes in a way students can prove with his own words. Students trace the first two parts with the teacher, map Parts 3 and 4 in pairs, and read the ending on their own. The quiz and homework use all five parts.
Learning Objectives
By the end of this lesson, students will be able to:
Divide a story into episodes and describe each one in a sentence, in order
Explain how one episode causes or leads to the next
Describe how a character responds to an event, with a quotation as evidence
Explain how and why a main character changes as the plot moves toward its resolution
Prior Knowledge Required
Students should already be comfortable with:
Comparing characters, settings or events in a story using specific details RL.5.3
Explaining how chapters or scenes fit together to make a whole story RL.5.5
Citing textual evidence for what a text says and suggests RL.6.1
"Think of a movie or book where a character starts out one way and ends up different. Name the character, then write: 'At first, ___. Then ___ happened. By the end, ___.'"
Take three or four answers. Point out that each answer has a middle, "Then ___ happened," and that the change needed that event. Tell students that today they will split a story into its steps, called episodes, and track how the characters react to each step.
Direct Instruction15 minutes
Teach six words and leave them on the board:
Plot: the events of a story, in the order the story tells them.
Episode: a connected group of events that happen in one stretch of the story, a bit like a scene in a movie. Each episode moves the plot one step, and a new episode often starts with a new time, place or problem.
Conflict: the main problem the characters face.
Turning point (also called the climax): the episode where the conflict comes to a head and things start to go a new way.
Resolution: the end of the plot, where the conflict is settled.
Respond and change: a character responds to an event with words, actions or feelings. A character changes when the way they think or act at the end is different from the beginning.
Introduce the text: Oscar Wilde (1854-1900) was an Irish writer who wrote fairy tales for his own sons. "The Selfish Giant" was first published in 1888. Words to know for Parts 1 and 2: ogre (a giant, often a scary one, from folk tales; "Cornish" means from Cornwall, in England), gruff (rough and unfriendly), trespassers (people who go onto land without permission), prosecuted (taken to court), slates (flat stone tiles on a roof). Read Parts 1 and 2 aloud.
1EVERY afternoon, as they were coming from school, the children used to go and play in the Giant’s garden.
2It was a large lovely garden, with soft green grass. Here and there over the grass stood beautiful flowers like stars, and there were twelve peach-trees that in the spring-time broke out into delicate blossoms of pink and pearl, and in the autumn bore rich fruit. The birds sat on the trees and sang so sweetly that the children used to stop their games in order to listen to them. “How happy we are here!” they cried to each other.
3One day the Giant came back. He had been to visit his friend the Cornish ogre, and had stayed with him for seven years. After the seven years were over he had said all that he had to say, for his conversation was limited, and he determined to return to his own castle. When he arrived he saw the children playing in the garden.
4“What are you doing here?” he cried in a very gruff voice, and the children ran away.
5“My own garden is my own garden,” said the Giant; “any one can understand that, and I will allow nobody to play in it but myself.” So he built a high wall all round it, and put up a notice-board.
6TRESPASSERS WILL BE PROSECUTED
7He was a very selfish Giant.
8The poor children had now nowhere to play. They tried to play on the road, but the road was very dusty and full of hard stones, and they did not like it. They used to wander round the high wall when their lessons were over, and talk about the beautiful garden inside. “How happy we were there,” they said to each other.
Oscar Wilde, The Selfish Giant (Part 1: the garden and the wall) (1888; this edition 1910). Public domain (published 1910). Source text.
1Then the Spring came, and all over the country there were little blossoms and little birds. Only in the garden of the Selfish Giant it was still winter. The birds did not care to sing in it as there were no children, and the trees forgot to blossom. Once a beautiful flower put its head out from the grass, but when it saw the notice-board it was so sorry for the children that it slipped back into the ground again, and went off to sleep. The only people who were pleased were the Snow and the Frost. “Spring has forgotten this garden,” they cried, “so we will live here all the year round.” The Snow covered up the grass with her great white cloak, and the Frost painted all the trees silver. Then they invited the North Wind to stay with them, and he came. He was wrapped in furs, and he roared all day about the garden, and blew the chimney-pots down. “This is a delightful spot,” he said, “we must ask the Hail on a visit.” So the Hail came. Every day for three hours he rattled on the roof of the castle till he broke most of the slates, and then he ran round and round the garden as fast as he could go. He was dressed in grey, and his breath was like ice.
2“I cannot understand why the Spring is so late in coming,” said the Selfish Giant, as he sat at the window and looked out at his cold white garden; “I hope there will be a change in the weather.”
3But the Spring never came, nor the Summer. The Autumn gave golden fruit to every garden, but to the Giant’s garden she gave none. “He is too selfish,” she said. So it was always Winter there, and the North Wind, and the Hail, and the Frost, and the Snow danced about through the trees.
Oscar Wilde, The Selfish Giant (Part 2: the winter that stays) (1888; this edition 1910). Public domain (published 1910). Source text.
Finding an episode
Where does the first episode end and the second begin in Part 1?
Result: Episode 1 (paragraphs 1-2) is the children's happy afternoons in the garden. A new episode starts at paragraph 3 with a new event and a new problem: "One day the Giant came back." The words "One day" signal the change. Episode 2 runs through the wall, the notice-board and the children left on the dusty road (paragraphs 3-8).
How one episode causes the next
How does the wall in Part 1 lead to the winter in Part 2?
Result: In Part 2, paragraph 1, "The birds did not care to sing in it as there were no children, and the trees forgot to blossom." The garden stays in winter because the children are gone, and they are gone because of the wall. The word "as" (meaning because) shows the link between the two episodes.
A character's response
How does the Giant respond to the winter that will not end, and what does his response show?
Result: He sits at his window and says, "I cannot understand why the Spring is so late in coming" (Part 2, paragraph 2). He treats it as a weather problem. His response shows that he has not changed yet: he does not connect the winter to what he did to the children.
Response or change?
In Part 1 the children cry "How happy we are here!" and later say "How happy we were there." Is this a change in the children?
Result: It is a response, not a change in who they are. The children still love the garden; what has changed is their situation. Moving from "are here" to "were there" shows the loss the conflict has caused. A character change, like the Giant's later in the story, means the character's own way of thinking or acting is different.
Model the thinking with Diagram 1. Show the seven episodes and ask after each one: "What does this episode cause?" Then show Diagram 2 and ask: "Which episodes happen between these two sets of words, and why do the words change?" Stress that a description of a plot says how the events connect, not only what they are.
Guided Practice15 minutes
Read Parts 3 and 4 aloud. Words to know: linnet (a small songbird), casement (a window that opens on hinges, like a door), crept (moved slowly and quietly), stole up (moved up quietly, so as not to be noticed) and companion (a friend who spends time with you).
1One morning the Giant was lying awake in bed when he heard some lovely music. It sounded so sweet to his ears that he thought it must be the King’s musicians passing by. It was really only a little linnet singing outside his window, but it was so long since he had heard a bird sing in his garden that it seemed to him to be the most beautiful music in the world. Then the Hail stopped dancing over his head, and the North Wind ceased roaring, and a delicious perfume came to him through the open casement. “I believe the Spring has come at last,” said the Giant; and he jumped out of bed and looked out.
2What did he see?
3He saw a most wonderful sight. Through a little hole in the wall the children had crept in, and they were sitting in the branches of the trees. In every tree that he could see there was a little child. And the trees were so glad to have the children back again that they had covered themselves with blossoms, and were waving their arms gently above the children’s heads. The birds were flying about and twittering with delight, and the flowers were looking up through the green grass and laughing. It was a lovely scene, only in one corner it was still winter. It was the farthest corner of the garden, and in it was standing a little boy. He was so small that he could not reach up to the branches of the tree, and he was wandering all round it, crying bitterly. The poor tree was still quite covered with frost and snow, and the North Wind was blowing and roaring above it. “Climb up! little boy,” said the Tree, and it bent its branches down as low as it could; but the boy was too tiny.
4And the Giant’s heart melted as he looked out. “How selfish I have been!” he said; “now I know why the Spring would not come here. I will put that poor little boy on the top of the tree, and then I will knock down the wall, and my garden shall be the children’s playground for ever and ever.” He was really very sorry for what he had done.
Oscar Wilde, The Selfish Giant (Part 3: the morning the music comes) (1888; this edition 1910). Public domain (published 1910). Source text.
1So he crept downstairs and opened the front door quite softly, and went out into the garden. But when the children saw him they were so frightened that they all ran away, and the garden became winter again. Only the little boy did not run, for his eyes were so full of tears that he did not see the Giant coming. And the Giant stole up behind him and took him gently in his hand, and put him up into the tree. And the tree broke at once into blossom, and the birds came and sang on it, and the little boy stretched out his two arms and flung them round the Giant’s neck, and kissed him. And the other children, when they saw that the Giant was not wicked any longer, came running back, and with them came the Spring. “It is your garden now, little children,” said the Giant, and he took a great axe and knocked down the wall. And when the people were going to market at twelve o’clock they found the Giant playing with the children in the most beautiful garden they had ever seen.
2All day long they played, and in the evening they came to the Giant to bid him good-bye.
3“But where is your little companion?” he said: “the boy I put into the tree.” The Giant loved him the best because he had kissed him.
4“We don’t know,” answered the children; “he has gone away.”
5“You must tell him to be sure and come here to-morrow,” said the Giant. But the children said that they did not know where he lived, and had never seen him before; and the Giant felt very sad.
6Every afternoon, when school was over, the children came and played with the Giant. But the little boy whom the Giant loved was never seen again. The Giant was very kind to all the children, yet he longed for his first little friend, and often spoke of him. “How I would like to see him!” he used to say.
Oscar Wilde, The Selfish Giant (Part 4: the wall comes down) (1888; this edition 1910). Public domain (published 1910). Source text.
Split Parts 3 and 4 into episodes. Pairs draw a line wherever a new episode begins and give each episode a short title. Teacher key: Part 3 is one episode (a bird's song wakes the Giant, and what he sees from the window changes his mind). Part 4 holds two: the Giant goes out and gives the garden to the children (paragraphs 1-2), then the small boy cannot be found and the Giant misses him (paragraphs 3-6).
Link the episodes. For each line they drew, pairs write one "because" sentence joining the two episodes, with a paragraph number for each side.
Track one response. Pairs pick one moment where the Giant says or does something new in Parts 3-4, copy the words, and write what the words show about him. Discuss two or three answers as a class, then ask: at which moment does the Giant stop responding the old way?
Independent Practice15 minutes
Students read Part 5, the ending, on their own. Words to know: feeble (weak), merely (only), marvellous (the British spelling of marvelous), hath, thee and thou (old words for "has" and "you"), slay (kill), awe (a feeling of deep respect and wonder) and Paradise (heaven).
1Years went over, and the Giant grew very old and feeble. He could not play about any more, so he sat in a huge armchair, and watched the children at their games, and admired his garden. “I have many beautiful flowers,” he said; “but the children are the most beautiful flowers of all.”
2One winter morning he looked out of his window as he was dressing. He did not hate the Winter now, for he knew that it was merely the Spring asleep, and that the flowers were resting.
3Suddenly he rubbed his eyes in wonder, and looked and looked. It certainly was a marvellous sight. In the farthest corner of the garden was a tree quite covered with lovely white blossoms. Its branches were all golden, and silver fruit hung down from them, and underneath it stood the little boy he had loved.
4Downstairs ran the Giant in great joy, and out into the garden. He hastened across the grass, and came near to the child. And when he came quite close his face grew red with anger, and he said, “Who hath dared to wound thee?” For on the palms of the child’s hands were the prints of two nails, and the prints of two nails were on the little feet.
5“Who hath dared to wound thee?” cried the Giant; “tell me, that I may take my big sword and slay him.”
6“Nay!” answered the child; “but these are the wounds of Love.”
7“Who art thou?” said the Giant, and a strange awe fell on him, and he knelt before the little child.
8And the child smiled on the Giant, and said to him, “You let me play once in your garden, to-day you shall come with me to my garden, which is Paradise.”
9And when the children ran in that afternoon, they found the Giant lying dead under the tree, all covered with white blossoms.
Oscar Wilde, The Selfish Giant (Part 5: the ending) (1888; this edition 1910). Public domain (published 1910). Source text.
On the handout, students (1) write one sentence for each episode in Part 5; (2) explain how the ending settles the conflict that started with the wall in Part 1; (3) choose one quotation from Part 1 and one from Part 5 that show the Giant before and after, and explain what changed and which episode caused it. The quiz uses all five parts of the story.
Closure5-10 minutes
Exit ticket: (1) In your own words, what is an episode? (2) Name one episode that caused another, and write one "because" sentence joining them.
Teacher note on language and content: the story is printed exactly as it appears in a 1910 London edition, so it keeps British spellings ("marvellous," "grey") and old forms such as "to-morrow," "hath" and "thou." The ending uses Christian imagery: the child's wounds and the word "Paradise" point to Jesus. Students do not need to know this to follow the plot or the Giant's change; if it comes up, treat it as a detail of the story the author chose, as you would any other allusion (a reference to another well-known story or figure).
Differentiation Strategies
For Struggling Students
Give an episode frame for each part: "In this part, ___ happens. Because of this, ___."
Before reading Part 3, have students predict one thing the Giant might see from his window, then check
Give the character response chart with the first row filled in, so students copy the pattern: event, response, quotation, what it shows
For Advanced Students
Ask them to argue whether the turning point is the moment the Giant's heart melts (Part 3) or the moment he knocks down the wall (Part 4), using details from both
Have them track a minor character, such as the Tree in the far corner, and explain how its response helps the plot move forward
Ask them to write a one-paragraph episode that could fit between Part 4 and Part 5 without changing the ending
Assessment Guidance
What to Look For
Check that students describe episodes in order and explain the links between them with words like "because" or "so," not a list of events with "and then." Look for responses supported by a quotation and a paragraph number, and for a clear difference between a character responding (reacting to one event) and changing (thinking or acting differently by the end). Strong answers name the episode that causes a change. Watch for students who describe the Giant as simply "mean, then nice" without the events in between.
02
Classroom Activities
3 Activities
1
Episode Card Sort
10 minPairs
Pairs put eight event cards from the story in order, then group them into beginning, middle and end. The goal is to see the plot as a chain of steps, each one leading to the next.
The Eight Cards (printed out of order)
Card 1: A bird sings outside the Giant's window one morning.
Card 2: The Giant builds a wall and puts up a notice-board.
Card 3: The Giant, now old, watches the children from a huge armchair.
Card 4: Children play in the garden on their way home from school.
Card 5: A tree in the far corner is covered with white blossoms.
Card 6: The Snow, the Frost, the North Wind and the Hail move into the garden.
Card 7: The Giant comes home from a long visit.
Card 8: The Giant puts a crying boy up into a tree.
Procedure
Pairs lay the cards in the order the events happen, checking the text for each card
Between each pair of cards, they write "because" or "so" on a sticky note and add a few words that link the two events
They mark the card they think is the turning point with a star and are ready to defend the choice
Answer key for the teacher: 4, 7, 2, 6, 1, 8, 3, 5
Discussion Questions
Which two cards were hardest to link with "because"? What goes between them in the story?
Did every pair star the same card? What reasons did you hear for different choices?
Which card shows the Giant responding for the first time in a new way?
Modification
For students who need support, hand out only cards 4, 2, 1, 8 and 5 first, then add the other three once the five are in order.
2
Character Response Chart
15 minGroups of 3-4
Each group follows one character (or group of characters) through the whole story and charts how that character responds to three or more events. The goal is to find where a character only reacts and where a character really changes.
Characters to Assign
The Giant
The children
The small boy in the far corner
The weather: the Snow, the Frost, the North Wind, the Hail, the Spring and the Autumn
Procedure
Each group draws a four-column chart: Event, Response (words or actions), Quotation with part and paragraph, What it shows
Groups fill at least three rows from at least two different parts of the story
At the bottom, the group answers: "Does our character change, or only respond? What is the proof?"
Each group reports its answer in one minute while others check the quotations
Discussion Questions
Which character changes the most? Which one changes the least?
The weather characters act like people in this story. How do their responses push the plot forward?
Could the Giant have changed without the small boy? What in the text makes you think so or not?
3
Freeze Frames
15 minGroups of 4-5
Groups make a silent, frozen scene (a freeze frame) for one episode. The class names the episode, then each frozen character "unfreezes" to say one line about how they feel. The goal is to connect each episode to the characters' responses in it.
Procedure
Give each group one episode number from Diagram 1 without telling the other groups
Groups plan a freeze frame in 3 minutes: every member is a character or part of the setting, such as a tree or the wall
Each group holds its freeze frame for 10 seconds; the class names the episode and the part of the story it comes from
The teacher taps each character, who says one sentence in role that shows their response, based on the text
Groups perform in episode order, so the class sees the whole plot unfold
Discussion Questions
Which freeze frame showed the biggest difference in how a character felt from the frame before?
Which line from a character was closest to the words in the text?
Variation
For online classes, students build the freeze frame as a quick sketch or with simple shapes in a shared slide, and type the in-role sentences into the chat.
03
Diagrams & Visual Aids
2 diagrams
Diagram 1: The Episodes of "The Selfish Giant"
The seven episodes of the story, in order, with the part of the text each comes from and its place in the plot. The dark row is the turning point.
Diagram 2: How the Giant Changes
The Giant's own words at three points in the plot, with the events that cause each change. Quotations come from Part 1, paragraph 5; Part 3, paragraph 4; and Part 5, paragraph 1.
04
Homework Assignment
~30 min
RL.6.3 Homework: Episodes, Responses and Change in "The Selfish Giant"
Directions: Use all five parts of "The Selfish Giant" in the lesson plan (Parts 1 and 2 in Direct Instruction, Parts 3 and 4 in Guided Practice, Part 5 in Independent Practice). Answer in complete sentences. When you quote, put the words in quotation marks and give the part and paragraph, for example (Part 2, paragraph 3).
Part 1: The Episodes (Problems 1-2)
Diagram 1 names the seven episodes but does not say how they connect. Write a chain of six sentences, one for each pair of neighboring episodes, that joins them with "because" or "so." Then say which episode you think is the real turning point, the one Diagram 1 marks or another, and explain your choice in one or two sentences.
Choose two episodes linked by cause and effect, other than the wall and the winter, which we traced in class. Explain the link in two or three sentences and quote one detail from each episode.
Part 2: How Characters Respond (Problems 3-4)
Describe how the children respond at three different points in Parts 4 and 5. Do not use their return to the garden, which the quiz covers. For each point, give the event, the children's response and a short quotation.
In Part 2 the Snow and the Frost say, "Spring has forgotten this garden, [...] so we will live here all the year round." How do the Snow, the Frost and the North Wind respond to the empty garden, and how do their responses make the Giant's problem grow? Leave out the Hail and the Autumn, which the quiz covers.
Part 3: How the Giant Changes (Problems 5-6)
Compare what the Giant says to the children in Part 1, paragraph 4 ("What are you doing here?"), with what he says about the small boy in Part 4, paragraph 5 ("You must tell him to be sure and come here to-morrow"). Explain what has changed in him and name the episode that caused the change.
Is the Giant's change sudden, gradual (slow, a little at a time), or both? Write a paragraph of five to seven sentences that answers the question, using evidence from at least three different parts of the story.
Rubric
Criterion
Full Credit (2 pts)
Partial Credit (1 pt)
No Credit (0 pts)
Episodes in order
All six links are in order with a clear "because" or "so," and the turning point is chosen with a reason
Most links are clear and in order, or the turning point has no reason
Episodes are listed with no links, or out of order
Cause and effect
Two episodes are joined with a clear "because" link and a quotation from each
A link is stated but with one quotation or a weak reason
Events are listed with no link
Responses
Three responses, each with its event and an exact quotation
Two responses, or responses without quotations
One response or none
Change
Before and after are compared with quotations, and the cause of the change is named
The change is described but the cause or the evidence is missing
No clear change is described
05
Quiz: 20 Questions
Interactive, with answers
Instructions
Questions 2-20 use "The Selfish Giant": Parts 1 and 2 are in Direct Instruction, Parts 3 and 4 in Guided Practice and Part 5 in Independent Practice. Question 1 is about plot in general. Your score updates as you answer, and Reset quiz clears everything.
Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.
0 of 20 answered · 0 correct
Question 1 of 20 · Multiple Choice
In a short story, Lena borrows her friend's bike and breaks it, hides it in her garage, is found out when her friend sees it, and finally says sorry and helps pay for the repair. Which event is the resolution?
Answer: D
The resolution is the end of the plot, where the conflict is settled, and Choice D settles the problem the broken bike started. Choice A is the event that starts the conflict. Choice B makes the problem worse (rising action). Choice C is the moment the problem comes to a head, the turning point, not the ending.
Question 2 of 20 · Multiple Choice
Why does the Giant come home at the start of Part 1?
Answer: A
The text says, "After the seven years were over he had said all that he had to say, for his conversation was limited" (Part 1, paragraph 3). That is his reason, and it sets off the second episode. Choice B reverses the order: he sees the children only "When he arrived." Choice C invents a quarrel the story never mentions. Choice D confuses the winter in Part 2, which comes after the wall, with a reason for coming home.
Question 3 of 20 · Multiple Choice
How do the children respond once they are shut out of the garden?
Answer: B
Part 1, paragraph 8 says, "They used to wander round the high wall when their lessons were over, and talk about the beautiful garden inside." Choice A misreads the road, which was "very dusty and full of hard stones," and the children "did not like it"; they build nothing. Choices C and D invent actions; the children do not try to get back in until Part 3.
Question 4 of 20 · Multiple Choice
In Part 1, "The birds sat on the trees and sang so sweetly." In Part 3, "The birds were flying about and twittering with delight." What does this pair of details show about how the plot unfolds?
Answer: C
The birds sing in the first episode, stop once the children are shut out ("The birds did not care to sing in it"), and come back with the children, so the plot circles back to where it started, with one difference: now the Giant is watching. Choice A is contradicted by the birds "flying about" in Part 3. Choice B has no support. Choice D reverses the text: the birds return with the children, and they stayed away while the Giant was alone.
Question 5 of 20 · Multiple Choice
In Part 2, why does the Autumn give the Giant's garden no fruit?
Answer: D
"The Autumn gave golden fruit to every garden, but to the Giant's garden she gave none. 'He is too selfish,' she said" (Part 2, paragraph 3). The Autumn responds to the Giant's choice, which is how the story shows that the winter is a result of the wall. Choice A misreads what the Hail broke: "most of the slates" on the roof. Choices B and C invent events; the birds "did not care to sing in it" and never came.
Question 6 of 20 · Multiple Choice
Which event in Part 2 shows the problem starting to hurt the Giant himself, not only the garden and the children?
Answer: B
The Hail "rattled on the roof of the castle till he broke most of the slates" (Part 2, paragraph 1), so the Giant's own home is damaged. Choices A and D describe the garden, not the Giant's home. Choice C is the children's problem, and it happens in Part 1, not Part 2.
Question 7 of 20 · Multiple Choice
The Giant first thinks the music he hears is "the King's musicians passing by," but it is "only a little linnet." Why does one bird's song seem so beautiful to him?
Answer: C
The text explains it directly: "it was so long since he had heard a bird sing in his garden that it seemed to him to be the most beautiful music in the world" (Part 3, paragraph 1). His response shows how much the long winter has cost him. Choice A has no support. Choice B takes his first guess, the King's musicians, as a fact. Choice D invents a plan by the children.
Question 8 of 20 · Multiple Choice
How do the children get back into the garden in Part 3?
Answer: D
"Through a little hole in the wall the children had crept in" (Part 3, paragraph 3). The children act on their own; the Giant does not let them in. Choice A reverses the plot: he opens nothing until later, and then they run away. Choice B invents a ladder. Choice C confuses the North Wind, which only roars, with the Giant's axe in Part 4.
Question 9 of 20 · Multiple Choice
Why is the small boy in the farthest corner important to the plot of Part 3?
Answer: A
The boy "was so small that he could not reach up to the branches of the tree," he was "crying bitterly," and his corner "was still winter" (Part 3, paragraph 3). He is shut out just as all the children were, and seeing him is what finally moves the Giant to act. Choice B confuses the boy with the Giant's seven years away. Choice C has no support: the text never says who found the hole. Choice D reverses what happens: the boy never speaks to the Giant in Part 3.
Question 10 of 20 · Multiple Choice
In Part 4, when the Giant comes into the garden, why does the small boy not run away like the others?
Answer: B
"Only the little boy did not run, for his eyes were so full of tears that he did not see the Giant coming" (Part 4, paragraph 1). Choice A gives him a wish the text never states. Choice C reverses the order: the Giant puts him into the tree only after reaching him. Choice D has no support; the Giant "stole up behind him," quietly.
Question 11 of 20 · Multiple Choice
What makes the other children come running back in Part 4?
Answer: C
"And the other children, when they saw that the Giant was not wicked any longer, came running back" (Part 4, paragraph 1). They respond to what they see him do for the small boy. Choice A reverses the order: he says "It is your garden now" only after they return. Choice B confuses the birds, which sing on the boy's tree, with the reason the children return. Choice D has no support.
Question 12 of 20 · Multiple Choice
In Part 4 the Giant "took a great axe and knocked down the wall." How does this action connect to earlier episodes?
Answer: D
The wall went up in Part 1 ("So he built a high wall all round it"), and it caused the long winter in Part 2. Knocking it down removes the cause of the conflict, which is why the Spring returns. Choice A has no support: he tells the children, "It is your garden now." Choice B makes a claim the text never supports and misses the connection. Choice C gets the order wrong: Part 3 comes first.
Question 13 of 20 · Multiple Choice
How does the Giant respond when the small boy is never seen again?
Answer: A
"The Giant was very kind to all the children, yet he longed for his first little friend, and often spoke of him" (Part 4, paragraph 6). His change holds: he stays kind even while he is sad. Choice B would undo his change, which the text never does. Choice C is contradicted by "often spoke of him." Choice D invents a search.
Question 14 of 20 · Multiple Choice
In Part 5 the old Giant "did not hate the Winter now, for he knew that it was merely the Spring asleep." How does this sentence show that he has changed?
Answer: C
In Part 2 the endless winter came as a punishment for the wall. Now a winter morning does not trouble him, because he knows "the flowers were resting" (Part 5, paragraph 2). His way of seeing the world has changed along with his way of treating others. Choice A overstates the text: not hating the Winter is not the same as loving it most. Choice B has no support; the winter now comes like any other season. Choice D is contradicted: he is looking "out of his window" at the garden when he thinks this.
Question 15 of 20 · Short Answer
Explain how the children's return in Part 3 leads to the events of Part 4. Use one detail from each part.
Model answer: When the children crept back in, the trees "covered themselves with blossoms" (Part 3, paragraph 3), and the Giant finally saw that the children bring the Spring. Only one corner stayed in winter, where a small boy was crying, and seeing him made the Giant decide to help. Because of that decision, in Part 4 he goes out, "put him up into the tree," and knocks down the wall (Part 4, paragraph 1). Rubric: 2 points for a clear cause-and-effect link with a detail from each part; 1 point for a link with one detail, or two details with no link; 0 points otherwise.
Question 16 of 20 · Short Answer
Choose one character other than the Giant, such as the Tree, the North Wind or the Autumn. Describe how that character responds to an event in the plot, and explain how the response moves the plot forward. Quote the text.
Model answer: The Tree in the far corner responds to the crying boy: "'Climb up! little boy,' said the Tree, and it bent its branches down as low as it could; but the boy was too tiny" (Part 3, paragraph 3). Its failed attempt keeps that corner in winter and leaves the boy crying, which is the sight that makes the Giant's heart melt. Without it, the Giant might not have gone out at all. Rubric: 2 points for a response supported by a quotation and linked to what it causes in the plot; 1 point for a response with a quotation but no link, or a link with no quotation; 0 points otherwise.
Question 17 of 20 · Short Answer
In Part 4 the small boy "flung them round the Giant's neck, and kissed him." How does the boy's response affect the Giant, both in Part 4 and later in the story?
Model answer: The boy is the first child to show the Giant love, and that response changes the Giant's feelings: "The Giant loved him the best because he had kissed him" (Part 4, paragraph 3). It also makes the other children trust him, since they see he is "not wicked any longer." Later, the Giant "longed for his first little friend" (Part 4, paragraph 6), and in Part 5 he runs "in great joy" when the boy finally returns. Rubric: 2 points for an effect in Part 4 and a later effect, each with evidence; 1 point for one effect with evidence; 0 points otherwise.
Question 18 of 20 · Short Answer
At the very end, the children find the Giant "all covered with white blossoms." How does this last image connect to Part 2, and how does it help settle the story's conflict?
Model answer: In Part 2 the Giant's selfishness kept the flowers and fruit away: "So it was always Winter there" (Part 2, paragraph 3). At the end, blossoms cover the Giant himself (Part 5, paragraph 9). The image shows that the winter caused by his wall is over for good, and that the Giant who shut children out has become someone the garden honors. The conflict that began with the wall is fully settled. Rubric: 2 points for linking the blossoms to Part 2 and explaining how the image settles the conflict; 1 point for the link or the explanation only; 0 points otherwise.
Question 19 of 20 · Short Answer
A classmate describes the plot of "The Selfish Giant" this way: "A giant is mean, and then he is nice." Explain what this description leaves out about how the plot unfolds. Name at least three episodes in your answer.
Model answer: It leaves out the chain of episodes that makes the change happen and the reasons for it. The Giant walls the children out (Part 1); then "the Spring never came, nor the Summer," and winter fills his garden all year (Part 2); then a bird's song leads him to the window, where he sees the children back in the trees and one boy left out (Part 3). Only after these episodes does he knock down the wall (Part 4). The classmate's version also skips the ending, when the boy returns (Part 5), which is where the plot is resolved. Rubric: 2 points for three or more episodes in order, with the causes that link them; 1 point for episodes without links, or fewer than three; 0 points otherwise.
Question 20 of 20 · Short Answer
In Part 5 the Giant's "face grew red with anger," and he offers to "take my big sword and slay him." Does this mean he has gone back to being the gruff Giant of Part 1? Explain with evidence.
Model answer: No. In Part 1 his anger was about keeping his garden to himself: "My own garden is my own garden." In Part 5 he is angry because someone has hurt the child he loves ("Who hath dared to wound thee?"), so his anger now protects someone else. A moment later "a strange awe fell on him, and he knelt before the little child" (Part 5, paragraph 7), which the gruff Giant would never have done. His response shows how far he has changed, not a return to the old Giant. Rubric: 2 points for a clear answer that compares Part 1 and Part 5 with evidence from both; 1 point for an answer with evidence from one part only; 0 points otherwise.
0 of 20 answered · 0 correct
06
Frequently Asked Questions
10 Questions
What does RL.6.3 mean?
It means sixth graders must describe how a story's plot moves forward in episodes and how the characters respond or change along the way. The standard has two parts: tell how the plot "unfolds in a series of episodes," and describe "how the characters respond or change as the plot moves toward a resolution." It works for plays as well as stories.
What is an episode in a story?
An episode is a connected group of events that happen in one stretch of the story, a bit like a scene in a movie. A new episode often begins with a new time, place or problem, signaled by words like "One day" or "Years went over." A short story may have five to ten episodes.
What is the difference between a character responding and a character changing?
A response is how a character reacts to one event; a change is a difference in how the character thinks or acts by the end. Every character responds, but not every character changes. To prove a change, compare the character's words or actions near the beginning with those near the end, and name the events in between that caused it.
How is RL.6.3 different from RL.5.3?
RL.5.3 asks students to compare and contrast characters, settings or events using details. RL.6.3 asks them to follow a whole plot step by step and to track how the characters respond and change over time. The grade 6 standard is about movement through the story, not only side-by-side comparison.
What comes after RL.6.3 in grades 7 and 8?
RL.7.3 asks students to analyze how elements of a story interact, for example how the setting shapes the characters or the plot. RL.8.3 asks how particular lines of dialogue or incidents propel the action, reveal a character or provoke a decision. Both build on the episode-by-episode tracking taught in grade 6.
Do students need to use words like climax and rising action for RL.6.3?
No, the standard does not require the terms, but they help students talk about how a plot unfolds. What the standard asks is that students describe the episodes and the characters' responses. Terms such as conflict, turning point and resolution give students a shared language for doing that.
Why use a fairy tale for a grade 6 plot lesson?
A short fairy tale lets students see the whole plot, from beginning to resolution, in one class period. "The Selfish Giant" has clearly marked episodes and a main character whose change can be proved with his own words. The same skills then carry over to longer novels, where an episode may be a whole chapter.
What mistakes do students make when describing a plot?
A common error is listing events joined by "and then" without showing how one causes the next. Another is describing a character with one label, such as "mean" or "nice," instead of tracing how the character responds to each event. Asking for a "because" sentence between episodes fixes both.
How is RL.6.3 usually tested?
Tests usually ask students to put events in order, to pick the event that causes a later one, and to choose the best description of how a character changes. Written responses often ask students to explain a change with evidence from the beginning and the end of the story. Question 20 on this page is an example.
How can parents help with RL.6.3 at home?
After your child reads a chapter or watches a show, ask: "What happened first, and what did that cause?" and "How did the main character react? Were they different by the end?" Asking for the reason behind each step, not only the steps, is the heart of this standard.
07
Related Standards
5 standards
These standards connect to RL.6.3: prerequisites to review first, parallel standards at the same level, and next steps that build on it.
Before this lesson
RL.5.3Prerequisite
Compare and contrast characters, settings or events in a story using specific details
Lesson coming soon
Alongside
RL.6.2Parallel
Determine a theme and the details that convey it; summarize without opinions