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RI.7.3Common CoreELAReading Informational TextGrade 7

RI.7.3: How Individuals, Events and Ideas Interact in Nonfiction

In plain English: RI.7.3 is the Common Core grade 7 ELA standard that asks students to analyze how individuals, events and ideas interact in an informational text. Students trace how an idea shapes what a person does or what happens, and how a person shapes ideas or events, and they back each link with evidence. It builds on RI.6.3.

Analyze the interactions between individuals, events, and ideas in a text (e.g., how ideas influence individuals or events, or how individuals influence ideas or events).

Common Core State Standards for English Language Arts & Literacy · Domain: Reading Standards for Informational Text · Cluster: Key Ideas and Details · Official standard

01

Lesson Plan

55-65 min

Overview

Students learn to analyze how individuals (people or groups), events (things that happen) and ideas (beliefs, plans, goals and opinions) work on each other in a nonfiction text. The standard's two examples guide the lesson: how an idea influences a person or an event, and how a person influences an idea or an event. Students learn to name each link, show it with evidence and explain how it works, instead of only listing who was there and what happened.

The text is a true story told in four passages from Jacob Riis's autobiography, The Making of an American (1901). In 1870, as a homeless young immigrant, Riis spent a night in a New York police station, where his dog was killed. Years later, as a newspaper reporter, he chose not to take revenge on the sergeant and set out instead to end the police lodging rooms. The homework passage shows how that campaign turned out. Students follow the chain of influence through all four passages, starting with an invented school story in the warm-up.

Learning Objectives

By the end of this lesson, students will be able to:

  • Identify the individuals, events and ideas in an informational text and explain what counts as each
  • Explain how an idea influences an individual or an event, with a quotation and paragraph number for each link
  • Explain how an individual influences an idea or an event, and show when an influence runs in both directions
  • Trace a chain of interactions across several passages of one text and explain how an early event shapes later ones

Prior Knowledge Required

Students should already be comfortable with:

  • Analyzing how a key individual, event or idea is introduced and developed in a text RI.6.3
  • Citing several pieces of textual evidence with paragraph numbers RI.7.1
  • Telling the difference between a cause and an effect
  • Reading an autobiography: a true story a person writes about his or her own life

Lesson Procedure

55-65 minutes of class time across 5 phases.

  1. Warm-Up5-10 minutes

    Warm-Up Prompt

    "Read 'The Second Window' below. Name one individual, one event and one idea in it. Then draw one arrow that shows something influencing something else, and write the words from the text that prove the arrow."

    At Lincoln Middle School, the lunch line used to stretch out the cafeteria door. By the time the last students got their trays, they had about eight minutes left to eat. That fall, Ms. Ortega's social studies class read about petitions, and one idea stuck with a seventh grader named Dev Patel: if enough people sign, the people in charge have to listen.

    Dev timed the line for a week and found that the last students in line waited about 17 minutes. He wrote a petition asking for a second serving window and collected 212 signatures in three days. The principal, Mr. Hale, had not known how long the wait was. He met with the kitchen staff, and in January a second window opened.

    Now the wait is about 7 minutes. Other students have started writing petitions too. This spring the seventh grade asked for water-bottle filling stations, and the school board has agreed to discuss them at its next meeting.

    Written for this page, The Second Window (an invented account for the warm-up and Activity 3). Original passage written for this page.

    Collect answers and sort them on the board into three columns: Individuals (Dev, Ms. Ortega, Mr. Hale, the kitchen staff), Events (the long line, the petition, the new window) and Ideas (that leaders have to listen when enough people sign). Then take one student's arrow and ask: which way does it point, and how do you know? Point out that the most interesting arrows are the ones that keep going: an idea from a class moves one student, the student changes an event, and the event spreads the idea to other students. Tell the class that this is what RI.7.3 asks for: not just who and what, but how they interact.

  2. Direct Instruction15 minutes

    Teach five terms and leave them on the board:

    • Individual: a person, or a group acting together, such as a police board or a club.
    • Event: something that happens, such as a storm, a theft, a meeting or a law.
    • Idea: something a person believes, plans, wants or argues, such as an opinion about poor people or a goal of revenge.
    • Influence: to change what someone thinks or does, or how something turns out.
    • Interaction: two or more of these working on each other. An interaction can run one way (the storm changes the plan) or both ways (the plan changes the person, and the person then changes the plan).

    Introduce the text. Jacob Riis (1849-1914) was born in Denmark and arrived in New York in 1870, at 21, with little money. By October he was out of work and homeless. Later he became a police reporter for the New York Tribune and a writer and photographer who worked to improve the city's worst housing. The Making of an American (1901) is his autobiography, written about thirty years after this night. At the time, New York police stations let homeless people sleep in a "lodging-room" on bare planks. Passage 1 begins at midnight on a rainy night, when Riis and a small stray dog that had been following him walk into the Church Street station. Words to know: lodging (a place to sleep), sergeant (the police officer in charge of the station desk), stoop (the front steps), perish (die), tramps (an old word for homeless wanderers), locket (a small case on a string or chain that holds a keepsake; Riis's held part of a curl of hair from Elizabeth, the young woman he loved in Denmark), blotter (the station's record book), outrage (a terribly unjust act), providence (God's care or plan) and abuses (wrong or cruel practices). The passage leaves out the violent details of how the doorman killed the dog; the omission is marked [...].

    In the midnight hour we walked into the Church Street police station and asked for lodging. The rain was still pouring in torrents. The sergeant spied the dog under my tattered coat and gruffly told me to put it out, if I wanted to sleep there. I pleaded for it in vain. There was no choice. To stay in the street was to perish. So I left my dog out on the stoop, where it curled up to wait for me. Poor little friend! It was its last watch. The lodging-room was jammed with a foul and stewing crowd of tramps. [...] I smothered my disgust at the place as well as I could, and slept, wearied nearly to death.

    In the middle of the night I awoke with a feeling that something was wrong. Instinctively I felt for the little gold locket I wore under my shirt, with a part of the precious curl in it that was my last link with home. It was gone. I had felt it there the last thing before I fell asleep. One of the tramp lodgers had cut the string and stolen it. With angry tears I went up and complained to the sergeant that I had been robbed. He scowled at me over the blotter, called me a thief, and said that he had a good mind to lock me up. How should I, a tramp boy, have come by a gold locket? [...] All my sufferings rose up before me, all the bitterness of my soul poured itself out upon him. I do not know what I said. I remember that he told the doorman to put me out. And he seized me and threw me out of the door, coming after to kick me down the stoop.

    My dog had been waiting, never taking its eyes off the door, until I should come out. When it saw me in the grasp of the doorman, it fell upon him at once, fastening its teeth in his leg. [...]

    [...]

    And now, right here, begins the part of my story that is my only excuse for writing down these facts, though it will not appear for a while yet. The outrage of that night became, in the providence of God, the means of putting an end to one of the foulest abuses that ever disgraced a Christian city, and a mainspring in the battle with the slum as far as my share in it is concerned. My dog did not die unavenged.

    Jacob A. Riis, The Making of an American, chapter III (Passage 1: a night at the Church Street police station, October 1870; three short cuts marked [...]) (1901). Public domain (published 1901). Source text.
    • An individual influences an event

      Paragraph 1: the sergeant spots the dog under Riis's coat. What does his decision cause?

      Result: The sergeant "gruffly told me to put it out, if I wanted to sleep there" (paragraph 1). Because of that order, Riis "left my dog out on the stoop" (paragraph 1). One person's rule decides where the dog is, and the stoop is exactly where the trouble happens in paragraph 3. Link: individual (the sergeant) to event (the dog is left outside).

    • An idea influences an individual (the standard's first example)

      Paragraph 2: Riis reports that his locket was stolen. Why does the sergeant call him a thief instead of helping him?

      Result: The sergeant holds an idea about poor people, which Riis puts as a question: "How should I, a tramp boy, have come by a gold locket?" (paragraph 2). The belief that a homeless boy could not own anything valuable shapes what the sergeant does: he "called me a thief, and said that he had a good mind to lock me up." The idea, not the facts, drives his choice. Link: idea (a belief about tramps) to individual (the sergeant's actions).

    • An event influences an individual, who causes a new event

      Paragraph 2: how does the sergeant's accusation change Riis, and what happens next?

      Result: The accusation is the last straw: "All my sufferings rose up before me, all the bitterness of my soul poured itself out upon him" (paragraph 2). The unfair event turns months of hardship into an outburst, and the outburst leads to the next event: "he told the doorman to put me out." The influence runs both ways: the event changes Riis, and Riis's reaction brings on another event.

    • The author points to a future interaction

      Paragraph 4 steps out of the night's action. What does Riis tell readers about how this event will shape later events?

      Result: He writes that "The outrage of that night became, in the providence of God, the means of putting an end to one of the foulest abuses" (paragraph 4). He is saying that one night in 1870 will later lead to a public change far bigger than himself. The link will not be finished until later passages, so readers should watch for it: event (the outrage) to individual (Riis) to a later event (the end of an abuse).

    Name it, prove it, explain it. Show Diagram 1 and model the three moves with the second example: name the link ("an idea influences an individual"), prove it with a quotation and paragraph number, then explain how the influence works in your own words. Give two sentence frames: "The idea that ___ influences ___, because ___ (paragraph __)." and "When ___ happens, ___ responds by ___ (paragraph __), which leads to ___." Use Diagram 2 to show that an arrow can point in any direction between individuals, events and ideas.

  3. Guided Practice15 minutes

    Read Passage 2 aloud. It comes from much later in the book. By then Riis worked at the police office on Mulberry Street, where the city's Police Headquarters stood, as a reporter for the Tribune. Words to know: battlesome (full of fights), Headquarters (the main police office), temptation (a strong wish to do something you should not), hound (chase and harass), out of place and pay (out of his job and his wages), vengeful (wanting revenge), wretched (miserable), anticipation (looking forward to something), grievous (causing great pain), abuse (a wrong or cruel practice), instrument (a tool), parody (a bad, mocking imitation), abomination (something hateful), municipality (the city government) and of the same stamp (of the same kind).

    In all of this battlesome account I have said nothing about the biggest fight of all. I had that with myself. In the years that had passed I had never forgotten the sergeant in the Church Street police station, and my dog. It is the kind of thing you do not get over. Way back in my mind there was the secret thought, the day I went up to Mulberry Street, that my time was coming at last. And now it had come. I had a recognized place at Headquarters, and place in the police world means power, more or less. [...] Enough for revenge! At the thought I flushed with anger. It has power yet to make my blood boil, the thought of that night in the station-house.

    It was then my great temptation came. No doubt the sergeant was still there. If not, I could find him. I knew the day and hour when it happened. They were burned into my brain. [...] There were a hundred ways in which I could hound him then, out of place and pay, even as he had driven me forth from the last poor shelter and caused my only friend to be killed.

    Speak not to me of the sweetness of revenge! Of all unhappy mortals the vengeful man must be the most wretched. I suffered more in the anticipation of mine than ever I had when smarting under the injury, grievous as the memory of it is to me even now. Day after day I went across the street to begin the search. For hours I lingered about the record clerk's room where they kept the old station-house blotters, unable to tear myself away. Once I even had the one from Church Street of October, 1870, in my hands; but I did not open it. Even as I held it I saw another and a better way. I would kill the abuse, not the man who was but the instrument and the victim of it. For never was parody upon Christian charity more corrupting to human mind and soul than the frightful abomination of the police lodging-house, sole provision made by the municipality for its homeless wanderers. [...] My sergeant was of the same stamp. Those dens, daily association with them, had stamped him. Then and there I resolved to wipe them out, bodily, if God gave me health and strength. And I put the book away quick and never saw it again. I do not know till this day who the sergeant was, and I am glad I do not. It is better so.

    Jacob A. Riis, The Making of an American, chapter IX (Passage 2: the great temptation, years later; two short cuts marked [...]) (1901). Public domain (published 1901). Source text.

    Pairs fill in the interaction chart (Diagram 1) one link at a time. For each link, ask them to name its type, find the exact words and then explain it. Share the teacher note after pairs have tried:

    1. An old event still working on a person. Teacher note: "I had never forgotten the sergeant in the Church Street police station, and my dog" and "It is the kind of thing you do not get over" (paragraph 1). The event of 1870 keeps influencing Riis years later.
    2. A new event wakes up an old idea. Teacher note: "now it had come. I had a recognized place at Headquarters" (paragraph 1). His new position gives him the means to act on an idea he had kept "Way back in my mind," that "my time was coming at last."
    3. The individual changes the idea. Teacher note: "Even as I held it I saw another and a better way. I would kill the abuse, not the man" (paragraph 3). Riis replaces the idea of revenge on one man with the idea of ending the abuse itself. This is the standard's second example: an individual influencing an idea.
    4. The new idea sets a goal. Teacher note: "Then and there I resolved to wipe them out, bodily" (paragraph 3). The new idea gives Riis a purpose that points toward future events. Ask pairs: what would you expect the next passage to show? (Riis working to close the lodging rooms.)
  4. Independent Practice15 minutes

    Students read Passage 3 on their own. It comes from the next chapter, set in 1892 and the years after. Before it begins, Riis had written a formal warning about the danger of disease in the lodging rooms, had it signed by several charities, and taken it to the city's Health Board. Words to know: typhus (a dangerous disease spread by body lice, common in crowded, dirty places), prophecy (a prediction), flashlight (here, a bright flash of burning powder used to take photographs indoors), negatives and lantern-slides (glass photographs that could be projected on a screen), the Academy of Medicine (an organization of New York doctors), peril (danger), no respecter of persons (it strikes rich and poor alike), statute-books (the written laws), grand jury (a group of citizens that looks into crimes and public problems), Tammany (the political organization that ran much of the city government at the time), insolently (rudely), Charity Organization Society (a group that coordinated the city's charities), Wayfarer's Lodge (a charity lodging house for travelers without a home, modeled on one in Boston) and colaborers (co-workers, spelled as published).

    I warned them that there would be trouble with the lodging-rooms, and within eleven months the prophecy came true. The typhus broke out there. The night after the news had come I took my camera and flashlight and made the round of the dens, photographing them all with their crowds. Of the negatives I had lantern-slides made, and with these under my arm knocked at the doors of the Academy of Medicine, demanding to be let in. That was the place for that discussion, it seemed to me, for the doctors knew the real extent of the peril we were then facing. Typhus is no respecter of persons, and it is impossible to guard against it as against the smallpox. They let me in, and that night's doings gave the cause of decency a big push. I think that was the first time I told the real story of my dog. I had always got around it somehow; it choked me even then, twenty years after and more, anger boiled up in me so at the recollection.

    We pleaded merely for the execution of a law that had been on the statute-books six years and over, permitting the city authorities to establish a decent lodging-house; but though the police, the health officials, the grand jury, the charitable societies, and about everybody of any influence in the community fell in behind the medical profession in denouncing the evils that were, we pleaded in vain. The Tammany officials at the City Hall told us insolently to go ahead and build lodging-houses ourselves; they had other things to use the city's money for than to care for the homeless poor; which, indeed, was true. The Charity Organization Society that stood for all the rest gave up in discouragement and announced its intention to start a Wayfarer's Lodge itself, on the Boston plan, and did so. "You see," was the good-by with which my colaborers left me, "we will never succeed." My campaign had collapsed.

    But even then we were winning. Never was defeat in all that time that did not in the end turn out a step toward victory. [...] In another year reform came, and with it came Roosevelt. [...]

    Jacob A. Riis, The Making of an American, chapter X, "My Dog Is Avenged" (Passage 3: typhus and a campaign that fails; the end of paragraph 3 is cut) (1901). Public domain (published 1901). Source text.

    On the handout, students (1) find one event in Passage 3 that influenced Riis and explain what he did because of it, with the paragraph number; (2) find one individual or group who tried to influence an event in paragraph 2 and say whether they helped or blocked the campaign; (3) choose one sentence in paragraph 3 and explain what it adds to the story of the campaign. The quiz uses Passages 1, 2 and 3.

  5. Closure5-10 minutes

    Exit ticket: (1) In one sentence, explain the difference between listing the people and events in a text and analyzing how they interact. (2) Write one sentence about Passage 2 using the frame "The idea that ___ influences ___, because ___ (paragraph __)."

    Teacher note on history and language: The Making of an American was published in 1901, about thirty years after the night in Passage 1, so it is Riis's memory of events and his own view of them. Words such as "tramps" and "vagrants" were common then for people without homes; today we would say people experiencing homelessness. The passages leave out, each time with a marked [...], a quarrel in the lodging room over the Franco-Prussian War then being fought in Europe, the violent details of the dog's death, and a paragraph in which Riis throws paving-stones at the station in his rage and then leaves New York. Riis's best-known book, How the Other Half Lives (1890), made his photographs of the city's poor famous, but parts of it describe immigrant groups with stereotypes that are offensive today; none of that appears in these passages. Preview the dog's death before reading if you have students for whom it may be upsetting.

    For homework: students read Passage 4, printed below. It happens a few years after Passage 3. In 1894 reformers won control of the city government from Tammany, and in 1895 Theodore Roosevelt, later President of the United States, became president of the board that ran the New York police. He and Riis often walked the city at night to see how the police were working. Words to know: inspected (looked over carefully), involuntarily (without meaning to), linen duster (a light, long coat), lads (boys or young men), alternately (first one, then the other), barge (a flat-bottomed boat), sifting (separating), the unfortunate (people down on their luck), unbarred (unlocked) and avenged (paid back for a wrong).

    We had been looking the police over by night, Roosevelt and I. We had inspected the lodging-rooms while I went over the long fight with him, and had come at last, at 2 A.M., to the Church Street Station. It was raining outside. The light flickered, cold and cheerless, in the green lamps as we went up the stone steps. Involuntarily I looked in the corner for my little dog; but it was not there, or any one who remembered it. The sergeant glanced over his blotter grimly, I had almost to pinch myself to make sure I was not shivering in a linen duster, wet to the skin. Down the cellar steps to the men's lodging-room I led the President of the Police Board. It was unchanged--just as it was the day I slept there. Three men lay stretched at full length on the dirty planks, two of them young lads from the country. Standing there, I told Mr. Roosevelt my own story. He turned alternately red and white with anger as he heard it.

    "Did they do that to you?" he asked when I had ended. For an answer I pointed to the young lads then asleep before him.

    "I was like this one," I said.

    He struck his clenched fists together. "I will smash them to-morrow."

    He was as good as his word. The very next day the Police Board took the matter up. Provision was made for the homeless on a barge in the East River until plans could be perfected for sifting the tramps from the unfortunate; and within a week, on recommendation of the Chief of Police, orders were issued to close the doors of the police lodging-rooms on February 15, 1896, never again to be unbarred.

    The battle was won. The murder of my dog was avenged, and forgiven, after twenty-five years. [...]

    Jacob A. Riis, The Making of an American, chapter X, "My Dog Is Avenged" (Passage 4: a night visit with Theodore Roosevelt; the end of the last paragraph is cut) (1901). Public domain (published 1901). Source text.

Differentiation Strategies

For Struggling Students

  • Give them the three-column sort (individuals, events, ideas) already started for Passage 1, with one example in each column, before they draw any arrows
  • Offer arrow strips with the link type printed on them (idea to individual, individual to event, event to individual) so they only need to fill in the names and the quotation
  • Let them work on paragraphs 1 and 2 of Passage 3 only and give one link from each paragraph

For Advanced Students

  • Ask them to find a link in Passage 3 that runs in both directions and explain each direction with its own quotation
  • Have them decide whether Riis or the event of 1870 deserves more credit for the campaign, and defend the answer with evidence from two passages
  • Ask them to compare Passage 2 with the warm-up story: in each, where does the key idea come from, and who carries it to others?

Assessment Guidance

What to Look For

Check that each answer names a real link (what influences what), proves it with a quotation and paragraph number, and explains how the influence works. Watch for three weak spots: lists with no arrows ("the text has Riis, a sergeant and a dog"), arrows with no explanation ("the sergeant influenced the dog"), and arrows pointing the wrong way. In Passage 2, check that students can tell an idea (revenge, or ending the abuse) from an event (Riis's new job at Headquarters). Strong answers notice when an interaction runs both ways or carries forward into a later passage.

02

Classroom Activities

3 Activities

1

Arrow Cards

15 minPairs

Each pair gets eight cards from Passages 1 and 2 and ten blank arrow strips. They sort the cards into individuals, events and ideas, then connect them with arrows. Every arrow must carry a quotation and a paragraph number, and pairs must use at least one arrow of each type in the standard's examples.

The Eight Cards

  1. The sergeant
  2. The dog is left outside on the stoop (Passage 1)
  3. A tramp boy could not honestly own a gold locket
  4. Riis is put out of the station (Passage 1)
  5. Jacob Riis
  6. Revenge on the sergeant
  7. Kill the abuse, not the man
  8. Riis gets a place at Police Headquarters (Passage 2)

Procedure

  • Pairs label each card I (individual), E (event) or Id (idea) and lay the cards out on the desk
  • They draw an arrow on a strip for each link they can prove, write the quotation and paragraph number on it, and place it between two cards
  • Answer key for the teacher: cards 1 and 5 are individuals, cards 2, 4 and 8 are events, and cards 3, 6 and 7 are ideas. Links the text supports: 1 to 2 (the sergeant's order); 3 to 1 (the belief shapes how the sergeant treats Riis); 1 to 4 ("he told the doorman to put me out"); 8 to 6 (his new place gives him the means for revenge: "Enough for revenge!"); 5 to 7 (Riis replaces the idea: "I saw another and a better way"); 7 to 5 (the new idea gives him a goal: "I resolved to wipe them out")

Discussion Questions

  • Which card has the most arrows touching it? What does that tell you about the text?
  • Card 6 and card 7 are both ideas held by the same person. How did one become the other?
  • Find a pair of cards with arrows in both directions. Is that possible in real life? Give an example from your own school.

Modification

For students who need support, give the sorted cards with two arrows already placed (1 to 2 and 3 to 1), and have pairs add the rest.

2

Change One Link

15 minGroups of 3-4

Each group gets one link card describing a moment in Passages 1 and 2. The group imagines that one link had gone differently and uses the text to argue what else would have changed. The goal is to show why each interaction matters to the chain.

The Four Link Cards

  1. What if the sergeant had let the dog sleep inside? (Passage 1, paragraph 1)
  2. What if the sergeant had believed Riis about the locket? (Passage 1, paragraph 2)
  3. What if Riis had never gotten a place at Headquarters? (Passage 2, paragraph 1)
  4. What if Riis had taken revenge on the sergeant instead of choosing "another and a better way"? (Passage 2, paragraph 3)

Procedure

  • Groups read their card, find the sentence in the passage where the link happens, and copy it on chart paper
  • They write two or three "then" statements showing what would change later, each tied to a quotation from Passage 1 or 2
  • Each group presents in two minutes, and the class votes on which link mattered most
  • Teacher notes: card 1, the dog would have been inside, not on the stoop, when the doorman threw Riis out; card 2, Riis might not have lost his temper or been thrown out; card 3, the old idea of revenge would have had no means to act; card 4, Riis decides that the abuse, not the man, is the real wrong ("I would kill the abuse, not the man"), so punishing one man would have left the lodging rooms themselves in place, and the campaign in Passage 3 might never have begun

Discussion Questions

  • Which change would have stopped the chain completely, and which would only have changed its direction?
  • Riis cannot know what would have happened. Which of your "then" statements does the text support best?

Variation

For a shorter version, the whole class works on card 4 together, and the teacher records the "then" statements on the board.

3

Frame the Interactions

10 minPairs

Pairs return to "The Second Window" from the warm-up and write three analytical sentences, one for each frame. Using a short, simple text lets them practice the sentence types before they write about Riis on their own.

The Three Frames

  • An idea influences an individual: "The idea that ___ influences ___, who ___ (paragraph __)."
  • An individual influences an event: "___ changes ___ by ___ (paragraph __)."
  • An event influences an idea: "After ___, more people come to believe ___ (paragraph __)."

Procedure

  • Pairs write one sentence for each frame, with a quotation and a paragraph number from "The Second Window"
  • They trade with another pair, who checks that each arrow points the right way
  • Model answers for the teacher: the idea that "if enough people sign, the people in charge have to listen" influences Dev, who "wrote a petition" (paragraphs 1 and 2); Dev changes the lunch line by collecting "212 signatures in three days," which leads Mr. Hale to meet "with the kitchen staff" (paragraph 2); after the window opens, "Other students have started writing petitions too" (paragraph 3), so the idea spreads

Variation

Advanced pairs add a fourth sentence about Mr. Hale, who "had not known how long the wait was" (paragraph 2): how did information from Dev change what the principal believed and did?

03

Diagrams & Visual Aids

2 diagrams

Diagram 1: Interaction Chart for Passages 1 and 2

Interaction chart: one night and what it set in motion Passages 1 and 2: name each link, prove it, explain it EVENT The dog is killed at Church Street (1870) Passage 1 INDIVIDUAL Riis never forgets: "you do not get over" Passage 2, par. 1 IDEA Revenge on the sergeant Passage 2, par. 1-2 IDEA "kill the abuse, not the man" Passage 2, par. 3 For each arrow, write: Link type for example, an idea influences an individual Proof exact words and paragraph number Explain how does the first box change the second?
The handout for Guided Practice. Four boxes follow the chain from the night of 1870 to Riis's new idea in Passage 2, and each arrow needs a link type, a quotation with a paragraph number, and an explanation of how the influence works.

Diagram 2: Individuals, Events and Ideas

Arrows can point any way IDEAS INDIVIDUALS EVENTS Ideas shape what people do Events change what people believe People cause events, and events push people to act Name it, prove it, explain it
Six possible directions of influence. The standard's two examples are the arrows between ideas and individuals: how ideas influence individuals or events, and how individuals influence ideas or events.

04

Homework Assignment

~30 min

RI.7.3 Homework: A Night Visit with Theodore Roosevelt

Directions: Read Passage 4 at the end of the lesson plan (in Closure). Cite it by paragraph number, for example (Passage 4, paragraph 5), and cite the other passages the same way. Answer in complete sentences, and put every quotation in quotation marks.

Part 1: People and Places (Problems 1-3)

  1. Riis returns to the Church Street Station, the same place as Passage 1. How does being there influence what he feels and does? Give two pieces of evidence from paragraph 1 and explain each.
  2. Riis tells Roosevelt his story. How does the story influence Roosevelt? Quote one detail that shows his feelings and one that shows what he plans to do.
  3. Riis points to a sleeping boy and says, "I was like this one" (paragraph 3). How does this moment connect an event from the past with what is happening in front of Roosevelt? Why might it be more convincing than the story alone?

Part 2: From Ideas to Events (Problems 4-6)

  1. Trace the chain in paragraphs 4 and 5 from Roosevelt's words to the closing of the lodging rooms. Name at least three links, with a quotation for each.
  2. Paragraph 6 says "The murder of my dog was avenged, and forgiven." Compare this with the idea of revenge in Passage 2. How did Riis's idea about paying back the wrong change between Passage 2 and Passage 4? Use one quotation from each passage.
  3. Write a paragraph of 6-8 sentences answering: How did one night in 1870 lead to a change in New York City in 1896? Use evidence from at least three passages, and include at least one example of an idea influencing an individual or event and one example of an individual influencing an idea or event. Label each example.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Names the LinkSays clearly what influences what, and in which directionNames the people or events but not the link between themLists details with no link
EvidenceAn exact quotation with a paragraph number for each linkQuotations without locations, or only one link supportedNo quotation, or a paraphrase in quotation marks
Explains HowExplains how the influence works, in the student's own wordsRepeats the quotation instead of explaining itNo explanation
Traces the ChainConnects links across passages in the right orderSome links are out of order or missingNo connection between passages

05

Quiz: 20 Questions

Interactive, with answers

Instructions

Questions 1-2 are about interactions in general. Questions 3-6 use Passage 1 (Direct Instruction), questions 7-11 use Passage 2 (Guided Practice), and questions 12-18 use Passage 3 (Independent Practice). Questions 19 and 20 use more than one passage. Your score updates as you answer, and Reset quiz clears everything.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    Which sentence analyzes an interaction, rather than only naming people and events?

  2. Question 2 of 20 · Multiple Choice

    In which example does an idea influence an individual?

  3. Question 3 of 20 · Multiple Choice

    In Passage 1, paragraph 2, what does Riis do right after he finds that his locket is gone?

  4. Question 4 of 20 · Multiple Choice

    Which detail in Passage 1, paragraph 3, explains why the dog was right there to attack the doorman when Riis was thrown out?

  5. Question 5 of 20 · Multiple Choice

    In Passage 1, paragraph 4, Riis calls that night "a mainspring in the battle with the slum." A mainspring is the main spring that drives a watch. What does he mean?

  6. Question 6 of 20 · Short Answer

    In Passage 1, paragraph 1, Riis "pleaded for" his dog but still left it outside. Explain how the conditions that night influenced his choice. Use two quotations from paragraph 1.

  7. Question 7 of 20 · Multiple Choice

    In Passage 2, paragraph 2, Riis imagines driving the sergeant "out of place and pay, even as he had driven me forth from the last poor shelter." Which idea shapes this plan?

  8. Question 8 of 20 · Multiple Choice

    What does Riis conclude about revenge in Passage 2, paragraph 3?

  9. Question 9 of 20 · Multiple Choice

    Which quotation from Passage 2 shows the idea of revenge influencing what Riis did?

  10. Question 10 of 20 · Multiple Choice

    Riis writes that the police lodging-houses had shaped the sergeant: "Those dens, daily association with them, had stamped him" (Passage 2, paragraph 3). Which interaction does this sentence describe?

  11. Question 11 of 20 · Short Answer

    At the end of Passage 2, Riis writes, "I do not know till this day who the sergeant was, and I am glad I do not." Why might he be glad? Support your answer with one more quotation from paragraph 3.

  12. Question 12 of 20 · Multiple Choice

    In Passage 3, paragraph 1, what event made Riis's "prophecy" come true?

  13. Question 13 of 20 · Multiple Choice

    Why did Riis take his lantern-slides to the Academy of Medicine (Passage 3, paragraph 1)?

  14. Question 14 of 20 · Multiple Choice

    According to Passage 3, paragraph 2, how did the Tammany officials at City Hall respond to the campaign?

  15. Question 15 of 20 · Multiple Choice

    After the city refused, the Charity Organization Society "gave up in discouragement" and started a Wayfarer's Lodge (Passage 3, paragraph 2). What does this show?

  16. Question 16 of 20 · Multiple Choice

    Riis writes, "Never was defeat in all that time that did not in the end turn out a step toward victory" (Passage 3, paragraph 3). How does this idea connect to the rest of the passage?

  17. Question 17 of 20 · Short Answer

    Choose one event in Passage 3 that influenced a person or an idea, and one person who influenced an event. Explain each link with a quotation and paragraph number.

  18. Question 18 of 20 · Multiple Choice

    Which detail in Passage 3 shows that the night of 1870 was still influencing Riis more than twenty years later?

  19. Question 19 of 20 · Short Answer

    Trace the chain of interactions from Passage 1 through Passage 3. Name at least three links in order (for example, an event that changed Riis, an idea he formed, and something he did about it), with a quotation and passage number for each.

  20. Question 20 of 20 · Short Answer

    The standard asks how ideas influence individuals and how individuals influence ideas. Give one example of each from Passages 2 and 3, and label which is which.

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does RI.7.3 mean?

It means seventh graders must explain how the people, events and ideas in a nonfiction text affect each other. The standard gives two examples: how ideas influence individuals or events, and how individuals influence ideas or events. Students name each link, support it with a quotation and explain how it works.

How is RI.7.3 different from RI.6.3?

RI.6.3 follows one key individual, event or idea through a text; RI.7.3 looks at how several of them work on each other. In grade 6, students track how a person or idea is introduced and developed with examples and anecdotes. In grade 7, they draw the arrows between them. In grade 8, RI.8.3 adds how a text compares, connects and separates them, for example through analogies or categories.

What counts as an idea in RI.7.3?

An idea is anything a person believes, wants, plans or argues. In Riis's story, ideas include the sergeant's belief that a homeless boy could not own a gold locket, Riis's wish for revenge and his later goal to "kill the abuse, not the man." A good test: if you can put "the idea that" or "the belief that" in front of it, it is an idea.

Is RI.7.3 just cause and effect?

Cause and effect is part of it, but RI.7.3 asks for more. Students also sort what is doing the influencing (a person, an event or an idea), notice when an influence runs both ways, and follow chains in which one effect becomes the next cause. A cause-and-effect answer says what happened; an RI.7.3 answer also says how.

What is the difference between RI.7.3 and RL.7.3?

Both are about interaction, but in different kinds of texts. RL.7.3 asks how elements of a story or drama interact, such as how setting shapes the characters or the plot. RI.7.3 works with real people, real events and real ideas in informational texts, such as autobiographies, articles, speeches and histories.

Do students need to find interactions in both directions?

No, but strong answers notice them. The standard's examples use "or," so one direction at a time is fine. Many real interactions do run both ways, though: an event changes a person, and the person's reaction becomes the next event. Spotting both directions is a good step toward the grade 8 standard.

What sentence frames help with RI.7.3?

Two frames cover most answers: "The idea that ___ influences ___, because ___ (paragraph __)" and "When ___ happens, ___ responds by ___ (paragraph __), which leads to ___." Frames keep students from listing details, because each one forces a link. Remove them once students can write the link on their own.

How is RI.7.3 usually assessed?

Usually with questions that ask how one part of a text influenced another, often followed by a second part asking for the evidence. A typical question is "How does the author's experience as a boy shape his work as an adult?" Short written responses ask students to trace a link and support it with details. This lesson's quiz uses both kinds.

Is The Making of an American a good choice for seventh graders?

Yes, with a little preparation. The chapters used here tell a clear, true story with a young person at its center, and the chain from one bad night to a change in city policy is easy to follow. The passages leave out the violent details of the dog's death, and the teacher note in Closure lists what is left out and why. Preview the dog's death for students who may find it upsetting.

How does RI.7.3 connect to history and social studies classes?

Directly. History is full of interactions between people, events and ideas, such as a reformer who changes a law or a disaster that changes what voters believe. Riis's campaign is a good example of the reform movements of the late 1800s. The literacy standards for history, such as RH.6-8.3, ask students to follow the steps of a process in the same careful way.