SVHS Website Header

My Cart

D2.His.17.9-12C3 FrameworkSocial StudiesHistoryGrades 9-12

D2.His.17.9-12: Critiquing Histories of Molly Pitcher for Accuracy

In plain English: D2.His.17.9-12 is the C3 Framework history indicator for grades 9-12 that asks students to critique the central arguments in secondary works of history on related topics in multiple media in terms of their historical accuracy. Students test each work's claims against the earliest evidence and judge how far its argument holds.

Critique the central arguments in secondary works of history on related topics in multiple media in terms of their historical accuracy.

C3 Framework for Social Studies (NCSS) · Dimension 2: Applying Disciplinary Concepts and Tools · Discipline: History · Causation and Argumentation · Official standard

01

Lesson Plan

75-80 min

Overview

D2.His.17.9-12 asks students to critique the central arguments in secondary works of history, across related topics and multiple media, in terms of their historical accuracy. Critiquing for accuracy means testing a work's main claim, and the factual claims it rests on, against the best available evidence, and then judging how far the argument still holds. A work can get a detail wrong and still make a sound argument, or get every date right and still claim more than the evidence allows.

The lesson uses the story of "Molly Pitcher" at the Battle of Monmouth (June 28, 1778), a case where popular histories, a painting, monuments and a speech grew around a thin record. Students test three real works published between 1852 and 1919 (an illustrated field-book with an engraving of a painting, a book of biographies, and a speech given at a monument unveiling, printed here in two parts) against a soldier's memoir of the battle and the records a local historian quoted. They then apply the same audit to two SVHS-written works in other media, an invented documentary script and an invented roadside marker. The goal is a fair verdict, not debunking: students separate what the records support, what rests on tradition and what the evidence contradicts.

Learning Objectives

By the end of this lesson, students will be able to:

  • State the central argument of a secondary work of history and list the factual claims it depends on
  • Trace each claim to the evidence behind it and rank that evidence by when and how it was made
  • Corroborate or challenge a work's claims with primary sources, rating each claim supported, uncertain or contradicted
  • Judge how far a work's central argument holds once inaccurate or unsupported claims are set aside, and rewrite it accurately
  • Explain how a work's medium (painting, speech, monument, documentary, marker) can make a claim more vivid without making it more accurate

Prior Knowledge Required

Students should already be comfortable with:

  • Comparing the central arguments of secondary works in several media D2.His.17.6-8
  • Comparing treatments of one topic in several primary and secondary sources RH.9-10.9
  • Basic background: the Continental Army fought Britain in the American Revolution (1775-1783); armies of the time traveled with camp followers, often soldiers' wives, who cooked, washed and nursed

Lesson Procedure

75-80 minutes of class time across 5 phases.

  1. Warm-Up5-10 minutes

    Warm-Up Prompt

    "A popular video says your town's founder 'single-handedly saved the town from a flood in 1850.' Your town's archive has a newspaper from that week, a letter from the founder, and a plaque put up in 1950. What would you check first, and what would make you trust or doubt the video's claim?" (an invented example)

    Collect answers. Students usually reach for the 1850 newspaper first because it was made at the time, and they notice that the 1950 plaque proves only that people believed the story a century later. Introduce the question for the day: when a history makes a big claim, how do we test whether it is accurate? Write two columns on the board, claim and evidence behind the claim, and keep them up all period.

  2. Direct Instruction25 minutes

    Define the terms. A central argument is a work's main claim about the past. Historical accuracy is how well a work's claims match the best available evidence; it is a matter of degree, judged claim by claim. To critique is to judge strengths and weaknesses with reasons, which is different from attacking a work. A claim is load-bearing when the argument would collapse without it. Corroborate means to confirm with an independent source.

    The Accuracy Audit (an SVHS teaching tool): six steps for any secondary work, in any medium
    StepDo thisWrite down
    1. Central argumentState the work's main claim in one sentence"The work argues that ..."
    2. Load-bearing claimsList the three to five factual claims the argument needsQuote each with its paragraph number
    3. TraceAsk where each claim comes from: a record, an eyewitness, a reported memory, tradition or nothing namedThe kind of evidence, and when it was made
    4. CorroborateCheck each claim against the earliest sources on the pageAgrees with / goes beyond / conflicts with
    5. RateSupported, Uncertain or ContradictedOne reason per rating
    6. VerdictDoes the argument hold, hold in part, or fail? What would an accurate version claim?A rewritten central argument
    Kinds of evidence on this page, from closest to the event to furthest
    Kind of evidenceExample in this lessonWhat it can show, and the caution
    Record made at the timeThe 1822 act and the 1832 newspaper notice, as Biddle quotes them (Source 5)Strong for what it records; we read it through Biddle's quotation, not the original
    Eyewitness account written laterMartin's memoir, published 1830 (Source 1)He says he saw the event, but he wrote decades later
    Memory reported by someone elseA widow's memory that Lossing reports (Source 2)Shows what one person recalled, filtered through the writer
    Tradition or "current accounts"Stories Biddle labels as the "prevailing story" (Source 4)Shows what a community believed; needs other evidence
    Retelling with no source namedDialogue and details in Source 3May repeat tradition; cannot be checked as written

    Read Source 1 first. It is a primary source, not one of the works being critiqued: Joseph Plumb Martin, a Continental soldier, published his memoir in 1830 and describes himself as an "eye-witness" to an incident in the cannonade. A piece or field-piece is a cannon, and a cartridge is a cloth or paper bag holding the gunpowder for one shot. Two cuts are marked with [...]: at the end of paragraph 1, Martin's two closing sentences, a joke about how the British slipped away in the night; and in paragraph 2, a crude joke the woman is reported to have made about the shot. Nothing Martin says about what she did is cut.

    As soon as our party had ceased firing, it began in the centre, and then upon the right, but as I was not in that part of the army, I had no “adventure” in it, but the firing was continued in one part or the other of the field, the whole afternoon. Our troops remained on the field all night with the Commander-in-chief; a regiment of Connecticut forces were sent to lie as near the enemy as possible and to watch their motions, but they disappointed us all. [...]

    One little incident happened, during the heat of the cannonade, which I was eye-witness to, and which I think would be unpardonable not to mention. A woman whose husband belonged to the Artillery, and who was then attached to a piece in the engagement, attended with her husband at the piece the whole time; while in the act of reaching a cartridge and having one of her feet as far before the other as she could step, a cannon shot from the enemy passed directly between her legs without doing any other damage than carrying away all the lower part of her petticoat,—looking at it with apparent unconcern, [...] and continued her occupation.

    Joseph Plumb Martin, Source 1: Joseph Plumb Martin's memoir of the Battle of Monmouth, published 1830 (excerpt; a primary source used to test the histories) (1830). Public domain (published 1830). Source text.

    Next read Source 2, from Benson J. Lossing's Pictorial Field-Book of the Revolution, a history illustrated with engravings (pictures printed from carved wood blocks). Paragraph 1 is Lossing's footnote under his engraving of a painting of the battle by George Washington Parke Custis, whom Lossing calls Washington's "adopted son." Paragraph 2 is his footnote on Molly. A cannonier is a gunner, a camp-follower is a civilian who travels with an army, and the half-pay list paid officers part of their salary after their service.

    * This outline sketch is from a copy of the picture at Arlington House (the seat of Mr. Custis), which I made, by permission, in November, 1850. As it exhibits none of the horrid scenes of slaughter which generally characterize battle-pieces, I have not hesitated to introduce it, for the purpose of giving a specimen of pictorial composition upon an interesting historical subject from the pencil of the adopted son, and the only surviving executor of the will of the great Washington. [...] In the picture here given, the chief is seen most prominently on his white charger, with his general officers. [...] On the left is seen the group of artillery, with "Captain Molly" at the gun. [...]

    ** It was during this part of the action that Molly, the wife of a cannonier, is said to have displayed great courage and presence of mind. We have already noticed her bravery in firing the last gun at Fort Clinton. (See page 164.) She was a sturdy young camp-follower, only twenty-two years old, and, in devotion to her husband, she illustrated the character of her countrywomen of the Emerald Isle. In the action in question, while her husband was managing one of the field-pieces, she constantly brought him water from a spring near by. A shot from the enemy killed him at his post; and the officer in command, having no one competent to fill his place, ordered the piece to be withdrawn. Molly saw her husband fall as she came from the spring, and also heard the order. She dropped her bucket, seized the rammer, and vowed that she would fill the place of her husband at the gun, and avenge his death. She performed the duty with a skill and courage which attracted the attention of all who saw her. On the following morning, covered with dirt and blood, General Greene presented her to Washington, who, admiring her bravery, conferred upon her the commission of sergeant. By his recommendation, her name was placed upon the list of half-pay officers for life. She left the army soon after the battle of Monmouth, and, as we have before observed, died near Fort Montgomery, among the Hudson Highlands. She usually went by the name of Captain Molly. The venerable widow of General Hamilton, yet living (1852), told me she had often seen Captain Molly. She described her as a stout, red-haired, freckled-face young Irish woman, with a handsome, piercing eye. [...]

    Benson J. Lossing, Source 2: Benson J. Lossing, The Pictorial Field-Book of the Revolution, vol. 2 (1852), two footnotes on the Battle of Monmouth (excerpt) (1852). Public domain (published 1852). Source text.
    • Accuracy Audit, steps 1-2: Source 2

      State Lossing's central argument about Molly and list three claims it depends on.

      Result: Lossing argues that Molly, a young Irish camp-follower, took her husband's place at his gun after he was killed at Monmouth and was rewarded by Washington with a sergeant's commission and a place on the half-pay list. Load-bearing claims: "A shot from the enemy killed him at his post" (paragraph 2); "She dropped her bucket, seized the rammer" (paragraph 2); Washington "conferred upon her the commission of sergeant" (paragraph 2).

    • Steps 3-5: tracing the water story

      Lossing says that "she constantly brought him water from a spring near by" (paragraph 2). Corroborate this claim with Source 1.

      Result: Trace: Lossing names no source for it, and he opens with "is said to have displayed great courage" (paragraph 2), a sign that he is passing on a story. Corroborate: Martin, the only eyewitness on the page, mentions no water; he says the woman "attended with her husband at the piece the whole time" and was "reaching a cartridge" (paragraph 2). Rate: Uncertain. Martin does not disprove a water story, but the one eyewitness describes her at the gun, not at a spring.

    • Medium: what a painting can prove

      Paragraph 1 describes Custis's painting, with "Captain Molly" at the gun. Does the painting make Lossing's account more accurate?

      Result: No. Lossing copied the picture "in November, 1850" (paragraph 1), so it shows that the story was being told, and painted, by then. Custis's tie to Washington gives him standing as a source of family memories, but nothing in the footnote says he saw the battle. A painting makes a claim vivid; it adds no new evidence about what happened in 1778.

    • Evidence type: the widow's memory

      Lossing reports that "The venerable widow of General Hamilton, yet living (1852), told me she had often seen Captain Molly" (paragraph 2). What can this evidence support?

      Result: It is a memory reported by someone else, more than seventy years after the battle. At most it supports the claim that a woman known as Captain Molly was seen around the army. It says nothing about what happened at Monmouth, so it cannot carry the load-bearing claims about the battle.

    Close the section by pointing out Lossing's own signals. He hedges once ("is said to") and then tells the rest as fact, and he links this Molly to "the last gun at Fort Clinton," another place and another fight. Ask: "What should a reader make of an author who hedges once and then tells the rest as fact?" Keep Lossing's claims on the board; Sources 4 and 5 will test them.

  3. Guided Practice15 minutes

    Pairs now audit two related works from the twentieth century. Source 3 is a chapter from Grace Humphrey's Women in American History (1919), a book of short biographies. Sources 4 and 5 are two parts of one speech: Edward W. Biddle's address at the unveiling of a Molly Pitcher monument in Carlisle, Pennsylvania, on June 28, 1916, printed that year by a Carlisle library association. A sobriquet is a nickname, and a battery is a group of cannons. Pairs read Sources 3 and 4 now and complete steps 1-5 of the audit for two claims from each.

    During the Revolution it was not unusual for wives to accompany their soldier husbands, not to fight, but to wash and mend and cook, to care for the sick and wounded. [...]

    The air was sultry. Not a leaf stirred on the maple trees. Men dropped fainting to the earth, from sunstroke. Yet the American guns were fired vigorously, [...] and until night the battle went on. Sometimes under shelter, sometimes under fire, Molly Hays went back and forth to the spring, carrying water for the suffering men, and for wetting the sponges to swab out the cannon. And the weary thirsty soldiers, welcoming the sight of her with the sparkling water, would call out gratefully, “Here comes Molly with her pitcher!” a call soon shortened to “Molly Pitcher!”

    On one of her trips from the well Molly saw her husband fall suddenly. Accounts differ as to whether he was wounded, or had a sunstroke working in the blistering heat near the cannon. General Knox, in charge of the battery, had no competent man to put in Hays’ place and was about to withdraw the gun, when Molly sprang forward, seized the rammer and fired. A moment was sufficient to show that she could fill her husband’s position, that she had the strength and nerve for his task. The men cheered as she loaded and fired shot after shot, with the skill of a veteran gunner. Her hair disheveled, her eyes blazing, her hot face begrimed with powder and smoke and dust, barefooted like many of the soldiers, she kept on with her perilous work. [...]

    The story of Molly Pitcher’s brave act spread through the camp. General Greene thanked her, “in the name of the army.” The next morning in her dusty, torn, powder-stained dress, she was presented to Washington. With such honor as he would have shown to one of his gallant men, he spoke a few words of sympathy and praise, gave her a sergeant’s commission, and later placed her name on the list of half-pay officers for life.

    [...]

    In 1822 the legislature of Pennsylvania, without a dissenting voice, voted her the sum of forty dollars, and an annuity of that amount during her lifetime. When she died ten years later, she was buried with military honors, a company of soldiers firing a salute. On the Fourth of July, 1876, there was unveiled at her grave a white marble monument inscribed to “Molly Pitcher, the heroine of Monmouth.” [...]

    Grace Humphrey, Source 3: Grace Humphrey, Women in American History (1919), chapter V, "Molly Pitcher" (excerpt) (1919). Public domain (published 1919). Source text.

    According to current accounts, a German girl named Mary Ludwig came to Carlisle from New Jersey in the early part of 1769 as a domestic servant, and on July 24 of that year was married to a young barber named John Hays, whose shop was adjacent to her place of employment. On December 1, 1775, her husband enlisted for one year as a gunner in Proctor's Artillery, and in January, 1777, re-enlisted as a private in an infantry regiment commanded by Colonel, afterwards General, William Irvine of Carlisle. This regiment was at Valley Forge during the dreadful winter of 1777-78, and it marched from there under Washington in June, 1778, to take part in the battle of Monmouth. Mrs. Mary Hays, now famous as Molly Pitcher, who was then unknown to fame, remained in Carlisle until some time after the beginning of the Revolution, and then went back to her home in New Jersey and later became connected with the battalion in which her husband was serving. Where and when she joined the troops is not stated.

    The prevailing story of her participation in the battle of Monmouth, which took place on June 28, 1778, exactly 138 years ago, is known throughout the length and breadth of the United States. It was an extremely hot Sunday, and many of the soldiers of both armies perished from exhaustion and thirst. While the battle was going on Molly carried water to the Continental troops from a well in order to relieve their thirst, and the constant passing to and fro with a pitcher in her hand is what has given her the sobriquet by which she is known in history. The underground spring from which the water was obtained was conspicuously marked some years ago by two wooden signs erected beside it, on each of which was painted "Mollie Pitcher's Well."

    Perhaps her services as water-carrier would soon have been forgotten if she had done nothing more on that day in aid of the great cause, but an even larger service was yet to come. As the fight raged, she discovered that her husband had been wounded and that there was no one to serve the cannon to which he had been detailed. She at once took his place at the gun and for the balance of the day, so long as needed, acted as cannoneer. In commemoration of her heroic behavior, upon one of the bronze tablets on the base of the handsome monument which has been placed on the battlefield, she is represented in the act of charging a cannon.

    Edward W. Biddle, Source 4: Edward W. Biddle, address at the unveiling of the Molly Pitcher Monument, Carlisle, Pennsylvania, June 28, 1916, part 1 (excerpt) (1916). Public domain (published 1916). Source text.

    Teacher key: Humphrey argues that Molly Hays carried water at Monmouth, took over her fallen husband's gun and was honored by Washington and later by Pennsylvania. She tells it as settled fact, with dialogue ("Here comes Molly with her pitcher!", paragraph 2) and names (General Knox, paragraph 3) and no sources, though she hedges once: "Accounts differ as to whether he was wounded, or had a sunstroke" (paragraph 3). Biddle tells a similar story but labels it: "According to current accounts" (paragraph 1) and "The prevailing story" (paragraph 2). His own details also raise a question the legend skips: Biddle says the husband "re-enlisted as a private in an infantry regiment" in 1777 (paragraph 1), yet the story needs him at a cannon in 1778; Biddle bridges the gap with "the cannon to which he had been detailed" (paragraph 3). The three works also disagree about the husband: killed (Source 2), wounded (Source 4), wounded or overcome by heat (Source 3). Pairs should rate these husband claims Uncertain until they read Source 5.

  4. Independent Practice20 minutes

    Students work alone. Source 5 is the second part of Biddle's speech, where he turns from tradition to records found in the county courthouse, and quotes the 1822 act and an 1832 newspaper notice. An annuity is a payment made every year, and "domiciled" means living in a place. Source 6 is invented: an SVHS-written script for a documentary that does not exist, written for practice, with stage directions in brackets showing what is on screen.

    But what of Mrs. Mary Hays after the battle of Monmouth? It appears by the tax list that at the close of the Revolution she and her husband, who was then William (not John) Hays, were domiciled in Carlisle. Up to that point the account of her rests on tradition and legend, but her subsequent career can be traced with the aid of various records in the courthouse. In 1787 the husband died and about 1792 she married John McCauley, whose surname has been spelled in several different ways, who also died in the course of ten or twelve years. Left a widow at least a second time, she earned a living by hard manual work. [...]

    On February 21, 1822, an act of the Legislature of Pennsylvania was approved, entitled "An act for the relief of Molly M'Kolly for her services during the Revolutionary War," granting to her out of the State treasury $40 immediately, and an annuity of $40 payable in half-yearly instalments. Numerous widows of soldiers were awarded pensions of a similar amount, but Molly is the only woman who was ever placed on the pension rolls of Pennsylvania because of her own services. She drew the annuity from the time it was granted until January 1, 1832.

    Her death occurred on January 22 1832, and a notice of it appeared in each of the three Carlisle newspapers, that in the American Volunteer in its issue of January 26, 1832, being as follows:

    DIED, on Sunday last in this borough, at an advanced age, Mrs. Molly M'Cauley. She lived during the days of the American revolution, shared its hardships, and witnessed many scenes of "blood and carnage." To the sick and wounded she was an efficient aid; for which, and being the widow of an American hero, she received during the latter years of her life an annuity from the government. For upwards of forty years she resided in this borough, and was during that time recognized as an honest, obliging and industrious woman.

    [...]

    This monument which Carlisle receives from the Commonwealth of Pennsylvania is a splendid and lasting recognition of the lofty virtue which we call courage. During the past fifty years Molly Pitcher has come to be accepted as America's most conspicuous exponent of feminine valor, notwithstanding that the unique position accorded her has been frequently and vigorously assailed. Critics have denied the whole story concerning her—have questioned the very foundation on which it stands—but up to this time their criticisms have had little effect on the popular belief. On the other hand, writers of stories and of verse have spread the narrative concerning her broadcast over the land, until it has become lodged in the hearts of the people; there probably it will be cherished so long as interest in the American Revolution endures.

    Edward W. Biddle, Source 5: Edward W. Biddle, address at the unveiling of the Molly Pitcher Monument, 1916, part 2 (excerpt) (1916). Public domain (published 1916). Source text.

    [ON SCREEN: A painting of a woman ramming a charge into a cannon as smoke rolls across a field. Drums.] NARRATOR: For two centuries, we have been told that the American Revolution was won by men. The story of Molly Pitcher proves otherwise. Women did not only follow the Continental Army; they fought in it, and the young nation honored them for it.

    [ON SCREEN: A map of New Jersey with a red dot at Monmouth.] NARRATOR: Her real name was Mary Ludwig Hays. On June 28, 1778, at the Battle of Monmouth, she carried pitchers of water to exhausted soldiers until her husband, John Hays, was killed beside his cannon.

    [ON SCREEN: Close-up of hands gripping a rammer.] NARRATOR: Without a pause, she took his place and fired the gun for the rest of the day. A Continental soldier, Joseph Plumb Martin, saw it with his own eyes and wrote that an enemy cannon shot passed right between her legs.

    [ON SCREEN: An actor playing George Washington bows to her.] NARRATOR: The next morning, George Washington made her a sergeant. Later, Congress granted her a soldier's pension for life.

    [ON SCREEN: A white gravestone in Carlisle, Pennsylvania, with a small cannon beside it. The music swells.] NARRATOR: She died in Carlisle in 1832. Today a monument stands over her grave, and her story stands as proof that the Revolution belonged to women, too.

    SVHS (invented documentary script written for this page), Source 6: "Unsung: Women of the Revolution," documentary narration script, Molly Pitcher segment (invented documentary, SVHS-written sample interpretation for practice in judging accuracy) (2026). Original passage written for this page.

    Each student completes all six steps of the Accuracy Audit for Source 6, using Sources 1, 4 and 5 as evidence. Remind students to audit the on-screen directions too: a picture or an actor can make a claim without words. Collect the audits; the quiz returns to both sources.

  5. Closure10 minutes

    Bring the class together around one question: "What can a careful history say about Molly Pitcher with confidence?" Build three lists on the board, Supported, Uncertain and Contradicted, and ask each student to add one claim with the source that decides it. Then ask a perspective question: none of these works is in Mary Hays's own words, and the people who wrote about her were soldiers, writers and civic speakers. How should a historian treat a community's long tradition fairly when records are thin, without either repeating it as fact or dismissing it?

    Exit ticket: "Write one sentence that states an accurate central argument about women at the Battle of Monmouth, using only claims the class rated Supported."

    Teacher notes: Source 1 omits a crude joke attributed to the woman; the cut is marked. In Source 2, Lossing describes Molly as showing "the character of her countrywomen of the Emerald Isle," a sweeping generalization about Irish women. He meant it as praise, but it is still an ethnic stereotype of a kind common in nineteenth-century writing; point it out as a judgment about a whole group, not evidence about one person. Note too that her Irish birth is itself only a reported memory, and the Carlisle accounts in Source 4 call her a German girl, so students should not treat either origin as settled. Sources 6 and 7 are invented works written by SVHS; students should not cite them as real.

    Homework source: Source 7 is an invented roadside marker, written by SVHS, for the homework.

    [INVENTED ROADSIDE MARKER] MOLLY PITCHER

    Near this spot on June 28, 1778, during the Battle of Monmouth, Mary Hays carried water to American soldiers and, when her husband fell wounded, served his cannon for the rest of the battle.

    An eyewitness, the soldier Joseph Plumb Martin, later described a woman working at a cannon in this battle. In 1822 Pennsylvania granted Mary Hays an annuity for her services during the Revolutionary War. She is buried in Carlisle, Pennsylvania.

    SVHS (invented marker text written for this page), Source 7: "Molly Pitcher," a roadside historical marker (invented marker, SVHS-written sample interpretation, for the homework) (2026). Original passage written for this page.

Differentiation Strategies

For Struggling Students

  • Give an Accuracy Audit sheet with the load-bearing claims already listed for Source 6, so students start at step 3
  • Use three highlighter colors on Source 6: green for claims a source on the page supports, yellow for uncertain, pink for contradicted
  • Read Source 1 aloud twice and have students draw what Martin says he saw before comparing it with any history

For Advanced Students

  • Ask students to find every hedge word in Sources 2-4 ("is said," "accounts differ," "prevailing story") and judge whether each author kept to it
  • Ask students to compare how Sources 2, 3 and 4 open their accounts of the battle and rank the three authors by how clearly they signal what is tradition
  • Have students choose one claim the class rated Uncertain and write a one-paragraph research plan naming the kind of source that could settle it and where it might be kept

Assessment Guidance

What to Look For

Strong audits state each central argument as a claim, rate each load-bearing claim with a reason that names the source and the kind of evidence, and reach a verdict that is neither "all true" nor "all myth." Watch for students who treat a painting, a monument or a confident tone as proof, and for students who call a claim false simply because no source on the page mentions it. The best work rewrites the central argument so that every part is supported.

02

Classroom Activities

3 Activities

1

Claim Cards: Supported, Uncertain or Contradicted?

20 minGroups of 3-4

Each group gets 10 claim cards, each taken from one of the works on the page. For each card the group finds the earliest evidence on the page that bears on it, names the kind of evidence (record, eyewitness, reported memory, tradition or none) and rates the claim Supported, Uncertain or Contradicted. Groups must write one reason per card and may not rate a claim Contradicted unless a source on the page conflicts with it.

The 10 Claim Cards

  1. General Knox, in charge of the battery, was about to withdraw the gun when Molly took over. (from Source 3, paragraph 3)
  2. Molly was "a stout, red-haired, freckled-face young Irish woman." (from Source 2, paragraph 2)
  3. Soldiers called out, "Here comes Molly with her pitcher!" (from Source 3, paragraph 2)
  4. Her husband enlisted on December 1, 1775, as a gunner in Proctor's Artillery. (from Source 4, paragraph 1)
  5. She died near Fort Montgomery, among the Hudson Highlands. (from Source 2, paragraph 2)
  6. A woman worked at an American cannon during the Battle of Monmouth. (from Sources 2, 3, 4 and 6)
  7. General Greene presented her to Washington the next morning. (from Source 2, paragraph 2)
  8. Two wooden signs reading "Mollie Pitcher's Well" once marked the spring. (from Source 4, paragraph 2)
  9. She was buried with military honors, a company of soldiers firing a salute. (from Source 3, paragraph 5)
  10. Her nickname came from carrying water to the troops with a pitcher. (from Source 4, paragraph 2)

Discussion

Ask groups: "Which card was hardest to rate, and why? Which kind of evidence decided most of your Supported ratings?" Then ask each group to explain the difference between a claim no source mentions and a claim a source contradicts.

Answer Key for the Teacher

  1. Card 1: Uncertain. Humphrey names no source; Lossing says only "the officer in command" (Source 2, paragraph 2), and Martin names no officer.
  2. Card 2: Uncertain. It is one widow's memory reported by Lossing, and it clashes with the "current accounts" of "a German girl named Mary Ludwig" (Source 4, paragraph 1). Neither cites a record, so the two traditions may describe different women.
  3. Card 3: Uncertain. The dialogue has no source. Biddle also links the nickname to the pitcher but calls it part of "The prevailing story" (Source 4, paragraph 2).
  4. Card 4: Uncertain on this page. The exact date reads like a record, but Biddle names no record for it in this excerpt; a muster roll would settle it.
  5. Card 5: Contradicted if Lossing's Molly is the Carlisle woman: Source 5 gives her death in Carlisle (paragraph 3).
  6. Card 6: Supported. Martin, an eyewitness, says a woman "attended with her husband at the piece the whole time" (Source 1, paragraph 2).
  7. Card 7: Uncertain. Lossing and Humphrey both tell it, but neither names a source, and no record or eyewitness on the page mentions it.
  8. Card 8: Supported as a fact about the signs, which Biddle says were put up "some years ago." The signs show the tradition, not where she drew water in 1778.
  9. Card 9: Uncertain. Humphrey cites nothing, and the part of the 1832 newspaper notice quoted in Source 5 does not mention a military funeral.
  10. Card 10: Uncertain. Biddle presents it as part of "The prevailing story," and no record on the page explains where the nickname came from.

Ratings of Uncertain are the expected answer for most cards: the point is that the records on this page are thin, not that the stories are false.

2

Media Gallery: Vivid Is Not the Same as Accurate

20 minGroups of 3

Post five chart-paper stations, one per medium on the page: the memoir (Source 1), the painting described in Source 2, the book of biographies (Source 3), the speech and the monuments it mentions (Sources 4 and 5), and the documentary script (Source 6). At each station, groups write the central argument the medium presents, one thing the medium does to make the story vivid (a picture, an occasion, music, an actor, a precise date) and whether that feature adds evidence or only adds force.

Station Questions

  1. What does this medium let its maker do that a plain written history cannot?
  2. Does that feature give the audience new evidence about 1778, or does it make an existing claim more convincing?
  3. Who was the audience, and how might the occasion or the form shape what the maker stressed?

Debrief

Groups compare their notes on the painting and the documentary. Ask: "If a vivid medium repeats a story, is the story now better supported?" Students should conclude that repetition across media shows how widely a story spread, which is itself a historical fact worth studying, but not that the story is true.

Modification for Online Classes

Use a shared slide deck with one slide per station and have groups add their notes in different colors.

3

Rewrite for Accuracy

15-20 minPairs

Each pair picks one secondary work on the page (Source 2, 3 or 6) and rewrites its central argument in no more than three sentences so that every claim is supported by a source on the page, with hedges where the evidence is uncertain. Pairs then trade rewrites and run steps 4 and 5 of the Accuracy Audit on each other's version.

Rules for the Rewrite

  • Keep the original work's topic and, if possible, its main point
  • Every factual claim must cite a source and paragraph
  • Use a hedge ("tradition holds," "one eyewitness reports") for any claim rated Uncertain
  • Drop any claim rated Contradicted, or say what contradicts it

Variation: The Strongest Fair Case

Half the pairs write the strongest accurate case for the Carlisle tradition that Mary Hays was the woman Martin saw; the other half write the strongest accurate case for doubt. Both sides must use only supported claims and must state what evidence would change their minds.

03

Diagrams & Visual Aids

1 diagrams

Diagram 1: When Each Piece of Evidence or History Was Made

1780 1805 1830 1855 1880 1905 1930 Battle (1778) June 28, 1778 Annuity act (1822) Source 5, 44 years after Martin's memoir (1830) Source 1, 52 years after Death notice (1832) Source 5, 54 years after Lossing (1852) Source 2, 74 years after Carlisle tombstone (1876) Source 3, 98 years after Biddle's speech (1916) Sources 4-5, 138 years after Humphrey (1919) Source 3, 141 years after Scale: tick marks every 25 years; dots placed by year
Each dot marks the year a source on this page was made, drawn to scale from the battle in 1778 to Humphrey's book in 1919, with the gap after the battle in years. The 1822 act and the 1832 notice are known here only through Biddle's 1916 speech (Source 5), and the 1876 tombstone through Humphrey's book (Source 3). Use the timeline in step 3 of the Accuracy Audit.

04

Homework Assignment

~30 min

Homework: Auditing a Roadside Marker

Directions: Use Source 7, an invented roadside marker printed in Closure, with Sources 1-5. Follow the steps of the Accuracy Audit, rate claims Supported, Uncertain or Contradicted, and quote every source you use with its paragraph number. Source 7's first line is the marker's heading.

Part 1: The Marker (Problems 1-3)

  1. List every factual claim in Source 7 (there are at least five). Rate each one Supported, Uncertain or Contradicted, and name the source and paragraph that decides each rating.
  2. Source 7 and Source 6 both connect Joseph Plumb Martin to Mary Hays. Compare the exact wording each uses. Which is more accurate about what Martin wrote, and which words make the difference?
  3. The marker begins "Near this spot." What evidence would a marker writer need to make that claim? Does any source on this page provide it? Quote the closest evidence you can find and judge how far it goes.

Part 2: Media and the Central Argument (Problems 4-6)

  1. A roadside marker is short and stands at a place. Compare it with Biddle's speech (Sources 4 and 5) as a medium: name one accuracy risk and one strength of each form.
  2. State Humphrey's central argument in Source 3 in one sentence. Then judge it with the audit's verdict step: does it hold, hold in part, or fail? Use at least three claims and at least two other sources.
  3. Write an accurate museum label of 120-160 words about the woman at the gun at Monmouth. It must make one central argument, cite at least three sources by number, and clearly separate what the records show from what tradition holds.

Rubric

CriterionFull Credit (2 pts)Partial Credit (1 pt)No Credit (0 pts)
Claims and ratingsEach load-bearing claim is listed and rated with a reason that names the deciding sourceRatings given with weak or missing reasonsClaims not identified or not rated
EvidenceQuotations with source and paragraph numbers, and the kind of evidence named (record, eyewitness, tradition)Quotations without paragraph numbers or without the kind of evidenceNo quotations
Verdict on the argumentJudges whether the central argument holds, holds in part or fails, and explains whyStates a verdict without linking it to the ratingsNo verdict
MediumExplains how the form (marker, speech, label) shapes accuracy, with a specific featureMentions the form without a specific featureForm ignored

05

Quiz: 20 Questions

Interactive, with answers

Instructions

Source 1 is printed in Direct Instruction, Sources 2-4 in Direct Instruction and Guided Practice, and Sources 5 and 6 in Independent Practice. Source 1 is used in Questions 3, 4, 12, 14, 15 and 17; Source 2 in Question 19; Source 3 in Question 20; Source 4 in Questions 11, 15, 17 and 18; Source 5 in Questions 5-12 and 15-20; and Source 6 in Questions 1, 4, 6, 7, 11, 12, 15, 17 and 20. Questions 2 and 13 need no printed source. Questions 1-14 are multiple choice; 15-20 are short answer.

Multiple choice: pick an option to check it. Short answer: write your answer, then reveal the model answer.

0 of 20 answered · 0 correct

  1. Question 1 of 20 · Multiple Choice

    A student writes: "The documentary in Source 6 is inaccurate because its drums and swelling music are too dramatic." What is the main problem with this critique?

  2. Question 2 of 20 · Multiple Choice

    Which evidence would best test the claim that Washington made the woman at the gun a sergeant?

  3. Question 3 of 20 · Multiple Choice

    In Source 1, paragraph 1, why does Martin say he had no "adventure" in the firing in the centre and on the right of the battle?

  4. Question 4 of 20 · Multiple Choice

    Which statement in Source 6, paragraph 3, goes beyond what Source 1 actually says?

  5. Question 5 of 20 · Multiple Choice

    According to Source 5, paragraph 1, what does the account of Mary Hays's life up to the close of the Revolution rest on?

  6. Question 6 of 20 · Multiple Choice

    Source 6 says her husband, "John Hays, was killed beside his cannon" (paragraph 2). Which evidence most directly challenges this claim?

  7. Question 7 of 20 · Multiple Choice

    Source 6 says, "Later, Congress granted her a soldier's pension for life" (paragraph 4). What does Source 5 show instead?

  8. Question 8 of 20 · Multiple Choice

    According to the 1832 newspaper notice in Source 5, paragraph 4, why did she receive her annuity?

  9. Question 9 of 20 · Multiple Choice

    The 1832 notice says nothing about a cannon. How should a careful historian use that silence?

  10. Question 10 of 20 · Multiple Choice

    Which best describes Biddle's position in Source 5, paragraph 5?

  11. Question 11 of 20 · Multiple Choice

    Which on-screen direction in Source 6 presents an undocumented claim as if it were filmed fact?

  12. Question 12 of 20 · Multiple Choice

    Which critique of the central argument in Source 6, paragraph 1, is most accurate?

  13. Question 13 of 20 · Multiple Choice

    A history gets the husband's first name wrong, but its central argument does not depend on his name. How should a critique treat the error?

  14. Question 14 of 20 · Multiple Choice

    Which is a real limitation of Source 1 as evidence for the Molly Pitcher story?

  15. Question 15 of 20 · Short Answer

    Audit Source 6, paragraphs 2 and 3. List three factual claims, rate each Supported, Uncertain or Contradicted, and give the deciding evidence from Sources 1, 4 or 5 with paragraph numbers.

  16. Question 16 of 20 · Short Answer

    Source 5 ends a speech given at the unveiling of a monument. How might that occasion shape the argument of paragraph 5? Then use paragraphs 1-4 to judge whether Biddle still keeps to accuracy.

  17. Question 17 of 20 · Short Answer

    Rewrite the central argument of Source 6 in two or three sentences so that every claim is supported by Sources 1, 4 or 5. Cite each source you use.

  18. Question 18 of 20 · Short Answer

    None of the sources on this page is in Mary Hays's own words. What does that mean for a critique of these histories, and how can a historian treat the Carlisle tradition fairly?

  19. Question 19 of 20 · Short Answer

    Source 2 says Molly "died near Fort Montgomery, among the Hudson Highlands" (paragraph 2), while Source 5 places Mary Hays's death in Carlisle. Give two possible explanations for the conflict, and name one kind of evidence that could decide between them.

  20. Question 20 of 20 · Short Answer

    Source 6 opens: "For two centuries, we have been told that the American Revolution was won by men" (paragraph 1). Use Source 3 and Source 5 to critique the accuracy of this claim about earlier histories.

0 of 20 answered · 0 correct

06

Frequently Asked Questions

10 Questions

What does D2.His.17.9-12 mean?

D2.His.17.9-12 asks high school students to critique the central arguments of secondary works of history, on related topics and in multiple media, for their historical accuracy. It sits in Dimension 2 of the C3 Framework (history), in the indicators on causation and argumentation, and builds on the grades 6-8 skill of comparing those arguments.

How is D2.His.17.9-12 different from D2.His.17.6-8?

The 6-8 indicator asks students to compare central arguments; the 9-12 indicator asks them to critique those arguments for accuracy. High school students go beyond noticing that two works differ: they test each work's claims against primary sources and decide how much of its argument the evidence supports.

What does "historical accuracy" mean for a secondary work?

It means how well the work's claims match the best available evidence. Accuracy is judged claim by claim, and a work can be accurate in its details while its main argument goes beyond the evidence, or the reverse.

Is the lesson saying Molly Pitcher was a myth?

No. The lesson asks students to reach a verdict from the evidence, and the evidence supports part of the story, other parts rest on tradition, and some details in later works conflict with the records. Students sort the claims themselves with the Accuracy Audit.

Why use a painting, monuments, a speech and a documentary?

The indicator names multiple media, and the Molly Pitcher story spread through all of them. Each medium can make a claim more vivid, which helps students see that being vivid or widely repeated is not the same as being accurate.

Are the documentary and the roadside marker real?

No. Sources 6 and 7 are invented works written by SVHS for practice and labeled as invented. The documentary deliberately mixes supported and unsupported claims; the marker is closer to the evidence, which gives students a contrast in the homework.

What is the difference between "uncertain" and "contradicted"?

A claim is uncertain when no good evidence on the page confirms it, even if nothing disproves it. It is contradicted when a source, especially a record made at the time, conflicts with it. Students often call a claim false just because no source mentions it, and the lesson's rating scale is designed to prevent that.

Why does the lesson cut words from the sources?

Every cut is marked with [...]. Most cuts keep the passages short. One cut in Joseph Plumb Martin's memoir removes a crude joke the woman is reported to have made; nothing of substance about the event is lost.

How does this lesson connect to the RH reading standards?

Critiquing an author's claims by corroborating them with other information is the core of RH.11-12.8, and weighing sources in different formats and media connects to RH.11-12.7. Students also compare treatments of one topic across sources, as in RH.9-10.9.

Can this lesson be used in a U.S. history survey course?

Yes. It fits a unit on the American Revolution or a unit on how Americans have remembered it, and it takes about 80 minutes. The Accuracy Audit works with any topic where popular histories and the record disagree.